Mickey’s House of Villains (2001) – DVD

September 23, 2002Posted in****/****, 1930s, 1940s, 1950s, 1990s, 2000s, Animation, Authors: Walter Chaw, Comedy, Disney, DVD, Family, Horror, Short Films

**½/**** Image A Sound A Extras C-
directed by VARIOUS

by Walter Chaw Just in time for Halloween, Mickey’s House of Villains collects eight animated shorts spanning sixty-some years while illustrating the creative flatline that Disney has experienced from its heyday to well into its current decline. The Mouse demonstrates, too, a tiresome reliance of late on loosely framed anthologies for their direct-to-video releases and this one is no exception, as a gallery of Disney rogues collect in a nightclub to plot the demise of proprietors Mickey, Minnie, Donald, Goofy, et al.

Blade II (2002) [New Line Platinum Series] – DVD

September 21, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Horror, Sci-Fi, Thriller, Vampire

***½/**** Image A+ Sound A+ Extras A+
starring Wesley Snipes, Kris Kristofferson, Ron Perlman, Luke Goss
screenplay by David S. Goyer
directed by Guillermo del Toro

by Walter Chaw Detailing the uncomfortable alliance of Blade and his arch-enemy vampires against a mutant “crack-addict” form of vampire called “Reapers,” Blade II introduces the hints of a twice-illicit romance between Blade (Wesley Snipes) and a succubus princess Nyssa (Leonor Varela) that blossoms after a meet-cute involving the threat of beheading and castration (awww), as well as an unusually pithy look at strange bedfellows in a mutually beneficial conflagration.

Ballistic: Ecks vs. Sever (2002)

September 20, 2002Posted in2000s, Action, Authors: Walter Chaw, Crime, Germany, Mystery, Sci-Fi, Theatrical, Thriller, ZERO STARS

ZERO STARS/****
starring Antonio Banderas, Lucy Liu, Roger R. Cross, Ray Park
screenplay by Peter M. Lenkov and Alan B. McElroy
directed by Kaos

Ballisticby Walter Chaw Walking away with the title of Most Incomprehensible Film of 2002 (walking away is also, incidentally, what you should do when presented with the prospect of seeing this film), Wych Kaosayananda’s ponderously branded Ballistic: Ecks Vs. Sever is a collection of puzzling explosions married to a series of alternately stunning and hilarious line deliveries of, to be fair, unspeakable exposition. It hopes to obscure its awfulness with its volume or, failing that, to dress up its stupidity with backlit shots of a woman communing with a captive manatee.

The Château (2002)

September 20, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical

**/****
starring Paul Rudd, Romany Malco, Didier Flamand, Sylvie Testud
written and directed by Jesse Peretz

by Walter Chaw A comedy of manners and the almighty malapropism, Jesse Peretz’s grainy DV picture The Château could almost be a dogme95 flick. The picture relies on acres of improvisation and that slapdash feeling of the seat-of-the-pants production hanging from a Jonathan Edwards-ian string over the abyss of self-indulgence and clattering dreariness–and succeeds, when it succeeds, based entirely on the timing and brilliance of its cast and the extent to which we remain disarmed by the incongruity of the setting with the subject. When that feeling of surprise and delight fades (and it fades midway), The Château‘s rough edges begin to show.

Mostly Martha (2002)

September 20, 2002Posted in2000s, Austria, Authors: Walter Chaw, Comedy, Drama, Germany, Italy, Romance, Switzerland, Theatrical

Bella Martha
**½/****
starring Martina Gedeck, Maxime Foerste, Sergio Castellitto, August Zirner
written and directed by Sandra Nettelbeck

by Walter Chaw A Bavarian Big Night, Sandra Nettelbeck’s Mostly Martha joins a romantic-comedy premise with a lost-child scenario, setting it all to a leisurely pace and framing it with an eye for the handsome. Its sightlines as crisp and clean as the dishes chef Martha creates in her immaculate kitchen, the picture is as relaxed a viewing experience as any this year–a dish without many exotic ingredients (like a good Salmon dish, the film tells us), but just enough substance to forgive the froth.

