Madame Web (2024)

February 17, 2024Posted in2024, Action, Adventure, Authors: Walter Chaw, Canada, Sci-Fi, Spider-Man, Superhero, Theatrical, Thriller

Madameweb

**½/****
starring Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O’Connor
screenplay by Matt Sazama & Burk Sharpless and Claire Parker & S.J. Clarkson
directed by S.J. Clarkson

by Walter Chaw S.J. Clarkson’s Madame Web is a rare and specific variety of disaster, which is interesting because it’s largely centred around a rare and specific variety of spider. That is to say, not “interesting” so much as unintentionally ironic or something. Rain on your wedding day, 10,000 spoons when all you need is a knife, you know? The mass-appealing, notes-driven, “for dummies,” not-entirely-accurate pop-cultural definition of a literary conceit. This reminds me of the swoony, heartthrob moment where Ethan Hawke defines “irony” perfectly in Reality Bites. I don’t actually remember what he says, though, because I haven’t seen that movie since its 1994 release–about ten years before the events of Madame Web, the screen debut of Marvel mutant Cassandra Webb (Dakota Johnson), who’s named after the Greek archetype who can see the future but no one listens to her and Marc Webb, director of the Andrew Garfield Spider-Man movies. Just kidding. She’s named Webb because spiders spin them, with an extra “b” to throw you off the trail but not so violently that you don’t know it’s fucking with you. Madame Web (one “b,” because the picture is more invested in making sure you know it’s related to the lucrative Spider-Man franchise than in being such a tedious asshole) opens in 1973, with Cassandra’s super-pregnant mom Constance (Kerry Bishé) tromping around the South American rainforest like Sean Connery in Medicine Man in search of a super-spider when…okay, that’s enough of that. Anyway, 30 years later, Cassandra is a paramedic who can sometimes see the future, but nobody believes her. You might have deduced that by her name is all I’m saying.

SlipStreams Vol. 13

February 14, 2024Posted inPatreon, SlipStreams
Three random-ish streaming recommendations from FILM FREAK CENTRAL's Walter Chaw for the week of February 16, 2024. PICK OF THE WEEK Cujo (1983, d. Lewis Teague (U.S.: Max, DirecTV; Canada: Paramount+)) It's time for a serious reconsideration of Lewis Teague's Cujo, which was arguably buried in the steady stream of Stephen King adaptations from this period. Find in this middle-American noir a career-defining performance from Dee Wallace as Donna, a mother doing her best to shield her young son Tad (Danny Pintauro) from the ugliness of their shared reality. When a St. Bernard, after poking his head in a hole…

SlipStreams Vol. 12

February 7, 2024Posted inPatreon, SlipStreams
Three random-ish streaming recommendations from FILM FREAK CENTRAL editor Bill Chambers for the week of February 9, 2024. PICK OF THE WEEK The Bedroom Window (1987, d. Curtis Hanson (U.S.: Criterion, Kanopy; Canada: Criterion, Hollywood Suite)) Curtis Hanson wrote and directed this page-turner of a movie, which fleshes out the plot of Anne Holden's slim pulp novel The Witnesses. Married Sylvia (Isabelle Huppert) is having a fling with yuppie Terry (Steve Guttenberg). When she sees an assault from Terry's bedroom window he thinks might be linked to a nearby murder, Terry urges her to go to the police. But because…

Perfect Days (2023)

February 1, 2024Posted in****/****, 2023, 2024, Authors: Walter Chaw, Drama, Esoterica, Germany, Japan

Perfectdays

****/****
starring Kôji Yakusho, Tokio Emoto, Arisa Nakano, Tomokazu Miura
written by Wim Wenders, Takuma Takasaki
directed by Wim Wenders

