The Merchant of Four Seasons (1971) [The Criterion Collection] – Blu-ray Disc

August 3, 2015Posted in1970s, 2015, Authors: Jefferson Robbins, Blu-ray Disc, Drama, Esoterica, The Criterion Collection, West Germany

Merchantfourseasons1

Händler der vier Jahreszeiten
***½/**** Image A Sound A Extras A
starring Irm Hermann, Hanna Schygulla, Hans Hirschmüller, Marian Seidowsky
written and directed by Rainer Werner Fassbinder

by Jefferson Robbins When beleaguered costermonger Hans Epp (Hans Hirschmüller) shouts his wares in the courtyard well of a grey Munich apartment block, he might as well be shouting into the void. Although his singsong calling of the prices of fruits is mesmeric, it summons practically no customers. Blocky and straining against his own skin, Hans has been humiliated all his life, and the manner in which he makes his livelihood is a further humiliation in the eyes of his family. The word used for “livelihood” in Rainer Werner Fassbinder’s The Merchant of Four Seasons is the German noun Existenz. Clearly, it has multiple edges.

Limelight (1952) [The Criterion Collection] – Blu-ray Disc

July 8, 2015Posted in1950s, 2015, Authors: Bryant Frazer, Blu-ray Disc, Chaplin, Directors: Charles Chaplin, Drama, Music, The Criterion Collection

Limelight1

***½/**** Image A- Sound A Extras B+
starring Charles Chaplin, Claire Bloom, Sydney Chaplin, Nigel Bruce
written and directed by Charles Chaplin

by Bryant Frazer The opening titles of Limelight describe the film modestly but self-consciously as “the story of a ballerina and a clown.” The clown, of course, is Chaplin himself, playing a faded superstar of the stage named Calvero. The ballerina is Chaplin’s own discovery, Claire Bloom, playing a beautiful and earnest young dancer. The story is about their relationship–how a washed-up old comedian takes a despairing young performer under his wing and gives her the confidence to become a great artist, even as his own career fades into irrelevance. The main dilemmas facing Calvero–his steadily advancing age and the fickleness of his public–were the same ones that bedevilled Chaplin at the time.

Make Way for Tomorrow (1937) [The Criterion Collection] – Blu-ray Disc

June 9, 2015Posted in****/****, 1930s, 2015, Authors: Walter Chaw, Blu-ray Disc, Drama, FFC Must-Own, Romance, The Criterion Collection

Makeway1

****/**** Image B+ Sound A- Extras A
starring Victor Moore, Beulah Bondi, Fay Bainter, Thomas Mitchell
screenplay by Viña Delmar, based on the novel The Years Are So Long by Josephine Lawrence
directed by Leo McCarey

by Walter Chaw Orson Welles famously proclaimed that Leo McCarey’s Make Way for Tomorrow could “make a stone cry,” and it could, not because of any sentimentality, but because it pinions essential human failure mercilessly. Its tragedy is born not of high melodrama, but of low archetype. It’s any story of a close, loving relationship, a mentor/apprentice relationship, that ends in less shocking than mundane betrayal that is largely preordained and even necessary. What so wounds about Make Way for Tomorrow is that the audience identifies with not only the parents who have outlived their usefulness to society and their families, but also the children who are too busy with their own lives to include them. It puts us in the role of both betrayer and betrayed. The agony it elicits is complex and multifoliate. It compounds on itself. At the end, it’s even a movie about the idea that every love story is a tragedy because if everything goes exactly right, one lover will still die before the other. The film is a passion play in which the audience is Judas as well as Jesus. Make Way for Tomorrow‘s impact is startling some eighty years after its release, and will remain startling another eighty years from now.

