A-Maize-ing Grace: The Children of the Corn Saga

February 27, 2023Posted in1980s, 1990s, 2000s, 2011, 2018, 2023, Authors: Walter Chaw, Canada, Horror, Mystery, Stephen King, Theatrical, Thriller

Amaizeinggrace3

DISCIPLES OF THE CROW (1983)
***½/****
starring Eleese Lester, Gabriel Folse, Steven Young, Martin Boozer
based on the story “Children of the Corn” by Stephen King
adapted for the screen and directed by John Woodward		 CHILDREN OF THE CORN (1984)
Stephen King’s Children of the Corn
**½/****
starring Peter Horton, Linda Hamilton, R.G. Armstrong, John Franklin
screenplay by George Goldsmith, based upon the story by Stephen King
directed by Fritz Kiersch
CHILDREN OF THE CORN II: THE FINAL SACRIFICE (1993)
***/****
starring Terence Knox, Paul Scherrier, Ryan Bollman, Ned Romero
written by A.L. Katz and Gilbert Adler
directed by David F. Price		 CHILDREN OF THE CORN III: URBAN HARVEST (1995)
***/****
starring Daniel Cerny, Ron Melendez, Mari Morrow, Jim Metzler
written by Dode Levenson
directed by James D.R. Hickox
CHILDREN OF THE CORN IV: THE GATHERING (1996)
*/****
starring Naomi Watts, Brent Jennings, Samaria Graham, William Windom
written by Stephen Berger and Greg Spence
directed by Greg Spence		 CHILDREN OF THE CORN V: FIELDS OF TERROR (1998)
½*/****
starring Stacy Galina, Alexis Arquette, Ahmet Zappa, David Carradine
written and directed by Ethan Wiley
CHILDREN OF THE CORN 666: ISAAC’S RETURN (1999)
*/****
starring Nancy Allen, Natalie Ramsey, Paul Popowich, Stacy Keach
screenplay by Tim Sulka & John Franklin
directed by Kari Skogland		 CHILDREN OF THE CORN: REVELATION (2001)
*/****
starring Claudette Mink, Kyle Cassie, Michael Ironside
written by S.J. Smith
directed by Guy Magar
CHILDREN OF THE CORN (2009)
**/****
starring David Anders, Kandyse McClure
screenplay by Donald P. Borchers and Stephen King, based on the short story by King
directed by Donald P. Borchers		 CHILDREN OF THE CORN: GENESIS (2011)
***/****
starring Kelen Coleman, Tim Rock, Billy Drago
written and directed by Joel Soisson
CHILDREN OF THE CORN: RUNAWAY (2018)
½*/****
starring Marci Miller, Jake Ryan Scott, Mary Kathryn Bryant, Lynn Andrews
screenplay by Joel Soisson
directed by John Gulage		 CHILDREN OF THE CORN (2023)
*/****
starring Elena Kampouris, Kate Moyer, Callan Mulvey, Bruce Spence
based upon the short story by Stephen King
written and directed by Kurt Wimmer

by Walter Chaw Kurt Wimmer’s Children of the Corn prequel/reboot is drab, uninspired, witless I.P.-sploitation. I first read Stephen King’s same-named short story in the movie tie-in edition of Night Shift (the one with the red cover) in sixth grade and loved the Lovecraft of it, how it begins in the middle with a car-tripping couple hitting a kid running out of a cornfield in bumblefuck, Nebraska and leads said couple through a forensic reconstruction of the doom that came to Gatlin. I see in its setup and execution both the tendrils leading backwards and the ones nourishing stories like Clive Barker’s “In the Hills, the Cities.” It has a feeling of the inevitable uncanny that is underestimated in King’s best work: a sense that what is happening has almost finished happening, and it’s too late to do anything but bear witness to our collective ruin. Of the dozen films in the eclectic Children of the Corn franchise, only the third feature, subtitled Urban Harvest, hints at that feeling of Elder Gods infecting the innocent to act against the innocent and the generational end times attending that. None of the rest deal with the horror of good kids from loving families falling into an apocalyptic blood cult and suddenly murdering all of the grown-ups, choosing instead to paint the victims as abusive or absentee so that they kind of deserve whatever’s coming to them. That’s a revenge fantasy, not horror.

Super 8 (2011) – Blu-ray + DVD + Digital Copy|Super 8 – 4K Ultra HD + Digital

September 2, 2021Posted in2011, 2021, 4K Ultra HD, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Coming of Age, DVD, Mystery, Sci-Fi, Spielberg, Thriller

Vlcsnap-2021-09-02-21h25m22s133Please note that all framegrabs are from the 1080p version

