The Criterion Collection Archives - Page 5 of 6

The Qatsi Trilogy [The Criterion Collection] – Blu-ray Disc

January 24, 20131980s, 2000s, 2013, Authors: Bryant Frazer, Blu-ray Disc, Documentary, The Criterion Collection

Koy1

KOYAANISQATSI (1983)
***/**** Image A Sound A- Extras B+
directed by Godfrey Reggio

POWAQQATSI (1988)
**/**** Image A Sound A Extras B
directed by Godfrey Reggio

NAQOYQATSI (2002)
½*/**** Image A- Sound A Extras B-
written and directed by Godfrey Reggio

by Bryant Frazer There’s nothing quite like Koyaanisqatsi. Some six or seven years in the making, the mid-1980s arthouse favourite was a genuine screen spectacle that gave audiences a taste of the avant-garde and elevated Philip Glass to the status of popular musician. It’s the 1970s brainchild of Godfrey Reggio, a progressive activist and community organizer who lived in New Mexico and took a dim view of industrialization in general and the information revolution in particular. Accordingly, it exalts the natural landscape, recoils from the computer-chip gridwork of the modern city, and wallows piteously in the human condition.

Les visiteurs du soir (1942) [The Criterion Collection] – Blu-ray Disc

December 17, 20121940s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, Drama, Fantasy, France, Romance, The Criterion Collection

a.k.a. The Devil’s Envoys
***½/**** Image A Sound A Extras A-
starring Alain Cuny, Arletty, Marie Déa, Jules Berry
screenplay by Jacques Prévert and Pierre Laroche
directed by Marcel Carné

by Jefferson Robbins Fairytale is the oldest way we know to exorcise trauma or repurpose it to didactic ends. The moving image, probably the newest. So Marcel Carné’s Les visiteurs du soir (literally, The Night Visitors, though its international title is The Devil’s Envoys), created in France during a period of repression equalled only by the Terror, pulls both tricks. It’s a film, therefore it’s not reality, but it’s also shaped as a magical courtly romance and set in a distant past where romances were both entertainment and cultural transgression. Gilles (Alain Cuny) and Dominique (Arletty) are figures out of a medieval fresco or some monk’s illuminated pages, from Gilles’s suggestively forked mullet to Dominique’s graceful, benedictory poses. The two are minstrels on horseback in 1485–when troubadours carried news, gossip, and forbidden literature from one feudal estate to the next, singing songs of organic, passionate love for nobles trapped in arranged marriages. A long way from Vichy France, under the Nazi occupation, yet either world offered death as punishment for dissent, and both found succour in art that trespassed boundaries.

Umberto D. (1952) [The Criterion Collection] – Blu-ray Disc

December 10, 20121950s, 2012, Authors: Walter Chaw, Blu-ray Disc, Drama, Italy, The Criterion Collection

***/**** Image A- Sound B Extras B
starring Carlo Battisti, Maria Pia Casilio, Lina Gennari, Ileana Simova
screenplay by Cesare Zavattini
directed by Vittorio De Sica

by Walter Chaw Though he’s best known for The Bicycle Thief, Vittorio De Sica’s Umberto D. is, to my mind, the superior film, and ultimately one of the few pictures I’ve ever revisited from the era of Italian Neo-Realism–a movement I’ve never particularly understood nor, indeed, liked. It’s possible that there’s not much to understand, that as a reaction to the execution of Mussolini and during that brief “Italian Spring,” Italian cinema, freed by necessity from the studio and looking to present a more authentic representation of the country’s broken cities (film critics were to blame for the movement, of course, as they would later be for the French Nouvelle Vague), found non-professional actors to play out social melodramas. I wonder if I’ve always bristled at the notion that the Giuseppe De Santises and Luchino Viscontis produced during this time were anything like “realism” as I understood it; when I was first introduced to American films noir, I had no idea they were as stylized as they were because of an attempt at “realism,” too. Whatever the case, I see Umberto D. as something like an early Fellini, like La Strada or even 8½: There’s something that feels very much like a humanistic solipsism at its middle. Which is so much more interesting than the cries for social equality that inevitably turn to plaintive keening in my ear. Sometimes liberals damage their own cause–long-held close-ups of crying children have a way of doing that.