Cries and Whispers (1972) [The Criterion Collection] – Blu-ray Disc

May 24, 2015Posted in****/****, 1970s, 2015, Authors: Bryant Frazer, Blu-ray Disc, Directors: Ingmar Bergman, Drama, FFC Must-Own, Sweden, The Criterion Collection

Crieswhispers1

Viskningar och rop
****/**** Image A Sound A Extras B+
starring Harriet Andersson, Ingrid Thulin, Kari Sylwan, Liv Ullmann
written and directed by Ingmar Bergman

by Bryant Frazer Harriet Andersson first appears on screen a little more than three minutes into Cries and Whispers. Sven Nykvist’s camera looks at her from across the room as her features twist and twitch in an extraordinary series of contortions. It’s a remarkable image because it so compassionately and clearly conveys the human condition–the spirit’s status as long-term resident of a fleshy domicile with its particular shortcomings and irreversible dilapidations. It’s also almost immediately identifiable as an Ingmar Bergman image. That’s not just because Andersson is a Bergman stalwart, or because the European aspect ratio and the vintage texture and film grain help identify the time and place of the picture’s making. No, you can feel in this shot the cameraman’s patience, the actor’s single-mindedness, and the director’s clinical interest in her character’s experience. And at this point in his career, a woman in distress and under the microscope was Bergman’s métier.

Don’t Look Now (1973) [The Criterion Collection] – Blu-ray Disc

April 5, 2015Posted in****/****, 1970s, 2015, Authors: Walter Chaw, Blu-ray Disc, Drama, FFC Must-Own, Horror, The Criterion Collection, Thriller, UK

Dontlooknow1

****/**** Image A+ Sound A Extras A
starring Julie Christie, Donald Sutherland, Hilary Mason, Clelia Matania
screenplay by Allan Scott and Chris Bryant, based on a story by Daphne Du Maurier
directed by Nicolas Roeg

by Walter Chaw Nicolas Roeg’s Don’t Look Now is about looking, about ways of seeing and layers of understanding. It’s about memory and its intrusion into and influence on current states of being. It’s about the impossibility of faith or love or human relationships to illuminate truth; or it’s about how faith and love and human relationships are the only truth. It shows images out of order, presenting them in ways that will only make sense once the gestalt in which the images exist becomes clear. In every way, Don’t Look Now is designed for multiple viewings. The film warns that a life spent unexamined will end brutally and nonsensically. Without context, there is nothing, but context is nigh impossible before the end. It’s something William Carlos Williams would understand.

Watership Down (1978) [The Criterion Collection] – Blu-ray Disc

February 25, 2015Posted in1970s, 2015, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, The Criterion Collection, Thriller, UK

Watership1

Richard Adams’s Watership Down
***/**** Image A- Sound A- Extras B
screenplay by Martin Rosen, based on the novel by Richard Adams
directed by Martin Rosen

by Walter Chaw Unsentimental and terrifying and set against lovely, John Constable-esque watercolour backgrounds, Martin Rosen’s adaptation of the Richard Adams novel Watership Down arose in that extended lull between Disney’s heyday and its late-Eighties resurrection. (This period also saw, in addition to Rosen’s film of Adams’s The Plague Dogs, Rankin & Bass’s The Last Unicorn and Ralph Bakshi’s most productive period, which included 1978’s The Lord of the Rings.) Watership Down points to the dwindled potential for American animation to evolve into what anime has become: a mature medium for artistic expression of serious issues. A shame that this flawed piece is possibly the pinnacle of animation’s ambition on these shores, Richard Linklater’s Waking Life notwithstanding.

The Palm Beach Story (1942) [The Criterion Collection] – Blu-ray Disc

February 22, 2015Posted in1940s, 2015, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Romance, The Criterion Collection

Palmbeach1

***/**** Image A Sound A Extras B
starring Claudette Colbert, Joel McCrea, Mary Astor, Rudy Vallee
written and directed by Preston Sturges