The Four Feathers (2002)

September 20, 2002Posted in2000s, Adventure, Authors: Walter Chaw, Drama, Romance, Theatrical, UK, War

*½/****
starring Heath Ledger, Wes Bentley, Kate Hudson, Djimon Hounsou
screenplay by Michael Schiffer and Hossein Amini, based on the novel by A.E.W. Mason
directed by Shekhar Kapur

Fourfeathers2002by Walter Chaw An old-fashioned epic of the type only Bombay attempts anymore, The Four Feathers (directed by a Bollywood ex-pat, natch: Shekhar Kapur)–the fifth film version of A.E.W. Mason’s turn-of-the-century, Count of Monte Cristo-flavoured tale of valour, redemption, and derring-do–is indicated by a feather-lightness at its heart that undermines the sweeping, operatic pretensions of the piece. The picture just doesn’t possess the kind of gravity that would hold together its broad strokes and gaping panoramas; all that remains is youngsters playing at dress-up, Kate Hudson cycling through both of her expressions, and one war set-piece that is very simply breathtaking while succumbing to nearly every “arrogant officer folds, religious soldier freaks, valiant soldier tragically wounded” cliché in the travel-worn war-movie book.

Kissing Jessica Stein (2002) – DVD

September 19, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

**½/**** Image A- Sound A- Extras B+
starring Jennifer Westfeldt, Heather Juergensen, Tovah Feldshuh, Esther Wurmfeld
screenplay by Jennifer Westfeldt & Heather Juergensen
directed by Charles Herman-Wurmfeld

by Walter Chaw New Yorker Jessica Stein, referred to at one point in Kissing Jessica Stein as the Jewish Sandra Dee, is looking for love in the brack of the late-twentysomething dating pool. This means that we’ll get a dating montage during which we sample the poor object choices available to the intrepid, sensitive, modern urban woman about town. A devout reader of Rilke (pegging her as both dreamy and pretentious, which also describes the film at hand), Jessica perks up when she hears a favourite passage quoted in a singles ad–only slightly tortured by the fact that the ad has been placed by another woman, Helen (Heather Juergensen). Helen runs a small art gallery, Jessica is an artist; Helen knows Rilke, Jennifer knows Rilke; and though Jennifer is almost pathologically incapable of falling headlong into lesbian sexuality, through the tender, Color Purple ministrations of Helen, she does come around in time.

Cory McAbee in Black and White: FFC Interviews Cory McAbee

September 17, 2002Posted in2000s, Authors: Walter Chaw, Esoterica, Interviews

CmcabeeinterviewtitleSeptember 18, 2002|Cory McAbee's The Billy Nayer Show is a brilliant aural assault of a band that just so happens to be involved in the process of filmmaking. The American Astronaut–written, directed, and starring McAbee–is an amalgamation of traditional 35mm cinematography, still photographs, paintings, and in one particularly disquieting scene, sculpture. In many ways, the film is the logical end to years of celluloid experimentation from McAbee, beginning with 1993's The Billy Nayer Show, a 150-second animated short film created with house paint and paper; continuing through 1994's twenty-minute Pixelvision-wrought The Man on the Moon, which details a cuckolded husband who takes his cat to the moon, where he broadcasts something of a radio show back to Earth; and reaching something of an anti-climactic pinnacle with 1995's thirty-minute The Ketchup and Mustard Man, essentially a discomfiting performance art concert (complete with a bizarre sculpted application) edited in such a way as to suggest that it's the fever dream of a demented mind (which may not, after all, be far off).

American Psycho 2 (2002) – DVD

September 17, 2002Posted in2000s, Authors: Walter Chaw, Canada, DVD, Horror, Thriller

American Psycho II: All American Girl
*/**** Image B- Sound B Extras B
starring Mila Kunis, Geraint Wyn Davies, William Shatner, Robin Dunne
screenplay by Alex Sanger and Karen Craig
directed by Morgan J. Freeman

by Walter Chaw That William Shatner is the best actor in Morgan J. Freeman’s direct-to-video American Psycho 2 (a.k.a. American Psycho II: All American Girl), as easy a barnside to strike as almost any in popular culture, is one of those things that is taken with ironic mirth when it should be taken as a stern warning. Rachel (an overmatched Mila Kunis) as a little girl kills Patrick Bateman–the anti-hero of Mary Harron’s sometimes-brilliant ’80s exposé American Psycho–while he’s in the act of murdering her babysitter. That Bateman is not actually a killer doesn’t seem all that important to the makers of this picture, a moronic cross between Murder 101 and Heathers with none of the camp value of the former and none of the intelligence of either.