by Walter Chaw Hirayama (Kôji Yakusho) notices little things. Like the sunlight dappling the trees. Or the doomed sproutling, too close to its mother to survive, pushing its way out of the ground. He gestures at the park’s caretaker, asking if it would be all right for him to rescue the plant, and carefully transplants it to a piece of newspaper he’s folded into a cup. Hirayama works for Tokyo, cleaning its network of public toilets. He listens to his collection of ’60s and ’70s music on cassette tapes in his municipal van–dark blue, same as his jumpsuit, the colour playing counterpoint to The Velvet Underground’s “Pale Blue Eyes,” which provides the soundtrack for our first ride home with him during magic hour. (I have to imagine the character of Niko (Arisa Nakano) was not accidentally named.) Once he returns to his spartan flat, he plants the sapling in a pot and puts it in a room full of its spiritual brothers and sisters at various stages of thriving. Hirayama goes to his favourite restaurant stall in the subway, then a bathhouse, where he soaks and listens to other men converse. Then it’s off to bed reading Faulkner. The first lesson of Wim Wenders’s Perfect Days is that it is possible to live a full and beautiful life, at least for a while, in a small space: watered, fed, warm, cared for…and wanted, though it isn’t clear at first that anyone is thinking about Hirayama.

SlipStreams Vol. 11

January 31, 2024Posted inPatreon, SlipStreams
Three random-ish streaming recommendations from FILM FREAK CENTRAL's Walter Chaw for the week of February 2, 2024.PICK OF THE WEEKKin-dza-dza! (Кин-дза-дза!) (1986, d. Georgiy Daneliya (U.S./Canada: YouTube))Since discovering that Mosfilm is restoring portions of their archive and posting the results on YouTube with English subtitles, I've been trying like mad to fill a few thousand gaps in my film education. For me, a child of the Reagan era and its hugely successful propaganda campaign against the "Evil Empire," the Soviet Union was always this austere wasteland peopled by mindless automatons bent on my atomic destruction. No matter how many examples…

Teenage Mutant Ninja Turtles: Mutant Mayhem (2023) – 4K Ultra HD + Digital Code

January 30, 2024Posted in2023, 2024, 4K Ultra HD, Action, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Comedy, Family, Jackie Chan, Japan, Martial Arts, Sci-Fi

***½/**** Image A Sound A Extras B-
screenplay by Seth Rogen & Evan Goldberg & Jeff Rowe and Dan Hernandez & Benji Samit
directed by Jeff Rowe

by Walter Chaw There’s a flair to the design of Jeff Rowe’s Teenage Mutant Ninja Turtles: Mutant Mayhem (hereafter Mutant Mayhem)–a joy, an edginess, an energy that reminded me instantly of those halcyon MTV days of “Liquid Television”, when things like “Beavis & Butthead” would give way to “Aeon Flux”. It’s outlaw stuff, verging on the experimental, and the images are so vibrant they occasionally feel as if they’ll bounce outside the edges of the screen. I love how the colours behave like they’re refracting through a prism, like neon off the wet pavement of New York City, where the film is set. For as fresh and as the animation feels, as innovative, it’s not so ostentatious as to deviate from considerations of physics and space. It doesn’t draw attention to itself at the expense of character and story. Its hyperreality, its gloss on the new, merely lends urgency to the picture’s quotidian reality. Consider an early scene in which our heroes watch a public screening of Ferris Bueller’s Day Off in the middle of Brooklyn. Taught to be afraid of the prejudice of others, they’re hidden in the dark of a rooftop across the way. Seeing Ferris perform in a parade, they dream of what it must be like to go to high school, even of the simple camaraderie of sitting with friends on a humid summer night with a future laid out before them full of possibility rather than a life’s sentence of paranoia and rejection. Having had their fill of longing, they leave the scene, pausing before their descent into the sewers to take in the full tableau of a flickering image on a screen illuminating the crowd gathered before it.

SlipStreams Vol. 10

January 24, 2024Posted inPatreon, SlipStreams
Three random-ish streaming recommendations from FILM FREAK CENTRAL editor Bill Chambers for the week of January 26, 2024. PICK OF THE WEEK Out of the Blue (1982, d. Dennis Hopper (U.S./Canada: Tubi, Plex)) Nominated for the Palme d'Or in 1980, Out of the Blue was Dennis Hopper's triumphant return to filmmaking after the sabotaged release of 1971's The Last Movie and various addictions imposed a lengthy hiatus on his directing career. Initially, he was only supposed to act in it, but the producers were unhappy with hyphenate Leonard Yakir's vision for the film and asked Hopper to take over. And…

The Adventures of Renny Harlin: FFC Interviews Renny Harlin

January 17, 2024Posted in2024, Authors: Walter Chaw, Interviews
Rennyharlininterviewtitle