by Jefferson Robbins The Palm Beach Story is lesser candy from a master confectioner–so it’s still worth a taste. Preston Sturges’s screwball portrait of a marriage upending itself braids together multiple comedic forms: road trip, Elizabethan comedy of errors, have-nots infiltrating the haves, and a distinct and strange but intriguing touch of fairytale. For instance, the yacht on which jillionaire J.D. Hackensacker III (Rudy Vallee) absconds with disenchanted young wife Gerry Jeffers (Claudette Colbert) is christened The Erl King. Sure, Hackensacker is an obvious gloss on Rockefeller, and there’s the play on “oil king,” but the Erl King of legend is a kidnapper of innocents. (Goethe’s poem casts him as a child murderer.) Gerry’s scratching a five-year itch, taking flight from glum husband Tom (Joel McCrea), partly on the advice of another “king.” “Cold are the hands of time that creep along relentlessly, destroying slowly but without pity that which yesterday was young,” warns the millionaire Wienie King (Robert Dudley), after moseying into the Park Avenue duplex Gerry and Tom are about to lose. (A Tiresias who’s deaf rather than blind, he can’t hear anything anybody says, so he might as well be talking to himself.) Although “adventuress” Gerry, abandoning her marriage without money or clothing, can still wield youth and beauty as sword and shield, she pays a price for the attempt, first charming and then dodging the heavily armed, dangerously inebriated Ale & Quail Club as it pursues her throughout a southbound train. They’re a Wild Hunt straight out of pagan lore.

The Night Porter (1974) [The Criterion Collection] – Blu-ray Disc

January 28, 2015Posted in1970s, 2015, Authors: Bryant Frazer, Blu-ray Disc, Drama, Italy, The Criterion Collection, Thriller

Nightporter1

**½/**** Image A Sound A Extras B
starring Dirk Bogarde, Charlotte Rampling, Philippe Leroy, Gabriele Ferzetti
screenplay by Liliana Cavani and Italo Moscati
directed by Liliana Cavani

by Bryant Frazer The Night Porter is one of the most bizarre psychodramas in the history of film, using the Holocaust as a dreamy, abstract backdrop for a toxic romance between a former SS officer (Dirk Bogarde) and the “little girl” (Charlotte Rampling) he isolated, humiliated, and raped in a Nazi concentration camp. If that sounds absolutely outrageous, that was surely part of the design. This wasn’t Ilsa: She Wolf of the SS or another in the short-lived cycle of Nazi-themed exploitation pictures. This was Italian director Liliana Cavani’s first English-language feature, and Bogarde and Rampling were English-language stars. In order to recoup, The Night Porter would need to be provocative. Cavani delivered on that score. European critics are said to have taken the movie’s sociopolitical context seriously, but upon arrival in New York its outré imagery generated a mix of critical scorn and mockery that, ironically, helped earn it big returns at the box office. (Vincent Canby’s pan deriding it as “romantic pornography” was highlighted in the advertising.) If you know nothing else about the film, you probably know its signature image–Rampling, wearing black leather gloves and an SS officer’s cap, her bare breasts framed by the suspenders holding up a pair of baggy pinstriped trousers, tossing a Mona Lisa smile at the camera. That key art has kept The Night Porter in demand for more than forty years now, from arthouses and VHS tapes to DVD and now Blu-ray releases under the Criterion imprimatur.

The Vanishing (1988) [The Criterion Collection] – Blu-ray Disc

December 23, 2014Posted in1980s, 2014, Authors: Bryant Frazer, Blu-ray Disc, Horror, Mystery, Netherlands, The Criterion Collection, Thriller

Spoorloos1

Spoorloos
***½/**** Image A Sound A Extras B
starring Bernard-Pierre Donnadieu, Gene Bervoets, Johanna ter Steege, Gwen Eckhaus
screenplay by Tim Krabbé and George Sluizer, based on the novel The Golden Egg by Tim Krabbé
directed by George Sluizer

by Bryant Frazer What scares you the most? If you chew on that question for a while, then imagine a narrative that gets you to that terrible place, your story might look a little like the one told by The Vanishing (Spoorloos). Completed in 1988, this downbeat thriller didn’t reach the U.S. until a couple of years later, when it coincidentally landed in New York within weeks of The Silence of the Lambs. The Vanishing isn’t, strictly speaking, a serial-killer movie like Silence, though it shares that film’s deep interest in the psychopathology of its villain. Like a good (and by “good,” I mean “lurid”) true-crime book, its interest is similarly piqued by the painful, quotidian details of an abhorrent crime.

