DIFF ’02: Dragonflies

DragonflyØyenstikker***½/****starring Maria Bonnevie, Kim Bodnia, Mikael Persbrandt, Tintin Anderzonscreenplay by Nikolaj Frobenius, based on the short story "Natt Til Mørk Morgen" by Ingvar Ambjørnsendirected by Marius Holst by Walter Chaw Marius Holst's haunted Dragonflies is weighted like a Terrence Malick film (or like Weir's Picnic at Hanging Rock) by the ominous, oppressive indifference of the Natural. Its drab Scandinavian landscapes as timeless and purposeless as the subterranean tides that govern human behaviour, it's a lovely, poetic thing then when we're introduced to Eddie (Kim Bodnia) floating on a lake and his lover Maria (Maria Bonnevie) wandering through high grass like Ruth…

DIFF ’02: Gossip

*½/****starring Pernilla August, Helena Bergström, Lena Endre, Olsson-Frigårdhwritten and directed by Colin Nutley by Walter Chaw Colin Nutley's insufferable (and interminable) in-joke of a roundelay concerning nine aging Swedish actresses each vying for the coveted role of Queen Christina in a remake of the Garbo classic suffers from that peculiar malady of actors occasionally thinking it novel to pretend that their lives are as laden with the indignities of outrageous fortune as ours. While one wonders if the auto-fun-poking would be more trenchant were one more familiar with the reputations and peccadilloes of the actors in question (among them Pernilla…

DIFF ’02: Sweet Ambition

*/****directed by Laura Wall-Mansfield by Walter Chaw A low-aspiring, semi-inspiring documentary about nine Latino teens vowing not to become a racial stereotype of underachievement, crime, and early dropout-ism, the Denver-based Sweet Ambition examines the effect of smaller class sizes on future success. With a soundtrack cribbing tracks from sources as varied as local Latino rap to Antonio Banderas, Willie Nelson, Santana, and loads of Ani DiFranco, the production looks and feels slick, but interviews with the youths (some wayward, some twice-mothers at the age of 16) are naïve and often redundant. Over it all hangs the spectre of "So what?"…

DIFF ’02: Chiefs

**/****directed by Daniel Junge by Walter Chaw Sports as empowerment as heady a trip as sports as oppression (Columbine's real villain, after all, is a virulent administration-sanctioned jock culture), Chiefs follows a Wyoming Native American High School basketball team through two consecutive seasons of state championship basketball. Indians perhaps the most marginalized minority in terms of insensitive sports mascot stereotype and caricature (The Cleveland Indians' unforgivable Chief Wahoo, anyone?), that the documentary chooses to champion a team self-named "The Chiefs" is both interesting and thorny. (Enough so that when a more interesting film fails to emerge, Chiefs at the end…

A Get-Together with Chen Kaige: FFC Interviews Chen Kaige

CkaigeinterviewtitleOctober 19, 2002|Stentorian in voice and a little dreamy in mien, Chen Kaige ("Tzen KI-guh"), one of the primary members of China's Fifth Generation of filmmakers, is a tribute guest at the 25th Denver International Film Festival. A group that included Zhang Yimou (a cameraman on Kaige's Yellow Earth prior to becoming a director), the Fifth Generation introduced more intimate stories told on a larger scale than the Chinese cinema that came before. It is a movement also marked by remarkably vivid colour schemes, interest in period pieces, and epic tableaux.

Formula 51 (2001)

The 51st State
*/****
starring Samuel L. Jackson, Nigel Whitmey, Robert Jezek, Emily Mortimer
screenplay by Stel Pavlou
directed by Ronny Yu

by Walter Chaw Called The 51st State abroad, Formula 51‘s more redneck-friendly-sounding retitling can be read as an astonishing commentary on the Ronny Yu film itself. Astonishing because it implies not only that the picture is self-aware, but also that it has actually somehow identified which formula it adheres to by number–something that strikes me as terribly useful in a shorthand way.

DIFF ’02: The Marriage Certificate

Shui shuo wo bu zai hu*/****starring Gong Feng, Liping Luwritten and directed by JianXin Huang by Walter Chaw A miserable, over-directed bit of heated allegorical melodrama, JianXin Huang's The Marriage Certificate seeks to monumentalize the loss of the titular document and its disastrous effect on the marriage between a goofy shrink and his grasping wife into a jab at the rigidity of the communist Chinese bureaucracy. It succeeds in being cutesy in an Amélie sort of way (told from the point-of-view of an insipid little girl complete with bad voiceovers, double ponytail flips, and rough animated skits) while being a…