***/****
BD – Image A+ Sound A+ Extras A-
4K UHD – Image B Sound A+ Extras A-
starring Elle Fanning, Kyle Chandler, Joel Courtney, Gabriel Basso
written and directed by J.J. Abrams

by Walter Chaw J.J. Abrams’s Spielberg shrine Super 8 mines the birth-of-the-blockbuster nostalgia vein so doggedly that you actually wish it was better than it is. Still, what works about it works really well, the best result of it being that it offers a vehicle for young Elle Fanning that should catapult her to the real superstardom Somewhere would have had anyone seen it. She’s stunning; every second she’s on screen, no matter whether she’s sharing the frame with a two-storey monster, it’s impossible to look away from her. She’s the natural lens-flare Abrams offsets with his trademark visual tick. Fanning’s Alice, the daughter of town drunk Louis (Ron Eldard), is enlisted by a pack of Goonies-stratified youngsters to be the female lead in their kitchen-sink zombie flick. The erstwhile director is the Stand By Me chubby one Charles (Riley Griffiths), and along for the ride are the one who pukes (Gabriel Basso) and the one who likes to blow shit up (Ryan Lee). And, yes, there’s that scene where the kids throw their stuff over a fence, gather up their bikes, and recreate an entire sequence from the Amblin Entertainment logo that opens the picture.

Beverly Hills Cop (1984) + Beverly Hills Cop: 3 Movie Collection – Blu-ray Discs

January 21, 2020Posted in1980s, 1990s, 2011, 2020, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Crime, Directors: Tony Scott, Eddie Murphy, Thriller

Please note that all framegrabs are from “Beverly Hills Cop: 3 Movie Collection”

BEVERLY HILLS COP (1984)
**/****
2011 BD – Image B+ Sound C+ Extras A
2020 BD – Image A Sound C+ Extras A
starring Eddie Murphy, Judge Reinhold, John Ashton, Lisa Eilbacher
screenplay by Daniel Petrie Jr.
directed by Martin Brest

by Walter Chaw I used to watch Beverly Hills Cop about once a week in regular rotation with other movies I bootlegged during those first delirious go-rounds with the VCR-connected-to-rented-VCR carousel. It was on an extended-play tape with two other movies (Desert Hearts was one of the others, Re-Animator the third; quite the triple-feature!); back then, quantity beat the ever-loving shit out of quality. (Bless Paramount, by the way, for always being too cheap to encode their VHS tapes with Macrovision.) For me, Beverly Hills Cop was, like its contemporary Ghost Busters, the ne plus ultra of comedy–my eleven-year-old self still a couple of years away from Monty Python–and the requisite throwaway scene in a strip club was enough to be the centrefold in this analog PLAYBOY that, huzzah, I didn’t have to hide between the mattress and bedspring. The picture had, truth be told, everything a pre-pubescent boy could want in terms of violence (but not freaky violence), sex (but not freaky sex), nobility (the easy-to-understand kind), and plotting (ditto). The hero was an African-American man I’d never seen on SNL (which was on too late for me to catch) and had likewise never seen in 48Hrs.. He was small and not particularly powerful, but he was lithe and had a quick wit and compelling improvisational skills, and he ably parlayed his minority status in a few scenes that aren’t the slightest bit threatening. Eddie Murphy’s Axel Foley is, in fact, not entirely unlike cultural brother E.T.–the outsider hero with special abilities who, mission accomplished, can slink off to wherever it is he came from.

The Newsroom: The Complete First Season (2012) – Blu-ray + DVD + Digital Copy

July 18, 2013Posted in2011, 2012, 2013, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Drama, DVD, Television

Image
A Sound B+ Extras B
"We
Just Decided To," "News Night 2.0," "The 112th
Congress," "I'll Try To Fix You," "Amen,"
"Bullies," "5/1," "The Blackout, Part 1: Tragedy
Porn," "The Blackout, Part 2: Mock Debate," "The Greater
Fool"


Newsroom1

by
Jefferson Robbins The more
I think about Aaron Sorkin's chimerical HBO beast "The Newsroom", the more I think it would work far, far better as a Broadway musical.
That may
be because Sorkin loads the ranks of his ensemble drama with
accomplished
theatre vets, or it may be because of the endless dialogue references to stage
classics,
beginning and ending with Man of La Mancha.
But it's also
a matter of timing: The show offers strange eruptions of relationship
palaver,
set in the midst of world-altering sociopolitical changes and the daily
churn
of building a TV newshour around them. They arrive oddly, maddeningly,
and
frequently, just when the storylines involving real-world events are
beginning to
compel, and they feel almost uniformly dishonest and manufactured. What
I'm
saying is, they'd go down easier if they were sung.

New Year’s Eve (2011) – Blu-ray + DVD + Digital Copy

December 9, 2012Posted in2011, 2012, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, DVD, Robert De Niro, Romance

*/**** Image A Sound C+ Extras C-
starring Halle Berry, Jessica Biel, Jon Bon Jovi, Abigail Breslin
screenplay by Katherine Fugate
directed by Garry Marshall

Newyearseve1click any image to enlarge

by Jefferson Robbins Refining the Hollywood gravity well–the kind of cinematic drain-spiral that A-listers and aspirants can't not be in–he first manufactured with Valentine's Day, Garry Marshall's New Year's Eve hinges for me on the thought that Robert De Niro got paid at least seven figures to literally lie in bed. The movie feints at the larger symbolism of the holiday: A progression forward in light of what's come before, the passages between immaturity and adulthood and life and death. But this is a romcom from the godfather of the modern romcom, albeit a too-long one that's neither very funny nor very romantic, and it ultimately takes its importance from the infantile imperative to kiss somebody, almost anybody, at midnight when the year turns. If you don't, you're worth nothing.