Walter Chaw interviews Renny Harlin,
director of THE BRICKLAYER

Renny Harlin is older now. Wiser. He almost made an Alien movie, was thisclose to taking the reins of the James Bond franchise, caught the biggest comedian on the planet in the last ten minutes before his precipitous fall… Harlin was a minute ahead of his time and sometimes a minute behind, and today he has a new movie out, with three more finished and on the way. He thinks the best is ahead for him, and…I might agree. There is something unlovable about Harlin’s films–an irascible, some would say vicious quality that has engendered affection for them despite their gore and what should be noted is an at-times-uncompromising meanness. He shoots action sequences with clarity and logic: bullet strikes feel heavy, car chases physical, his ubiquitous explosions so jarring I remember the cuffs of my pants fluttering when the passenger plane went down in Die Hard 2 on opening night. He is a maximalist who got his start in low-budget horror and graduated, for a brief time, to the blockiest of blockbusters. Then it all went sideways.

The Bricklayer (2024) + The Beekeeper (2024)

January 13, 2024Posted in2024, Action, Authors: Walter Chaw, Bulgaria, Greece, Theatrical, UK

Beekeeper

THE BRICKLAYER
***/****
starring Aaron Eckhart, Nina Dobrev, Tim Blake Nelson, Clifton Collins, Jr.
screenplay by Hanna Weg and Matt Johnson, based on the novel by Noah Boyd
directed by Renny Harlin

THE BEEKEEPER
**½/****
starring Jason Statham, Emmy Raver-Lampman, Josh Hutcherson, Jeremy Irons
written by Kurt Wimmer
directed by David Ayer

by Walter Chaw We live in a blizzard, a brutal ice storm, a maelstrom of jagged information–and rather than bringing us any closer to a collective mean, the weight of what we know shoves us back into our balkanized bunkers. Knowledge can be scary; the truth about who we are and our relative inconsequence is terrifying, humiliating. I don’t think we’ll ever recover our sense of, if not unity, at least whatever progress we made towards unity. No, not without bloodshed. Not without a reduction in the noise. We weren’t designed for this onslaught. We don’t have the sorting mechanism for it. It’s not like drinking out of firehose–it’s like drinking out of Niagara Falls. We are a species bent into the fetal position: from fear, for protection. It’s made us mean and mistrustful. “How terrible is wisdom when it brings no profit to the wise.” Sophocles nailed it centuries ago. Perhaps that’s why movies like the John Wick and Mission: Impossible franchises remain so popular: they exist in worlds where there are discernible rules, populated by men who are good at more than manipulating information for personal gain. We like the idea of that, you see–of expertise and righteous purpose, even if it seems like competence is a myth designed to ensnare children and radicalize the gullible. Didn’t we used to be a nation of capable people? Didn’t we used to do things that were for the greater good and not merely profitable (and at someone else’s expense)? Didn’t we used to have causes that weren’t only predatory?

The Holdovers (2023) [Collector’s Edition] – Blu-ray + DVD + Digital Code

January 9, 2024Posted in****/****, 2023, 2024, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Christmas, Comedy, Drama, DVD, FFC Must-Own

****/**** Image A Sound A Extras B-
starring Paul Giamatti, Da’vine Joy Randolph, Dominic Sessa, Carrie Preston
written by David Hemingson
directed by Alexander Payne

by Walter Chaw It was never like this, but it’s how I remember it: snow on the ground, ice in patches, a well-appointed office wall-to-wall with books, a fireplace, and me and a classmate, a dear friend, doing an independent study with my favourite professor. I have looked my whole life for my people. I think sometimes they are the fragments I shore against my ruins, that thing T.S. Eliot said to describe the whole of Western civilization informing his writing–but thinking of them as fragments seems wrong. Just as how their spark in my life is not the holding me up but the giving me a reason to want to persist. It would be so much easier not to. I saw an old friend the other day, and he told a story about how I said something to him once that aided him when he was at his lowest point. I didn’t remember saying it, though I remembered the feeling of fear I had for him at the time and was moved to tears that I had helped him as he had so often helped me. You can’t really know the wake you leave behind as you go. My favourite poem is William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey”, particularly for how it speaks of the “best portion of a man’s life, his little, nameless, unremembered acts of kindness and love.” This line has meant different things to me at different times in my life. I wonder what it means to me now.

