The Lost Boys: FFC Interviews Keith Fulton & Louis Pepe
October 22, 2002|Keith Fulton and Louis Pepe–the team behind the Terry Gilliam documentaries The Hamster Factor and Other Tales of Twelve Monkeys and this year's excellent Lost in La Mancha–define a collaboration of complementary parts. Meeting the pair in a below-street level conference room at Denver's chichi Hotel Monaco, I was stricken by the realization that the two themselves resemble a Gilliam dyad (the duct repairmen of Brazil, perhaps)–they're an exercise in interesting, opposing body types. Gilliam, one can only conclude, is infectious.
DIFF ’02: Be My Star
DIFF ’02: Springtime in a Small Town
DIFF ’02: War
DIFF ’02: Dragonflies
DIFF ’02: Gossip
DIFF ’02: Sweet Ambition
DIFF ’02: Chiefs
A Get-Together with Chen Kaige: FFC Interviews Chen Kaige
October 19, 2002|Stentorian in voice and a little dreamy in mien, Chen Kaige ("Tzen KI-guh"), one of the primary members of China's Fifth Generation of filmmakers, is a tribute guest at the 25th Denver International Film Festival. A group that included Zhang Yimou (a cameraman on Kaige's Yellow Earth prior to becoming a director), the Fifth Generation introduced more intimate stories told on a larger scale than the Chinese cinema that came before. It is a movement also marked by remarkably vivid colour schemes, interest in period pieces, and epic tableaux.
DIFF ’02: The Marriage Certificate
DIFF ’02: All or Nothing
DIFF ’02: Frida
DIFF ’02: Zero Day
DIFF ’02: Blue Car
DIFF ’02: The Princess Blade
DIFF ’02: Come Drink with Me
The Fast and Furious Cole Hauser: FFC Interviews Cole Hauser
October 15, 2002|I met Cole Hauser, visiting Denver with his latest film, White Oleander, in tow (it opened the 25th Annual Denver Film Festival), at the press suite of the city's Hotel Teatro. A rising star, Hauser is along with Alison Lohman the best thing about the intensely mediocre White Oleander–he's the best thing, in fact, about a lot of films. With the virile presence of a young Brando (crossed with Jon Favreau) and a glacial mien, Hauser has escaped stardom only through his steadfast decision to take roles based on the quality of director or role rather than succumb to the bright lights of easy stardom. (Director John Singleton, with whom he worked on Higher Learning, is at least partly responsible for his upcoming appearance in The Fast and the Furious 2.) I asked Mr. Hauser about playing a skinhead, about the underestimated The Hi-Lo Country, and about his once-estranged father, actor Wings Hauser.
DIFF ’02: Other People’s Life
DIFF ’02: Bowling for Columbine (2002)
***/****
directed by Michael Moore
by Walter Chaw The most successfully provocative film of the year, Michael Moore’s Bowling for Columbine nonetheless hurts itself with its questionable tactics and Moore’s inability to leave certain pulpits alone, but the documentarian succeeds in providing a canny, often brilliant, examination of the root causes of America’s amazing propensity for gun violence. The picture goes beyond a condemnation of “gun nuts”–and beginning as it does with an extended interview with James Nichols (the nutball brother of nutball Terry Nichols, who, along with Timothy McVeigh, was convicted of the Oklahoma City Murrah Building bombing), it’s not always certain that it will.