Hara-Kiri: Death of a Samurai (2011)

October 18, 2012Posted in****/****, 2011, 2012, Action, Authors: Walter Chaw, Drama, Japan, Martial Arts, UK

****/****
starring Ebizo Ichikawa, Eita, Hikari Mitsushima, Naoto Takenaka
screenplay by Kikumi Yamagashi, based on the novel by Yasuhiko Takiguchi
directed by Takashi Miike

Harakiri

by Walter Chaw Masaki Kobayashi's 1962 masterpiece Harakiri is the height of austere–almost Noh–Japanese filmmaking. It lands somewhere between Ozu's pillow flicks and Kurosawa's Throne of Blood, and, of course, as Kobayashi is the auteur behind the Human Condition trilogy, that martial austerity, that antiestablishment mien, is to be expected, if impossible to ever truly gird oneself against. It's set in 1630, at the end of feudal Japan, when collapsing fiefdoms mean throngs of ronin overflowing into the countryside and, occasionally, asking for the right to commit ritual suicide in an "honourable" courtyard. Tsugumo is one such samurai, but before he's granted the privilege of dragging a sword across his belly, House of Iyi counsellor Saito insists on telling him of a previous penitent, Chijiiwa, who claimed he wanted to kill himself but only really wanted a handout. Seeking to make an example of Chijiiwa and the effrontery he represents to the Bushido code, the Iyi clan decides to force the issue–even after it's revealed that Chijiiwa has, somewhere along the way, pawned his iron for a bamboo stick with a hilt. It's a kind of torture, and everyone watches. Kobayashi goes into flashback, unexpectedly, telling the story of the young samurai we, at first, are complicit in mocking. We participate in his torture. We believe he deserves it. By the end of the film, we don't believe that anymore.

Wuthering Heights (2011)

October 18, 2012Posted in****/****, 2011, 2012, Authors: Walter Chaw, Drama, Theatrical, UK

Wutheringheights2012

****/****
starring Kaya Scodelario, James Howson, Solomon Glave, Nichola Burley
screenplay by Andrea Arnold, Olivia Hetreed, based on the novel by Emily Brontë
directed by Andrea Arnold

by Walter Chaw SPOILER WARNING IN EFFECT. The animalism, the absolute withering upheaval of the “feminized” Victorian-novel tradition, Emily Brontë’s Wuthering Heights has long been one of my favourite books. What’s never been properly captured in its myriad film adaptations is the earthiness that tethers its gothic, sometimes supernatural, trappings. Neither guilty pleasure nor bodice-ripper, it’s a wallow, a traipse through high heather that only hides the wet suck of the moors, and damned if it doesn’t, when all’s said and done, project something like a masculine gaze in its positioning of brooding, demonic Heathcliff at its centre. It’s a romance–a destructive, devouring romance constructed all of regrets and unconsummated desire; and Andrea Arnold’s wise, visceral take on it is the underbelly of Jane Campion’s brilliant Bright Star. Together, they would construct a poetic whole: the Romanticist yin of Bright Star to Wuthering Heights‘ roaring Victorian yang. Arnold’s film is so good, in fact, that it clarifies how it is that Romanticism, through Victorianism, eventually becomes Emerson’s Naturalism and then, ultimately, Modernism. It’s a continuum, isn’t it, and Wuthering Heights is the missing link in a very particular Darwin chart. The excitement of it for me is that it’s an example, pure and new, that film at its best is poetry.

Dexter: The Sixth Season (2011) – Blu-ray Disc

August 15, 2012Posted in2011, 2012, Authors: Bill Chambers, Blu-ray Disc, Crime, Drama, Horror, Television, Thriller

Image A Sound A+ Extras D+
"Those Kinds of Things," "Once Upon a Time…," "Smokey and the Bandit," "A Horse of a Different Color," "The Angel of Death," "Just Let Go," "Nebraska," "Sin of Omission," "Get Gellar," "Ricochet Rabbit," "Talk to the Hand," "This Is the Way the World Ends"

Dexters6cap1

by Bill Chambers LIGHT SPOILER WARNING IN EFFECT. My favourite episode of "The Incredible Hulk" is the two-hour premiere of the second season, "Married." One of the unfortunately-few instalments written and directed by series creator Kenneth Johnson (a genuine pulp talent), it sees David Banner falling in love with the terminally-ill shrink (Mariette Hartley won an Emmy for the role) helping him contain the Hulk, a hypnotic process that involves David visualizing the Hulk trapped in a giant birdcage in the middle of a pristine desert–a tableau that clearly inspired the dream vistas at the outset of Tarsem's The Cell. Kindred spirits, they eventually marry, but although unleashing the Hulk protects her from harm when external forces threaten her life, it can't save her from the Grim Reaper. "Married" ends on an unusually hopeless note as a young boy who befriended the doctor informs David he's going to devise a cure for her disease when he grows up and David more or less tells the boy he's deluded. One of the most devastating pieces of genre television ever produced, it really could've been the series finale. Unfortunately, the show continued long enough to lapse into self-parody and longer still. Much like "Dexter"–though come to think of it, that happened about halfway through the pilot.

