1984 (1984) [The Criterion Collection] – Blu-ray Disc

Img023

Nineteen Eighty-Four
****/**** Image A+ Sound A Extras B

starring John Hurt, Richard Burton, Suzanna Hamilton, Gregor Fisher
written and directed by Michael Radford

by Walter Chaw George Orwell’s 1984 is a fabulously paranoid fantasy in which everything predicted has not only come to pass but proven mild in comparison. Orwell himself failed to foresee how Big Brother’s intrusion into all aspects of our lives would be a privilege we happily facilitated and paid for at a premium through the acquisition of our manifold devices and subscriptions. Cameras and microphones are recording every aspect of our existence…and that’s just the way we wanted it. Capitalism is the most pernicious form of authoritarianism. We are slaves to ease. 1984 is, for all intents and purposes, a plagiarism of Yevgeny Zamyatin’s We, a novel written in 1923 and instantly suppressed in Zamyatin’s native Russia for being ideologically undesirable. It wasn’t published there until 1988 in the temporary spirit of glasnost, though copies of it had been in circulation abroad for decades. Orwell, reviewing We for TRIBUNE MAGAZINE in January of 1947, identified it as one of “the literary curiosities of this book-burning age.” “This is a book to look out for when an English version appears,” he wrote, and suggested that Aldous Huxley had borrowed from it extensively for A Brave New World. (For what it’s worth, Huxley denied the charge vociferously and, having read We, I’d have to agree with him.) Orwell went on to criticize We for lacking political focus in favour of a more general fear of “the machine.” So I like to think of 1984, written three years after this review of We, to be Orwell’s attempt to correct what he identified as that work’s essential flaw rather than a more cynical wholesale lift. I like to think he was driven more by the urgency of the message than by the venality of stolen valour.

Life During Wartime #8: THE SEVENTH SEAL (Patreon exclusive)

by Walter ChawThe Seventh Seal (1957)U.S.: Criterion, Kanopy, FuboTV, Watch TCMCanada: CriterionI showed my wife Ingmar Bergman's The Seventh Seal for the first time in 2003, when we were pregnant with my daughter. As we were watching, we both, separately, decided to name our baby after the Bibi Andersson character, Mia, because Mia in the film is surrounded by loved ones, free from worry, happy, and protected from the death and despair that surrounds her. As a joke, I tell people that our daughter was named after a character in The Seventh Seal: "My daughter's name is Antonius Block." It's…

Lock Up (1989) – 4K Ultra HD + Blu-ray + Digital

00017.m2ts_snapshot_01.08.37_[2020.04.14_17.46.33]Note: all framegrabs were sourced from the 4K UHD disc

**½/**** Image A- Sound B Extras C+
starring Donald Sutherland, John Amos, Sonny Landham
screenplay by Richard Smith and Jeb Stuart and Henry Rosenbaum
directed by John Flynn

by Bryant Frazer Lock Up came out in 1989, but for much of its running time it feels like it could have been made at least 15 years earlier. Shot mainly on location at a real state prison (with real prison inmates serving as extras) in Rahway, New Jersey, it isn't exactly gritty, but it's convincing enough. Director John Flynn knew what kind of movie he was trying to make–a straightforward vehicle for star Sylvester Stallone, who was restlessly seeking new roles that would help sustain the first post- Rambo and Rocky stage of his career. And despite his relative anonymity in Hollywood, Flynn was a good pick for the project, having a body of work that included taut cult classics like the 1970s pulp adaptation The Outfit (featuring Robert Duvall as Donald E. Westlake's favoured screen version of his iconic Parker character) and the revenge drama Rolling Thunder (with William Devane and Tommy Lee Jones as Vietnam vets tracking down a gang of small-time thugs), as well as 1987's critically acclaimed Best Seller, starring James Woods and Brian Dennehy. Flynn earned a journalism degree from UCLA, and his deceptively simple directorial style evinces what strike me as sound reportorial instincts: he finds the kernel of every scene and assembles the fewest and least fussy shots required to get the point across.

