Palestine ’36 (2026)
***/****
starring Hiam Abbas, Karim Daoud Anaya, Yasmine Al Massri, Jeremy Irons
written and directed by Annemarie Jacir
by Angelo Muredda “A new page in history is written today,” a stodgy Englishman pronounces at a launch for the first state-sponsored radio broadcast in so-called Mandatory Palestine early on in Annemarie Jacir’s Palestine ’36. Although the boast is met with eye-rolls from the few well-to-do Palestinians in the mostly colonial British audience, one of whom jokes to her partner that “this is the part where they elevate us,” the line ironically serves as a good encapsulation of Jacir’s project to make something significant and new out of a familiar form. A mainstream historical epic that hits its dramatic beats with energy if not freshness, and which demonstrates classical filmmaking chops if not revolutionary aesthetics, Palestine ’36 can’t help but feel like a turning of the page in spite of its modest aesthetic choices. In the frankness with which it dramatizes the Great Revolt of the late 1930s against the British occupation and its military support for the Zionist project, the film is a rebuke to the representational lacunae that make up Western depictions of the history of the Middle East and the Palestinian liberation movement, which usually gets barely named at all.