Shallow Grave (1995) [The Criterion Collection] – Blu-ray Disc

December 2, 20121990s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, The Criterion Collection, Thriller, UK

**½/**** Image A+ Sound A Extras A
starring Kerry Fox, Christopher Eccleston, Ewan McGregor, Ken Stott
screenplay by John Hodge
directed by Danny Boyle

by Jefferson Robbins The title, in retrospect, is an indictment. Danny Boyle’s debut feature Shallow Grave made a splash both in the UK and abroad, but his flatmate protagonists are so thin and hastily sketched, their interfaces with the world beyond their stylish fourth-floor walk-up so glancing and limited, that even the inevitable comeuppances for their bad behaviour don’t interest us much. When three striving young Edinburgh roommates happen into a questionable cash windfall and run afoul of brutal gangsters and nosy coppers, the real marvel is that we’re buffaloed into caring by some forthright performances and by Boyle’s visually striking helmsmanship. The characters’ motivations beyond the suitcase MacGuffin are pretty much absent: They’re fatally shallow, with grave consequences. Boyle misdirects us away from these concerns, already hinting towards the vertiginous risks he’d take two years later with Trainspotting (there’s even a creepy animated baby, of a sort), and his cast is frighteningly talented and appealing. Yet it’s hard to shake the notion that we’ve unwrapped a prettily-wrapped gift package containing nothing but socks.

Rosetta (1999) [The Criterion Collection] – Blu-ray Disc

November 28, 2012****/****, 1990s, 2012, Authors: Bryant Frazer, Belgium, Blu-ray Disc, Coming of Age, Directors: Jean-Pierre and Luc Dardenne, Drama, FFC Must-Own, Palme d'Or Winner, The Criterion Collection

****/**** Image A- Sound A- Extras B
starring Émilie Dequenne, Fabrizio Rongione, Olivier Gourmet, Anne Yernaux
written and directed by Luc & Jean-Pierre Dardenne

by Bryant Frazer If there were any doubt that the Dardennes discovered what would be their lasting aesthetic with La promesse, it was dispelled in the opening moments of Rosetta. The earlier film spent a lot of time following characters around, hovering behind them as they made their way through their world. As Rosetta begins, we’re again in close to a character, but this time we have a velocity: The girl, Rosetta (Emilie Dequenne), is storming from room to room in some kind of industrial facility, and the Dardennes’ camera is following her at speed. This isn’t a virtuoso tracking shot out of Scorsese or P.T. Anderson, though; Rosetta isn’t accommodating the camera. When she exits a room, she slams the door behind her and the camera is caught up short, forcing an edit. When she erupts onto a factory floor, she ducks underneath the machinery, making her own passageways where the camera cannot go, and again forcing a cut. We are not welcome to follow.

In the Mood for Love (2000) [The Criterion Collection] – Blu-ray Disc

November 13, 2012****/****, 2000s, 2012, Authors: Walter Chaw, Blu-ray Disc, Drama, FFC Must-Own, France, Hong Kong, Romance, The Criterion Collection

Inthemood8

****/**** Image A+ Sound A Extras A
starring Tony Leung Chiu-wai, Maggie Cheung Man-yuk
written and directed by Wong Kar-wai

by Walter Chaw The middle film in a loose trilogy by Chinese filmmaker Wong Kar-wai (the others are Days of Being Wild and 2046), In the Mood for Love is a love-drunk ode to the confusion, the intoxication, the magic, and the tragedy of being in love. It speaks in terms proximate and eternal, presenting lovers cast in various roles across years and alien geographies, placing some objects in the position of totem and memento and others in historical dustbins to be abandoned, forgotten. It links the act of watching a film to the act of seduction (Days of Being Wild might be even better at this), and there’s a strong sense in In the Mood for Love that Wong is playing the artifactor of both sign and signifier: He’s doing the T.S. Eliot two-step of authoring Prufrock while simultaneously providing the distance to criticize it.