Life During Wartime #7: SHERLOCK JR. (Patreon exclusive)

by Walter ChawSherlock Jr. (1924)U.S.: Hoopla, Kanopy, IndiePixCanada: HooplaBuster Keaton is one of the "big four" silent comedians--a group that includes Charlie Chaplin, Harold Lloyd, and Harry Langdon--who produced a fascinating body of fraught work that is slyly progressive (especially in regards to gender) and sometimes uncomfortable. While the kids have seen films by all of these guys, I was happy to give them a recap of their personas: Langdon affected a child-like, wide-eyed, powdered, often "feminized" demeanour Chaplin's "Little Tramp" presented as a "hobo" archetype, poor and lovelorn and unfailingly optimistic Harold Lloyd's harried "Glass" persona was all bespectacled,…

Rambo: Last Blood (2019) – 4K Ultra HD + Blu-ray + Digital

Vlcsnap-2020-04-12-20h38m49s377Please note that all framegrabs are from the 1080p version

***/**** Image A- Sound A Extras B
starring Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Oscar Jaenada
screenplay by Matt Cirulnick & Sylvester Stallone
directed by Adrian Grünberg

by Bill Chambers SPOILER WARNING IN EFFECT. Rambo: Last Blood, hereafter Last Blood, became irresistible to me the moment John Rambo (Sylvester Stallone) decided to score his own climactic bloodbath with The Doors‘ “Five to One,” flooding his homemade tunnels with it to taunt and ridicule the small army hunting him. A Kevin McAllister move, one might say. Lyrics-wise, “Five to One” is a little on the nose (“Five to one, baby/One in five/No one here gets out alive, now”), but it’s still a deep cut from a band in many ways synonymous with the Vietnam War’s acid-rock energy, making it a loaded choice indeed. This was probably the soundtrack to Rambo losing his innocence; what matters is that it could’ve been. There’s a certain frisson, too, that comes with hearing a pop song in a Rambo movie for the first time, at least diegetically. It makes for a set-piece that is, in the context of le cinéma de Rambo, unusually exuberant, and one begins to suspect that without music it would be merely nauseating, maybe unbearable. Indeed, the slickness of Last Blood is the only thing keeping it from being a snuff movie.

Life During Wartime #6: THE 39 STEPS (Patreon exclusive)

The 39 Steps (1935)U.S.: Prime, Roku, Hoopla, CriterionCanada: Prime, Hoopla, Criterionby Walter ChawThere is no single director who has inspired more scholarship than Alfred Hitchcock.He made upwards of sixty films throughout his storied career, most of which survive. The first film considered to show the hallmarks of his work was his third completed feature, The Lodger, from 1926. Subtitled "A Story of the London Fog," it told the tale of a Jack the Ripper-styled murderer who may or may not be the same mysterious lodger staying with an unassuming family. Twenty films later, The 39 Steps was seen by many…

Life During Wartime #5: JOE VERSUS THE VOLCANO (Patreon exclusive)

by Walter ChawJoe Versus the Volcano (1990)U.S.: Starz, DirecTVCanada: rental onlyJohn Patrick Shanley's Joe Versus the Volcano allows for a lovely introduction to both Tom Hanks and Meg Ryan right when their stardom was about to reach such great heights. Part of the Nineties pantheon of A-listers who had breakout films in the '80s (Hanks with Big in 1988, Ryan with When Harry Met Sally in 1989, her star-making moment), they collaborated twice more during the '90s on the outrageously popular Sleepless in Seattle and the Shop Around the Corner update You've Got Mail. Hanks/Ryan felt like relics from Old…

