Red Green’s Duct Tape Forever (2002)

April 12, 2002Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Comedy, Theatrical

Duct Tape Forever
½*/****
starring Steve Smith, Patrick McKenna, Bob Bainborough, Wayne Robson
screenplay by Steve Smith
directed by Eric Till

Redgreensducttapeforeverby Travis Mackenzie Hoover Lord knows I don’t ask much of a Red Green film. Just a little mild guy humour with some obvious set-ups and payoffs, cliché riffs on tools and machinery, and a little Canadian self-deprecation to keep it from degenerating into macho head-slamming. Not too much to expect, is it? But while the Red Green show, modest though it is, understands precisely what can be done within its means, the atrocious Red Green movie is so clearly a cash-grabbing afterthought that it appears to have been shot and edited over a kegger weekend at Steve Smith’s cottage. I defy anyone to derive even mild amusement from its age-old plot, unfunny jokes, and astonishing technical ineptitude: not only are the gags from deep in the vaults, but their execution is so clumsy and their delivery so broad that they make Mack Sennett look like Noel Coward by comparison.

Film Freak Central Does Hot Docs 2002 Canadian International Documentary Festival – The Opening Press Conference

April 12, 2002Posted in2000s, Authors: Travis Mackenzie Hoover, Blog, Canada, Documentary, Film Festivals, Hot Docs

The Revival, Toronto, April 8|The swellegant club/restaurant Revival, with its yellow-brick interiors and Japanese-paper chandeliers, was the appropriately modern setting for the unveiling of the 2002 Hot Docs festival line-up. As the press gallery filtered in (after a stop at the food table), the programmers gravitated towards the mic and announced program highlights culled from the 104 documentaries on offer in their expanded ten-day event, which runs from April 26th to May 5th.

All the Right Moves (1983) – DVD

April 11, 2002Posted in1980s, Authors: Walter Chaw, Drama, DVD, Romance, Sports

½*/**** Image C Sound C-
starring Tom Cruise, Craig T. Nelson, Lea Thompson, Charles Cioffi
screenplay by Michael Kane
directed by Michael Chapman

by Walter Chaw Seedy in that ineffable Eighties way, Michael Chapman’s All the Right Moves is a star vehicle for a young Tom Cruise, following up his leading role in Risky Business with what is essentially a feature-length Steve Earle song about a downtrodden Pennsylvania steel town. Think Flashdance (released in the same year, strangely enough) with teenage boys instead of merely for them. Turmoil on a high-school football team (the Ampipe Bulldogs) functions as the microcosm for factory layoffs, teen pregnancy, and the existential angst embedded in the image of a horrible Lea Thompson playing a mournful saxophone on a street corner. Though there are a few moments of “was this ever cool” cheeseball nostalgia sprinkled here and again, All the Right Moves is teeth-clenchingly awful: half “The White Shadow”, half somehow more embarrassing and dated than even that popular TV series.

Black Knight (2001) – DVD

April 9, 2002Posted in2000s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Fantasy, Romance, Time Travel

**/**** Image B Sound A- Extras B
starring Martin Lawrence, Tom Wilkinson, Marsha Thomason, Vincent Regan
screenplay by Darryl J. Quarles and Peter Gaulke & Gerry Swallow
directed by Gil Junger

by Walter Chaw Jamal Walker (Martin Lawrence) is a groundskeeper at an all-black amusement park who, just prior to falling in a stagnant moat, is given a dressing down for being “selfish” and not community-minded enough. (“Community” referring to the African-American populace of South Central Los Angeles.) Sharp-eyed viewers should instantly recognize that Black Knight will at some point metastasize from a farce to a public service announcement. (Luckily, we’re given a solid first act and a few moments in the second before it does.) When Jamal goes into the moat in pursuit of a golden medallion, he surfaces from a fetid stew in a never-never land where the plain protagonist becomes the keystone in a kingdom-wide intrigue.

