Buffy the Vampire Slayer (1992) – DVD

September 26, 2001Posted in1990s, Authors: Walter Chaw, Comedy, DVD, Horror, Vampire

*/**** Image D+ Sound D
starring Kristy Swanson, Donald Sutherland, Paul Reubens, Rutger Hauer
screenplay by Joss Whedon
directed by Fran Rubel Kuzui

by Walter Chaw Constrained by, among other things, what writer/creator Joss Whedon calls Donald Sutherland’s reprehensible attitude and script tampering plus director Fran Rubel Kuzui’s inability to stand up to the veteran thespian, Buffy the Vampire Slayer is a slog through the underbelly of cinematic dredge that feels at least twice as long as its 86 minutes. The most stunning thing about this horror-comedy is that the TV series spun from it is very possibly among the top ten shows in regards to quality of writing, performance, and level of intelligence, of the past decade.

Glitter (2001)

September 26, 2001Posted in2000s, Authors: Walter Chaw, Drama, Music, Romance, Theatrical, ZERO STARS

ZERO STARS/****
starring Mariah Carey, Max Beesley, Eric Benet, Vondie Curtis Hall
screenplay by Kate Lanier and John Wilder
directed by Vondie Curtis Hall

Glitterby Walter Chaw About halfway through Glitter’s bloated running time (105 minutes of unique hell), a foreign video director sagely complains: “The glitter can’t overpower the artist!” The two problems with Glitter are that the glitter does overpower the artist, and that the glitter itself is preposterous, dreary, and dull. Billie (Mariah Carey) is enlisted as the backup singer for an entirely talentless woman, and her voice is hijacked in a Singin’ in the Rain intrigue, natch. But even as I was resigning myself to a customary “VH1 Movies That Rock” piece of dreck about the girl singing behind the curtain getting rewarded for her saintliness on the opening night of a national tour, Dice the DJ (Max Beesley) swoops in and makes Glitter an interracial version of screenwriter Kate Lanier’s own What’s Love Got To Do With It?. Only Glitter‘s Ike is a pretty nice guy, despite his jealousy/management problems, and this Tina is as expressive as a person on a horse’s ration of Thorazine. When Billie told Dice, after some very chaste lovemaking, that she has trouble trusting people, I whispered to the screen, “Honey, you probably shouldn’t start at a guy named ‘Dice’ who sports a large gold pendant that says ‘DICE.'”

The Great L.I.E.: FFC Interviews Stephen Ryder

September 22, 2001Posted in2000s, Authors: Walter Chaw, Interviews

GreatlieSeptember 22, 2001|Stephen Ryder's voice is forceful and worn in the way of a man who has a lot of stories and knows that the stories are good ones. A published poet, a professor of dialogue and writing at NYU, and a former police officer and journalist nominated for the Pulitzer Prize for Op/Ed in 1976, he is a magnetic personality and a graceful speaker: careful not to interrupt and catching one off guard with an incisive question born of his experience as a professional interrogator. Mr. Ryder's new film L.I.E. bristles with a brittle reality balanced against a deep scholarly vein that is surprising only until you speak with the man. Also generous with his time, Mr. Ryder sat down with Film Freak Central recently to share some of his thoughts on his movie, Jack Valenti and the M.P.A.A., and Walt Whitman.

The Mummy Returns (2001) [Collector’s Edition (Widescreen)] – DVD

September 20, 2001Posted in2000s, Action, Adventure, Authors: Bill Chambers, DVD, Fantasy, Thriller

*/**** Image A Sound A+ Extras B-
starring Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo
written and directed by Stephen Sommers

by Bill Chambers The Mummy Returns reminds me of a little film called The Mummy. Actually, it made me think of Trail of the Pink Panther, which was assembled from outtakes of other Inspector Clouseau movies due to star Peter Sellers expiring before, it would seem, his contract did. The Mummy Returns is all but a patchwork quilt made up of, if not leftover scenes, then scrap ideas. In The Mummy, a looming face of swirling sand pursued our hero; in The Mummy Returns, it materializes from a waterfall. The kind of production for which the writing credit should probably read “cocktail napkin by,” The Mummy Returns fails to distinguish itself from the undistinguished original. Why are they both superhits?

