3D IMAX and the “Coloss”al Waste of Money

February 21, 1999Posted in1990s, Authors: Bill Chambers, Blog

by Bill Chambers Pete and I exit off the highway and discover that parking at the Colossus will require turning the corner in the opposite direction, driving to the end of that street, making a U-turn, and keeping our eyes peeled for access to the giant lot. The name is fitting: the cinema is huge. One can see it from hundreds of metres away. From space, maybe. It's an eyesore, really. The building itself is the size of a shopping mall, capped by an old-fashioned, Day the Earth Stood Still-style spaceship with two antennas (antennae?) jutting out of it. No wonder they premiered My Favorite Martian here.

Snake Eyes (1998) – DVD

February 17, 1999Posted in1990s, Authors: Bill Chambers, Crime, Directors: Brian De Palma, DVD, Mystery, Nicolas Cage, Thriller

**/**** Image B+ Sound A
starring Nicolas Cage, Gary Sinise, Carla Gugino, Stan Shaw
screenplay by David Koepp
directed by Brian De Palma

by Bill Chambers The setting: an Atlantic City hotel casino. Homicide detective Rick Santoro (Nicolas Cage) excitedly attends a big heavyweight showdown with his best bud, Commander Kevin Dunne (Gary Sinise), a Washington yes-man assigned to protect Kirkland, the Secretary of Defense (Joel Fabiani), who has a seat in the second row. As a buxom blonde (Carla Gugino) quietly converses with Kirkland, the fighter (Stan Shaw) is knocked down for the first time in his career. Simultaneously, sniper shots are fired into the crowd. An assassin is immediately caught, though not before Kirkland has expired and his mystery woman (farsighted and bereft of her specs) has escaped in the ensuing stampede. Santoro launches an impromptu investigation, his detective skills consisting mainly of screaming at people until they yield. He is the verbal correlative to the boxer in the picture.

Affliction (1998)

February 17, 1999Posted in1990s, Authors: Bill Chambers, Canada, Directors: Paul Schrader, Drama, Japan, Mystery, Thriller

***½/****
starring Nick Nolte, Sissy Spacek, James Coburn, Willem Dafoe
screenplay by Paul Schrader, based on the novel by Russell Banks
directed by Paul Schrader

by Bill Chambers

Wade: "I get to feeling like a whipped dog some days, Rolfe. And some night I'm going to bite back."
Rolfe: "Haven't you already done a bit of that?"
Wade: "No, not really. I've growled a little, but I haven't bit."

Why Paul Schrader chose to adapt Russell Banks's disquieting literary novel Affliction is no great mystery: its story follows an arc similar to that of Schrader's best known works, such as his screenplays for Scorsese's Taxi Driver and his own Hardcore. Affliction's Wade Whitehouse (Nick Nolte), like Travis Bickle before him, is a man who fixates on exposing corruption in repression of his own violent past. In Bickle's case, planning the assassination of a governor perhaps defers the pain of Vietnam, from which he was honourably discharged; Wade has been afflicted for years by his father Glen's wickedness.

Rumble in the Bronx (1996) + Mr. Nice Guy (1998) – DVDs

January 25, 1999Posted in1990s, Action, Adventure, Authors: Bill Chambers, Comedy, Crime, DVD, Hong Kong, Jackie Chan, Martial Arts, Thriller

RUMBLE IN THE BRONX
***/**** Image A Sound A-
starring Jackie Chan, Anita Mui, Francoise Yip, Bill Tung
screenplay by Edward Tang and Fibe Ma
directed by Stanley Tong

MR. NICE GUY
**/**** Image A Sound B+
starring Jackie Chan, Richard Norton, Miki Lee, Karen McLymont
screenplay by Fibe Ma and Edward Tang
directed by Sammo Hung Kam-Bo

by Bill Chambers Prior to his breakout stateside hit Rush Hour, Chinese box-office sensation Jackie Chan's Hollywood forays were the terrifically unsuccessful films The Cannonball Run I & II and The Big Brawl (which planted Jackie in Prohibition-era Chicago!). When American studios–namely, "mini-majors" New Line and Miramax–elected to give him a second chance, not by casting him in their movies but by importing, dubbing, and retitling his more recent Hong Kong hits and putting the full force of their niche-adept marketing machines behind them, the results were much different: Rumble in the Bronx made a small mint for New Line, which almost immediately signed him up for Rush Hour (review forthcoming), last year's sleeper hit. (Sadly, Chan's masterpiece, Drunken Master II, has yet to be distributed in North America by a North American company. Perhaps it's too, well, drunken.)