Suspicious River (2002)

April 7, 2002Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Drama, Theatrical

*½/****
starring Molly Parker, Callum Keith Rennie, Mary Kate Welsh, Joel Bissonnette
screenplay by Lynne Stopkewich, based on the novel by Laura Kasischke
directed by Lynne Stopkewich

by Travis Mackenzie Hoover Suspicious River is the dying of the light against a rage. While it knows full well that its heroine is bored, damaged, and begging for some escape, it can’t bring itself to pull the protagonist out of her doldrums; instead, it leads her down a degrading primrose path until disaster drives her back into the arms of safe ennui. Though the film feigns interest in her mission to ditch her boring hometown and ugly past, it’s largely interested in demonstrating the futility of her efforts and leaves her with Margaret Atwood’s model of the Canadian condition: “Endurance, survival, but no victory.”

Maya (2001)

April 7, 2002Posted in2000s, Authors: Travis Mackenzie Hoover, Drama, India, Theatrical

***/****
starring Anant Nag, Mita Vasisht, Nitya Shetty, Nikhil Yadav
screenplay by Emmanuel Pappas and Digvijay Singh
directed by Digvijay Singh

by Travis Mackenzie Hoover Maya is a surprisingly natural movie that could have easily degenerated into histrionics. Despite dealing with an outlawed but still-active Indian ceremony in which newly-pubescent girls are raped, it never resorts to sensationalistic horror. Instead, it sketches a portrait of a girl, her cousin, and a family that shows both the person about to be crushed and the mentality that allows it to happen. While it occasionally descends into obviousness and smoothes out some hard edges, it distinguishes itself from hand-wringing problem pictures by sketching the violation of a person instead of just a body.

Highlander (1986) [The Immortal Edition] – DVD

April 7, 2002Posted in1980s, Action, Adventure, Authors: Walter Chaw, DVD, Fantasy, UK

*½/**** Image A Sound B Extras B
starring Christopher Lambert, Roxanne Hart, Clancy Brown, Sean Connery
screenplay by Gregory Widen and Peter Bellwood & Larry Ferguson
directed by Russell Mulcahy

by Walter Chaw It is perhaps the very definition of a cult classic: a film so bad it breaks through that fetid envelope into the heady climes of “camp.” So much is forgiven when a picture’s earnest ineptness translates into that subterranean rhythm heard by those “in the know,” and the twelve-year-old in me remembers the derision I ladled upon those who just didn’t “get” the coolness of Russell Mulcahy’s Highlander. The passage of seventeen years brings the realization that not only have I gotten very old very fast, but that I may have arrived at the age where it is no longer wise to revisit films that I liked as a child.

The Starz Independent FilmCenter Project, Vol. 1

April 5, 2002Posted in****/****, 1950s, 1990s, 2000s, Animation, Authors: Walter Chaw, Comedy, Crime, Czech Republic, Drama, Fantasy, France, Horror, Japan, Mexico, Mystery, Netherlands, Satire, Theatrical, Thriller, UK

by Walter Chaw

BOB LE FLAMBEUR (1956)
***½/****
starring Isabelle Corey, Daniel Cauchy, Roger Duchesne, Guy Decomble
screenplay by Jean-Pierre Melville, dialogue by Auguste Le Breton
directed by Jean-Pierre Melville

With every minute of Henri Decaё’s cinematography looking like a Eugène Atget photograph, Jean-Pierre Melville’s Bob Le Flambeur is a visually stunning film from a director who influenced filmmakers as diverse as Jean-Luc Godard (who quotes Bob Le Flambeur at least twice in Breathless) and John Woo (whose The Killer takes its basic plot from Melville’s Le Samourai). It is film noir of the highest order, reminding in its ensemble intricacy of Kubrick’s The Killing (released a year later in 1956) and evoking the kind of chiaroscuro, gin-joint, smoke-drenched milieu where every ashtray has a name. It’s a love letter to the grim American gangster drama of the Forties that subverts the genre even as it reinvents it as a lyrical ballad to gamblers, losers, hoods, and wayward dames–a snapshot of the Montmarte district of Paris 47 years before Jean-Pierre Jeunet’s reinvention of the same.