Dolittle (2020) – 4K Ultra HD + Blu-ray + Digital Code

Img008 (2)Please note that all framegrabs are from the 1080p version

**/**** Image A Sound A Extras C
starring Robert Downey Jr., Antonio Banderas, Michael Sheen, Jim Broadbent
screenplay by Stephen Gaghan and John Whittington, based on the novels by Hugh Lofting
directed by Stephen Gaghan

by Walter Chaw My memory of it is a little hazy now, but it’s worried my mind in the decades since I first read it, “it” being a scene from Dan Simmons’s Carrion Comfort where Holocaust prisoners are forced to be the chess pieces in a giant game, with the losing “pieces” summarily executed. Not ten minutes in, Steven Gaghan’s Dolittle, the second reboot of the legendarily disastrous (but also Oscar-nominated) Doctor Dolittle, features a sequence where Dolittle (Robert Downey Jr.) and cowardly gorilla Chee Chee (voiced by Rami Malek) play a game of chess with mice as the pieces. One strikes another with a tiny sceptre. It’s played for laughs, but I wasn’t laughing; I have questions. One of them concerns young Tommy’s accidental, near-mortal wounding of a squirrel (voiced by Craig Robinson) who suffers from PTSD in a vaguely terrifying flash-montage upon waking from surgery, and vows revenge. Another concerns how Dolittle, who’s been secreted away in his overgrown manse for years and years after the unfortunate death of his also-telepathic wife (not unlike another Dan Simmons novel, The Hollow Man), somehow has a very young lion cub in his care. Where does a hermit who never leaves his house get a baby lion? Wait, I figured it out: Shut up, you joyless old fuck, this isn’t for you, it’s for dim children and the parents needing a break from them.

Life During Wartime #4: CONSTANTINE (Patreon exclusive)

by Walter ChawConstantine (2005)U.S.: rental onlyCanada: Netflix, CraveAce music-video director Francis Lawrence made his feature-length debut with 2005's Constantine, an adaptation of the DC Vertigo comic-book series "Hellblazer". At the time, I resented it both for making the hero a Yank (he's British in the books) and for not casting Denis Leary as said foul-mouthed, chain-smoking Yank. Time has been kind to the film, however, at least in my mind, as I've gotten over the fanboy possessiveness for "Hellblazer" to well and truly embrace the visual majesty of the piece and the absolute "Keanu-ness" of Keanu Reeves's performance. This is…

Never Rarely Sometimes Always (2020)

Neverrarelyalways

**½/****
starring Sidney Flanigan, Talia Ryder, Ryan Eggold, Sharon Van Etten
written and directed by Eliza Hittman

by Walter Chaw In Eliza Hittman’s Never Rarely Sometimes Always, a young woman seeking an abortion finds one. There’s not much controversy in my mind as to whether or not she should have it, since the film suggests, in a lovely, oblique way, that her pregnancy is the product of abuse–maybe probably definitely absolutely through an incestual relationship with her creepy stepfather (Ryan Eggold). Hittman doesn’t say that this is so, but she doesn’t say that it isn’t so, either. From what we glean of the stepfather’s meanness and cruelty to the family dog, and then from the way our hero, Autumn (Sidney Flanigan), reacts to questions about the father of the MacGuffin, we, you know, put things together. Mostly, what we put together is that Never Rarely Sometimes Always is less interested in those details than it is in painting a portrait of how terrifying men are, which is utterly true and also not exceptionally revelatory, as revelations go.

Life During Wartime #3: OUT OF THE PAST (Patreon exclusive)

by Walter ChawOut of the Past (1947)U.S. & Canada: rental onlyJacques Tourneur's Out of the Past is believed by some to be, if not the best, at least the quintessential example of film noir. Screening it for the kids is a wonderful excuse to dig into it. I seized this opportunity to introduce the "big, dumb question" with which I usually inaugurate all of my post-film discussion programs and seminars: "What is this movie about?" We'll return to that after the movie. In introducing Out of the Past, I asked them to remember the previous night's The Night of the…