Vengeance is Mine (1979) [The Criterion Collection] – Blu-ray Disc

December 17, 2014Posted in1970s, 2014, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, Japan, The Criterion Collection

Vengeanceismine1

***½/**** Image A Sound B+ Extras A
starring Ken Ogata, Mayumi Ogawa, Mitsuko Baisho, Frankie Sakai
screenplay by Masaru Baba, based on the novel by Ryuzo Saki
directed by Shohei Imamura

by Walter Chaw It would be tempting to say that nature is appalled by all the terrible things Iwao Enokizu (Ken Ogata) does. Just after Enokizu hammers an old man to death in a garden and takes his stuff, Nature erupts in a windstorm–furious witness, it seems: a tempest as analogy for the rough gales driving the mysterious tides of this murderer’s soul. Yet Shohei Imamura has something else entirely on his mind. Vengeance is Mine is about the fallacy of a moral universe. It’s not that it believes there’s no reason for atrocity; rather, it believes there’s no definition for atrocity. Imamura is the spiritual brother of guys like Werner Herzog and Terrence Malick. The questions he asks aren’t about ethics and morality, they’re about all the ways that men lie to themselves about being bound by ethics and morality, only to transgress those boundaries they create, whether they be bans on religion, law, or philosophy. They’re not evil. They can’t help it. No one can.

F for Fake (1973) [The Criterion Collection] – Blu-ray Disc

December 9, 2014Posted in1970s, 2014, Authors: Bryant Frazer, Blu-ray Disc, Directors: Orson Welles, Documentary, Esoterica, The Criterion Collection

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***½/**** Image A- Sound A- Extras B+
starring Orson Welles, Oja Kodar, Elmyr de Hory, Clifford Irving
written and directed by Orson Welles

by Bryant Frazer In 1971, Pauline Kael did her best to kill Orson Welles. In “Raising Kane,” an essay originally published in THE NEW YORKER and later used as a lengthy introduction to the published screenplay, she argued that Welles had unfairly taken authorial credit for a film whose real creative force was Welles’s credited co-screenwriter, Herman J. Mankiewicz. Kael’s piece was persuasive but hardly comprehensive, cherry-picking evidence in an effort to make a liar of Welles. (In his definitive 1978 book The Making of Citizen Kane, Robert Carringer described Kael’s charge that Welles did not contribute to the script as “a flagrant misrepresentation,” although he did allow that Welles may have hoped not to credit Mankiewicz.) Making the case against Kane was an opportunity for Kael to escalate her ongoing crusade against the auteur theory; it doesn’t seem that she held any personal grudge against Welles, especially given her loving notice for his Chimes at Midnight, made just a few years earlier. But for the aging Welles, by that time a subject of mockery in Hollywood who struggled to finance even the most bargain-basement film projects, the apparently unprovoked attack must have stung. F for Fake is his elegant response: a good-natured but deeply-felt riposte, executed with his considerable showmanship and meant to humble artist and critic alike.

The Innocents (1961) [The Criterion Collection] – Blu-ray Disc

November 10, 2014Posted in****/****, 1960s, 2014, Authors: Walter Chaw, Blu-ray Disc, FFC Must-Own, Horror, The Criterion Collection, UK

Innocents1

****/**** Image A+ Sound A Extras A
starring Deborah Kerr, Peter Wyngarde, Megs Jenkins, Michael Redgrave
screenplay by William Archibald and Truman Capote, based on The Turn of the Screw by Henry James
directed by Jack Clayton

by Walter Chaw Jack Clayton’s incomparable tale of sexual repression and a very particular vintage of Victorian feminine hysteria opens with shadows, wrung hands, and the sound of weeping. The Innocents is of a kind with Alexander Pope’s “The Rape of the Lock” and Andrew Marvell’s “To His Coy Mistress”: that marriage of high burlesque and menacing metaphysics that is on the one hand dense and open to unravelling, and on the other as smothering and lush as a Raymond Chandler hothouse. By opening in the exact same way as Jacques Tourneur’s/Val Lewton’s I Walked with a Zombie–a flashback/forward to a non-diegetic scene, a sitting-room interview, a claustrophobic setting laced with musk and frustration and the ghosts of the sins of the father–it announces itself as an expressionistic piece orbiting around a Brontë heroine. Having Truman Capote adapt Henry James’s The Turn of the Screw, right in the midst of his In Cold Blood period (two taxonomists of beasts in the jungle of the Id), is an act of genuine inspiration. Their shared illness infects the film.