Big Trouble (2002)

April 5, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Theatrical, Thriller

**½/****
starring Tim Allen, Omar Epps, Dennis Farina, Ben Foster
screenplay by Robert Ramsey & Matthew Stone, based on the novel by Dave Barry
directed by Barry Sonnenfeld

Bigtroubleby Walter Chaw My opinion of Dave Barry is that as an essayist, he’s no P.J. O’Rourke, and as a novelist, he’s no Carl Hiaasen–anyone who agrees to have Harry Anderson play him on a weekly sitcom is begging to have his work re-evaluated through that prism. And yet Barry Sonnenfeld’s Big Trouble, the long-delayed (because of 9/11) adaptation of Barry’s novel of the same name, is, despite a slow opening featuring just too much of Tim Allen, frenetic and often hilarious–facts likely obscured by an understandable squeamishness in this climate towards mocking airline security and the easy acquisition of weapons of mass destruction.

Husbands and Wives (1992) – DVD

April 1, 2002Posted in1990s, Authors: Bill Chambers, Comedy, Drama, DVD, Romance

***½/**** Image A Sound C+
starring Woody Allen, Blythe Danner, Judy Davis, Mia Farrow
written and directed by Woody Allen

by Bill Chambers Husbands and Wives is a rawer tapestry of couples in flux from Woody Allen than his paternalistic Hannah and Her Sisters. It's reasonable to consider this Woody's Cassavetes movie, just as the previous Shadows and Fog was his Fellini (the title sounds like a sequel to Cassavetes's Husbands)–although Cassavetes wouldn't have couched the film's scenario in a faux-documentary framework, as Allen has. That's closer to Bob Fosse's turf; one imagines that Woody sees more of himself in Fosse, the entertainer, than he does Cassavetes, the brute poet. Shot in vérité handheld with an urgency that perhaps feels contrived, the film begins with the break-up of long-time marrieds Jack (a brilliant Sydney Pollack) and Sally (Oscar-nominated Judy Davis) and goes on to measure the shockwaves this sends through the lives of their friends, Gabe Roth (Allen) and his wife Judy (Mia Farrow). Sexually frustrated Jack falls into a relationship with a woman many years his junior (the lissome Sam (Lysette Anthony)), planting the seed for Gabe to act on his attraction to one of his writing students (Juliette Lewis). Judy, meanwhile, hooks Sally up with a co-worker, Michael (Liam Neeson). It's Judy's way of dealing with her own feelings for the guy, and needless to say, she didn't think it through.

Wedding Night (2001) – DVD

March 31, 2002Posted in2000s, Authors: Walter Chaw, Canada, Comedy, DVD, Romance

Nuit de noces
½*/**** Image B- Sound B Extras D+
starring François Morency, Geneviève Brouillette, Pierrette Robitaille, Jacques Girard
screenplay by Marc Brunet, Émile Gaudreault
directed by Émile Gaudreault

by Walter Chaw A film so precious and insipid that it hurts, Émile Gaudreault’s screwball roundelay is an exercise in self-indulgence and cliché. Hailed as one of the best Canadian comedies in recent memory, Wedding Night (Nuit de noces) is a haphazard collection of slapstick, magic realism, sped-up Benny Hill interludes, dream sequences, absurdist wall-breaking, and terrifyingly trite musical cues (poor Bernard Herrmann is spinning in his grave). The film is a disaster, neither funny nor poignant nor observant of the poetics of love and marriage, a horror of malformed ideas and unearned moments. Who are these people? Why should we care about what happens to them?

Bandits (2001) [Special Edition] – DVD

March 31, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Drama, DVD, Romance

**/**** Image A- Sound A- Extras B+
starring Bruce Willis, Cate Blanchett, Billy Bob Thornton, Troy Garity
screenplay by Harley Peyton
directed by Barry Levinson

by Walter Chaw Joe (Bruce Willis) and Terry (Billy Bob Thornton) break out of an Oregon prison and begin robbing banks while making their way down the west coast to an idealized Acapulco. Along the way, they pick up Joe’s dimwit wannabe stuntman cousin Phil (Anthony Burch) to act as getaway driver, and Kate (Cate Blanchett), an unbalanced passerby who becomes intoxicated by life on the lam. Shunning the more usual tactic of ski masks and gun-waving, Joe and Terry take the banks’ presidents and their families hostage the night before heists, earning them the nickname “The Sleepover Bandits.” In the schizophrenically sprawling and tight script, these hold-ups share time with a developing love triangle between Joe, Terry, and Kate, and, less successfully, a framing story involving an “America’s Most Wanted”-like host.