Priest (2011) [Unrated] – Blu-ray Disc

August 1, 2012Posted in2011, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Fantasy, Horror, Sci-Fi, Thriller, Vampire

***/**** Image A Sound A Extras B
starring Paul Bettany, Karl Urban, Cam Gigandet, Christopher Plummer
screenplay by Cory Goodman, based on the graphic novel series by Min-Woo Hyung
directed by Scott Stewart

by Walter Chaw I'm completely unfamiliar with the Min-Woo Hyong graphic novels on which visual-effects guy Scott Stewart's Priest is based, and the biggest surprise of the picture isn't that the guy who did the abominable Legion managed to make something so watchable, but that Priest made me want to track down Hyong's work. Before seeing this movie, I just sort of assumed that the comic was another weird west thing along the lines of Vertigo's Preacher; after, I'm led to believe that it's a canny little mélange of cyberpunk, weird west, and horror comics, with some solid Ghost in the Shell manga tossed into the mix. There's not a minute of the film, mind, that's without a clear antecedent–not one second that passes without a namecheck of not only stuff like Blade Runner (on the "Final Cut" of which Stewart served as an uncredited techie during his time at ILM) and, most obviously, Alien/Aliens, but also The Searchers as tortured, titular Priest (Paul Bettany) declares that if his vamp-abducted niece Lucy (Lily Collins) becomes infected, it would be his pleasure (?) to dispatch her.

The Rite (2011) – Blu-ray + DVD + Digital Copy

August 1, 2012Posted in2011, Authors: Walter Chaw, Blu-ray Disc, DVD, Horror, Hungary, Italy, Mystery, Thriller

**/**** Image A Sound A+ Extras D
starring Anthony Hopkins, Colin O'Donoghue, Alice Braga, Rutger Hauer
screenplay by Michael Petroni, suggested by the book by Matt Baglio
directed by Mikael Håfström

by Walter Chaw Though it's not particularly surprising that The Rite isn't scary or innovative, it is a bit of a surprise that The Rite doesn't completely suck. It's not good, but there's some ambition in its tale of a tortured seminarian. Michael (Colin O'Donoghue) is dealing with his odd childhood at the knee of his dad, a widower and overzealous mortician (Rutger Hauer), as well as a crisis of faith handily addressed by the traumatic, traffic-related death of an innocent whom God, the picture suggests, throws in front of a truck to get Michael to reconsider leaving the priesthood. In the same stroke, God cripples Michael's mentor, Father Matthew (Toby Jones), leading one to revisit Arthur C. Clarke's "The Star" for a dose of non-Scriptural skepticism and rage if one were so inclined. No matter, as Michael, because of his lack of squeamishness, is packed off to The Vatican to attend a modern exorcism school. Which is also something of a surprise, I guess–that said exorcism school really exists and is alive and well, well into the 21st century. Although that surprise is ameliorated a little by the fact that Catholicism also still believes in a literal transubstantiation of the host. Small wonder that Catholicism is my favourite Christian sect.

Our long-overdue review of Margaret (2011)

July 12, 2012Posted in2011, 2012, Authors: Angelo Muredda, Coming of Age, Drama, DVD

***½/****
starring Anna Paquin, J. Smith-Cameron, Jean Reno, Matt Damon
written and directed by Kenneth Lonergan

Margaretcap

by Angelo Muredda The early word on Margaret was that it was a promising three-hour-plus city symphony wrested away in the editing room from writer-director Kenneth Lonergan. Still mired in legal troubles from the production over the course of its quiet release and critical resurgence last fall, Lonergan briefly spoke up to deny that what a coterie of critics and audience members had seen up to that point was damaged goods, admitting the 150-minute theatrical version is more or less his Director's Cut. While the Blu-ray release includes the famed longer version*, then, it bears mentioning that if the theatrical cut is a thwarted masterpiece, uneven but conceptually daring and powerful, it's very much Lonergan's thwarted masterpiece.

