Ghost Ship (2002) – DVD

March 13, 2003Posted in2000s, Australia, Authors: Bill Chambers, DVD, Horror, Mystery, Thriller

**/**** Image A Sound A- Extras C+
starring Julianna Margulies, Desmond Harrington, Isaiah Washington, Gabriel Byrne
screenplay by Mark Hanlon and John Pogue
directed by Steve Beck

by Bill Chambers Ghost Ship is better than its director Steve Beck’s previous film for Robert Zemeckis and Joel Silver’s “Dark Castle,” the repugnant Thir13en Ghosts–but we’re talking incrementally. Somewhere in between the two pictures, Beck learned that even though the AVID editing machine makes an infinite number of cuts possible, he shouldn’t take that as a dare, and in Ghost Ship, he embraces the démodé in a way that he ironically didn’t in Thir13en Ghosts, the one of them that’s a remake. Ghost Ship opens with large, dissolving titles drawn in pink cursive script that would be at home in a Fifties movie with Vic Damone on the soundtrack. It’s a striking touch (if not entirely appropriate for The Treasure of the Sierra Madre aboard a sinking, possessed ocean liner), and it precedes a dazzling, disgusting prologue wherein the passengers on the deck of the Antonia Graza are slaughtered like so much cattle.

Le6ion of the Dead (2001) – DVD

March 11, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Germany, Horror, Vampire, Zombie

Legion of the Dead
½*/**** Image B Sound B+ Extras B
starring Michael Carr, Russell Friedenberg, Kimberly Liebe, Matthias Hues
written and directed by Olaf Ittenbach

by Walter Chaw Sort of like how I imagine Samuel Beckett would read while huffing accelerant, Olaf Ittenbach’s Le6ion of the Dead rips off a couple of Tarantino screenplays en route to winning the title of the most arbitrary and impossible-to-follow film that isn’t composed primarily of stock footage. Though the director has tried to have his name removed from the picture, citing unapproved edits made in the struggle for an “R” rating, unless the studio wrote the screenplay, pointed the camera, and hired the actors…sufficed to say that there’s enough blame here to go around.

Moonlight Mile (2002) – DVD

March 10, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Romance

**½/**** Image B+ Sound B+ Extras A-
starring Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Holly Hunter
written and directed by Brad Silberling

by Walter Chaw There is a delicacy to the dusk of the early-Seventies, poised as those years were on the lip of paranoia and disquiet as the psychic scars of the Sixties assassinations, Watergate, and Vietnam worked like rough puberty on an infant nation's whored naiveté. Capturing that space in the disintegration of individuals, traditions, hopes, faiths, is something best left in the hands of casualties of war (Tim O'Brien) and outsider perspectives (Ang Lee and his The Ice Storm). That Brad Silberling, writer-director of Moonlight Mile, appears to be making the death-by-stalker of his actress fiancé Rebecca Schaeffer the metaphor for that twilight time is cause for some concern.

Inspector Gadget 2 (2003) – DVD

March 10, 2003Posted in2000s, Action, Authors: Bill Chambers, Comedy, Crime, Disney, DVD, Family, Sci-Fi

*½/**** Image A Sound A Extras B-
starring French Stewart, Elaine Hendrix, Caitlin Wachs
sceenplay by Ron Anderson and William Robertson & Alex Zamm
directed by Alex Zamm

by Bill Chambers Edited with the Cuisinart clarity of a car commercial, designed with a balloon-animal colour palette similar to that of last year’s psychedelic Thomas in Love, Inspector Gadget 2 (henceforth IG2–incidentally, the on-screen logo reads Inspector 2 Gadget) has style in theory, like Avril Lavigne, but is monotonous and exasperating–also like Avril Lavigne. I haven’t seen the original film, but I did watch the cartoon every morning before school as a kid (we used to sing our own version of the theme song in the playground: “Doo doo doo doo do, Inspector Goo-head“–ah, those halcyon days), so I recognize certain touchstones the sequel, um, touches: faceless supervillain with the pussycat emblem Dr. Claw (who, robbed of his synthetic speech in addition to his lap kitty, looks and acts like Truman Capote in IG2); Inspector Gadget’s niece, Penny (Caitlin Wachs), and her dog Brain (in IG2, a beagle without the flexibility of his animated counterpart), both fledgling detectives; and the always-fuming Chief Quimby (Mark Mitchell), who does not pop out of mailboxes and such things here to deliver messages to Gadget that self-destruct. More disappointingly, he does not have a moustache.

