United Arab Emirates Archives - FILM FREAK CENTRAL

Men in Black 3 (2012)

May 23, 20122012, Action, Adventure, Authors: Angelo Muredda, Comedy, Sci-Fi, Spielberg, Theatrical, United Arab Emirates

**/****
starring Will Smith, Tommy Lee Jones, Josh Brolin, Emma Thompson
screenplay by Etan Cohen, based on the Malibu comic by Lowell Cunningham
directed by Barry Sonnenfeld

by Angelo Muredda That Barry Sonnenfeld's Men in Black 3 isn't garbage comes as a surprise ten years after the first terrible sequel, and amidst reports of a troubled shoot that got underway before there was even a screenplay. As detailed in a NEWSWEEK piece on the production, Will Smith's enormous trailer guzzled fuel and idled for months while the script was hashed out on dirty napkins, looking like a readymade symbol for a lead balloon in the making. Still, that it isn't the bust it could have been shouldn't make us too generous towards what's essentially a bloated and very expensive nostalgia trip not to its setting of 1969 but to the first film's release year of 1997, a time that's probably too near to really miss.

Fair Game (2010) – Blu-ray Disc

April 10, 20112011, Authors: Walter Chaw, Biopic, Blu-ray Disc, Drama, Thriller, United Arab Emirates

**½/**** Image B+ Sound C Commentary C
starring Naomi Watts, Sean Penn, David Andrews, Sam Shepard
screenplay by Jez Butterworth & John-Henry Butterworth, based on the books The Politics of Truth by Joe Wilson and Fair Game by Valerie Plame Wilson
directed by Doug Liman

by Walter Chaw I remember distinctly somewhere in year two of W.'s administration the feeling of extreme "outrage fatigue"–that burnout that occurs when you've spent so much time incredulous that you realize you're the idiot for expecting something different. Subsequently, I recall being the only one in my circle of friends to predict W.'s re-election, as well as the only one not surprised when we didn't find any WMDs. It's not that I'm particularly smart, it's that I'm dick enough to be right half the time. Why fight it? Bad movies tend to win the weekly box office, bad music dominates the charts, bad TV gets renewed; rather than declare it a new phenomenon, take cold comfort in knowing that it was always this way and it's not necessarily worse now. Sophocles wasn't selling out the Coliseum, after all. So if Fair Game, Doug Liman's adaptation of Valerie Plame's memoir of her betrayal by the Bush Administration for the sins of her big-mouthed, self-righteous husband Joe Wilson, doesn't have shock and outrage going for it, it at least has the smarts to portray Joe as a deeply ambiguous figure. He's a jackass, but he's right, and Sean Penn's portrayal of him is uncompromised, unflattering, and completely in keeping with stuff like his Into the Wild and The Assassination of Richard Nixon: liberal shots that don't offend the conversation.

The Crazies (2010)

March 5, 20102000s, Authors: Walter Chaw, Horror, Mystery, Theatrical, Thriller, United Arab Emirates

***½/****
starring Timothy Olyphant, Radha Mitchell, Joe Anderson, Danielle Panabaker
screenplay by Scott Kosar and Ray Wright
directed by Breck Eisner

by Walter Chaw A military plane transporting a biological agent designed to destabilize civilian populations is headed for incineration when it crash-lands in tiny Ogden Marsh, IA, causing a few of the local yokels to start acting on all the urges that the veneer of civilization holds in check. A father kills his wife and son, a school principal dispatches a few of his students, a coroner begins stitching up the living, and Sheriff Dutton (Timothy Olyphant, good as sheriffs) is left to consider that for as naughty as these actions are, they're not so out of character for the people he protects. (It takes a while for him to deadpan that they might be in a little bit of trouble.) The Crazies plays with the thought that there's not only not much of a line separating acceptable behaviour from homicidal, there's also not much of a line between the infected townspeople and the military choppered in to contain them. In a good film's best moment, Dutton and his deputy capture a young soldier (Joe Reegan) and allow him a few minutes to be afraid and to enact a moment of grace that, if you think about it later, facilitates the complete destruction of another, larger urban population. A lot like the mordant epilogue of the also-fantastic 28 Weeks Later (another film that deals with the problem of occupation armies and the suppression of insurgencies), the ultimate source of trouble here is the heroic, quintessentially American desire to survive no matter the cost to the greater good.