Wonka (2023)

December 22, 2023Posted in2023, Adventure, Authors: Walter Chaw, Canada, Comedy, Family, Musical, Theatrical, UK

Wonka

**/****
starring Timothée Chalamet, Olivia Colman, Matt Lucas, Hugh Grant
screenplay by Simon Farnaby & Paul King
directed by Paul King

by Walter Chaw Paul King’s Wonka is the sort of film upon which it’s so difficult to find purchase that it attracts critical facility: the Gene Shalit school of equivocal wordplay favoured by capsule writers and elderly sports columnists that substitutes cleverness for insight. A bad thing when there is critical insight to be mined, but some artifacts are possibly only interesting for the fact of them. About ten minutes into Wonka, I started thinking in terms of confectionary puns: how airy and light this movie is, how sugary sweet on the tongue yet troublesome for the gut. How it’s an indulgence, a gobstopper somewhat less than “everlasting.” A bean somewhere short of every-flavoured. I used to joke that there are movies that should come with an insulin plunger. And before I knew it, Wonka opened a chocolate factory, made a deal with a workforce addicted to his product (like a drug dealer, yes?), sang half a dozen songs, I bet, and then the film was over, and I remembered almost nothing about it. And so it is, and so it has remained.

Afire (2023)

December 18, 2023Posted in2023, Authors: Walter Chaw, Comedy, Drama, Germany, Romance, Streaming

Afire

***½/****
starring Thomas Schubert, Paula Beer, Langston Uibel, Enno Trebs
written and directed by Christian Petzold

by Walter Chaw In their fetishization of hopelessly pretty women on bicycles. there is a hint of Claude Chabrol in Christian Petzold’s films; and in their obsessive deconstructions of interpersonal interactions, a touch of Arnaud Desplechin. Both echoes are filtered through a specifically Teutonic social brusqueness that reminds me now of Paul Verhoeven’s early Dutch thrillers. Petzold’s latest, Afire, is, in other words, a wonderland for film nerds looking to engage in another of this filmmaker’s beautifully wrought bits of cinematic nostalgia, though I confess Afire flayed me close to the bone more for its depiction of a lumpen, lachrymose writer named Leon (Thomas Schubert) than for its rich, multi-textural references. (It’s Ozon that Petzold most resembles, isn’t it? Or is it countryman Fassbinder, the master of the social-realist melodrama?) The picture opens with Leon and his friend Felix (Langston Uibel) driving to Felix’s father’s house in the woods by the ocean when their car breaks down. Wandering along a trail, Leon asks if they’re lost, and Felix, in response, sprints deeper into the forest with promises to scout out the road ahead. “It can’t be far!” he says. Afire sets itself up immediately to be a folk-horror movie where Felix never comes back and Leon is left to fend for himself against cultists or witches or wildlife. But Felix does come back, and all those immediate feelings of dread linger like a chill over the remainder that no amount of the film’s wildfires can completely chase away.

Dream Scenario (2023)

December 17, 2023Posted in2023, Authors: Walter Chaw, Comedy, Horror, Nicolas Cage, Theatrical

Dreamscenario

**½/****
starring Nicolas Cage, Julianne Nicholson, Michael Cera, Tim Meadows
written and directed by Kristoffer Borgli

by Walter Chaw There’s so much to like about Norwegian filmmaker Kristoffer Borgli’s Dream Scenario, it’s a shame it takes such a sharp detour at its end, veering away from existential chaos into a more drab and conventional social critique. More’s the pity, considering Borgli already trod the “influencers are the horsemen of the apocalypse” ground in last year’s queasy Sick of Myself, and trod it well. Where it felt fresh in a movie structured around its Luddite didacticism, in Dream Scenario it feels like an escape hatch that exhibits an essential misunderstanding of what’s good about the picture in favour of an uncontroversial popular maxim. The fall of empire is preceded by social media, cancel culture, and going viral against your best intentions? Got it, Grandpa. If this is really where Dream Scenario wants to land, it would’ve done better to take the route of Stéphan Castang’s contemporaneous Vincent Must Die by going hard on its schlub-goes-viral theme from the beginning. Why spend so much time dissecting and undermining Nicolas Cage’s seat of honour in our cinematic imagination? At its best, Dream Scenario is the better version of The Unbearable Weight of Massive Talent. At its worst, it’s recycling futurist paranoia from at least Minority Report and Kentucker Audley and Albert Birney’s more recent (and brilliant) Strawberry Mansion.