The Twilight Saga: Breaking Dawn – Part 1 (2011)

July 11, 2012Posted in2011, Authors: Walter Chaw, Romance, Teen, Theatrical, Vampire, ZERO STARS

ZERO STARS/****
starring Kristen Stewart, Robert Pattinson, Taylor Lautner, Billy Burke
screenplay by Melissa Rosenberg, based on the novel by Stephenie Meyer
directed by Bill Condon

Twilight4by Walter Chaw Appalling by pretty much every measure, The Twilight Saga: Breaking Dawn – Part 1 (hereafter Twilight 4.1) is the predictable end result of a film based on a book written by an illiterate Mormon housewife mistaking her profound ignorance for profundity. It's about a really old guy who talks a really young girl into marrying him and enduring really, really painful childbirth as her portion of God's judgment on her kind; and then it's about another kind of pedophilia, wherein a 19-year-old badly in need of acting lessons gets turned on by a baby and decides he's going to marry that infant once she's old enough to breed. Still with me? So, yes, I knew it was going to be bad and, yes, I went anyway. And you know what? For as girded as I was to the raw incompetence of this franchise, Twilight 4.1 still managed to plumb a few new depths. See, Twilight 4.1 is an apologia for spousal abuse and a clumsy pro-life screed (what about this crap isn't clumsy?) before turning into cartoon Grand Guignol horseshit meant to freak out an audience of pre-teens and lonely housewives who think that this object of their devotion is selling them anything except loneliness and delusion. It's sledgehammer racist in its depiction of a native housekeeper cast as Maria Ouspenskaya, and it has a moment in which a circle of wolves "think-talk" to each other in some ineffable evocation of an Optimus Prime pep talk. It's completely inexplicable, in other words, and irritating for it.

True Blood: The Complete Fourth Season (2011) – Blu-ray/DVD/Digital Copy

June 17, 2012Posted in2011, 2012, Authors: Bill Chambers, Blu-ray Disc, Horror, Romance, Satire, Television, Vampire, Werewolf

Image A- Sound A Extras B
"She's Not There," "You Smell Like Dinner," "If You Love Me, Why Am I Dyin'?," "I'm Alive and on Fire," "Me & the Devil," "I Wish I Was the Moon," "Cold Grey Light of Dawn," "Spellbound," "Let's Get Out of Here," "Burning Down the House," "Soul of Fire," "And When I Die"

Truebloods4cap3

by Bill Chambers SPOILER WARNING IN EFFECT. To recap: "True Blood"'s third season ended with Vampire Bill (Stephen Moyer) and his queen (Evan Rachel Wood) revealing a heretofore-unseen ability to defy gravity as they prepared to duel to the death; Hoyt (Jim Parrack) and Jessica (the staggeringly beautiful Deborah Ann Woll) receiving a creepy housewarming present (unseen by them) in the form of a moldy doll; Tara (Rutina Wesley) departing Bon Temps for anywhere less likely to be a hub of supernatural activity; and a newly liberated Sookie (Anna Paquin) disinviting Bill and Eric (Alexander Skarsgård) from her home before vanishing in a ball of light with her literal fairy godmother.

My Life as a Dog (1985) [The Criterion Collection] – Blu-ray Disc

June 12, 2012Posted in1980s, 2011, Authors: Angelo Muredda, Blu-ray Disc, Coming of Age, Drama, Sweden, The Criterion Collection

Mitt liv som hund
**½/**** Image A- Sound B+ Extras B
starring Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman
screenplay by Lasse Hallström & Reidar Jönsson & Brasse Brännström & Per Berglund, based on the novel by Reidar Jönsson
directed by Lasse Hallström

by Angelo Muredda Before Oscar powerbrokers Scott Rudin and Harvey Weinstein entrusted their yearly contenders to can't-fail Stephen Daldry, there was Lasse Hallström. A three-time Academy award nominee whose Chocolat is still roundly (and somewhat unfairly, given the company of trash like Crash) dismissed as one of the most undeserving Best Picture nominees of recent years, Hallström best encapsulates the notion, popular in Oscar-watching circles, of the "fifth nominee": the uncelebrated contender who presumably just made the cut. Consecutive star-studded nonstarters like The Shipping News and An Unfinished Life–which, lest we forget, quasi-romantically paired a maimed Morgan Freeman with the existentially-troubled bear who gored him–have dimmed his reputation considerably since then, but Hallström has nevertheless assured himself a strange place in American filmmaking (not least because he is Swedish) as simultaneously one of the most-awarded and least-loved directors of the Miramax era of upmarket indies.

Sherlock Holmes: A Game of Shadows (2011) – Blu-ray + DVD + Digital Copy

June 3, 2012Posted in2011, 2012, Action, Adventure, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, DVD, Mystery, UK

*½/**** Image C+ Sound A+ Extras B
starring Robert Downey Jr., Jude Law, Noomi Rapace, Rachel McAdams
screenplay by Michele Mulroney & Kieran Mulroney
directed by Guy Ritchie

Sherlock2cap1

by Angelo Muredda On my way out of Sherlock Holmes: A Game of Shadows, I overheard a woman telling her friend that it was "the sort of thing you have to see a second time." Presumably she meant the intricate scheme by which "Napoleon of Crime" Moriarty (Jared Harris, suitably menacing) seeks to deliver Europe into an early Great War, a mystery so trite that its solution hinges on whether Holmes (Robert Downey Jr., inching dangerously towards Johnny Depp levels of hackdom) can get a hold of his nemesis's pocketbook. But showing us everything for a second time is very much Ritchie's M.O. There are about twenty minutes of movie in A Game of Shadows, all told: the rest is instant replay, a shameless parade of alternate angles and slow-motion recaps of bullets firing out of barrels or getting jammed in the process. It's as if in lieu of the finished product, Ritchie submitted home footage of his own work in the editing suite, dazzled by Final Cut Pro's array of grey filters and motion blurs.