Insomnia (1997) [The Criterion Collection] – Blu-ray Disc

October 21, 2014Posted in1990s, 2014, Authors: Walter Chaw, Blu-ray Disc, Drama, Mystery, Norway, The Criterion Collection, Thriller

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***½/**** Image A Sound A Extras B
starring Stellan Skarsgård, Sverre Anker Ousdal, Bjørn Floberg, Gisken Armand
screenplay by Nicolaj Frobenius & Erik Skjoldbjærg
directed by Erik Skjoldbjærg

by Walter Chaw A rather astonishing feature debut, Erik Skjoldbjærg’s Insomnia is dour, surreal, nihilistic, and steadfast in its theme of masculine self-reflection. It’s as slippery to pin down and single-mindedly purposeful as its protagonist–a procedural only inasmuch as Oedipus Rex is a procedural. It’s a work of Expressionism, in other words: its exteriors are projections of its interiors in all their canted, perverse, blighted ugliness. An essential misnomer to call it a “noir,” Insomnia in its best moments is an absurdist nightmare that pinions male behaviour as these constant vacillations between violence and frailty. (This choice to discuss the world in terms of gender relationships is likely why it’s considered a noir at all.) It’s the movie that brought Swedish actor Stellan Skarsgård to international prominence via a role that suggested a departure, hot on the heels of Breaking the Waves, though a quick peek at his earliest work (especially Zero Kelvin) hints at the volatility of Insomnia‘s Det. Engstrom. He’s the centre of a dark universe. Setting the film in a place above the Arctic Circle where the sun doesn’t set has the interesting effect of lighting Engstrom, as he commits his many black deeds, like a particularly ill patient in a doctor’s examining room.

All That Jazz (1979) [The Criterion Collection] – Dual-Format Edition

October 15, 2014Posted in****/****, 1970s, 2014, Authors: Bryant Frazer, Blu-ray Disc, Drama, DVD, FFC Must-Own, Musical, Palme d'Or Winner, The Criterion Collection

Allthatjazz

****/***** Image A Sound A Extras A
starring Roy Scheider, Jessica Lange, Ann Reinking, Leland Palmer
written and directed by Bob Fosse

by Bryant Frazer Celebrated as an incisive, self-lacerating backstage spectacle and razzed as an indulgent and pretentious passion project, genius director-choreographer Bob Fosse’s All That Jazz is one of the most ambitious American films of the 1970s. At this point in his career, Fosse had nothing to prove to the show-business establishment (in 1973, he won the Oscar, the Tony, and the Emmy, all for directing), but a 1974 brush with death–exhaustion, heart attack, life-saving surgery–put him in an introspective mood, and the results were spectacular. Not content with reaching a dazzling apotheosis in the on-screen presentation of song and dance, Fosse wove singing and dancing into a semi-autobiographical narrative chronicling the final days in the life of Joe Gideon, a genius director-choreographer whose non-stop work regimen is making him physically ill. Underscoring the threat, All That Jazz opens with a line attributed to the high-wire artist Karl Wallenda, who fell to his death during a performance in 1978: “To be on the wire is life; the rest is waiting,” Joe’s work is his life, and the irony is that his work–along with the pills and smokes that keep him going–is what kills him.

Ace in the Hole (1951) [The Criterion Collection] – Dual-Format Edition

July 22, 2014Posted in****/****, 1950s, 2014, Blu-ray Disc, Directors: Billy Wilder, Drama, FFC Must-Own, Satire, The Criterion Collection