The War Room (1993) [The Criterion Collection] – Blu-ray Disc

November 6, 20121990s, 2012, Authors: Angelo Muredda, Blu-ray Disc, Documentary, The Criterion Collection

***/**** Image B Sound B Extras B+
directed by Chris Hegedus and DA Pennebaker

by Angelo Muredda “When I think of an old calendar, I see George Bush’s face on it.” How things have changed since lead Democratic strategist James Carville made that case against then-incumbent President George H.W. Bush in the winter of 1992, long before the rise of Dubya necessitated the use of such cumbersome initials. The War Room, a fly-on-the-wall account of the wildly successful but not always charmed Bill Clinton campaign from the POV of his key operatives, now feels like a time-capsule itself, an old calendar from an era before the internet and Super PACs radically changed the way presidential campaigns were run from moment to moment. Far from feeling hopelessly outdated, though, Chris Hegedus and DA Pennebaker’s unofficial sequel to Pennebaker’s work on Primary, which followed JFK’s vanquishing of opponent Hubert Humphrey, is an illuminating look at how one of the most successful national campaigns in modern electoral history was waged from an unassuming office in Little Rock, Arkansas.

La promesse (1996) [The Criterion Collection] – Blu-ray Disc

November 4, 2012****/****, 1990s, 2012, Authors: Bryant Frazer, Belgium, Blu-ray Disc, Coming of Age, Directors: Jean-Pierre and Luc Dardenne, Drama, FFC Must-Own, The Criterion Collection

****/**** Image A- Sound A- Extras B
starring Jérémie Renier, Olivier Gourmet, Assita Ouedraogo, Rasmane Ouedraogo
written and directed by Luc Dardenne & Jean-Pierre Dardenne

by Bryant Frazer Since the mid-1990s, Jean-Pierre and Luc Dardenne have been the standard-bearers for French-language Belgian cinema. Born in Engis and raised in nearby Seraing (both located in the industrial Belgian province of Liège), the Dardennes started making documentaries in the 1970s, followed by a pair of narrative films they immediately disavowed. 1996’s La promesse was a completely fresh start. The Dardennes’ non-fiction work demonstrated a social consciousness that remained in effect once they found their narrative voice, and it’s amazing how fully realized this effort is, exhibiting many of the formal strategies and much of the narrative sensibility that would serve them well over the next decade and a half.

Gray’s Anatomy (1996) [The Criterion Collection] + And Everything is Going Fine (2010) [The Criterion Collection] – Blu-ray Discs

September 4, 2012****/****, 1990s, 2000s, 2010, 2012, Authors: Walter Chaw, Blu-ray Disc, Directors: Steven Soderbergh, Documentary, Esoterica, The Criterion Collection

GRAY’S ANATOMY
**½/**** Image A- Sound B Extras B
directed by Steven Soderbergh

A PERSONAL HISTORY OF THE AMERICAN THEATER
***½/****
directed by Skip Blumberg

AND EVERYTHING IS GOING FINE
****/**** Image N/A Sound B Extras A
directed by Steven Soderbergh

SEX AND DEATH TO THE AGE 14
***/****
directed by Dan Weissman and Brad Ricker

by Walter Chaw The first ten minutes of Steven Soderbergh’s Gray’s Anatomy are obnoxious, and though there are few artists as interesting to me or as influential in my own life as Spalding Gray, the last 109 don’t exactly blow my skirt up, either. Let me back up. I tripped over Swimming to Cambodia in English class, Freshman year, then procured my own copy at Boulder’s invaluable The Video Station so that I could go back to it and, sure, impress Liberal Arts girls with it on a double-bill with Stop Making Sense. You might say that Gray and David Byrne were my wingmen for a couple of years there; it’s fitting that my VHS copies of both those pieces are now and forever in the possession of ex-girlfriends and love interests. I wonder if I would ask for the tapes back were I to run into them again. I know that one of them, after I was married, tried to return Swimming to Cambodia, and I asked her to please keep it. If you don’t know what Swimming to Cambodia is, it’s Spalding Gray’s unbelievably great performance-“monolog” about his time on set, on location, shooting Roland Joffe’s The Killing Fields. I’ve never heard Joffe speak, but I have Gray’s impersonation of Joffe–calling out to a tripping-balls Gray, floating in shark-infested surf in the South China Sea–lodged in my brain. I pull it out once in a while at a party, just as a sonar ping to see if anyone could possibly identify the echo of the echo.