Life During Wartime: Proposed Syllabus (Patreon exclusive)

by Walter ChawSubject to change, here's a list of flicks we'll be screening while quarantined. I'll probably update it in ten-film chunks. I want to be sensitive to what the kids are responding to the most and check and adjust on the fly. If it turns out they just loathe the Italian Neo-Realists, for example, I'll take pains to spread those out more. There's no paucity of great pictures--no reason to force-feed them something if the time isn't right.The films will receive a numerical designation once screened--before they're screened, they'll live in a pool of titles I intend to get…

We’re Still Here

The quarantine has slowed down our progress a bit here at the mothersite, but we'll be back next week with more reviews. In the meantime, Walter Chaw has started a column for our Patreon subscribers called "Life During Wartime," about watching and discussing films with his family. To all who have offered their support recently, financial and otherwise, we can't thank you enough. My best to our readership during this uniquely difficult time. Bill Chambers,Editor

Life During Wartime #2: THE NIGHT OF THE HUNTER (Patreon exclusive)

The Night of the Hunter (1955)U.S. & Canada: rental onlyby Walter ChawThe kids loved this one. The Night of the Hunter is already an indelible part of our pop culture. My children recognized the hand tattoos on star Robert Mitchum from an episode of the "The Simpsons" where Sideshow Bob has "LUV" and "HAT" (with an umlaut over the "A") written on his three-fingered mitts. What I got to explain to them was that the venerable show was aping not only this Mitchum role, but also Mitchum's baddie from the original Cape Fear. I doubt we'll do Cape Fear as…

Life During Wartime #1: THE SHAWSHANK REDEMPTION (Patreon exclusive)

The Shawshank Redemption U.S.: Netflix Canada: Crave, Hollywood Suite by Walter Chaw Frank Darabont's The Shawshank Redemption came out in 1994. Based on the "Hope Springs Eternal" entry from Stephen King's quartet of novellas Different Seasons (Rita Hayworth and The Shawshank Redemption), it was not actually Darabont's first shot at bringing King to the screen. Ten years earlier, he had adapted "The Woman in the Room" from King's short-story collection Night Shift--the first of King's "dollar babies," which saw the author licensing his short fiction to student filmmakers for the bargain price of $1. I introduced The Shawshank Redemption as…

Life During Wartime: Introduction (Patreon exclusive)

by Walter ChawWith training in British Romanticism, I painted myself darkling into a corner. There are few options outside of starvation for such a background--fortunately, salvation came for me in the form of movies and their analysis. We like to talk about the "seven arts," and I tend to think of cinema as the eighth--the one, like the fourth stop in the cycle of the feminine archetype, that encompasses all the others. Film at its best can be poetry and painting; stagecraft and prose; music, yes; dance, yes; sculpture? Frank Zappa famously said that talking about music was like dancing…

Walter Chaw reviews “Burn After Reading” and “Changeling” (both 2008)

Hey all, we've decided to make available to our patrons reviews that had previously only appeared in print. First up, here's Walter Chaw on Burn After Reading and Changeling, from our 2009 SuperAnnual.-Ed.</em BURN AFTER READING ***½/**** starring George Clooney, Frances McDormand, John Malkovich, Brad Pitt written and directed by Joel Coen & Ethan Coen CHANGELING *½/**** starring Angelina Jolie, John Malkovich, Jeffrey Donovan, Amy Ryan screenplay by J. Michael Straczynski directed by Clint Eastwood by Walter Chaw Recently revisiting the Coen Bros.' The Big Lebowski on HiDef cable, I saw for the first time that they'd added a prologue…

Vivarium (2020)

Vivarium

***½/****
starring Imogen Poots, Jesse Eisenberg, Jonathan Aris, Molly McCann
screenplay by Garret Shanley
directed by Lorcan Finnegan

by Walter Chaw Lorcan Finnegan's Vivarium cues what it's going to be about with a title that could, arguably, also describe movies: artificial, controlled environments constructed for the observation of collected specimens. As the film opens, nature footage of a cuckoo bird pushing baby birds out of their nest to take their place segues into grammar-school teacher Gemma (Imogen Poots) leading a classroom of kids acting out a windstorm. In the next scene, Gemma counsels one of her young charges as the child discovers the dead-bird babies on the ground beneath a tree. A cuckoo could be responsible, she says, and it's terrible, of course, but it's nature. If you were to stop watching Vivarium there, about five minutes in, you'd miss some fun stuff, but the whole film has already been summarized. The picture boils every impulse down to biological impetus, you see. But rather than making Vivarium simplistic, this philosophical determinism makes the behaviours of its subjects extraordinarily complex and interesting.

