The Lost Boys: FFC Interviews Keith Fulton & Louis Pepe

LamanchainterviewtitleOctober 22, 2002|Keith Fulton and Louis Pepe–the team behind the Terry Gilliam documentaries The Hamster Factor and Other Tales of Twelve Monkeys and this year's excellent Lost in La Mancha–define a collaboration of complementary parts. Meeting the pair in a below-street level conference room at Denver's chichi Hotel Monaco, I was stricken by the realization that the two themselves resemble a Gilliam dyad (the duct repairmen of Brazil, perhaps)–they're an exercise in interesting, opposing body types. Gilliam, one can only conclude, is infectious.

Wishmaster: The Prophecy Fulfilled (2002) – DVD

**/**** Image B Sound B+ Extras B-
starring Michael Trucco, Tara Spencer-Nairn, Jason Thompson, John Novak
screenplay by John Benjamin Martin
directed by Chris Angel

by Bill Chambers You’ve got to love a movie (trust me, you do) that opens with a sex scene, brings up a title card to read “3 Years Later,” and mere moments after that flashes back to the opening sex scene. The dumbitude of Wishmaster: The Prophecy Fulfilled, frankly, excited me–this is not a dull bad film, but one chirpy and alive. Shot like an episode of “Red Shoe Diaries”, rendering the goblin-featured title genie an always-jarring sight (you keep expecting to see him in lingerie), the picture reveals itself to be on autopilot (the Airplane! kind that’s inflatable and winks) when it can’t even offer up a clever resurrection of the Djinn except to have some schlub hand our heroine a box capped by a fire opal and say, “Here, I bought this for you.” She peers into it, sees a creature screaming against a backdrop of flames, and suggests he have it appraised.

You Might Even Say They Glow…: FFC Interviews Alan Rudolph & Michael Henry Wilson

ArudolphinterviewtitleOctober 21, 2002|I don't know exactly what I was expecting from Alan Rudolph, the director of such peculiar films as Love at Large, Trouble in Mind, and the frankly misguided Vonnegut adaptation Breakfast of Champions, but a smallish, balding, unassuming man with a flat west-coast accent wasn't it. (This despite his cameo in The Player pitching "a cross between Ghost and Manchurian Candidate.") In Denver for the city's 25th International Film Festival with his latest, Investigating Sex, in tow, Mr. Rudolph–along with the film's co-screenwriter, Michael Henry Wilson–sat down with me underneath the canopy dome of the Denver Performing Arts Complex, high above the bustle below of the crowd arriving at the Temple Buell theatre for the screening and reception to follow. (A privileged vantage reminiscent of the ivory tower interplay of his collection of intellectuals in the picture.) I began by asking Mr. Rudolph about his long association with friend and mentor Robert Altman.

DIFF ’02: Be My Star

Mein Stern**½/****starring Nicole Gläser, Monique Gläser, Jeanine Gläser, Christopher Schöpswritten and directed by Valeska Grisebach by Walter Chaw An extremely naturalistic German product, Valeska Grisebach's short (65 minutes) hyphenate debut Mein Stern ("Be My Star") demonstrates an unerring ear for the maelstrom of first love and just-pubescent angst but fails to maintain much interest in its inevitable story arc even over its brief running time. The picture is structured as an allegory for the capriciousness of adult relationships, though in route to its broad statements about the fickleness of attraction and devotion it finds itself choppy and unstructured. Distinguished by…

DIFF ’02: Springtime in a Small Town

Xiao cheng zhi chun****/****starring Wu Jun, Bai Qing Xin, Hu Jingfan, Lu Si Siscreenplay by Ah Chengdirected by Tian Zhuangzhuang by Walter Chaw Something like a Renoir film or a Brontë novel, Tian Zhuangzhuang's first feature film in nearly a decade Springtime in a Small Town ("Xiao Cheng Zhi Chun"), a remake of the Fei Mu's 1948 classic, is painterly and patient--a map of the inner rhythms of love and jealousy and sacrifice drawn with a master's steady stroke. The film introduces its three main characters in the same gently swooping style: the sickly scholar in the antebellum ruins of…

DIFF ’02: War

Vojna*½/****starring Aleksei Chadov, Ian Kelly, Sergei Bodrov Jr., Ingeborga Dapkunaitewritten and directed by Aleksei Balabanovby Walter Chaw War is a peculiar low-budget version of Proof of Life that opens like that episode of "The Twilight Zone" about dolls come to life in a Beckett-ian toy box before it falls into some all-too-familiar patterns of folks getting kidnapped for ransom in Chechnya as foreign governments remain powerless (or disinclined) to get them back. Pitched with feverish earnestness, The War is high melodrama told without much in the way of moderation nor ultimately interest, its story proper that of a British man…