Identification of a Woman (1982) [The Criterion Collection] – Blu-ray Disc

August 20, 20121980s, 2012, Authors: Angelo Muredda, Blu-ray Disc, Drama, Esoterica, France, Italy, The Criterion Collection

Identificazione di una donna
***/**** Image B- Sound A- Extras D
starring Tomas Milian, Daniela Silverio, Christine Boisson, Lara Wendel
screenplay by Michelangelo Antonioni & Gérard Brach
directed by Michelangelo Antonioni

by Angelo Muredda When SIGHT & SOUND announced the long-awaited results of their 2012 critics poll earlier this month, the Internet was abuzz with the shifting fortunes of Citizen Kane and Vertigo–the flip-flop heard ’round the world. Less noted was the latest demotion of Michelangelo Antonioni’s L’Avventura, which debuted at a startling second place in 1962’s poll (the film was only two years old at that point), then steadily declined with each decade before landing at number 21 on the most recent survey. What to make of this seemingly calamitous downward shift? Probably not much. Like fellow countryman Federico Fellini, who’s also been increasingly received as a curio despite the continued respect for 8½ (particularly among directors), Antonioni’s canonical films are stamped by their era; L’Avventura‘s downgraded fortune likely says as much about the limited shelf life of European modernism–which its cool classicism and intellectual rigor so fully embodies–as it does about the film itself.

Summer with Monika (1953) [The Criterion Collection] – Blu-ray Disc

July 22, 20121950s, 2012, Authors: Bryant Frazer, Blu-ray Disc, Coming of Age, Directors: Ingmar Bergman, Drama, Sweden, The Criterion Collection

Sommaren med Monika
***/**** Image A Sound A Extras B-
starring Harriet Andersson, Lars Ekborg, Dagmar Ebbesen, Åke Fridell
screenplay by Per Anders Fogelström
directed by Ingmar Bergman

by Bryant Frazer In the annals of Early Bergman, Summer with Monika is The Big One–the international hit that established the striving Swede’s cred as a major filmmaker. The irony is that it’s among the slightest of his works. Its notoriety is mainly the result of a promotional campaign selling it as a sex film, using imagery that suggested a nudie pic rather than a melancholy (and cautionary) rumination on life, love, and gender relations. Of course, it wasn’t just the trenchcoat brigade that turned out in force for a movie that was at one point evocatively retitled Monika, the Story of a Bad Girl(!). In fact, Monika was the one that made Woody Allen a lifelong Bergman fan. And it left a huge impression on Jean-Luc Godard, who, in 1958, wrote that Monika is “the most original film by the most original of directors,” arguing that Bergman’s loving photography of Harriet Andersson predated (and thus eclipsed) Fellini’s widely lauded use of Guiletta Masina in a neo-realist mode in Nights of Cabiria, and that it surpassed in craft (mais oui!) Roger Vadim’s employment of Bardot in And God Created Woman.

Summer Interlude (1951) [The Criterion Collection] – Blu-ray Disc

July 11, 20121950s, 2012, Authors: Bryant Frazer, Blu-ray Disc, Coming of Age, Directors: Ingmar Bergman, Drama, Sweden, The Criterion Collection

Sommarlek
***½/**** Image A- Sound A- Extras D
starring Maj-Britt Nilsson, Birger Malmsten, Alf Kjelin, Annalisa Ericson
screenplay by Herbert Grevenius and Ingmar Bergman
directed by Ingmar Bergman

by Bryant Frazer 1951’s Summer Interlude offers a glimpse of Ingmar Bergman’s later career in embryonic form. Maj-Britt Nilsson plays a sexy, precocious teenager in love, and if that doesn’t sound very Bergman-esque to you, know that she also plays a wary, regretful dancer approaching the functional end of her career at the Stockholm Royal Opera. The story darts forwards and backwards in time as the dancer, Marie, recalls an ill-fated love affair on the Stockholm archipelago while considering the status of her current relationship, a tentative affair with a newspaper hack who doesn’t deserve her.