DIFF ’02: All or Nothing

***½/****starring Timothy Spall, Lesley Manville, Alison Garland, James Cordenwritten and directed by Mike Leigh by Walter Chaw Mike Leigh's return to the character-driven nihilism of his astonishingly raw Naked is All or Nothing, a story of an apartment barrio in London where three broken lower-class families struggle to find meaning and happiness in the midst of their dreadful lives. Phil (the always-great Timothy Spall) is a woebegone taxi driver living with mousy Penny (Lesley Manville) and their corpulent children: deeply troubled Rory (James Corden), and Rachel (Alison Garland), the most affecting role amongst a passel of affecting roles. Neighbour Maureen…

DIFF ’02: Frida

**/****starring Salma Hayek, Alfred Molina, Geoffrey Rush, Ashley Juddscreenplay by Diane Lake and Gregory Nava and Clancy Sigal and Anna Thomas, based on the book Frida: A Biography of Frida Kahlo by Hayden Herreradirected by Julie Taymor by Walter Chaw Wonderfully directed, beautifully shot, amazingly well production-designed, and yet dull, Julie Taymor's Frida is marked by an excellent performance from Alfred Molina and a screenplay (a collaboration of four writers--already a bad sign--with a shooting script ghost-written by its star's boyfriend, Edward Norton) that is a spider's breakfast of grandiloquent monologues, sweeping gestures, and tedious biopic conventions. Interesting for the…

DIFF ’02: Zero Day

ZERO STARS/****starring Cal Robertson, Andre Keuck, Serataren Adragna , Melissa Bankswritten by Ben Coccio & Christopher Cocciodirected by Ben Coccio by Walter Chaw Obviously inspired by the discovery of videotapes made by Eric Harris and Dylan Kleibold, the grating and amateurish Zero Day is sensationalistic and prurient, offering nothing in the way of insight while falling uncomfortably into the exploitation camp. Shot on digital video in a style popularized by The Blair Witch Project, the picture makes weak-kneed attempts to address the media-makes-killers controversy, hoping to find poignancy in the pointed incineration of CDs, DVDs, and Lord of the Flies.…

Men with Brooms (2002) – DVD

**½/**** Image B+ Sound B+ Extras C
starring Paul Gross, Molly Parker, Leslie Nielsen, Peter Outerbridge
written and directed by Paul Gross

by Walter Chaw Closer in spirit to Mystery, Alaska than to the similarly Olympics-inspired Cool Runnings, Men with Brooms is an underdog sports intrigue mashed together with a bedroom farce–and neither dog-eared formula is handled with very much originality, while uncomfortable subplots concerning adultery, alcoholism, and healing father/son rifts (see also: Hoosiers) vie for a level of pathos that always feels out of place in what is essentially The Bad News Bears (or The Replacements, or Slap Shot) for curling. Though it’s extremely tempting to lay out an endless stream of titles for films that are essentially identical to Men with Brooms, time is better served just saying that the picture, the directorial debut of Canuck star Paul Gross, is a low-aspiring bit of nonsense that fits as comfortably as a cozy pair of ratty sneakers while stinking a little all the same.

DIFF ’02: Blue Car

*/****starring David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisherwritten and directed by Karen Moncrieff by Walter Chaw An object lesson in how Swimming could have turned out had Swimming been weepy and apparently based on a bunch of Carpenters songs, ex-soap star Karen Moncrieff's hyphenate debut Blue Car is a coming-of-sexual-age puberty melodrama that plays like a film written and directed by, well, an ex-soap star. Sayles-favourite David Strathairn plays crinkly-eyed poetry teacher Mr. Auster, who has a yen for quoting Yeats, Rilke, and of course Whitman with the kind of earnest evangelism that points to easy uplift in mainstream…

DIFF ’02: The Princess Blade

Shurayukihime***/****starring Hideaki Ito, Yumiko Shaku, Shirô Sano, Yoichi Numatascreenplay by Kei Kunii, Shinsuke Sato, based on the comic by Kazuo Kamimura and Kazuo Koikedirected by Shinsuke Sato by Walter Chaw An indescribably cool post-apocalyptic martial-arts fairy tale, Shinsuke Sato's The Princess Blade follows the saga of a young woman named Yuki (Yumiko Shaku, bearing a startling resemblance to Pat Benatar) who discovers that her adoptive band of assassin ronin might have killed her mother and stolen her birthright as the heir to a kingdom. With swordplay choreographed by Hong Kong master Donny Yen (Iron Monkey), Shurayuki-Hime has moments that defy description…

DIFF ’02: Come Drink with Me

Da zui xia***½/****starring Cheng Pei-pei, Yueh Huascreenplay by Yang Yedirected by Hu King by Walter Chaw Directed by Hu King for the legendary Shaw Brothers, 1966's Come Drink with Me, presented at the DIFF in a 35mm print newly minted for this year's Cannes Film Festival, is one of the obvious headwaters for Ang Lee's Crouching Tiger, Hidden Dragon, featuring the legendary Cheng Pei-pei (villain Jade Fox in Lee's picture) as swashbuckling Golden Swallow, sister to a kidnapped imperial official. Between this film and its sequel, Golden Swallow, Pei-pei established herself as a watershed action hero, while Hu's style, alternately…