David Cronenberg Re-examines David Cronenberg: A Retrospective Interview

March 9, 2003Posted in1970s, 1980s, 1990s, 2000s, Blu-ray Disc, Canada, Directors: David Cronenberg, Drama, DVD, Esoterica, Horror, Interviews, Sci-Fi

Cronenberg Re-Examines Cronenberg

March 9, 2003 | Offered the opportunity to visit with David Cronenberg a second time recently, I sat down with the legendary director the morning after moderating a post-screening Q&A with him at Denver’s Landmark Mayan Theater (where a sell-out crowd of over 450 was enthusiastically in attendance for a sneak of Spider) to discuss his work from student films Stereo and Crimes of the Future all the way through to what is arguably his best–certainly his most mature–film, the oft-delayed Spider. Dressed in casual cool as is the director’s habit, Mr. Cronenberg exudes supreme confidence; gracious in the extreme and unfailingly polite, not given to displays of false modesty or overly interested in compliments, his speech is pleasant and carefully modulated–a sort of intellectual detachment that has marked even his earliest, “tax shelter” work. It seemed clear to me that Mr. Cronenberg was not generally accustomed to talking of his earlier work on the junket circuit. Speaking only for myself, it was a wonderful break from the usual stump.–Walter Chaw

Irreversible (2002)

March 7, 2003Posted in2000s, Authors: Bill Chambers, Crime, Drama, Esoterica, France, Mystery, Romance, Theatrical, Thriller

Irréversible
**½/****
starring Monica Bellucci, Vincent Cassel, Albert Dupontel, Philippe Nahon
written and directed by Gaspar Noé

“You know what? Time destroys all things.”

Irreversibleby Bill Chambers SPOILER WARNING IN EFFECT. That’s the opening line of dialogue in Irréversible, meaning it comes after the closing titles, which scroll down the screen backwards and are followed by back-to-front names in block letters. Each word lands with a percussive thud (“Bellucci!” “Noé!”) echoed in the sound produced by a fire extinguisher in one of the two scenes everybody’s talking about: Director Gaspar Noé’s secondary conceit (the primary we’ll discuss momentarily) is a kind of reverse foreshadowing, with disturbing noises and gestures recontextualized elsewhere, invoking the standby “Hindsight is 20/20.” A film that appeals to the pessimist in us, Irréversible may make you think of Memento, but where Memento was about destiny, Irréversible is cynicially hopeful (if there is such a thing), illustrating the human impulse to look to the past for happy endings–Bogey’s bogus reassurance that “we’ll always have Paris.”

Poolhall Junkies (2003)

March 7, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Sports, Theatrical, Thriller

*/****
starring Chazz Palminteri, Rick Schroder, Rod Steiger, Michael Rosenbaum
screenplay by Gregory ‘Mars’ Martin and Chris Corso
directed by Gregory ‘Mars’ Martin

by Walter Chaw Obviously the spawn of a post-Rounders discussion (“Hey, that was great, but wouldn’t it be better with pool instead of poker?”), Gregory ‘Mars’ Martin’s Poolhall Junkies also counts among its plunder victims The Hustler, The Color of Money, On the Waterfront, and–pick any David Mamet. With the late Rod Steiger as a crusty pool hall owner, Christopher Walken in his typical role as actor in an actor-less stew, and a law school student girlfriend (Alison Eastwood, similar to, but somehow more expressionless than, Bridget Fonda) in a plush pad who has a lot of morals except when it comes to nepotism and winning a job in a pool game, Poolhall Junkies is B-list, B-movie garbage that plows through its clockwork machinations with a kind of juvenile bluster that keens like a hammer to the brainpan.

Tears of the Sun (2003) + Bringing Down the House (2003)

March 7, 2003Posted in2000s, Action, Authors: Walter Chaw, Comedy, Drama, Theatrical, Thriller, War

TEARS OF THE SUN
*/****
starring Bruce Willis, Monica Bellucci, Cole Hauser, Fionnula Flanagan
screenplay by Alex Lasker & Patrick Cirillo
directed by Antoine Fuqua

BRINGING DOWN THE HOUSE
*/****
starring Steve Martin, Queen Latifah, Eugene Levy, Joan Plowright
screenplay by Jason Filardi
directed by Adam Shankman

Bringdownthetearsofthesunby Walter Chaw Antoine Fuqua’s curiously timed Tears of the Sun is an unpleasant bit of jingoistic bullroar that seeks to redress the Clinton administration’s refusal to intervene in the Rwandan genocide by offering up a small band of American special forces soldiers as saviour bwana bravely risking all for a white woman and, incidentally, restoring the son of a slain tribal leader to power. A lot like Schindler’s List, for all the devastating scope of human tragedy involved in its story, the film is about the survivors and the white heroes, not the victims.