Being John Malkovich (1999) [The Criterion Collection] – Blu-ray Disc

June 25, 2012****/****, 1990s, 2012, Authors: Walter Chaw, Blu-ray Disc, Charlie Kaufman, Comedy, Drama, Esoterica, FFC Must-Own, The Criterion Collection

****/**** Image A Sound A Extras B-
starring John Cusack, Cameron Diaz, Catherine Keener, John Malkovich
screenplay by Charlie Kaufman
directed by Spike Jonze

by Walter Chaw The moment you realize that Spike Jonze’s Being John Malkovich is more than just another ultra-high-concept indie calling-card is right at the end, when all that quirk reveals itself as bleak, desperate, lonesome. It’s the first time most of us conceptualized the idea of Charlie Kaufman, in fact–the moment that any follow-up became a cause célèbre. It’s silly, really, to bother trying to synopsize the film, but for the uninitiated, it’s about a failed puppeteer’s discovery of a portal behind a file cabinet on the low-ceilinged floor of an office designed for the dwarf wife of a sea captain. (“Curs-ed t’ing,” he calls her.) The portal leads, of course, to the inside of John Malkovich’s skull for around fifteen minutes before expelling the interloper to the side of the New Jersey Turnpike. Looking here, it’s possible to begin to trace Kaufman’s auteur obsessions with interiors, with language (in a job interview hinged on malaproprisms and miscommunications), with doubling, identity, surrealism, systems of belief, and, sneakily, science-fiction. What’s Eternal Sunshine of the Spotless Mind, after all, but a fairly extraordinary SF piece that just happens to be one of the best movies about love ever made?

A Hollis Frampton Odyssey (1966-1979) [The Criterion Collection] – Blu-ray Disc

June 10, 20121960s, 1970s, 2012, Authors: Bryant Frazer, Blu-ray Disc, Esoterica, Short Films, The Criterion Collection

Hollisframptoncap

***½/**** Image A Sound A Extras B

by Bryant Frazer The avant-garde in film has always had an uneasy relationship with home video. Grainy old VHS tapes of works by luminaries like Bruce Conner or Kenneth Anger might have made the texts themselves available for more careful study by a larger audience, but the picture quality compromised the work tremendously. The arrival of DVD technology allowed for a better visual representation, yet brought with it certain dangers. For one thing, there’s a moral issue: Filmmakers who had objections to the commodification of art and culture were put on the spot as their once-ephemeral films were transferred to a new medium that was easy for an individual consumer to purchase and own. There’s also an aesthetic issue. No matter how close a video transfer gets to the visual qualities of a projected film–and a good transfer to Blu-ray can get very close indeed–a video image is not a film image. For avant-garde filmmakers, and especially for so-called “structural” filmmakers like the late Hollis Frampton, for whom film itself was subject, text, and subtext, the difference is key.

World on a Wire (1973) [The Criterion Collection] – Blu-ray Disc

May 15, 2012****/****, 1970s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, FFC Must-Own, Sci-Fi, Television, The Criterion Collection, West Germany

Worldonawirecap1

Welt am Draht
****/**** Image A- Sound A Extras A
starring Klaus Löwitsch, Barbara Valentin, Mascha Rabben, Karl Heinz Vosgerau
screenplay by Fritz Müller-Scherz and Rainer Werner Fassbinder, based on the novel Simulacron-3 by Daniel F. Galouye
directed by Rainer Werner Fassbinder