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****/**** Image A- Sound B Extras A-
starring Kirk Douglas, Jan Sterling, Bob Arthur, Porter Hall
screenplay by Billy Wilder, Lesser Samuels, Walter Newman
directed by Billy Wilder

by Walter Chaw Ace in the Hole is full of bees. It’s the most scabrous, uncompromised work from Billy Wilder, who never made a movie that wasn’t kind of an asshole; and never made a movie that didn’t reflect the essential nihilism of his worldview. He’s a fascinating figure, Wilder–a director of obvious genius who has defied easy auteur classification not because he didn’t have his distinguishing characteristics (the outsider hero yearning for assimilation, for instance), but because his films are only queasily liked and then only at arm’s length. His stuff is poisonous. There’s a sense that reviewing him is like trying to dissect a facehugger: if you poke too insistently, you’ll release acid. You can point to Some Like it Hot as an exception, but I would respond that that film is about a notorious gangland massacre, repressed homosexuality, rape (kind of), chiselling, and the difficulties embedded in gender expectation and objectification. Wilder’s treatment of Marilyn Monroe there and in the earlier The Seven-Year Itch, and his later comments about Marilyn’s stupidity, her breasts, and his venal rationale for working with her twice, all feeds into the read that Ace in the Hole is close to autobiography. A curmudgeon with wit is an asshole by any other name. What would Wilder have done with his dream project, Schindler’s List? Like Ace in the Hole, I imagine it would have been more about a world that would endorse such atrocity than about the atrocity itself.

Breaking the Waves (1996) [The Criterion Collection] – Dual-Format Edition

June 4, 2014Posted in****/****, 1990s, 2014, Authors: Bryant Frazer, Blu-ray Disc, Denmark, Directors: Lars von Trier, Drama, FFC Must-Own, Romance, The Criterion Collection

Breakingthewaves1

****/**** Image A Sound A Extras A-
starring Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Udo Kier
screenplay by Lars von Trier and David Pirie & Peter Asmussen
directed by Lars von Trier

by Bryant Frazer Breaking the Waves can make you queasy from its opening moments, when director Lars von Trier’s name appears with the title superimposed over it, the title card swaying gently on screen as if it were photographed at sea. The effect is less subtle on home video than it is on a big screen, where you’re not as aware of the edges of the frame, but the message is the same: suddenly, you’re adrift, unmoored, alone.

Like Someone in Love (2012) [The Criterion Collection] – Dual-Format Edition

June 2, 2014Posted in2012, 2014, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, Drama, Japan, The Criterion Collection

Likesomeone1click any image to enlarge

***½/**** Image A+ Sound A Extras B+
starring Rin Takanashi, Tadashi Okuno, Rio Kase, Denden
written and directed by Abbas Kiarostami

by Angelo Muredda Few filmmakers know how to put you on your guard from the first frame as effectively as Abbas Kiarostami. It's clear enough that Like Someone in Love opens in a bar in Tokyo, but it's harder to say at first what we're looking at and why. The closest voice we hear belongs to the off-camera Akiko (Rin Takanashi), a young woman who's a little too preoccupied with lying her way out of a hostile phone conversation to process the flat image of well-dressed young revellers in front of her. Whether she's our lead takes a couple of false tries to figure out. Our first candidate is a redhead around her age, sitting at a table off to the side until she suddenly relocates to an empty seat in the foreground, coaching Akiko through the rest of her call until she relinquishes her spot moments later to a fortysomething man who speaks to both women with first the familiarity of a parent, then the condescension of a high-end pimp directing his employees. Somewhere in-between these encounters, we briefly lose track of who's even doing the looking. Akiko waltzes into our field of vision on the way to the bathroom, the camera fixed at where her eyeline used to be after she's vacated her seat, as if holding her place until she gets back.

Grey Gardens (1976) [The Criterion Collection] – Blu-ray Disc

May 7, 2014Posted in****/****, 1970s, 2014, Authors: Jefferson Robbins, Blu-ray Disc, Documentary, FFC Must-Own, The Criterion Collection

Greygardens1 Greygardens1
click any image to enlarge

GREY GARDENS
****/**** Image A Sound A Extras A-
directed by David Maysles, Albert Maysles, Ellen Hovde, Muffie Meyer and Susan Froemke