Of Mice and Batmen

January 16, 1999Posted in1990s, Authors: Bill Chambers, Blog, Disney, Superhero
by Bill Chambers I can't bear to open my ENTERTAINMENT WEEKLY or read the trades these days...LOOK WHAT'S HAPPENING IN TINSELTOWN! BATTING AN EYELASH It was recently announced in the trades that Mel Gibson and his frequent collaborator Richard Donner are thisclose to signing on for the fifth Batman film. After entrusting the franchise to Joel Schumacher and Akiva Goldsman for two atrocious movies, Warner Bros. is looking for fresh blood...again. Typical of the studio, their search has not extended beyond the Warner family. Word is, Nicholson may even return as the Joker. The film will be shot in Australia,…

Film Freak Central’s Top 10 of 1998

December 31, 1998Posted in1990s, Authors: Bill Chambers, Best-of Lists, Blog

Editor's Note, December 24, 2012: I didn't make a list in 1999. And Life is Beautiful? Sheesh. The prose here is also a particularly embarrassing shade of purple.

Top1098The following Ten Best list reflects only the opinions of Bill Chambers–Film Freak Central's webmaster–and not necessarily those of this site's other contributors.

10. Henry Fool
Hal Hartley movies never make Top 10 lists; they're considered pompous and pretentious by people who are just those things. Simon's metamorphosis from garbage man to renowned author under the tutelage of worldly Henry Fool was one of this year's most thoughtful character studies; Hartley, ever the pop intellectual, mines issues of classism and censorship in a grunge landscape like some poet of the street.

Mighty Joe Young (1998)

December 25, 1998Posted in1990s, Action, Adventure, Authors: Bill Chambers, Disney, Family, Theatrical, Thriller

*½/****
starring Charlize Theron, Bill Paxton, David Paymer, Rade Serbedzija
screenplay by Lawrence M. Konner & Mark Rosenthal, based on the 1949 screenplay by Ruth Rose
directed by Ron Underwood

Story_newhdrby Bill Chambers The most absurd remake of 1998? It's a toss-up between Gus Van Sant's Psycho and Mighty Joe Young, the new Disney picture based on the old RKO one. I knew I was in trouble when a polished, computer-generated version of that famous radio-tower logo appeared before the opening credits; like Psycho, this is less a remake than a simulation of one. There was no great demand for another giant ape movie–make that ape movie, period. (Witness the quick deaths of Buddy, Born To Be Wild, and Congo.) And while this latest entry in an inexplicably prolific genre is an inoffensive time-waster, it's also an assembly-line product through and through, lacking the charm and idiosyncratic plotting of vintage jungle pulp.

Six Days Seven Nights (1998) – DVD

December 9, 1998Posted in1990s, Action, Adventure, Authors: Bill Chambers, Comedy, DVD, Romance

**/**** Image B+ Sound A-
starring Harrison Ford, Anne Heche, David Schwimmer, Jacqueline Obradors
screenplay by Michael Browning
directed by Ivan Reitman

by Bill Chambers Still smarting from back-to-back high-profile failures (the Arnie-gets-pregnant comedy Junior and the Billy Crystal/Robin Williams team-up Father's Day), director Ivan Reitman needed a hit, badly. In casting Six Days Seven Nights, he took out the closest thing to a living insurance policy you will find in Hollywood: Harrison Ford. For Ford's co-star and the female lead, he chose Anne Heche, who's spent a few years in the trenches (best friend and wife roles) gaining traction as the next Meg Ryan. Then Ford seemed to go through a mid-life crisis, sporting an earring and a hip new look on the talk-show circuit that felt like a rejection of his stoic image and the fans thereof. And Heche came out as a lesbian in a public declaration of love for Ellen DeGeneres. It created a lot of static for both their performances and audiences to overcome, yielding Reitman's third flop in a row. Does this mean Six Days Seven Nights is some buried treasure you'd be lucky to discover at the video store? Not really, because the movie is pretty unremarkable except as a PR train crash. Let's be honest: Reitman has coasted since Ghostbusters; sometimes he hits a double, but this is not one of those times.