Eileen (2023)

December 9, 2023Posted in2023, Authors: Angelo Muredda, Drama, Mystery, South Korea, Theatrical, Thriller, UK

Eileen

***/****
starring Thomasin McKenzie, Anne Hathaway, Shea Whigham, Marin Ireland
written by Luke Goebel & Ottessa Moshfegh, based on the novel by Ottessa Moshfegh
directed by William Oldroyd

by Angelo Muredda Thomasin McKenzie gives the armpit-sniffing Mary Katherine Gallagher a run for her money as the eponymous weirdo loner in William Oldroyd’s Eileen, an admirably icky take on the Ottessa Moshfegh novel of the same name, adapted by the author and her partner, Luke Goebel. An awkward, horned-up femcel, Moshfegh’s Eileen is the kind of ostensibly normal but secretly maladjusted creep you’d find in a Patricia Highsmith novel–as relatable as she is perverse. While Highsmith’s work has lent itself to any number of successful treatments (including Carol, the film this one most closely resembles in its melding of pulp and queer desire), Moshfegh’s text is less of an obvious sell for the movies, fixated as it is on its protagonist’s unruly gut feelings, which frequently extend to her actual bowel movements. While Eileen, with its lovingly upholstered retro-1960s aesthetic, is a tidier affair than the novel, it’s to Oldroyd’s credit that he realizes something of its shabby outlook on the human experience, where violence is your best, if not only, ticket out of your crummy small-town New England existence.

The Holdovers (2023)

December 4, 2023Posted in****/****, 2023, Authors: Walter Chaw, Christmas, Comedy, Drama, Theatrical

Theholdovers

****/****
starring Paul Giamatti, Da’vine Joy Randolph, Dominic Sessa, Carrie Preston
written by David Hemingson
directed by Alexander Payne

by Walter Chaw It was never like this, but it’s how I remember it: snow on the ground, ice in patches, a well-appointed office wall-to-wall with books, a fireplace, and me and a classmate, a dear friend, doing an independent study with my favourite professor. I have looked my whole life for my people. I think sometimes they are the fragments I shore against my ruins, that thing T.S. Eliot said to describe the whole of Western civilization informing his writing–but thinking of them as fragments seems wrong. Just as how their spark in my life is not the holding me up but the giving me a reason to want to persist. It would be so much easier not to. I saw an old friend the other day, and he told a story about how I said something to him once that aided him when he was at his lowest point. I didn’t remember saying it, though I remembered the feeling of fear I had for him at the time and was moved to tears that I had helped him as he had so often helped me. You can’t really know the wake you leave behind as you go. My favourite poem is William Wordsworth’s “Lines Written a Few Miles above Tintern Abbey”, particularly for how it speaks of the “best portion of a man’s life, his little, nameless, unremembered acts of kindness and love.” This line has meant different things to me at different times in my life. I wonder what it means to me now.

Saltburn (2023)

November 26, 2023Posted in2023, Authors: Walter Chaw, Comedy, Drama, Theatrical, Thriller, UK

Saltburn

*/****
starring Barry Keoghan, Jacob Elordi, Rosamund Pike, Richard E. Grant
written and directed by Emerald Fennell

by Walter Chaw People keep expressing in the weariest, archest way how disappointing Oliver Quick (Barry Keoghan) has turned out to be, or, if they’re more passive, how they do hope he doesn’t end up like the last one–you know, that one; why do they all end up that way? Well, who wouldn’t snap under that kind of aristocratic disapproval, I ask you? It’s like if Jay Sherman’s butler caught you nicking from the buffet table. And indeed, all of Emerald Fennell’s insufferable Saltburn is like The Talented Mr. Ripley written by Fleabag–if Patricia Highsmith and Phoebe Waller-Bridge were trying to follow up an underbaked piece of shit with another underbaked piece of shit while producers were still bedazzled by her empty, shit-eating bullshit. Sorry, I mean to say Saltburn is hackwork that doesn’t know what it’s trying to say because Emerald Fennell, a member herself of the larded gentry, isn’t remotely self-aware enough to recognize the extent to which she’s completely bought into her systemic privilege and its attendant noblesse oblige. Yes, good Queen Emerald has a story to tell about how bad her people are. Now listen up, peon.

