Sundance ’10: Winter’s Bone

**/****starring Jennifer Lawrence, John Hawkes, Dale Dickey, Garret Dillahuntscreenplay by Debra Granik & Anne Rosellinidirected by Debra Granik by Alex Jackson Those who loved Courtney Hunt's Frozen River are welcome to a second helping with Winter's Bone. I fear it might signal the start of a new genre: grass-and-granola cinema nobly detailing the plight of the working poor crossed with pulpy film noir. (Granola noir, perhaps?) The problem with these movies is that grass-and-granola and film noir just do not mix. The "plight of the working poor" is grossly oversimplified when narratively expressed in noir terms. The gangsters in Winter's…

Sundance ’10: Smash His Camera

**/****directed by Leon Gast by Alex Jackson Leon Gast's Smash His Camera isn't much more than bubble gum: it's kind of sweet for a while and gives you something to chew on, but it has no nutritional value. A hagiography of paparazzo Ron Galella, the film is so deliriously meta in conception that it feels like some kind of joke at our expense. We're told by one of Galella's critics that his photographs are interesting simply because he photographs interesting people--we look at them for the subject, not for the artistry. That's all quite true, and perhaps even so obvious…

Sundance ’10: One Too Many Mornings

**½/****starring Stephen Hale, Anthony Deptula, Tina Kapousis, Jonathan Shockleyscreenplay by Anthony Deptula, Michael Mohan, Stephen Haledirected by Michael Mohan by Alex Jackson One Too Many Mornings is yet another semi-autobiographical romantic dramedy about two twentysomething males refusing to enter the adult world. It sounds a lot like the below-reviewed Bass Ackwards and Obselidia, but this one was made completely out-of-pocket and shot on the weekends over the course of two years. Considering the ultra-low budget, I'll admit there's a temptation to lower my standards. The filmmaking itself is stylish and inventive while essentially staying organic to the material--there's a fine…

Sundance ’10: Memories of Overdevelopment

Memorias del desarrollo**½/****starring Ron Blair, Eileen Alana, Susana Pérez, Lester Martínezscreenplay by Miguel Coyula, based on the novel by Edmundo Desnoesdirected by Miguel Coyula by Alex Jackson Asked by a student why he left Cuba despite supporting and believing in his country's socialist principles, Latin-American studies professor Sergio responds that not being able to write what he wanted to write was simply unbearable. Now that he's in the United States, he's free to say whatever he wants--and nobody cares. It's a relatively minor moment in an aggressively polemic film, but it's an extremely important one just the same. Throughout Memories…

Sundance ’10: Bass Ackwards

**½/****starring Linas Phillips, Davie-Blue, Jim Fletcher, Paul Lazarwritten and directed by Linas Phillips by Alex Jackson It took me a while to have any reaction whatsoever to Linas Phillips' Bass Ackwards. I guess I ultimately settled on mild affection, but this is not a film that's going to divide people. Phillips plays a Seattle-area wedding videographer named, yes, Linas. He's living with a young married couple and having an affair with the wife thereof (Davie-Blue). She's not willing to develop the relationship any farther and her husband kicks Linas out of their house. With no home and no girl, Linas…

Sundance ’10: Obselidia

**/****starring Michael Piccirilli, Gaynor Howe, Frank Hoyt Taylor, Chris Byrnewritten and directed by Diane Bell by Alex Jackson Mark (Michael Blackman Beck) is working on an encyclopedia of obsolete things. He writes on a typewriter, wears a fedora, and films interviews for his book with an outdated camcorder. One of the things he considers obsolete is love. This belief is tested when he meets Sophie (Gaynor Howe), a projectionist of silent movies who nonetheless loves life too much to be stuck in the past. Diane Bell's Obselidia is gorgeous to look at and very well-acted. If the description I just…

Sundance ’10: 7 Days

Les 7 jours du talion**/****starring Rémy Girard, Claude Legault, Fanny Mallette, Martin Dubreuilscreenplay by Patrick Senecaldirected by Daniel Grou by Alex Jackson Perhaps one of the more overtly sadomasochistic entries in the torture-porn genre, French-Canadian Daniel Grou's 7 Days seems to be seething at the bit to get to the good stuff. When Jasmine (Rose-Marie Coallier), the eight-year-old daughter of surgeon Bruno Hamell (Claude Legault), is raped and murdered, he decides to kidnap, torture, and kill the man responsible and then turn himself in. Hamell catches the killer, a day labourer named Anthony Lemaire (Martin Dubreuil) who has been implicated…