13 Ghosts (1960) – DVD

September 15, 2001Posted in1960s, Authors: Walter Chaw, DVD, Horror, Mystery

*½/**** Image A Sound C Extras C
starring Charles Herbert, Jo Morrow, Martin Milner, Rosemary De Camp
screenplay by Robb White
directed by William Castle

by Walter Chaw 13 Ghosts, showman director William Castle’s gimmicky follow-up to his most infamous film The Tingler, is slow-paced hokum that gives lie to the belief that the horror movies of yesteryear are very much better than those of today. Between awful acting, a terrible screenplay by celebrated kiddie author and long-time Castle collaborator Robb White, and direction from Castle that alternates between plodding and ridiculous, 13 Ghosts is a good deal of fun in spite of itself. It is a prime candidate for a “Mystery Science Theater” treatment and best enjoyed with the quick-witted or the inebriated.

Together (2000)

September 14, 2001Posted in2000s, Authors: Walter Chaw, Comedy, Denmark, Drama, Italy, Romance, Sweden, Theatrical

Tillsammans
**/****
starring Lisa Lindgren, Michael Nyqvist, Emma Samuelsson, Sam Kessel
written and directed by Lukas Moodysson

by Walter Chaw A cross between Lars von Trier’s The Idiots and an irritating home video made by flower children, Swedish phenom Lukas Moodysson’s Together (Tillsammans) is an aggressively affable, ultimately simplistic film that displays almost nothing in the way of the craft or sensitivity of an Ingmar Bergman, his mentor in spirit and most vocal supporter. It is a film that defies criticism by beating critics to the punch: “These people are unlikable hypocritical idiots? My point exactly,” says Moodysson. “It’s filmed with almost no knowledge of even the basics of filmmaking? What better way to show the rawness of real life?” But I don’t buy it, not when we’re eternally two steps ahead of the gutless screenplay and consistently pulled from the drama by the same repetitive series of establishing zooms and shaky framing. Tillsammans looks as bad as any Dogme 95 film.

Monty Python and the Holy Grail (1975)

September 14, 2001Posted in1970s, Adventure, Authors: Walter Chaw, Comedy, Satire, Theatrical, UK

***/****
starring Monty Python
screenplay by Graham Chapman & John Cleese & Terry Gilliam & Eric Idle & Terry Jones & Michael Palin
directed by Terry Gilliam, Terry Jones

by Walter Chaw Comprising Terry Jones, Terry Gilliam, Michael Palin, John Cleese, Eric Idle, and Graham Chapman, the comedy troupe Monty Python had as their stock in trade the dialogue-dense, mildly absurdist short-form sketch. To that extent, Monty Python and the Holy Grail is a series of comedic skits and improvisations bound loosely–very loosely–by the contention that this merry sextet of Britons is attempting to tell the Arthur myth without the aid of budget, plot, or accuracy. All of them are classically educated, and the film seems to be a giant flip of the nose at the pretension of the British literary tradition. In the act of being such, it nearly becomes the best telling of the Grail legend available. Monty Python and the Holy Grail is a satire that instructs with its informed irreverence, a piece that knows the rules before it breaks them and has shown itself over the course of 26 years to be almost as immediate and hilarious as it was upon initial release.

The Goonies (1985) – DVD

September 13, 2001Posted in1980s, Adventure, Authors: Walter Chaw, Comedy, DVD, Family, Spielberg

*/**** Image A Sound A Extras B-
starring Sean Astin, Josh Brolin, Corey Feldman, Kerri Green
screenplay by Chris Columbus
directed by Richard Donner

by Walter Chaw I went to see The Goonies at the age of twelve because I was a Cyndi Lauper fan. As co-star Ke Huy-Quan (now “Jonathan Ke Quan”) hammed it up, I glimpsed the torments of my upcoming sixth-grade year. See, Quan in Indiana Jones and the Temple of Doom doomed me to being called “Short Round” for several months, accompanied by Pidgin English recreations of choice line readings (“You caw heem Meesta Jones, Doll!”)–which was admittedly better than the “Wassa happenin’ hot stuff?” jibes inspired by Gedde Watanabe’s legendary act of race betrayal as Long Duk Dong in John Hughes’s execrable Sixteen Candles.