DIFF ’02: Dragonflies

DragonflyØyenstikker***½/****starring Maria Bonnevie, Kim Bodnia, Mikael Persbrandt, Tintin Anderzonscreenplay by Nikolaj Frobenius, based on the short story "Natt Til Mørk Morgen" by Ingvar Ambjørnsendirected by Marius Holst by Walter Chaw Marius Holst's haunted Dragonflies is weighted like a Terrence Malick film (or like Weir's Picnic at Hanging Rock) by the ominous, oppressive indifference of the Natural. Its drab Scandinavian landscapes as timeless and purposeless as the subterranean tides that govern human behaviour, it's a lovely, poetic thing then when we're introduced to Eddie (Kim Bodnia) floating on a lake and his lover Maria (Maria Bonnevie) wandering through high grass like Ruth…

DIFF ’02: Gossip

*½/****starring Pernilla August, Helena Bergström, Lena Endre, Olsson-Frigårdhwritten and directed by Colin Nutley by Walter Chaw Colin Nutley's insufferable (and interminable) in-joke of a roundelay concerning nine aging Swedish actresses each vying for the coveted role of Queen Christina in a remake of the Garbo classic suffers from that peculiar malady of actors occasionally thinking it novel to pretend that their lives are as laden with the indignities of outrageous fortune as ours. While one wonders if the auto-fun-poking would be more trenchant were one more familiar with the reputations and peccadilloes of the actors in question (among them Pernilla…

DIFF ’02: Sweet Ambition

*/****directed by Laura Wall-Mansfield by Walter Chaw A low-aspiring, semi-inspiring documentary about nine Latino teens vowing not to become a racial stereotype of underachievement, crime, and early dropout-ism, the Denver-based Sweet Ambition examines the effect of smaller class sizes on future success. With a soundtrack cribbing tracks from sources as varied as local Latino rap to Antonio Banderas, Willie Nelson, Santana, and loads of Ani DiFranco, the production looks and feels slick, but interviews with the youths (some wayward, some twice-mothers at the age of 16) are naïve and often redundant. Over it all hangs the spectre of "So what?"…

DIFF ’02: Chiefs

**/****directed by Daniel Junge by Walter Chaw Sports as empowerment as heady a trip as sports as oppression (Columbine's real villain, after all, is a virulent administration-sanctioned jock culture), Chiefs follows a Wyoming Native American High School basketball team through two consecutive seasons of state championship basketball. Indians perhaps the most marginalized minority in terms of insensitive sports mascot stereotype and caricature (The Cleveland Indians' unforgivable Chief Wahoo, anyone?), that the documentary chooses to champion a team self-named "The Chiefs" is both interesting and thorny. (Enough so that when a more interesting film fails to emerge, Chiefs at the end…

A Get-Together with Chen Kaige: FFC Interviews Chen Kaige

CkaigeinterviewtitleOctober 19, 2002|Stentorian in voice and a little dreamy in mien, Chen Kaige ("Tzen KI-guh"), one of the primary members of China's Fifth Generation of filmmakers, is a tribute guest at the 25th Denver International Film Festival. A group that included Zhang Yimou (a cameraman on Kaige's Yellow Earth prior to becoming a director), the Fifth Generation introduced more intimate stories told on a larger scale than the Chinese cinema that came before. It is a movement also marked by remarkably vivid colour schemes, interest in period pieces, and epic tableaux.

Formula 51 (2001)

The 51st State
*/****
starring Samuel L. Jackson, Nigel Whitmey, Robert Jezek, Emily Mortimer
screenplay by Stel Pavlou
directed by Ronny Yu

by Walter Chaw Called The 51st State abroad, Formula 51‘s more redneck-friendly-sounding retitling can be read as an astonishing commentary on the Ronny Yu film itself. Astonishing because it implies not only that the picture is self-aware, but also that it has actually somehow identified which formula it adheres to by number–something that strikes me as terribly useful in a shorthand way.

DIFF ’02: The Marriage Certificate

Shui shuo wo bu zai hu*/****starring Gong Feng, Liping Luwritten and directed by JianXin Huang by Walter Chaw A miserable, over-directed bit of heated allegorical melodrama, JianXin Huang's The Marriage Certificate seeks to monumentalize the loss of the titular document and its disastrous effect on the marriage between a goofy shrink and his grasping wife into a jab at the rigidity of the communist Chinese bureaucracy. It succeeds in being cutesy in an Amélie sort of way (told from the point-of-view of an insipid little girl complete with bad voiceovers, double ponytail flips, and rough animated skits) while being a…

DIFF ’02: All or Nothing

***½/****starring Timothy Spall, Lesley Manville, Alison Garland, James Cordenwritten and directed by Mike Leigh by Walter Chaw Mike Leigh's return to the character-driven nihilism of his astonishingly raw Naked is All or Nothing, a story of an apartment barrio in London where three broken lower-class families struggle to find meaning and happiness in the midst of their dreadful lives. Phil (the always-great Timothy Spall) is a woebegone taxi driver living with mousy Penny (Lesley Manville) and their corpulent children: deeply troubled Rory (James Corden), and Rachel (Alison Garland), the most affecting role amongst a passel of affecting roles. Neighbour Maureen…

