The Christophers (2026)
***/****
starring Ian McKellen, Michaela Coel, James Corden, Jessica Gunning
written by Ed Solomon
directed by Steven Soderbergh
by Angelo Muredda “It wasn’t very good, that last one,” retired octogenarian visual artist Julian Sklar says of his most recent piece in Steven Soderbergh’s The Christophers. It’s tempting to read the self-deprecating remark, written by Ed Solomon and delivered with caustic wit by the 86-year-old Ian McKellen (here embracing his irascible old icon era in a role purpose-built for him), as a pithy meta-commentary on Soderbergh’s own low-stakes late period. Whatever one thinks of the video gamey perspective-play horror of Presence or the Who’s Afraid of Virginia Woolf?-inflected couples spy therapy of Black Bag, Soderbergh needn’t make any excuses for The Christophers. It’s a puckish, intellectually rigorous two-hander about art, criticism, and influence that goes down as easily as his pop hits but lingers in the rearview like his deeper dramatic experiments.



