Apt Pupil (1998)

October 25, 1998Posted in1990s, Authors: Bill Chambers, Canada, Crime, Drama, France, Stephen King, Theatrical, Thriller

***/****
starring Brad Renfro, Ian McKellen, Elias Koteas, David Schwimmer
screenplay by Brandon Boyce, based on the novella by Stephen King
directed by Bryan Singer

by Bill Chambers "No man is an island," goes the famous John Donne poem, effectively summarizing Apt Pupil's central themes. Though hardly a great film, Bryan Singer's ambitious adaptation of Stephen King's same-named novella* is nonetheless challenging, a bleak picture destined to be misunderstood by the masses. But perhaps the most shocking aspect of this inclement psychological thriller is that a major studio got behind it.

Antz (1998)

September 13, 1998Posted in1990s, Adventure, Animation, Authors: Bill Chambers, Comedy, Family, Film Festivals, TIFF

**/****
screenplay by Todd Alcott and Chris Weitz and Paul Weitz
directed by Eric Darnell and Tim Johnson

by Bill Chambers Directors Eric Darnell and Tim Johnson as well as “stars” Dan Aykroyd, Jane Curtin, Danny Glover, Jennifer Lopez, and Christopher Walken file into the sweaty, crowded Tudor Room of Toronto’s Four Seasons hotel to discuss the Dreamworks/PDI production Antz, a computer-generated movie that took two-and-a-half years to complete. Antz will beat the not-dissimilar Disney/Pixar project A Bug’s Life to screens by a month. That’s why Jeffrey Katzenberg–Michael Eisner’s former right-hand man, and the K in Dreamworks SKG–is there, tucked between some cameras and journalists. He looks to be gloating–does he have cause to?

Without Limits (1998)

September 11, 1998Posted in1990s, Authors: Bill Chambers, Biopic, Drama, Sports, Theatrical, Tom Cruise

**/****
starring Billy Crudup, Donald Sutherland, Monica Potter, Jeremy Sisto
screenplay by Robert Towne and Kenny Moore
directed by Robert Towne

by Bill Chambers Does Robert Towne deserve his reputation as a Hollywood Great? (I'm not playing Devil's Advocate here.) After all, Roman Polanski is responsible for Chinatown's brilliant ending (Towne, its screenwriter, bowed out when Polanski opted to alter his comparatively bittersweet finale); Warren Beatty extensively reshaped his screenplay for Shampoo; Towne caved to studio pressure and destroyed the climax of his sophomore feature as writer-director, Tequila Sunrise; and it took him several years to pen the misfire Love Affair.

The Breakfast Club (1985) [Widescreen] – DVD

September 2, 1998Posted in1980s, Authors: Vincent Suarez, Comedy, Drama, DVD, John Hughes, Teen

***/**** Image A- Sound A-
starring Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson
written and directed by John Hughes

by Vincent Suarez Oh, how I wish I could hate The Breakfast Club. Maybe it’s because I was a geeky high-school senior in 1985, when the film was released, and I defiantly loathed anything that smacked of cool. Perhaps it’s because writer/producer/director John Hughes has been responsible for some of the most inane (e.g., Dutch, Curly Sue, Baby’s Day Out) and unnecessary (e.g., Flubber, Miracle on 34th Street, 101 Dalmatians) films in recent memory.

The Gingerbread Man (1998)

August 3, 1998Posted in1990s, Authors: Bill Chambers, Crime, Directors: Robert Altman, Mystery, Thriller

**½/****
starring Kenneth Branagh, Embeth Davidtz, Daryl Hannah, Robert Downey Jr.
screenplay by Robert Altman (as Al Hayes), based on a story by John Grisham
directed by Robert Altman

by Bill Chambers It's nice to see Robert Altman doing studio work again. After 1980's disastrously-received Popeye, the director steered clear of mainstream Hollywood entirely. Perhaps this is a chicken-egg scenario and it steered clear of him, but no matter: his return to a more formulaic brand of filmmaking showcases the director at his best and not-so. The Gingerbread Man is based on a dusty screenplay by John Grisham; curiously, for such an airport writer, several Important Filmmakers have adapted Grisham in the past (Sydney Pollack, Alan Pakula, and Francis Coppola), but nobody's done it with more personality than Altman.