Bloody Murder II: Closing Camp (2003) – DVD

March 6, 2003Posted in2000s, Authors: Walter Chaw, Drama, DVD, Horror, Mystery, Thriller

Bloody Murder 2: Closing Camp
**/**** Image D Sound C-
starring Katy Woodruff, Kelly Gunning, Amanda Magarian, Tiffany Shepis
screenplay by John Stevenson
directed by Rob Spera

by Walter Chaw Amateurish, awkward, and bordering on genuinely offensive, Bloody Murder II: Closing Camp surprises by actually being a nice walk down ’80s slasher flick memory lane. Shot on a zero-budget by Rob Spera (the man behind the infamous Leprechaun in the Hood), the picture is packed with some nice gore, a great deal of nudity, and almost no aspirations towards cleverness. Save one Scream-influenced exchange about the dangers of flashing skin and being African-American in this genre, Bloody Murder II is a mindless series of sadistic stalking/slashing sequences that pick on the nerd, the slut, and the jock while a virginal heroine (with a blood tie to the masked murderer, natch) tries to unravel the mystery in time to save herself.

Star Trek III: The Search for Spock (1984) + Star Trek IV: The Voyage Home (1986) – DVDs|[Special Collector’s Edition] – DVDs

March 5, 2003Posted in1980s, Action, Adventure, Authors: Bill Chambers, Authors: Vincent Suarez, Comedy, DVD, Sci-Fi, Star Trek

STAR TREK III: THE SEARCH FOR SPOCK
***/****
DVD – Image A Sound A
SCE DVD – Image A Sound A Extras B+
starring William Shatner, DeForest Kelley, James Doohan, George Takei
screenplay by Harve Bennett
directed by Leonard Nimoy

STAR TREK IV: THE VOYAGE HOME
**/****
DVD – Image B- Sound B Extras C
SCE DVD – Image A Sound A Extras B+
starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan
screenplay by Steve Meerson, Peter Krikes, Harve Bennett and Nicholas Meyer
directed by Leonard Nimoy

by Vincent Suarez I’ve always had a love/hate relationship with the middle installments of the six Star Trek films featuring Captain James T. Kirk and his crew; I would have been content had the series ended with Star Trek II: The Wrath of Kahn, which is not only a great Trek movie but also an extremely fine piece of filmmaking in itself. (The seventh film in the series, Star Trek: Generations, passed the phasers to Captain Picard of “The Next Generation”, and included only brief appearances by a select few under Kirk’s command.) For me, Star Trek III: The Search for Spock seemed to betray the spirit, morality, and philosophy of its predecessor, while Star Trek IV: The Voyage Home represented the low point in cinematic “Trek,” reducing the series to formulaic farce.

Labyrinth (1986) [Superbit] – DVD

March 5, 2003Posted in1980s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Family, Fantasy, Muppets, Musical, UK

*½/**** Image A- Sound B+
starring David Bowie, Jennifer Connelly
screenplay by Terry Jones
directed by Jim Henson

by Walter Chaw As riffs on Alice in Wonderland and The Wizard of Oz go, Jim Henson’s Labyrinth is a painfully dated, shockingly un-magical romp through a fragmented netherworld populated by Ziggy Stardust and a horde of little people wearing giant papier-mâché heads. Following a wish by bratty Sarah (Jennifer Connelly) that her bratty kid brother be spirited away by the Goblin King (David Bowie) and Sarah’s inevitable lapse into unconsciousness and journey into the titular, Escher-inspired labyrinth, the picture unfolds at a laboured clip marked not so much by a sense of wonder, but rather a feeling of confused disinterest. While the film is a nostalgic hallmark for many (and so is Pete’s Dragon, it occurs), cinematically and artistically, better to revisit Henson’s flawed but alive The Dark Crystal.