The Fast and Furious Cole Hauser: FFC Interviews Cole Hauser

ChauserinterviewtitleOctober 15, 2002|I met Cole Hauser, visiting Denver with his latest film, White Oleander, in tow (it opened the 25th Annual Denver Film Festival), at the press suite of the city's Hotel Teatro. A rising star, Hauser is along with Alison Lohman the best thing about the intensely mediocre White Oleander–he's the best thing, in fact, about a lot of films. With the virile presence of a young Brando (crossed with Jon Favreau) and a glacial mien, Hauser has escaped stardom only through his steadfast decision to take roles based on the quality of director or role rather than succumb to the bright lights of easy stardom. (Director John Singleton, with whom he worked on Higher Learning, is at least partly responsible for his upcoming appearance in The Fast and the Furious 2.) I asked Mr. Hauser about playing a skinhead, about the underestimated The Hi-Lo Country, and about his once-estranged father, actor Wings Hauser.

DIFF ’02: Other People’s Life

La vita degli altri*/****starring Teresa Saponangelo, Renato Carpentieri, Maya Sansa, Rosa Pianetawritten and directed by Nicola de Rinaldo by Walter Chaw Ponderously employing a modern eruption of Vesuvius as a metaphor for what is essentially a Telemundo soaper about an aging gangster reaping a lifetime of bitter fruit, Italian director Nicola de Rinaldo's clumsily titled Other People's Life is melodramatic, unintentionally hilarious, and derivative to boot. Mariano (Renato Carpentieri) is a Camorra lifer who, stricken by the guilt of wrongly murdering his brother decades before, decides to become a completely passive presence in his own life, allowing through his inaction…

DIFF ’02: Bowling for Columbine (2002)

***/****
directed by Michael Moore

by Walter Chaw The most successfully provocative film of the year, Michael Moore’s Bowling for Columbine nonetheless hurts itself with its questionable tactics and Moore’s inability to leave certain pulpits alone, but the documentarian succeeds in providing a canny, often brilliant, examination of the root causes of America’s amazing propensity for gun violence. The picture goes beyond a condemnation of “gun nuts”–and beginning as it does with an extended interview with James Nichols (the nutball brother of nutball Terry Nichols, who, along with Timothy McVeigh, was convicted of the Oklahoma City Murrah Building bombing), it’s not always certain that it will.

Enough (2002) – DVD

ZERO STARS/**** Image A Sound A
starring Jennifer Lopez, Bill Campbell, Tessa Allen, Juliette Lewis
screenplay by Nicholas Kazan
directed by Michael Apted

by Walter Chaw So try this one on for size: a woman wronged by a world of evil men recuperates, studiously fails to call the police (too many men on the police force–men=bad; we’ll be returning to this equation often), and finally tracks down her tormentors with the express purpose of murdering them. This not only describes Michael Apted’s Enough, but also Meir Zarchi’s infamous exploitation flick I Spit on Your Grave, the main difference between the two being that Enough tries very hard to hide the fact that it’s an ugly bit of repugnant vigilantism masquerading as a feminist uplift drama.

DIFF ’02: American Gun

*½/****starring James Coburn, Virginia Madsen, Barbara Bain, Alexandra Holdenwritten and directed by Alan Jacobs by Walter Chaw "Dear Penny, I'm in Las Vegas tonight. It's hot, it's very very hot, but I'm close." So goes the tenor of James Coburn's narration in the mawkish, unfocused American Gun, an Alan Jacobs film that seeks to trace the history of a gun as a means to either indict the lack of regulation in gun sales, the way that Las Vegas is the city of sin, or the failure of almost all films to use flashbacks in different media separated by letters from…

Knockaround Guys (2002)

**½/****
starring Barry Pepper, Vin Diesel, Seth Green, Andrew Davoli
written and directed by Brian Koppelman & David Levien

Knockaroundguysby Walter Chaw Counting on one’s desire to see a legendarily hammy actor–a pair of them in fact–unleashed without fetters onto the unsuspecting world with nary a warning, Knockaround Guys is a surprisingly likeable kitsch artifact that astounds for its casual pretension and dangerous level of cheese. The film has John Malkovich trying unsuccessfully to channel his Valmont through a Brooklyn-made Guido and Dennis Hopper still out of control in a role intended, I think, to be bookish. Gathering dust on the shelf for a year or so now, the picture is finding a release in the early-fall doldrums one presumes for the meteoric rise of Vin Diesel, but stealing the show, as he so often does, is veteran character actor Tom Noonan as a laconic, nowhere Montana sheriff.