Armageddon (1998)

July 2, 1998Posted in1990s, Action, Adventure, Authors: Bill Chambers, Directors: Michael Bay, Sci-Fi, Theatrical, Thriller

½*/****
starring Bruce Willis, Billy Bob Thornton, Liv Tyler, Ben Affleck
written by Jonathan Hensleigh and J.J. Abrams
directed by Michael Bay

by Bill Chambers It rocks–actually, lots of rocks fly at us or away from us, in slow or fast motion, at several points in Armageddon. They seem like dangerous rocks because they kind of twirl through the air instead of just propelling forward, and when they make landfall–once in a while, when we need a break from the outer-space sequences–they cause damage enough to destroy the Chrysler building. (Nary a mention of these apocalyptic events is made after they occur.) Rocks might also be the most interesting element of Armageddon, a steroid abuser's answer to Deep Impact.

Desperado (1995) [Deluxe Widescreen Presentation] – DVD

June 25, 1998Posted in1990s, Action, Authors: Vincent Suarez, Crime, Drama, DVD, Mexico, Thriller, Western

**/**** Image A Sound A
starring Antonio Banderas, Salma Hayek, Joaquim de Almeida, Steve Buscemi
written and directed by Robert Rodriguez

by Vincent Suarez With 1993’s El Mariachi, director Robert Rodriguez wowed critics and arthouse audiences with his sheer talent and passion for filmmaking. Shot on a budget of merely $7,000 and with a cast and crew of Rodriguez’s friends, El Mariachi was a gleefully amateurish work of pure cinema. Upon garnering awards and praise at the Sundance Film Festival, Columbia Pictures agreed to distribute the film and finance Rodriguez’s Hollywood debut. Which prompted one to ask what Rodriguez could accomplish with a real budget and real talent at his disposal. Desperado (1995) provided the answer to that question: not much. Essentially a remake of El Mariachi, Desperado is full of the glitz and flashiness that one would expect of a visceral filmmaker like Rodriguez but has none of the heart or joy of El Mariachi. It’s a “cool” movie that leaves the viewer feeling…well, cold.

Godzilla (1998)

May 22, 1998Posted in1990s, Action, Authors: Bill Chambers, Japan, Sci-Fi, Theatrical, Thriller, ZERO STARS

Reposted in the interest of posterity and synergy, despite not being very well-written.-Ed.

ZERO STARS/****
starring Matthew Broderick, Jean Reno, Hank Azaria, Maria Pitillo, Godzilla
screenplay by Dean Devlin and Roland Emmerich
directed by Roland Emmerich

by Bill Chambers The partnership of Roland Emmerich and Dean Devlin yielded a giant box office hit last time out with their alien invasion picture Independence Day, a film critically dissed in large part because it was populated with stereotypes: we knew who the smart guy was because he wore glasses and a pocket-protector; who the gay guy was because Harvey Fierstein's dialogue was set to flaming; who the hero was because he promised to "whoop E.T.'s ass." This time out, Devlin and Emmerich have solved that problem by making no attempts whatsoever to define their stable of characters. Not only is New York City a shambles when Godzilla is through, so is Godzilla, a disaster picture in every sense of the word. This may be the most uncompelling summer movie contender in the history of the sport.

Film Freak Central’s Top 10 of 1997

December 31, 1997Posted in1990s, Authors: Bill Chambers, Best-of Lists, Blog

Editor's Note, December 24, 2012: Again, this material is pretty stale. Mostly reposting it for posterity, something I can't always bring myself to do when it comes to the early reviews.

Top1097The following Ten Best list reflects only the opinions of Bill Chambers–FILM FREAK CENTRAL's webmaster–and not necessarily those of this site's other contributors.

1. The Ice Storm– Suburbia in most films is portrayed as a white picket fence surrounding a dozen Addams families. The Ice Storm is less eager to impress us with quirky kinfolk–it places two neighbouring, dysfunctional families under a microscope. Witty without being jokey, sad without being blatantly tearjerking, this is that sort of film so unforgiving that audiences stayed away in droves.