The Lodger: A Story of the London Fog (1927) [The Criterion Collection] – Blu-ray Disc

Img066

THE LODGER: A STORY OF THE LONDON FOG
***½/**** Image A- Sound A+ Extras A

starring Ivor Novello, June (née June Tripp), Malcolm Keen, Marie Ault
scenario by Eliot Stannard, from the novel by Mrs. Belloc Lowndes
directed by Alfred Hitchcock

DOWNHILL (1927)
When Boys Leave Home
***/**** Image A Sound A Extras A
starring Ivor Novello, Robin Irvine, Isabel Jeans, Ben Webster
scenario by Eliot Stannard, based on the play by Constance Collier & David L'Estrange (née Ivor Novello)
directed by Alfred Hitchcock

by Walter Chaw Alfred Hitchcock's fifth time at the plate produced his third completed picture, The Lodger: A Story of the London Fog (hereafter The Lodger), based on a 1913 novel by Marie Belloc Lowndes that was itself based on the 1888 Jack the Ripper murders, which still would have been in the immediate cultural memory of 1927. When first screened, distributor C.M. Woolf proclaimed it incomprehensible, jeopardizing its release until London Film Society founding member Ivor Montagu was enlisted to clear up the mess. In truth, Montagu liked what he saw, advised the reshooting of the darkest scenes, and, with Hitchcock's approval and assistance, discarded a good number of title cards to, in effect, leave the storytelling to the visuals. Producer Michael Balcon, already a supporter, called it good, and the picture allowed the British film industry to finally boast a product that could compete with not merely the artistically-dominant European cinema (France, Germany, and Russia), but also the commercially-dominant American dream factory. Just in time, as it happened. The passage of the 1927 Cinematograph Films Act stipulated that distributors would guarantee at least 7.5% of their total output be British: a number that would increase in increments until it hit 20% in 1936. The skeletal British industry boasted few stars. On the strength of The Lodger and his earlier The Pleasure Garden, Hitchcock was something of a known quantity before much of the British public had even seen any of his films.

McCabe & Mrs. Miller (1971) [The Criterion Collection] – Blu-ray Disc

Img099

****/**** Image A+ Sound A+ Extras A
starring Warren Beatty, Julie Christie, Rene Auberjonois, William Devane
screenplay by Robert Altman and Brian McKay, based on the novel McCabe by Edmund Naughton
directed by Robert Altman

by Walter Chaw SPOILER WARNING IN EFFECT. Robert Altman’s McCabe & Mrs. Miller is, even more than his Nashville, the quintessential American film. The whole of it is in a constant state of construction and reconstruction, a continuous and ever-doomed battle against entropy and that human desire to matter a little before it’s all over too soon. The modern analogue for it is Paul Thomas Anderson’s There Will Be Blood, as both films detail the sad lives of entrepreneurs staking a claim for themselves on the frontier at the beginning of America’s potential. The only reward for ambition, unfortunately, is death. Death is the only reward for anything. John McCabe (Warren Beatty) is a swaggering loudmouth in a big fur coat who one day struts into the tiny town of Presbyterian Church, pop. 120 (the majority of those prospectors and illiterate scumbags), lays a cloth across a table in the disgusting saloon of Sheehan (Rene Auberjonois), and proceeds to take the rubes for everything they’re worth. With that cash, he buys three broken-down whores, then lights out for the edge of town, where he starts a company.

Business is good.