The Musketeer (2001)

September 7, 2001Posted in2000s, Action, Adventure, Authors: Walter Chaw, Germany, Luxembourg, Romance, Theatrical, UK

ZERO STARS/****
starring Justin Chambers, Catherine Deneuve, Mena Suvari, Stephen Rea
screenplay by Gene Quintano
directed by Peter Hyams

by Walter Chaw There is a moment in the trailer for Peter Hyams’s absolutely abominable The Musketeer where a series of scenes are edited in such a way as to suggest that Justin Chambers’s dashing D’Artagnan is promising stunned-looking waif Francesca (Mena Suvari) he will return for her. In the film, in truth, D’Artagnan makes the promise to his fallen horse (it’s an easy mistake to make). I mention this to right an injustice, for the great beast lying there frothing in all its exhausted equine glory turns in what is easily the best performance of the whole catastrophe. I felt a lot of sympathy for that poor steed, the only character in the film with which I had even a moment’s identification: we’d both been ridden hard and put away wet.

Two Can Play That Game (2001)

September 7, 2001Posted in2000s, Authors: Walter Chaw, Comedy, Romance, Theatrical

*½/****
starring Vivica A. Fox, Morris Chestnut, Anthony Anderson, Gabrielle Union
written and directed by Mark Brown

by Walter Chaw I suspect that the preponderance of advertising executive characters in romantic films nowadays (What Women Want, Sweet November) is a misguided attempt to justify excessive product placement. There can be no other explanation for the blatant shilling of Coca-Cola and Miller Genuine Draft in Mark Brown’s smarmy, derivative Two Can Play That Game, a film not otherwise about soft drinks and cheap American beer that is festooned with more conspicuous logos than a NASCAR driver. The impression that the movie is little more than a naughty-talking, 90-minute commercial for cool refreshments and prehistoric gender stereotypes is enhanced by characters who keep breaking the fourth wall to address the camera directly.

Halloween II (1981) [Widescreen] – DVD

September 5, 2001Posted in1980s, Authors: Bill Chambers, DVD, Horror

**/**** Image A Sound B+
starring Jamie Lee Curtis, Donald Pleasence, Charles Cyphers, Jeffrey Kramer
screenplay by John Carpenter and Debra Hill
directed by Rick Rosenthal

by Bill Chambers Halloween II picks up exactly where Halloween left off, although a seam would show if you pasted the two films together, and that seam goes by the name of Rick Rosenthal. Director John Carpenter's handpicked replacement (Carpenter came on board as co-writer, co-producer, and co-composer), Rosenthal tries for the slow-burn intensity that the original had and achieves mere slowness. The film may feel even logier now because it helped consecrate the formula for the slasher movie, then in its infancy but now old hat. That's not exactly Halloween II's fault, but saying this doesn't make it any more palatable 20 years later.

Link (1986) – DVD

August 28, 2001Posted in1980s, Authors: Walter Chaw, DVD, Horror, Thriller, UK, ZERO STARS

ZERO STARS/**** Image C+ Sound D+
starring Elisabeth Shue, Terence Stamp, Steven Pinner, Richard Garnett
screenplay by Everett De Roche
directed by Richard Franklin

by Walter Chaw A movie about a murderous orangutan and its bimbo prey being thrust together in a series of increasingly moronic scenarios, Richard Franklin’s excruciating Link is defined by a shot of a computer monitor testing the ability of chimpanzees–and Elisabeth Shue–to identify coloured shapes. (Shue wins, but barely.) The monitor reads: “IQ 43.” I’m afraid that of the three (Franklin, Shue, and the monkey), the only one to whom this number is not being generous is the chimp.

