*/**** Image B Sound A- Extras C
starring Kevin Costner, Olivia Williams, Will Patton, Larenz Tate
screenplay by Eric Roth and Brian Helgeland, based on the novel by David Brin
directed by Kevin Costner
by Bill Chambers
Dear Kevin,
How are you? What are you up to these days? Have they offered you a sitcom yet?
**/**** Image A Sound A
starring Antonio Banderas, Salma Hayek, Joaquim de Almeida, Steve Buscemi
written and directed by Robert Rodriguez
by Vincent Suarez With 1993’s El Mariachi, director Robert Rodriguez wowed critics and arthouse audiences with his sheer talent and passion for filmmaking. Shot on a budget of merely $7,000 and with a cast and crew of Rodriguez’s friends, El Mariachi was a gleefully amateurish work of pure cinema. Upon garnering awards and praise at the Sundance Film Festival, Columbia Pictures agreed to distribute the film and finance Rodriguez’s Hollywood debut. Which prompted one to ask what Rodriguez could accomplish with a real budget and real talent at his disposal. Desperado (1995) provided the answer to that question: not much. Essentially a remake of El Mariachi, Desperado is full of the glitz and flashiness that one would expect of a visceral filmmaker like Rodriguez but has none of the heart or joy of El Mariachi. It’s a “cool” movie that leaves the viewer feeling…well, cold.
Reposted in the interest of posterity and synergy, despite not being very well-written.-Ed.
ZERO STARS/****
starring Matthew Broderick, Jean Reno, Hank Azaria, Maria Pitillo, Godzilla
screenplay by Dean Devlin and Roland Emmerich
directed by Roland Emmerich
by Bill Chambers The partnership of Roland Emmerich and Dean Devlin yielded a giant box office hit last time out with their alien invasion picture Independence Day, a film critically dissed in large part because it was populated with stereotypes: we knew who the smart guy was because he wore glasses and a pocket-protector; who the gay guy was because Harvey Fierstein's dialogue was set to flaming; who the hero was because he promised to "whoop E.T.'s ass." This time out, Devlin and Emmerich have solved that problem by making no attempts whatsoever to define their stable of characters. Not only is New York City a shambles when Godzilla is through, so is Godzilla, a disaster picture in every sense of the word. This may be the most uncompelling summer movie contender in the history of the sport.
Editor's Note, December 24, 2012: Again, this material is pretty stale. Mostly reposting it for posterity, something I can't always bring myself to do when it comes to the early reviews.
The following Ten Best list reflects only the opinions of Bill Chambers–FILM FREAK CENTRAL's webmaster–and not necessarily those of this site's other contributors.
1. The Ice Storm– Suburbia in most films is portrayed as a white picket fence surrounding a dozen Addams families. The Ice Storm is less eager to impress us with quirky kinfolk–it places two neighbouring, dysfunctional families under a microscope. Witty without being jokey, sad without being blatantly tearjerking, this is that sort of film so unforgiving that audiences stayed away in droves.