by Jefferson Robbins If computer engineer Fred Stiller (Klaus Löwitsch) doesn’t realize he’s a digital simulation, you can forgive him for not having seen The Matrix. Rainer Werner Fassbinder’s two-part 1973 movie for German TV, World On A Wire, populates Stiller’s environment with so many characters who are obviously automata, of greater and lesser sophistication, that he really should get a clue. Most of the people he encounters are over-painted, pancaked and rouged to the point of looking like mannequins or clowns. There are the beautiful women who materialize exactly when needed and stand by for male appreciation. There’s the bartender who stands waxen until, as if activated, he lunges forward to offer a cocktail. Even Stiller’s own responses to stimuli seem at times posed and inauthentic. But we suspect Fassbinder’s satirizing a notoriously affectless society. The distant miens of Stiller’s peers and strangers could simply reflect a heart-freezing German ennui–or a universal egotism, in which we mentally reduce everyone not in our immediate circle to the status of clockwork extras.¹

The Lady Vanishes (1938) [The Criterion Collection] – Blu-ray Disc

May 9, 20121930s, 2012, Authors: Walter Chaw, Directors: Alfred Hitchcock, Mystery, The Criterion Collection, Thriller, UK

Ladyvanishescap3small

***½/**** Image A Sound A Extras A+
starring Michael Redgrave, Margaret Lockwood, Paul Lukas, Cecil Parkerscreenplay by Sidney Gilliat and Frank Launder, based on The Wheel Spins by Ethel Lina White
directed by Alfred Hitchcock

by Walter Chaw There’s something ephemeral about Ms. Froy (Dame May Whitty), from her sudden appearance at a hotel desk to her first words obscured by ambient noise, to her initial exit facilitated by an invisible hand. She seems from the start a metaphor, the first of Hitchcock’s women-as-metaphor, leading up to his gaggle of Birds and an unlikely companion in that way to the seagulls-into-women who discover a body at the beginning of the previous year’s Young and Innocent. She occupies a space as well with the unnamed second Mrs. De Winter in Hitch’s American debut, Rebecca: a cipher, without an identity of her own, the MacGuffin made flesh and the embodiment, in The Lady Vanishes, of perhaps the director’s desire to pursue his career across the pond, with only a contractual obligation to Jamaica Inn standing in his way. (The Lady Vanishes starts in a way station, yes? Gateway to greater adventure.) Indeed, the picture cemented David O. Selznick’s interest in Hitchcock, the irony being that unlike the majority of his work before and after, The Lady Vanishes‘ production was already well underway before he hopped onto the saddle. On second thought, maybe it was the idea that Hitchcock could be a hired gun that attracted Selznick–a belief that holds countless ironies of its own.

Belle de jour (1967) [The Criterion Collection] – Blu-ray Disc

March 20, 2012****/****, 1960s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, Drama, Esoterica, FFC Must-Own, France, Italy, Romance, The Criterion Collection

****/**** Image A Sound A+ Extras A
starring Catherine Deneuve, Jean Sorel, Michel Piccoli, Geneviève Page
screenplay by Luis Buñuel and Jean-Claude Carrière, based on the novel by Joseph Kessel
directed by Luis Buñuel

by Jefferson Robbins It’s fitting that a film about a woman agonizingly balanced between sexual repression and sexual freedom depicts an inner life balanced between two different periods in history. The opening moments of Luis Buñuel’s Belle de jour lead us to believe it will be a period piece. In a static wide shot, a black horse-drawn coach on a country lane leisurely approaches. Two bystanders appear to root in the hedges along the path, too distant to be clearly made out: Are they peasants? Estate groundskeepers? Our eyes are programmed now to expect something Edwardian, or, more applicable to the subject matter, Victorian. Only when an automobile makes a turn in the distance do we realize the setting is contemporary. The modernity comes as a jolt, but from this sequence we will return to some kind of imagined past again and again as the heroine–a very modern woman, one whose frightened explorations map the sexual realms of our own later decades–slips between the cracks in her own mind.