THE BEALES OF GREY GARDENS (2006)
***/****
directed by Albert Maysles & David Maysles

by Jefferson Robbins "It's very difficult to keep the line between the past and present." That cast-off remark from Edith "Little Edie" Bouvier Beale early in Grey Gardens, the documentary molded from her enclosed and deluded life, is a cornerstone truth in so many sad domestic stories like hers. Every Gothic romance novel knows it, with their living ghosts rattling around grand old manses much like Little Edie's 19th-century East Hampton estate–not least Nathaniel Hawthorne's The Marble Faun, a work she returns to over and over. It's an affliction, this unstuckness in time, and it besets the aged and the ill until nostalgia becomes, essentially, the place where they live. Her mother, Edith Ewing "Big Edie" Bouvier Beale, the more insightful of the pair, recognizes it in her daughter as well as herself. "I've certainly got ideas about living in the wrong time," the matriarch says from the stained twin bed at Grey Gardens she seldom bestirs herself to leave. And then one of her many cats defecates in a corner, sheltering behind the vivid oil portrait of Big Edie in her beautiful, younger years.

Persona (1966) [The Criterion Collection] – Dual-Format Edition

April 29, 2014Posted in****/****, 1960s, 2014, Authors: Bryant Frazer, Blu-ray Disc, Directors: Ingmar Bergman, Documentary, Drama, Esoterica, FFC Must-Own, Sweden, The Criterion Collection

Persona1

PERSONA
****/**** Image A Sound A Extras A
starring Bibi Andersson, Liv Ullman
written and directed by Ingmar Bergman

LIV & INGMAR
**½/****
directed by Dheeraj Akolkar

by Bryant Frazer In early 1965, under the influence of the French New Wave, half dead from pneumonia and subsequent antibiotic poisoning, and depressed by more than just the view from his Stockholm hospital bed, Ingmar Bergman cobbled together some ideas for a small movie about two women. Addled by the administrative headaches of his position as the head of Sweden’s Royal Dramatic Theatre–and probably discouraged by the frosty reception that greeted his recent comedy and first colour film, All These Women–he felt a small movie was the only kind he would be able to make. And so he started putting together, in his head, a modest drama. He imagined two women comparing hands. One of them, he decided, would be talking, and the other would be silent. It went from there.

The Hidden Fortress (1958) [The Criterion Collection] – Dual-Format Edition

April 7, 2014Posted in1950s, 2014, Adventure, Authors: Walter Chaw, Blu-ray Disc, Drama, Japan, The Criterion Collection

Hiddenfortress1click any image to enlarge

***½/**** Image A Sound B Extras A
starring Toshiro Mifune, Minoru Chiaki, Kamatari Fujiwara, Susumu Fujita
screenplay by Ryuzo Kikushima, Hideo Oguni, Shinobu Hashimoto and Akira Kurosawa
directed by Akira Kurosawa

by Walter Chaw It is many things, but Akira Kurosawa's The Hidden Fortress is rare for its ability to evoke a feeling ineffable of finding yourself in the company of betters and wanting desperately/doing your best to fit in. It's a weightless feeling. There's euphoria in it. Fear, too, the understanding that being a cool kid is a temporary state, at least for you. And then there's the nagging embarrassment for the friend along for the ride, what that friend says about your unworthiness, and how sick it makes you that you could feel this way about your only real ally in this whole mess. It's two movies, then: the stylized slapstick of opportunistic peasants Tahei (Minoru Chiaki) and Matashichi (Kamatari Fujiwara); and a more standard jidaigeki involving a princess in exile (Misa Uehara) and her bodyguard/retainer General Makabe (Toshiro Mifune) trying to transport a fortune in gold to re-establish their fallen kingdom. The Hidden Fortress would work without the peasants, but it would be a different movie. It would be about heroes like The Seven Samurai, or royalty like Throne of Blood. With the peasants, The Hidden Fortress is about being ordinary in a world inhabited by heroes and royalty, and the existential suffering attendant to that state. The best of Kurosawa is eternally skating along that divide; Kurosawa's own suicide attempt, I think, had more than a little to do with a Kierkegaardian fear and self-loathing. His best–films like Ikiru, Throne of Blood, High and Low–are distinctly revealing. It's a measure of an artist that his reflection in his art is helpless to intention or style. Hitchcock's films lay Hitchcock bare, as Mann's, Vidor's, Lang's, and Welles's do them. Kurosawa feared his worthiness; he feared being judged and found wanting.