Three DVDs That Commemorate 9/11

September 17, 2002Posted in2000s, Authors: Walter Chaw, Blog, Documentary, DVD, Television, ZERO STARS

by Walter Chaw Distilling raw viscera into heartbreaking stories at once the most dangerous thing that we as an American culture do and the thing at which we are the best, the first anniversary of the September 11th attacks on the United States finds three documentaries on DVD to go with the around-the-clock soft-milking of the events on what seems like every channel on the dial. While the endless cascade of now-familiar images continues to enrage and shock, too often the intention of the coverage is to find the "human" stories in the midst of the suggested carnage; to tug the heartstrings (and, truly, what human cannot be moved by orphaned children, widowed wives, widowed husbands, progeny-less parents, and martyred heroes) is fine so long as there is an accompanying resolve.

TIFF ’02: The Sweatbox

September 15, 2002Posted in2000s, Authors: Bill Chambers, Disney, Documentary, Film Festivals, TIFF, UK
**/****directed by John-Paul Davidson & Trudie Styler by Bill Chambers The makers of The Sweatbox--Trudie Styler (Mrs. Sting) and documentarian John-Paul Davidson--were granted unprecedented access behind the Iron Curtain of Walt Disney during the production of The Emperor's New Groove because Styler's husband was the studio's pop-star composer du jour. The results may embarrass Disney by catching them free of spin a time or two, but the movie doesn't seem to want to demythologize the Mouse House as a matter of course. (When it was over, audience members at my press screening could be heard to ask if the film…

TIFF ’02: Dolls

September 14, 2002Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Japan, Romance, TIFF
***/****starring Miho Kanno, Hidetoshi Nishijima, Tatsuya Mihashi, Chieko Matsubarawritten and directed by Takeshi Kitano by Bill Chambers The Yakuza doesn't rear its head until well into Dolls, a gripping, fractured ensemble piece written and directed by that down-and-dirty poet of Japanese cinema, Takeshi Kitano. I must confess to feeling ill-equipped to discuss the mechanics of the film--it's storytelling that gives you the impression of being steeped in oral tradition, and all I can say is that Dolls is accessible to monkey-brained North American viewers like myself all the same. Beginning with an elaborate puppet show shot with verve and affection,…

TIFF ’02: Femme Fatale

September 14, 2002Posted in2000s, Authors: Bill Chambers, Crime, Directors: Brian De Palma, Drama, Film Festivals, France, Mystery, Thriller, TIFF
**/****starring Antonio Banderas, Rebecca Romijn-Stamos, Peter Coyote, Gregg Henrywritten and directed by Brian De Palma by Bill Chambers Given the genre affiliation of its title and that it opens with a clip from Double Indemnity, Brian De Palma's Femme Fatale is unapologetically a film noir--which is not to say the picture has nothing to apologize for. Oh, for a pair of Armond White's De Palma goggles to beautify Femme Fatale, a flat, trés familiar, idly tongue-in-cheek caper starring Rebecca Romijn-Stamos in a role she's not dangerous enough to play, that of a bisexual American thief who switches places with her…

Stealing Harvard (2002)

September 13, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Crime, Theatrical

*½/****
starring Jason Lee, Tom Green, Leslie Mann, Dennis Farina
screenplay by Peter Tolan
directed by Bruce McCulloch

Stealingharvardby Walter Chaw A virtual clone of Jake Kasdan’s Orange County, Bruce McCulloch’s Stealing Harvard takes the same premise (low-aspiring kids get a chance at a prestigious school), the same quirky sensibility, and the same characters (Jason Lee fills in for Colin Hanks, Tom Green for Jack Black, and Leslie Mann (who is also in Orange County) for Schuyler Fisk), and does considerably less with them. Taken as bookends to 2002 up to the awards season or as a peculiarly precise comparison of how minor differences in screenplay, director, and cast can subtly push a somewhat dreary premise into a vaguely good film or a vaguely bad one, Stealing Harvard at its heart remains a picture that never finds a way to balance the laconic style of Lee with the erratic jitter of Green. Its inability to find any sort of cohesiveness (the same malady afflicting Albert Brooks’s and Brendan Fraser’s The Scout) dooms Stealing Harvard to long stretches of irritating torpor punctuated by the occasional line delivery that reminds, mainly, that Megan Mullally (as a character straight out of Drop Dead Gorgeous) has impeccable comic timing.