Memento (2001) – DVD

August 28, 2001Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Directors: Christopher Nolan, DVD, Esoterica, Mystery, Thriller

***/**** Image A Sound A Extras B-
starring Guy Pearce, Carrie-Anne Moss, Joe Pantoliano
screenplay by Christopher Nolan, based on the short story by Jonathan Nolan
directed by Christopher Nolan

by Travis Mackenzie Hoover Initially, I thought I had died and gone to indie hell: the first forty minutes of the highly-touted Memento lulled me into a false sense of security about the nature of its hero's problem; there was the familiar revenge plot (he must avenge his wife's death!), and the predictably unpredictable barrier to his goal (he has no short-term memory!), both of which led me to conclude that this was going to be one more shallow off-Hollywood neo-noir with a superficial twist. As the film soldiered on, I was rolling my eyes at the hero's frantic need to re-assert his maleness. Wounded as he was by the loss of his largely decorative wife and destabilized by his confusing affliction, it seemed as though his ability to walk tall as a man was what was at stake. This led me to assume that the remainder of the film would wallow in the tragic poignancy of a once-proud man robbed of the things that made him a credit to the patriarchy, and not only was this ideologically suspect, it was boring as hell. As the blandly-photographed images washed over me, I prepared myself to endure the repetition of this masculine panic until the lights came up.

15 Minutes (2001) [Infinifilm] – DVD

August 26, 2001Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Drama, DVD, Germany, Thriller

*½/**** Image A Sound A Extras A-
starring Robert De Niro, Edward Burns, Kelsey Grammer, Avery Brooks
written and directed by John Herzfeld

by Walter Chaw There’s a thing that happens about an hour into John Herzfeld’s 15 Minutes that is as bald and shameless a foreshadowing device as any in the tired pantheon of movie-groaners. It’s as bad as telling someone that you’ll marry them just as soon as you get back from this trip to Africa; as bad as showing the guys a picture of your corn-fed sweetie right before you charge that machine gun embankment. It is a moment of stunning conventionality in the middle of a film that is otherwise engaging and, for a moment or two, even shocking and provocative. 15 Minutes is defined by this scene in a great many ways: It’s a Hollywood film struggling with a controversial topic that finds a comfort zone in a script that tries to soften some images by obfuscation and others by a timidity that ultimately undermines its subject. The last time a big-budget picture tried to tackle a media culture involved in exploitation of the darkest crannies of the human heart was Joel Schumacher’s reprehensible and simpering 8MM. Sharing that film’s ignominious demise at the box office, it can be no real surprise that 15 Minutes is almost as repugnantly apple-polishing an experience.

The Last Warrior (2000) – DVD

August 26, 2001Posted in2000s, Action, Authors: Walter Chaw, Drama, DVD, Sci-Fi, Thriller

The Last Patrol
½*/**** Image B Sound C-
starring Dolph Lundgren, Sherri Alexander, Joe Michael Burke, Rebecca Cross
screenplay by Stephen J. Brackely and Pamela K. Long
directed by Sheldon Lettich

by Walter Chaw I thought I was following along with The Last Warrior pretty well until star Dolph Lundgren met up with a school bus full of “Fat Albert” extras, led by the mystical shaman cum flower child, Rainbow (Brook Susan Parker). Set in a post-a-quake-alyptic California, where the Golden state is an island hemmed in by ocean and crawling with loonies and mutants, our story follows a small band of military types who have established some sort of refuge in the desert. When Captain Nick Preston (Lundgren) reminisces about the before-time, in the long, long ago when he befriended Rainbow the hippie and her cute-costumed tribe of Cosby-style moppets, The Last Warrior goes from being an incomprehensible and dull bit of cheap-o nonsense to an incomprehensible and dull bit of cheap-o new age psychobabble nonsense. I consoled myself with the supposition that the flashback is meant to provide a Lilies in the Field moment of uplift and an “in” to the inevitable pyrotechnics of the final act, but when Rainbow reappears from nowhere at the conclusion and makes it rain by gibbering incoherently and dancing in a circle, I sort of gave up.

Extreme Limits (2001) – DVD

August 26, 2001Posted in2000s, Action, Adventure, Authors: Walter Chaw, DVD

Crash Point Zero
½*/**** Image D Sound C Extras B
starring Treat Williams, Hannes Jaenicke, John Beck, Susan Blakely
screenplay by Steve Latshaw
directed by Jay Andrews

by Walter Chaw Beginning with stock footage of mountain climbing and a wholly unexpected (and unwelcome) reference to Hudson Hawk, Extreme Limits (formerly Crash Point Zero) is a micro-budgeted neo-Corman knock-off that boasts of an admirably irresponsible body count and a script so ludicrous that, once it’s deadened your senses (after about five minutes), it actually gets sort of funny. In fact, I don’t remember the last time I’ve laughed as long and as well as when a man gets mauled by a grizzly that is obviously some poor schmo in a bear suit, pinwheeling his arms when he gets struck by a flashlight.