DIFF ’02: Frida

**/****starring Salma Hayek, Alfred Molina, Geoffrey Rush, Ashley Juddscreenplay by Diane Lake and Gregory Nava and Clancy Sigal and Anna Thomas, based on the book Frida: A Biography of Frida Kahlo by Hayden Herreradirected by Julie Taymor by Walter Chaw Wonderfully directed, beautifully shot, amazingly well production-designed, and yet dull, Julie Taymor's Frida is marked by an excellent performance from Alfred Molina and a screenplay (a collaboration of four writers--already a bad sign--with a shooting script ghost-written by its star's boyfriend, Edward Norton) that is a spider's breakfast of grandiloquent monologues, sweeping gestures, and tedious biopic conventions. Interesting for the…

DIFF ’02: Zero Day

ZERO STARS/****starring Cal Robertson, Andre Keuck, Serataren Adragna , Melissa Bankswritten by Ben Coccio & Christopher Cocciodirected by Ben Coccio by Walter Chaw Obviously inspired by the discovery of videotapes made by Eric Harris and Dylan Kleibold, the grating and amateurish Zero Day is sensationalistic and prurient, offering nothing in the way of insight while falling uncomfortably into the exploitation camp. Shot on digital video in a style popularized by The Blair Witch Project, the picture makes weak-kneed attempts to address the media-makes-killers controversy, hoping to find poignancy in the pointed incineration of CDs, DVDs, and Lord of the Flies.…

Men with Brooms (2002) – DVD

**½/**** Image B+ Sound B+ Extras C
starring Paul Gross, Molly Parker, Leslie Nielsen, Peter Outerbridge
written and directed by Paul Gross

by Walter Chaw Closer in spirit to Mystery, Alaska than to the similarly Olympics-inspired Cool Runnings, Men with Brooms is an underdog sports intrigue mashed together with a bedroom farce–and neither dog-eared formula is handled with very much originality, while uncomfortable subplots concerning adultery, alcoholism, and healing father/son rifts (see also: Hoosiers) vie for a level of pathos that always feels out of place in what is essentially The Bad News Bears (or The Replacements, or Slap Shot) for curling. Though it’s extremely tempting to lay out an endless stream of titles for films that are essentially identical to Men with Brooms, time is better served just saying that the picture, the directorial debut of Canuck star Paul Gross, is a low-aspiring bit of nonsense that fits as comfortably as a cozy pair of ratty sneakers while stinking a little all the same.

DIFF ’02: Blue Car

*/****starring David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisherwritten and directed by Karen Moncrieff by Walter Chaw An object lesson in how Swimming could have turned out had Swimming been weepy and apparently based on a bunch of Carpenters songs, ex-soap star Karen Moncrieff's hyphenate debut Blue Car is a coming-of-sexual-age puberty melodrama that plays like a film written and directed by, well, an ex-soap star. Sayles-favourite David Strathairn plays crinkly-eyed poetry teacher Mr. Auster, who has a yen for quoting Yeats, Rilke, and of course Whitman with the kind of earnest evangelism that points to easy uplift in mainstream…

DIFF ’02: The Princess Blade

Shurayukihime***/****starring Hideaki Ito, Yumiko Shaku, Shirô Sano, Yoichi Numatascreenplay by Kei Kunii, Shinsuke Sato, based on the comic by Kazuo Kamimura and Kazuo Koikedirected by Shinsuke Sato by Walter Chaw An indescribably cool post-apocalyptic martial-arts fairy tale, Shinsuke Sato's The Princess Blade follows the saga of a young woman named Yuki (Yumiko Shaku, bearing a startling resemblance to Pat Benatar) who discovers that her adoptive band of assassin ronin might have killed her mother and stolen her birthright as the heir to a kingdom. With swordplay choreographed by Hong Kong master Donny Yen (Iron Monkey), Shurayuki-Hime has moments that defy description…

DIFF ’02: Come Drink with Me

Da zui xia***½/****starring Cheng Pei-pei, Yueh Huascreenplay by Yang Yedirected by Hu King by Walter Chaw Directed by Hu King for the legendary Shaw Brothers, 1966's Come Drink with Me, presented at the DIFF in a 35mm print newly minted for this year's Cannes Film Festival, is one of the obvious headwaters for Ang Lee's Crouching Tiger, Hidden Dragon, featuring the legendary Cheng Pei-pei (villain Jade Fox in Lee's picture) as swashbuckling Golden Swallow, sister to a kidnapped imperial official. Between this film and its sequel, Golden Swallow, Pei-pei established herself as a watershed action hero, while Hu's style, alternately…