Panic Room (2002)

March 29, 2002Posted in2000s, Authors: Walter Chaw, Crime, Directors: David Fincher, Drama, Theatrical, Thriller

**½/****
starring Jodie Foster, Kristen Stewart, Forest Whitaker, Jared Leto
screenplay by David Koepp
directed by David Fincher

Panicroomby Walter Chaw Panic Room has a fancy premise stretched to and past the breaking point. It was a production beset by problems including the loss of star Nicole Kidman to an injury sustained during Moulin Rouge!, the departure of director of photography (DP) Darius Khondji, and a storyboard plan so devilishly complex that the film will probably be best remembered as a breakthrough in how burgeoning technologies can inform the DP's craft. The behind-the-scenes strain manifests itself in the nervous distractedness of the narrative and glaring and irritating plausibility gaps; the undeniably cool images (and Howard Shore's amazing score) only serve to illuminate the emptiness at Panic Room's core.

Death to Smoochy (2002)

March 29, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Drama, Germany, Theatrical, Thriller, UK

**/****
starring Robin Williams, Edward Norton, Danny DeVito, Jon Stewart
screenplay by Adam Resnick
directed by Danny DeVito

Deathtosmoochyby Walter Chaw Demonstrating a wonderfully wry conversance with Hitchcock’s images, Danny DeVito as director made an interesting debut with the Strangers on a Train redux Throw Momma from the Train before crafting what is possibly the definitive Eighties comedy in the Stygian The War of the Roses. After a 13-year hiatus featuring strange detours into other genres (the uneven Hoffa and the shrill Matilda), DeVito returns to the dark comedy with Death to Smoochy, a disjointed, dull, and irritating film that provides a meagre helping of “comedy” while ladling on a heaping serving of disconnected “dark.” To say the least, the picture is a resounding disappointment and what can only be seen as a betrayal of Robin Williams’s newfound desire to be viewed as something other than America’s favourite velvet clown with the upcoming films Insomnia and One Hour Photo.

Clockstoppers (2002)

March 29, 2002Posted in2000s, Action, Adventure, Authors: Walter Chaw, Comedy, Sci-Fi, Theatrical, Thriller

*/****
starring Jesse Bradford, French Stewart, Paula Garcés, Michael Biehn
screenplay by Rob Hedden and J. David Stem & David N. Weiss
directed by Jonathan Frakes

Clockstoppersby Walter Chaw Taking for granted that it won’t make any kind of scientific sense, Clockstoppers doesn’t even have internal coherence. It is a mess by committee listing no fewer than four writing credits and possessing at least that many logy regurgitated premises in its mercifully brief (but still bloated) running time. Clockstoppers is the offspring of a fifth season “Twilight Zone” episode called “A Kind of Stopwatch”, in addition to the mid-Eighties teen whiz kid romantic comedy adventures WarGames, The Philadelphia Experiment, Back to the Future, and Zapped!: it robs from each entire scenes while trying unsuccessfully to blend in a long sequence showcasing DJ’s and raves, the inexplicable teen movements du jour. The only thing that Clockstoppers doesn’t seem to have borrowed from its predecessors is a sense of humour and a kernel of intelligence.

Spy Game (2001) [Collector’s Edition (Widescreen)] – DVD

March 28, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Crime, Directors: Tony Scott, DVD, Espionage, France, Germany, Japan, Thriller, UK

**/**** Image A+ Sound A+ Extras B+
starring Robert Redford, Brad Pitt, Catherine McCormack, Stephen Dillane
screenplay by Michael Frost Beckner and David Arata
directed by Tony Scott

Spygamecap

by Walter Chaw The defining moment of Spy Game, Tony Scott’s latest exercise in stylistic excess, occurs at about the midway point. Playing CIA spymaster Nathan Muir, Robert Redford debriefs his best agent Tom Bishop (Brad Pitt) atop a building in Cold War Berlin. After a tense exchange, an enraged Bishop throws his chair off the barren, windswept rooftop. The problem with the scene is neither the preposterous screenplay by Michael Frost Beckner and David Arata to which it belongs, nor Scott’s infatuation with the panoramic aerial shot, nor the way that Harry Gregson-Williams’s ubiquitous score threatens here and at every other moment to rupture your eardrums. It’s not even in the ridiculously out-of-place imagistic Xerox of Wings of Desire, Wim Wenders’s melancholy ode to love and Berlin.