Sundance ’10: Double Take

***/****starring Ron Burrage, Mark Perrywritten and directed by Johan Grimonprez by Alex Jackson Johan Gimonprez's Double Take imagines an instance where Alfred Hitchcock is interrupted from filming 1963's The Birds to talk to his "double." This doppelgänger is from 1980--the year, you may remember (or reasonably guess), that Hitchcock died--and not his "double" at all, but rather his wraith, a vision of himself on the eve of his death. Hitchcock asks him who wins the Cold War and the wraith dismisses the question as unimportant. He wants to talk about how television is destroying cinema. The bulk of Double Take…

Sundance ’09: Earth Days

***/****directed by Robert Stone by Alex Jackson I'm not quite sure how I feel about the environmental movement--the subject of Robert Stone's documentary Earth Days. There are two inarguable, somewhat contradictory truths at work here: mankind has been destroying and continues to destroy the planet he is inhabiting; and various doomsday scenarios predicted by the environmental and population-control movements have not come to pass. Stone shows us environmental leaders from three decades ago predicting that the sky will fall in 30 years. I sort of wish he had found room for a clip from Richard Fleischer's great 1973 film Soylent…

Sundance ’09: Moon

****/****starring Sam Rockwellscreenplay by Nathan Parkerdirected by Duncan Jones by Alex Jackson Lunar miner Sam Bell (Sam Rockwell) is nearing the end of a three-year contract with Lunar Industries when an accident lands him in his spaceship's sickbay. Upon regaining consciousness, he meets a facsimile of himself and begins to suspect that his employer and his robot companion Gerty (voiced by Kevin Spacey) have been keeping something from him. While Moon has some kind of basic dramatic conflict and is centred around an actual story instead of impressive visuals (though Sam Rockwell playing table tennis with himself is a hella…

Sundance ’09: Push: Based on the novel by Sapphire

Precious: Based on the Novel 'Push' by Sapphire***½/****starring Gabourey Sidibe, Paula Patton, Mo'Nique, Mariah Careyscreenplay by Damien Pauldirected by Lee Daniels by Alex Jackson The enormous hype surrounding Lee Daniels's Push: Based on the novel by Sapphire (hereafter Push) is both validating and a little confounding. Leaving Sundance with Grand Jury and Audience awards in the dramatic category, the film is an incredible mess. It takes a lot of risks, probably more than it needed to, and sometimes it falls flat on its face. The backlash has already begun to set in, natch--one commentator on the IMDb writes, "It's all…

Sundance ’09: Kimjongilia

The Flower of Kim Jong II**½/****directed by NC Heikin by Alex Jackson Kimjongilia takes its title from a hybrid red begonia created in honour of North Korean dictator Kim Jong Il's 46th birthday. It is said to symbolize wisdom, love, justice, and peace. Director NC Heikin juxtaposes propaganda footage romanticizing Kim Jong Il and his father Kim Il Sung's North Korea against interviews with former oppressed North Koreans who now reside in South Korea. As political filmmaking, it's pretty crude. There really aren't two sides to this issue: Kim Jong Il is a bad guy and there doesn't seem to…

Sundance ’09: The Anarchist’s Wife

**/****starring María Valverde, Juan Diego Botto, Nina Hoss, Ivana Baqueroscreenplay by Marie Noëlledirected by Marie Noëlle & Peter Sehr by Alex Jackson Affirmation, if nothing else, that Paul Verhoeven's Blackbook has become the dominant model for World War II pictures, Marie Noëlle and Peter Sehr's Verhoeven-esque The Anarchist's Wife alienated me early on by folding in stock footage to depict both the Spanish Civil War and the Second World War. On some level, I suspect this is a cheapoid strategy enabling the filmmakers to reserve more of their budget for costumes and sets. Whatever its intention, it dehumanizes the characters,…