Skeletons in the Closet (2001) – DVD

August 25, 2001Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**/**** Image A Sound B Extras B
starring Treat Williams, Linda Hamilton, Jonathan Jackson, Gordon Clapp
screenplay by Donna Powers & Wayne Powers
directed by Wayne Powers

by Walter Chaw An example of the sort of generational paranoia film that cropped up following the flower-power strangeness of the late-Sixties, Skeletons in the Closet is a definite product of the post-Columbine cinematic zeitgeist: it all but demands a re-examination of our relationships with our disenfranchised youth. In a very real way, it plays as an interesting companion piece to McGehee and Siegel’s arthouse thriller The Deep End. Both are interested in how single parents deal with criminal delinquency (real or imagined) in their confused children, and both are showcases for actors who are either relatively unknown (Tilda Swinton in The Deep End), or sadly marginalized (Treat Williams).

Get Over It! (2001) – DVD

August 24, 2001Posted in2000s, Authors: Bill Chambers, Comedy, DVD, Romance, Teen

Get Over It
*½/**** Image A- Sound A Extras B
starring Kirsten Dunst, Ben Foster, Melissa Sagemiller, Sisqó
screenplay by R. Lee Fleming, Jr.
directed by Tommy O'Haver

by Bill Chambers One not-so-magic Christmas, I gave a girl on whom I had a crush a box of Frosted Flakes. I attached a lovey-dovey card that looked more suited to a wedding present and went all out with the tissue paper and ribbons. The girl's best friend was at the unveiling and later said something I'd never heard before but have quoted many times since: "Well-wrapped garbage is still garbage." Get Over It director Tommy O'Haver has embellished a dire teen-movie script with Broadway stylings and widescreen lensing–but well-wrapped garbage is still garbage. This isn't failed filmmaking so much as failed sleight-of-hand.

Jay and Silent Bob Strike Back (2001)

August 24, 2001Posted in2000s, Authors: Walter Chaw, Comedy, Road Movie, Satire, Theatrical

**/****
starring Jason Mewes, Kevin Smith, Jason Lee, Chris Rock
written and directed by Kevin Smith

by Walter Chaw Self-referential and self-satisfied, Jay and Silent Bob Strike Back is a continual stream of grotesque sexual references, leering at scantily clad, foul-mouthed women, and enough broad swipes at mainstream cinema (while featuring a parade of celebrity cameos) that it ends up being a cross between “Beavis and Butthead”, Cecil B. Demented, and a Bob Hope Christmas special, not to mention an endurance test. It is, in other words, exactly the kind of film that Jay and Silent Bob would make if they were real and given fifteen million dollars to hock their adventures in arrested development to fawning fans, as well as the other 99% of the world.

L.I.E. (2001)

August 24, 2001Posted in2000s, Authors: Walter Chaw, Coming of Age, Crime, Drama, Theatrical

***½/****
starring Paul Franklin Dano, Billy Kay, Brian Cox, Bruce Altman
screenplay by Stephen M. Ryder and Michael Cuesta & Gerald Cuesta
directed by Michael Cuesta

by Walter Chaw A marriage of Harmony Korine and Larry Clark’s bleak suburban sensibilities and Michael Mann’s smooth visual sense, veteran commercial director Michael Cuesta’s debut film L.I.E. (“Long Island Expressway”) is a coming-of-age drama that includes a trio of knock-out performances, a gritty, wise screenplay, and directorial choices that are pitch perfect. It opens like Korine’s Gummo, with a child on an overpass and a voice-over providing brief backstory and mood. Like Gummo, L.I.E. betrays itself as a subversive literary piece: Korine’s work following the major tropes of John Keats’s Ode to a Grecian Urn and Cuesta’s film faithful to the philosophy and tone of Whitman’s Leaves of Grass. Further, L.I.E. sets itself up as one of the most technically accomplished (and restrained) members of the dissident teen social genre, lending a direct thematic explication to the generational paranoia subtexts of 1970s cinema paid visual tribute by Korine/Clark and Todd Solondz.