Wish (2023)

November 24, 2023Posted in2023, Adventure, Animation, Authors: Walter Chaw, Comedy, Disney, Family, Fantasy, Musical, Theatrical

Wish2023

*½/****
screenplay by Jennifer Lee & Allison Moore
directed by Chris Buck, Fawn Veerasunthorn

by Walter Chaw It’s possible to catch the zeitgeist express and still suck, and here’s the proof: Fawn Veerasunthorn and Chris Buck’s flaccid, disturbing, Les Miz-for-kids Disney flick, Wish. On the verge of giving her fondest wish to the autocrat King Magnifico (Chris Pine) in exchange for his beneficent magical protection, 17-year-old Asha (Ariana DeBose) discovers that Magnifico is actually a fanatical, power-drunk, authoritarian zealot. His greatest fear is that one of his people in the kingdom of Rosas may nurse a fond wish that leads to his downfall, so he hoards them, extracting them during a ritual from his people as they grow from childhood to the rest of their wish-less lives. He keeps them as bubbles of blue smoke in a glass observatory in his castle. Why doesn’t he just destroy the ones he deems dangerous?

SDAFF ’23: New Strains

November 20, 2023Posted in2023, Authors: Walter Chaw, Comedy, Film Festivals, Romance, San Diego Asian Film Festival, Sci-Fi

Sdaff23newstrains

***½/****
starring Artemis Shaw, Prashanth Kamalakanthan
written and directed by Artemis Shaw & Prashanth Kamalakanthan

by Walter Chaw Prasanth Kamalakanthan and Artemis Shaw’s New Strains is perhaps the definitive film about the COVID shutdown, addressing it both straight-on and metaphorically in adopting the central conceit of Michael Tolkin’s dystopian novel NK3, in which a world-ending virus has as its primary symptom the infantilization of the infected. “New Strains” refers to both viral evolution and the manifold tensions introduced into the new romantic relationship of vacationing couple Kallia (Shaw) and Ram (Kamalakanthan), who land in the Big Apple right when the world shuts down. Trapped in a well-appointed, centrally-located flat, they bicker, watch television, have spiritless sex, and disagree over how seriously to take the risks of infection. Kallia, giving off some Lena Dunham vibes, is loose about masking and decontaminating when entering the living space. Ram, notably more uptight, freaks out a time or two in response to her laxness. It doesn’t help that she deals with strife through giggling and taunting. Indeed, for all of Ram’s irritating quirks–his fastidiousness and jealousy–I instantly despised Kallia for her schoolyard cruelty.

Napoleon (2023)

November 19, 2023Posted in2023, Action, Adventure, Authors: Walter Chaw, Biopic, Directors: Ridley Scott, Drama, Theatrical, UK, War

Napoleon2023

**½/****
starring Joaquin Phoenix, Vanessa Kirby, Tahar Rahim, Rupert Everett
written by David Scarpa
directed by Ridley Scott

by Walter Chaw I wish Ridley Scott’s Napoleon was weirder, kinkier, as perverse as it seems like Joaquin Phoenix, who plays the diminutive emperor, wants it to be. I wish it had more time for his relationship with Josephine (Vanessa Kirby), who, in this incarnation, is cast as a kind of succubus: a barren nymphomaniac who pulls up her bloomers and spreads her legs during her courtship with Napoleon and tells him if he looks at her holiest of holies, he’ll never stop wanting it. It’s deeply weird, is what I’m saying, and there’s a version of this film that is just ninety minutes of these two actors, ready for anything, going full-tilt boogie. Maybe he puts on a dog collar, and she steps on him; then he goes out and murders a few tens of thousands of Egyptians while firing cannons at the Great Pyramids. In that Napoleon, however, we wouldn’t see the million-dollar battle sequences, but instead a series of disturbing tableaux vivant of codependency and sadomasochistic sex play ending in the same title card tallying up the number of people who died (over three million) because of this creepy little freak. “Him?” we would marvel–and then consider that maybe it’s only damaged men, damaged in exactly this way, who would consider the military conquest of the world a thing to be desired, possible to accomplish, and more, possible for them to accomplish. But, alas, that’s not the sort of movie Ridley Scott makes.