Turn Me On, Goddammit (2011)

May 17, 2012Posted in2011, 2012, Authors: Angelo Muredda, Comedy, Drama, Norway, Romance, Teen

Få meg på, for faen
(a.k.a. Turn Me On, Dammit!)
***/****
starring Helen Bergsholm, Malin Bjørhovde, Henriette Steenstrup, Beate Støfring
screenplay by Jannicke Systad Jacobsen, based on the novel by Olaug Nilssen
directed by Jannicke Systad Jacobsen

Turnmeondammitcap

by Angelo Muredda Turn Me On, Goddammit opens with a provocation worthy of its title. Our introduction to fifteen-year-old Alma (Helene Bergsholm) finds her on the kitchen floor, masturbating to a phone-sex line (she's a preferred caller and sort-of friend to operator Stig (Per Kjerstad)) while her dog watches with interest. That's some hook, but Jannicke Systad Jacobsen's first dramatic feature after a string of documentaries is at its best when it bypasses this kind of frontal assault and plays to Jacobsen's strengths, namely her delicate touch with nonprofessional actors and sharp distillation of the gender politics of small-town life. While the film nicely delineates its washed-out setting of Skoddeheimen, a remote mountain village in Norway whose welcome sign kids unfailingly raise a middle-finger to on the bus ride home from school, Jacobsen's real boon is to capture a spectrum of teens' sexual attitudes within a hermetically-sealed but still fairly typical environment. While that might make Turn Me On, Goddammit sound like a dry sociological tome, Jacobsen and Bergsholm, in her debut, are adept at making Alma not a blank Norwegian Everygirl but someone who's credibly starting to cultivate her sexual proclivities in a hostile space.

The Muppets (2011) – The Wocka Wocka Value Pack Blu-ray Disc

May 6, 2012Posted in2011, 2012, Adventure, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Disney, Family, Muppets, Musical

**/**** Image A Sound A Extras B-
starring Jason Segel, Amy Adams, Chris Cooper, Rashida Jones
screenplay by Jason Segel & Nicholas Stoller
directed by James Bobin

Muppetscap4

by Bryant Frazer I stopped paying attention to new Muppet movies after creator Jim Henson's untimely death in 1990. I just didn't have the heart for it. But I was aware that the Henson legacy continued with The Muppet Christmas Carol, Muppet Treasure Island, and, finally, Muppets from Space. (For Gen X-ers, 1999 was a very bad year: George Lucas told you that The Force was really tiny space critters living in your bloodstream, and Team Muppet expected you to believe that Gonzo was an extraterrestrial.) Muppets from Space was the last hurrah for Frank Oz, Jim Henson's right-hand man for so many years, although the Muppets endured on a newly humble scale, reaching in 2005 what fans generally agree was the nadir of their existence, the made-for-TV The Muppets' Wizard of Oz.

Shame (2011) – Blu-ray + DVD + Digital Copy

April 26, 2012Posted in****/****, 2011, 2012, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Canada, Drama, DVD, FFC Must-Own, UK

Mustown****/**** Image A- Sound A Extras D+
starring Michael Fassbender, Carey Mulligan, James Badge Dale, Nicole Baharie
screenplay by Steve McQueen and Abi Morgan
directed by Steve McQueen

Shamecap1

by Walter Chaw Brandon is a cipher from beginning to end, and while that’s usually a detriment, in Steve McQueen’s extraordinary, gruelling Shame, it’s key to why the whole thing works. Even better is that Brandon, a widely-presumed sex addict (to my mind, the film works better without a pop diagnosis), is played by Michael Fassbender, he of the matinee-idol looks and piercing green eyes. It’s interesting that what he plays best is ambiguity (next up: a robot in Prometheus), an unknowable quality that inspired McQueen’s previous installation piece, Hunger, making the lonesome protest of hunger-striker Bobby Sands into a holy mystery, a relic unknowable and his English bull tormentors Romans with spears knowing not what they do. No less ecclesiastical, Shame is a feature-length indulgence and scourging, making it fair to wonder if McQueen’s aim isn’t to assail each of the Deadly Sins in due course–his own septet on glowing, adjoined celluloid panels. It’s a great explanation of the title, and makes me wonder if the next one won’t be “Avarice.” Anyway, the film only works because Fassbender is beautiful. Ugly guys don’t get to be ashamed of sex.

