TIFF ’20: MLK/FBI
***/****
directed by Sam Pollard
by Angelo Muredda Documentarian and editor Sam Pollard peers into the recently declassified files on the FBI’s aggressive counter-intelligence operation against Martin Luther King, Jr. in MLK/FBI. Pollard’s nonfiction essay is an infuriating and timely document undermined at times by its glossy, cinema-of-quality treatment. It is at once a sobering work of public significance and a slickly produced project that risks overly flattering its hypothetical spectators with too many ironic vignettes, zooming in to an old television set at one point to marvel at Ronald Reagan droning on about heroes and villains in the movies. In its first hour alone, it comes replete with black-and-white animations of vintage tape recorders, microfiche, and superimposed text and solemn voiceovers from a who’s-who of historians, activists, and former agents (whose faces are not revealed until the last act). More curiously, it concedes surprisingly long stretches to Resistance Democratic favourite James Comey, a career agent and former director who offers up nothing more insightful than his recognition that, sure, the Bureau might have been a bit heavy-handed when it came to King.