Syriana (2005)

December 14, 20052000s, Authors: Walter Chaw, Drama, Espionage, Theatrical, Thriller, United Arab Emirates

**/****
starring George Clooney, Matt Damon, Jeffrey Wright, Chris Cooper
written and directed by Stephen Gaghan

by Walter Chaw An omnibus of shorthand outrage standing in place of actual information, Stephen Gaghan's perfectly respectable–principled, even–Syriana reassures us with its glut of disconnected pop-up liberal soundbites that it's weary and wise enough for the both of us should it be the case, most likely, that we're just weary. But on the off chance there's nothing to connect to here despite all the grandstanding, it makes clear that at the end of the day it's really about something as simple as not taking your family for granted. Call it the secular Magnolia, itself a similarly longish, flashy film that was also about being kind to your children. There isn't anything for us to do with the dry intellectualizing of Syriana: once we're told that the CIA sends assassins around the world, that sometimes Arab kids are turned into suicide bombers by wackos, that the oil industry is a nepotistic disaster, and that as soon as the oil runs out in the Middle East, the emirs of Saudi Arabia will be back "in tents, chopping each other's heads off," what are we left with but justification for our under-informed fears and lazy superiority?

Rana’s Wedding (2003) + Osama (2003)

April 8, 20042000s, Afghanistan, Authors: Walter Chaw, Comedy, Drama, Netherlands, Palestine, Theatrical, United Arab Emirates

Al Qods Fee Yom Akhar
***½/****
starring Clara Khoury, Khalifa Natour, Ismael Dabbag, Walid Abed Elsalam
screenplay by Liana Badr, Ihab Lamey
directed by Hany Abu-Assad

OSAMA
*½/****
starring Marina Golbahari, Arif Herati, Zubaida Sahar, Gol Rahman Ghorbandi
written and directed by Siddiq Barmak

by Walter Chaw About thirty minutes into Hany Abu-Assad's Rana's Wedding (Al Qods Fee Yom Akhar), an old Palestinian man sets a small table down outside his building in Israeli-occupied Jerusalem, places a typewriter on top of it, and watches as Rana (Clara Khoury) is almost shot by an Israeli patrol when her cell phone is briefly mistaken for a revolver. The moment isn't commented upon, and the next scene finds her wondering, as she's wondered for the first parts of the film, where her true love is on this the day that her father demands that she marry one of the suitors he's approved for her or leave for Egypt to continue her schooling. The deadline sends Rana careening across the country in an increasingly complex quest to assemble the right people together to allow her to marry the man that she loves–the one who "understands me, and puts up with me when I'm angry." The line is funny as the sentiment is familiar–it's a grace note in a picture that somehow cloaks its ferocity in a sheath of gentility. Make no mistake that not commenting on the Israeli/Palestinian situation is not the same as avoiding the Israeli/Palestinian situation; as political films go, Rana's Wedding is high among the films finding release election year 2004 (Osama, The Fog of War, Broken Wings).

The Time Machine (2002) [Widescreen] – DVD

July 29, 20022000s, Action, Adventure, Authors: Walter Chaw, DVD, Sci-Fi, Time Travel, United Arab Emirates

*/**** Image A- Sound A- Extras B-
starring Guy Pearce, Jeremy Irons, Philip Bosco, Phyllida Law
screenplay by David Duncan and John Logan, based on the novel by H.G. Wells
directed by Simon Wells

by Walter Chaw A cacophonous mess of misguided revisionism and misplaced emphasis, Simon Wells’s (and an uncredited Gore Verbinski’s) updating of H.G. Wells’s poli-sci-fi schlock masterpiece The Time Machine is a miasmic disaster, a sinkhole of shrug-worthy special effects, matte paintings, relentless music, and dangling plotlines and motivations. It isn’t that The Time Machine is incoherent; it’s that the film aspires after several rewrites to one day become incoherent. Not even the best efforts of the always-excellent Guy Pearce can save what is in essence a pathetic cutting-room attempt to wrest the movie back from the abyss of a director suffering a nervous breakdown with eighteen days to go in the shooting schedule and a governing philosophy that believes Orlando Jones would make a good HAL-9000.