The Woman in Black (2012) + The Innkeepers (2011)|The Innkeepers – Blu-ray Disc

April 23, 2012Posted in2011, 2012, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, Horror, Theatrical, Thriller, UK

THE WOMAN IN BLACK
*/****
starring Daniel Radcliffe, Ciarán Hinds, Janet McTeer, Liz White
screenplay by Jane Goldman
directed by James Watkins

THE INNKEEPERS
***½/**** | Image A- Sound A Extras B
starring Sara Paxton, Pat Healy, Kelly McGillis, George Riddle
written and directed by Ti West

by Walter Chaw A beautifully-outfitted, brilliantly-designed Victorian jack-in-the-box, James Watkins's The Woman in Black will likely be remembered, if it's remembered at all, as Daniel Radcliffe's Harry Potter commencement (given that no one saw December Boys). Alas, it squanders a pretty nice, 'Tim Burton Sleepy Hollow' set-up in bumfuck England for a solid hour of crap jumping out of shadows. Popping up from behind bushes is startling, but it isn't art (it's not even clever), and at the end of the day, it's only really entertaining if you or your date is a sixteen-year-old girl. Carrying the Hammer imprint and boasting production design so good that long stretches of the film are devoted to looking at it, the piece only ever honours its legacy and appearance with the brutality with which it handles its dead children and a delirious dinner scene in which a grief-besotted lady (Janet McTeer) treats her little dogs like babies and carves something on her dinner table whilst possessed of a hilarious fit. The rest of it is garbage.

Bad Teacher (2011) – Unrated Blu-ray + DVD Combo Pack

April 23, 2012Posted in2011, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, DVD

*/**** | Image A Sound B- Extras C-
starring Cameron Diaz, Justin Timberlake, Lucy Punch, Jason Segel
screenplay by Gene Stupnitsky & Lee Eisenberg
directed by Jake Kasdan

by Jefferson Robbins It's time for a teacher-centric dark comedy, I think. American public education, always beset, is under threat today by moralists, union-busters, profiteers, economic malaise, and taxpayers who simply refuse to vote for better school funding. We say that children are our future, yet we bus them off every day to institutions we no longer find trustworthy. Federal regulation collides with common sense, and all that matters in the end is filling in the bubbles on a Scantron sheet. Education needs its own The Hospital or Network–something like an update of Arthur Hiller's 1984 Teachers, but with more focus, and better bite. What it doesn't need, or at least doesn't benefit from, is Bad Teacher.

The Deep Blue Sea (2011)

April 17, 2012Posted in2011, 2012, Authors: Angelo Muredda, Drama, Theatrical, UK

***½/****
starring Rachel Weisz, Tom Hiddleston, Simon Russell Beale
screenplay by Terence Davies, based on the play by Terence Rattigan
directed by Terence Davies

DeepblueseaIn Of Time and the City, Terence Davies's self-described love song and eulogy for his native Liverpool, the director halts his psycho-geographic walking-tour of old haunts at one point to pay backhanded tribute to the Merseybeat movement. With the meteoric rise of The Beatles, he pronounces in sulky baritone, the well-crafted love songs on which he was weaned became, overnight, as antiquated as curling tongs. Yet just as abruptly as pop turned beat, the young Davies went another way: "I discovered Mahler," he drawls, "and responded completely to his every overwrought note." Davies's studiously unfashionable gravitation to the Romantic, largely for its affinities with the torch songs he so recently mourned, finds apt expression in his sixth feature, a beautifully overripe adaptation of Terence Rattigan's 1952 play The Deep Blue Sea. Like its source, the film chronicles the misfortunes of Hester (Rachel Weisz), a judge's wife in postwar London who leaves her cerebral older spouse, William (Simon Russell Beale), for sexual fulfilment with wastrel Royal Air Force pilot Freddie (Tom Hiddleston), and subsequently finds herself unloved and in limbo. Only a recent convert to such reckless emotional indulgence, Hester, when we meet her, is very much the Mahler sort. Despite its apparent distance from more clearly autobiographical films like Distant Voices, Still Lives and The Long Day Closes, then, Davies is an ideal steward for this material–every bit as attentive to matters of exquisite sadness as his protagonist.

Footnote (2011)

April 17, 2012Posted in2011, 2012, Authors: Angelo Muredda, Comedy, Drama, Israel, Theatrical

(Hearat Shulayim)
***/****
starring Shlomo Bar-Aba, Lior Ashkenazi
written and directed by Joseph Cedar

Joseph Cedar's Footnote (Hearat Shulayim) begins with what looks like a son's loving tribute to his intellectual origins. Rising to accept his invitation to the Israeli Academy of Sciences and Humanities, slick Talmud scholar Uriel Scholnik (Lior Ashkenazi) waxes reverent about the professional example set by his uncompromising father, Eliezer (Shlomo Bar-Aba), himself a Talmud scholar who spent the better part of his adult years toiling away on textual variants observed in microfiche while his son cut his teeth on high theory. We stay tight on Eliezer, his head bowed and his mouth locked in a grimace, as his son tells an anecdote about a survey he had to fill out as a primary student, identifying his father's profession. "Say that I'm a teacher," the younger Scholnik recalls Eliezer saying, portraying a man at once too modest to own up to his repute as a philologist and fixated on the pedagogical value of his work–an obsession Uriel claims to have happily inherited.