The Rules of the Game (1939) [The Criterion Collection] – Blu-ray Disc

January 30, 2012****/****, 1930s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Directors: Jean Renoir, Drama, FFC Must-Own, France, Satire, The Criterion Collection

La règle du jeu
****/**** Image A Sound A Extras A+
starring Nora Grégor, Marcel Dalio, Mila Parély, Roland Toutain
screenplay by Jean Renoir and Carl Koch
directed by Jean Renoir

by Jefferson Robbins One political cue most firmly plants Jean Renoir’s masterwork in pre-World War II France, and it doesn’t come amidst the posturing of the elegant rich at La Colinière country manor. Rather, it’s in the kitchen, where the domestic staff breaks bread and gossips about the master of the house, the Marquis Robert De La Chesnaye (Marcel Dalio), outed by the help as a “yid” whose family made good with money and a title. The gossipers turn for confirmation to the huntsman who’s just materialized on the stairs, and the combination of words is chilling: “Isn’t that right, Schumacher?” The italics are mine, and despite the fierce Teutonic consonants of his name, the Marquis’s game warden (Gaston Modot) is Alsatian. He remains metaphorically sticky, though, since his home state was variously French or German for 200 years, and his dress and cap bespeak armed authority. He’s rough and field-hardened, arguably ignorant, and looked down upon by his fellow servants, who see him as a thing apart from their world. Cuckolded and exiled from his wife, the housemaid Lisette (Paulette Dubost), he’s also the most prone to physical violence as he seeks to control her and eliminate all rivalry. On the matter of La Chesnaye’s Jewishness, Schumacher demurs: “I don’t know what you’re talking about.” But the point is made, the knife already twisted.

Kuroneko (1968) [The Criterion Collection] – Blu-ray Disc

December 13, 20111960s, 2011, Authors: Walter Chaw, Blu-ray Disc, Drama, Horror, Japan, The Criterion Collection

***½/**** Image A Sound B Extras B
starring Kichiemon Nakamura, Nobuko Otowa, Kiwako Taichi, Kei Sato
written and directed by Kaneto Shindo

by Walter Chaw A band of ronin alights on a clearing before a modest, thatched-roof hut and, like the dead before Odysseus’s offerings of a trough of blood, drinks deep from the stream running through it. They wipe their mouths. They are underfed. They enter the residence to find Yone (Nobuko Otowa) and Shige (Kiwaki Taichi) sharing a frugal repast the starving ronin wordlessly take from them and wolf down. We learn later that the entire Japanese feudal world is at war: “It’s a samurai’s world now… We eat our fill and take whatever we desire”–and so this band of rough men gang-rape, murder, and immolate the mother and her daughter-in-law before pressing on into the woods. The image of smoke billowing out of this little lodge is, for all the haunted moments to come, the one that lingers from Kaneto Shindo’s odd, savage Kuroneko. Yone and Shige emerge from the fire newly pasty-white and as formalized as Noh performers, making the intercession of a black cat^*, in a scene borrowed directly by Tim Burton for Catwoman’s resurrection in Batman Returns (still Burton’s nakedest lunch), that much more glaring in its contrast.

Rushmore (1998) [The Criterion Collection] – Blu-ray Disc

November 28, 20111990s, 2011, Authors: Angelo Muredda, Blu-ray Disc, Comedy, Directors: Wes Anderson, The Criterion Collection

***½/**** Image A+ Sound A Extras B+
starring Jason Schwartzman, Bill Murray, Olivia Williams, Mason Gamble
screenplay by Wes Anderson & Owen Wilson
directed by Wes Anderson

by Angelo Muredda It’s hard to talk about Wes Anderson these days without addressing the prevailing image of him among detractors as a precious aesthete who makes dioramas instead of movies. So let’s start there. As with most shorthand characterizations of idiosyncratic artists who carve out a niche for themselves instead of diversifying, there’s some truth to the charge: Mr. Fox didn’t accidentally wear the same corduroy blazer as his director, and surely Owen Wilson, Adrien Brody, and Jason Schwartzman didn’t just frame themselves in the centre of the screen for the train-bound section of The Darjeeling Limited. Anderson, for his part, has owned up to his formal indulgences. On the audio commentary for Criterion’s excellent edition of Rushmore, he admits sheepishly that the film’s multi-ethnic, age-ranging rainbow coalition of players are basically clear types pulled from colour-coded storybooks–the sort of people you could get an easy sense of simply by drawing.