Sundance ’09: Everything Strange and New

***½/****starring Jerry McDaniel, Beth Lisick, Luis Saguar, Rigo Chacon Jr.written and directed by Frazer Bradshaw by Alex Jackson The philosophical question at the centre of Frazer Bradshaw's incredible Everything Strange and New is as rudimentary and pragmatic as they come: how do you find happiness? And if you never find happiness but stumble upon contentment, is contentment going to be enough to sustain you for the rest of your days? The film begins with thirty-something carpenter Wayne (Jerry McDaniel) reflecting on the early years of his marriage to Reneé (Beth Lisick). She was in advertising and made more money than…

Sundance ’09: Boy Interrupted

***/****directed by Dana Perry by Alex Jackson In 2005, Dana and Hart Perry's 15-year-old son Evan fulfilled a life-long obsession with suicide by jumping out his bedroom window. Documentary filmmakers by profession, the Perrys worked through their grief by making this feature-length memorial to him. Exactly the sort of thing that seems immune to criticism, the film is nonetheless admirably free of sentimentality. When Perry includes footage of herself pregnant with Evan, she does so as a professional documentarian economically conveying the depth of a mother's attachment to her offspring. Given that one of Evan's dying wishes was to be…

Sundance ’09: The Killing Room

**/****starring Chloë Sevigny, Peter Stormare, Clea DuVall, Timothy Huttonscreenplay by Gus Krieger, Ann Peacockdirected by Jonathan Liebesman by Alex Jackson Jonathan Liebesman's The Killing Room would still have been pretty hokey five years ago, but in 2009, with the election and inauguration of Barack Obama, it's looking nothing short of obsolete. Genre filmmakers are going to have to face the fact that the Bush years are over. One of our new president's very first acts while in office was to shut down Guantanamo Bay; if torture porn wants to survive into the next decade, it's going to have to reinvent…

Sundance ’09: Stay the Same Never Change

***½/****starring Tate Buck, Dirk Cowan, Matthew Faber, Mary Nicholswritten and directed by Laurel Nakadate by Alex Jackson In the first five to ten minutes of Laurel Nakadate's Stay the Same Never Change, a beautiful blonde teenage girl eats a bowl of Trix in a surreally white kitchen. Nakadate gives us a series of close-ups of lips moist with milk and cutaways to the Trix box art. We then see the girl lounging around in her pyjamas, sometimes watching TV but mostly doing pretty much nothing at all. While she doesn't do anything overtly sexual, there is something almost pornographic about…

Sundance ’08: The Wackness

**/****starring Josh Peck, Ben Kingsley, Famke Janssen, Olivia Thirlbywritten and directed by Jonathan Levine by Alex Jackson In the opening scene of The Wackness, teenager Luke Shapiro (Josh Peck) is having a session with his psychiatrist, Dr. Squires (Ben Kingsley). Dr. Squires tells him that a "quarter bag" will buy him forty-five minutes. Luke produces the requested pot and goes on to discuss his problems as Dr. Squires fills and lights up a bong. In one of the film's closing scenes, Luke is having dinner with his family when an uncle asks him what he wants to be once he…

Sundance ’08: What Just Happened

**½/****starring Robert De Niro, Bruce Willis, Sean Penn, Catherine Keenerscreenplay by Art Linson, based on his bookdirected by Barry Levinson by Alex Jackson Already pegged as another legendary fiasco for Man of the Year helmer Barry Levinson, What Just Happened strongly suggests that Levinson is trying to Peter Bogdanovich himself into unemployment. Ben (Robert De Niro) is a fading Hollywood producer torn between two projects in need of salvaging. One is an action film starring Sean Penn that the director, Jeremy (Michael Wincott), has ended by having the villains shoot Penn's dog point blank in the head, spraying viscera on the…

Sundance ’08: Red

*/****starring Brian Cox, Tom Sizemore, Kim Dickens, Amanda Plummerscreenplay by Stephen Suscodirected by Trygve Allister Diesen and Lucky McKee by Alex Jackson Hilariously bad. See it with somebody you love just so you have it in your mutual lexicon. The titular Red, a 14-year-old dog, belongs to Avery (Brian Cox), a small-town store owner. Avery and Red are fishing one lazy afternoon when they are approached by a trio of delinquent teens, who rob them at gunpoint. When Avery is unable to produce a satisfactory amount of money, the leader shoots Red in the head. Avery goes to the boy's…