Ali (2001) – DVD

March 28, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Biopic, Directors: Michael Mann, Drama, DVD, Sports, Will Smith

**½/**** Image A+ Sound A+
starring Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles
screenplay by Stephen J. Rivele & Christopher Wilkinson and Eric Roth & Michael Mann
directed by Michael Mann

by Walter Chaw The craft of Ali is every bit as dazzling as we’ve come to expect from its director, Michael Mann; the film is a loving coronation of fighter Muhammad Ali’s myth. But at the same time, Ali is too dependent on our familiarity with its subject’s life, and spends altogether too much time in slow-motion reveries of choice bouts public and personal. Reminding at times of Martin Scorsese’s rapturous Kundun, the film falls far short of that razor-fine, impressionistic masterwork by aspiring to be all things to all people (docudrama, tribute, demystification)–an impulse never indulged by “The Greatest” himself.

Ultimate Fights from the Movies (2002) – DVD

March 27, 2002Posted in2000s, Action, Authors: Walter Chaw, Documentary, DVD, Martial Arts

*/**** Image A – D Sound A – D Extras A

by Walter Chaw For the purist, an idea like Ultimate Fights from the Movies (from the creators of the horror compilation Boogeymen) is simply abominable: a collection of short fight clips (none running longer than five minutes, regardless of the length of the scene quoted) culled from action films and introduced by cheesy bout cards that do nothing to establish the motives behind the conflict. This is particularly confusing for those who haven't seen the films in question, as–often–these climactic fight sequences involve key plot points that play into their resolutions. Essentially, the DVD is a thinly disguised promotional ploy that targets the demographic that doesn't care to wade through such niceties as plot and character. It targets, in other words, the lowest common denominator–a condemnation supported by its decision to present all of the fights in a cropped, full-screen aspect ratio, handily robbing some of the more beautiful and intricate sequences (cribbed from Crouching Tiger, Hidden Dragon, Fist of Legend, The Legend of Drunken Master) of a good deal of their visual information.

Behind Enemy Lines (2001) – DVD

March 26, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Thriller, War

*½/**** Image A Sound A- Extras B
starring Owen Wilson, Gene Hackman, Joaquim de Almeida, David Keith
screenplay by David Veloz and Zak Penn
directed by John Moore

by Walter Chaw John Moore makes his directorial debut with the high-volume, flag-waving Behind Enemy Lines, but the film so recalls the visual excesses of Top Gun and Enemy of the State (down to a satellite surveillance sequence) that I began to wonder halfway through if “John Moore” was a nom de plume for Tony Scott. Everything else about Behind Enemy Lines, after all, is basically a retread: the third Gene Hackman “not leaving a man behind” film after Bat 21 and Uncommon Valor, and the umpteenth time the veteran actor has been asked to play a snarling iconoclast, spitting in the face of an unfeeling establishment.

The Hunchback of Notre Dame II (2002) – DVD

March 25, 2002Posted in2000s, Adventure, Animation, Authors: Walter Chaw, Comedy, Disney, Drama, DVD, Family, Musical, Romance

**/**** Image A Sound A Extras B
screenplay by Jule Selbo and Flip Kobler & Cindy Marcus
directed by Bradley Raymond

by Walter Chaw Although the animation is sloppy and the music is, to say the least, uninspiring, Disney’s direct-to-video sequel to 1996’s underestimated and genuinely disturbing The Hunchback of Notre Dame is bolstered by an astonishing voice cast (excepting Jennifer Love Hewitt), an interesting racial tension, and a storyline I haven’t encountered since Pete’s Dragon. Taking place about six years after the events of the first film (judging by the age of Phoebus (Kevin Kline) and Esmeralda’s (Demi Moore) suspiciously Caucasian son, Zephyr (Haley Joel Osment)), The Hunchback of Notre Dame II details another seemingly-doomed love affair between the hideous Quasimodo (Tom Hulce) and a beautiful lady love, this one named Madellaine (Hewitt).