The Snows of Kilimanjaro (2011)

April 17, 2012Posted in2011, 2012, Authors: Angelo Muredda, Drama, France, Theatrical

Les neiges du Kilimandjaro
**½/****
starring Ariane Ascaride, Jean-Pierre Darroussin, Gérard Meylan, Grégoire Leprince-Ringuet
screenplay by Jean-Louis Milesi and Robert Guédiguian
directed by Robert Guédiguian

by Angelo Muredda Committed leftist Robert Guédiguian's newest film The Snows of Kilimanjaro opens with a lottery. The local Marseilles shipyard is set to lay off twenty workers, and faithful union leader Michel (Jean-Pierre Darroussin) has been entrusted with carrying out the draw, eventually calling out even his own name–entered voluntarily despite his privileged position. The titular snows refer not to the Hemingway short story of the same name but to a popular song recited at Michel's premature retirement party, a paean to the middle-class luxuries of touring the world in one's golden years and a good fit for the African vacation his friends have ordered for him and his wife, Marie-Claire (Ariana Ascaride, excellent). Alas, before the couple gets its due, Michel's unionist chickens come home to roost in the form of a humiliating robbery of the travel fund later that evening, which could only have been committed by one of the party's guests–likely one of the unfortunate nineteen other names he called out earlier that week.

Albert Nobbs (2011)

April 17, 2012Posted in2011, 2012, Authors: Walter Chaw, Drama, Theatrical

½*/****
starring Glenn Close, Mia Wasikowska, Aaron Johnson, Janet McTeer
screenplay by Gabriella Prekop, John Banville & Glenn Close, based on the short story by George Moore
directed by Rodrigo Garcia

AlbertnobbsOn the one hand, Rodrigo Garcia's Albert Nobbs is a patently ridiculous science-fiction tale set in a Victorian England run amuck with drag-king transvestites just looking for an opportunity to scrape out the same hardscrabble Dickensian existence as their male counterparts. On the other, it's a star-in-her-dotage's suffocating vanity piece excruciatingly bloated from a more comfortable one-act scale into full-blown awards-baiting period-piece virulence. If you discount Glenn Close-as-Bicentennial Man's freakish appearance, it's still impossible to believe that all of her/his co-workers have afforded him/her the same courtesy. It's an issue not ameliorated by the appearance of house-painter Hubert (Janet McTeer), who, in one of the more terrifying scenes of nudity in the history of cinema, reveals that he is also a she, and married, I guess, to the oddest-looking one from The Commitments (Bronagh Gallagher). It's that moment of horrific, aggressive, obscene (?) sexuality (stoked by her pairing with another oddity) that briefly clarifies what Albert Nobbs should have spent the rest of its time being–the one moment that hints at what David Cronenberg would have done with this material. Alas, the horror of the body is relegated to just this moment and later only ancillary to a breakout of typhus, while a flat, useless subplot involving a young handyman (Aaron Johnson) and the grasping maid Helen (Mia Wasikowska) he's banging takes centre court. Albert wants Helen for his own, you see, because he'd like to open a tobacco shop.

Mission: Impossible – Ghost Protocol (2011) – Blu-ray + DVD + Digital Copy

April 9, 2012Posted in2011, 2012, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Espionage, Thriller, Tom Cruise

***½/**** Image A Sound A+ Extras B
starring Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton
screenplay by Josh Appelbaum & André Nemec
directed by Brad Bird

Mi4cap1

by Walter Chaw Even though Brad Bird directed The Iron Giant (arguably the best film in a year, 1999, rife with great films), even though he's responsible for the best Fantastic Four flick there ever will be (The Incredibles) as well as the best overall Pixar release (Ratatouille), I still had the chutzpah to be skeptical when I heard that his live-action debut would be the fourth entry in the Mission: Impossible franchise. I am contrite. Mission: Impossible – Ghost Protocol (hereafter Ghost Protocol) is the model of the modern action picture. It has exactly two quiet moments (I counted)–the rest is audacious, ostentatious, glorious action set against not only the expected fisticuffs but also a ferocious sandstorm in Dubai and the bombing and partial collapse of the Kremlin. It's an honorary Bond movie better than any of them (only the Casino Royale redux enters the same conversation–well, maybe On Her Majesty's Secret Service, too), filled to stuffed with clever gadgets (and their logical application), exotic locales, beautiful women, and fast cars. It's sexy, sleek, knows better than to take its foot off the pedal, flirts with relevance without ever attempting depth it's not equipped to deal with, and establishes J.J. Abrams as better than idol Spielberg in the producing-good-action-movies sweepstakes. Not content to scale just any building, it has returning hero Ethan Hunt (Tom Cruise) climb the Burj Khalifa; not content to stage a brawl in a parking garage, it finds one of those robotic ones to provide a third dimension to the scrambling in vintage, brilliant, 1980s Hong Kong style. In a series that boasts John Woo as director of its first sequel, Ghost Protocol has the big, giant clanking ones to outdo Woo.