TIFF ’02: Assassination Tango

September 13, 2002Posted in2000s, Argentina, Authors: Bill Chambers, Crime, Drama, Film Festivals, Romance, Thriller, TIFF
**½/****starring Robert Duvall, Rubén Blades, Frank Gio, Katherine Micheaux Millerwritten and directed by Robert Duvall by Bill Chambers As dawdling and peculiar as Robert Duvall's previous directorial outing, The Apostle, Assassination Tango has many checks in its 'pro' column, not the least of which a lead performance from writer-director Duvall that finds common ground between his character's two modes: volatile sociopath and lovestruck romantic. Duvall plays John J., a ponytailed hitman sent to Buenos Aires on a high-stakes job for his potential to camouflage with the locals. Once settled in, he discovers he can't carry out his execution for another…

TIFF ’02: Punch-Drunk Love

September 13, 2002Posted in2000s, Authors: Bill Chambers, Comedy, Directors: Paul Thomas Anderson, Drama, Esoterica, Film Festivals, Romance, TIFF
***½/****starring Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzmánwritten and directed by Paul Thomas Anderson by Bill Chambers Punch-Drunk Love or, Un Redemption de Adam Sandler. Paul Thomas Anderson's latest film finds him at both his most experimental (dig those Scopitone interludes) and least windy--the tip-off is a running time of well under two hours. But first: Adam Sandler. When you hear Oscar buzz around a popular comedian, it generally means they've repressed everything that made them popular. (Jim Carrey in The Majestic, for example: Carrey may do a mean James Stewart impersonation, but he's no Jimmy himself.) Sandler…

TIFF ’02: Ken Park

September 12, 2002Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Esoterica, Film Festivals, France, Netherlands, Teen, TIFF
***½/****starring Tiffany Limos, James Ransone, Stephen Jasso, James Bullardscreenplay by Harmony Korinedirected by Larry Clark & Ed Lachman by Bill Chambers Making Happiness look like Dumbo, Ken Park does not push the envelope--Ken Park runs the envelope through a paper shredder, douses it in lighter fluid, and sets it aflame. And then urinates on the ashes. The latest from Larry Clark, the film was co-directed by veteran cinematographer and frequent Steven Soderbergh collaborator Ed Lachman, and if you're worried that this Zaphod Beeblebrox would result in the muting of Clark's voice, think again. If anything, we sense the pair playing…

TIFF ’02: Max

September 10, 2002Posted in2000s, Authors: Bill Chambers, Canada, Drama, Film Festivals, Hungary, TIFF, UK, War
***/****starring John Cusack, Noah Taylor, Leelee Sobieski, Molly Parkerwritten and directed by Menno Meyjes by Bill Chambers This portrait of an Angry Young Man posits Hitler as a starving artist. Living in squalor at an army outpost, feeling burned by the Treaty of Versailles, he befriends the fictional composite Max Rothman (John Cusack), the dashing, one-armed Jewish gentleman who runs the local art gallery--an abandoned warehouse with a leaky roof. (Working conditions are tough in postwar Munich, even for the upper class.) The result is an exercise in dramatic ironies, as well as the kind of thing you watch with…

Circus Vargas: FFC Interviews Peter Sollett

September 9, 2002Posted in2000s, Authors: Bill Chambers, Film Festivals, Interviews, TIFF

PsollettinterviewtitleSeptember 10, 2002|Peter Sollett had been judged by his cover in most of the interviews preceding mine at this year’s Toronto International Film Festival. As I was packing up to leave his hotel room, he thanked me for not asking, to put it in no uncertain terms, What the hell’s an upper-middle-class white guy doing make a movie about a Latino neighbourhood on the lower east side of Manhattan? The truth is, I couldn’t care less–been pigeonholed a time or two myself based on appearances. The beauty of NYU film-school grad Sollett’s feature-length writing and directing debut Raising Victor Vargas (an expansion of his like-themed short film Five Feet High and Rising) is that he could’ve set it anywhere. The milieu is all but incidental (he picked the film’s central location based on the Latino community’s enthusiastic response to an open casting call), though it does lend verisimilitude to the boy-meets-girl story basic. Call it apolitically political.