DIFF ’02: Swing
DIFF ’02: Far from Heaven (2002)
****/****
starring Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson
written and directed by Todd Haynes
by Walter Chaw Fascinating in its subversion of the conventions of the 1950s melodrama (Elmer Bernstein’s swooping score dead-solid in evoking that time and place), the halcyon euphoria of Todd Haynes’s Far from Heaven first surprises with its simplicity, then fascinates with its effectiveness. It is essentially a version of Douglas Sirk’s All That Heaven Allows (a title that itself speaks wryly about the Hays Code) that brings all of Sirk’s seething sexual subtext embarrassed to the front and centre. Taking that further, consider that if the subtext and text are flipped in Far from Heaven, then the artificiality of the film’s surfaces becomes the subtext to the sexual dysfunction. Haynes evokes Greek tragedy in the debunking of the fantasy of the golden, Golden Age nuclear family. He has crafted a pitch-black and hopeless picture, a torturous psychosexual exercise as played out by the Cleavers or Ozzie & Harriet.
DIFF ’02: Safe Conduct
DIFF ’02: Hejar
DIFF ’02: Gigantic: A Tale of Two Johns
DIFF ’02: The Safety of Objects
DIFF ’02: Streeters
DIFF ’02: The Damned
The Lost Boys: FFC Interviews Keith Fulton & Louis Pepe
October 22, 2002|Keith Fulton and Louis Pepe–the team behind the Terry Gilliam documentaries The Hamster Factor and Other Tales of Twelve Monkeys and this year's excellent Lost in La Mancha–define a collaboration of complementary parts. Meeting the pair in a below-street level conference room at Denver's chichi Hotel Monaco, I was stricken by the realization that the two themselves resemble a Gilliam dyad (the duct repairmen of Brazil, perhaps)–they're an exercise in interesting, opposing body types. Gilliam, one can only conclude, is infectious.
DIFF ’02: Be My Star
DIFF ’02: Springtime in a Small Town
DIFF ’02: War
DIFF ’02: Dragonflies
DIFF ’02: Gossip
DIFF ’02: Sweet Ambition
DIFF ’02: Chiefs
A Get-Together with Chen Kaige: FFC Interviews Chen Kaige
October 19, 2002|Stentorian in voice and a little dreamy in mien, Chen Kaige ("Tzen KI-guh"), one of the primary members of China's Fifth Generation of filmmakers, is a tribute guest at the 25th Denver International Film Festival. A group that included Zhang Yimou (a cameraman on Kaige's Yellow Earth prior to becoming a director), the Fifth Generation introduced more intimate stories told on a larger scale than the Chinese cinema that came before. It is a movement also marked by remarkably vivid colour schemes, interest in period pieces, and epic tableaux.