Asunder (1998) – DVD

March 3, 2003Posted in1990s, Authors: Walter Chaw, Drama, DVD, Romance, Thriller

*½/**** Image A- Sound A-
starring Blair Underwood, Debbi Morgan, Michael Beach
screenplay by Eric Lee Bowers
directed by Tim Reid

by Walter Chaw A courageously unpleasant role for “L.A. Law” heartthrob Blair Underwood, Tim “Venus Flytrap” Reid’s derivative Asunder is only otherwise brave for its remorseless abuse of otherwise innocent pregnant women–crossing a seldom-crossed line of taboo in American film unless it’s to punish a heroine (see: High Crimes, Crossroads, and so on) for having the child of a bad man. Billing itself as “In The Suspenseful Style Of Fatal Attraction And Unfaithful,” Asunder is every bit the rushed, formula production moldering on a shelf somewhere until either one of its stars hits it big (see: Ordinary Decent Criminal and Colin Farrell) or, as in this case, a higher-profile film with a similar theme makes an impact, thus giving the folks in marketing a hook.

Love Notes: FFC Interviews Todd Louiso and Philip Seymour Hoffman

March 2, 2003Posted in2000s, Authors: Walter Chaw, Interviews

Lovelizarevisedhis role as one of John Cusack’s sidekicks in High Fidelity (star-struck employees hovered around us, hoping for a word), I was more excited to talk to him about his vocal cameo in the late, lamented series “The Critic”, as well as, of course, his first foray into directing with the remarkable Love Liza. Clad in the epitome of unassuming casual, Mr. Louiso seemed surprised that I had a complete filmography for him and embarrassed that I wanted to talk about his career in some detail–reactions both that speak to not only the investment that most of my peers take in researching their topic, but to a certain quality of Mr. Louiso: an unforced modesty that charms. Over the course of our interview, we talked about all manner of things, particularly, fascinatingly, of his passages over water.

Six Feet Under: The Complete First Season (2001) – DVD

March 2, 2003Posted in2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Television

Image A Sound A Extras B+
"Pilot," "The Will," "The Foot," "Familia," "An Open Book," "The Room," "Brotherhood," "Crossroads," "Life's Too Short," "The New Person," "The Trip," "A Private Life," "Knock, Knock"

by Bill Chambers Like you, I was enthralled by American Beauty, but its resonance proved short-lived. The spell was broken for me when my friend innocently observed after a screening that men only masturbate in the shower in movies–the whole film mentally unravelled from there, that hanging thread, as I became cognizant of, and progressively bothered by, its oversimplifications. Is it just my imagination, or would Mr. Furley spin in his syndicated grave over the misinterpretation that informs the picture's climax? Though the culturally young are entitled to find American Beauty profound, since it's of that particular kind of Hollywood caginess that takes a trained eye (and is especially cheeky coming from an enfant terrible of the British stage), more people need(ed) to recognize that it's Blame It On Rio with proscenium arches.

Blind Spot: Hitler’s Secretary (2002)

February 28, 2003Posted in2000s, Austria, Authors: Bill Chambers, Documentary, Theatrical, War

Im Toten Winkel – Hitlers Sekretärin
Blind Spot. Hitler’s Secretary
***½/****
directed by André Heller & Othmar Schmiderer

by Bill Chambers A significant source of Blind Spot. Hitler’s Secretary‘s power is the au naturel form it takes. There are no re-enactments, there are no such visual cues as photographs or stock footage; there isn’t even any underscore–only the talking head of Traudl Junge, who, with her rotating cluster of sweaters and ascots, is the film’s aesthetic. Directors André Heller and Othmar Schmiderer (Heller interviewed, Schmiderer shot) either believe Junge to be so compelling a presence as to challenge the need for newsreel aids, or fundamentally appreciate that they risked depersonalizing Junge’s fresh, intimate perspective by going the History Channel route. I only skimmed the press notes (which are rather regrettably written: “Like Adolf Hitler, [Heller and Schmiderer] were also born and raised in Austria,” begins an introduction to the filmmakers) to keep from cheapening Blind Spot‘s enigmatic approach–that ambivalence–for myself: The film casts a spell as fragile as that of an ILM spectacle.

Open Hearts (2002)

February 28, 2003Posted in2000s, Authors: Walter Chaw, Denmark, Drama, Romance, Theatrical

Elsker dig for evigt
***½/****
starring Sonja Richter, Mads Mikkelsen, Paprika Steen, Nikolaj Lie Kaas
screenplay by Susanne Bier & Anders Thomas Jensen
directed by Susanne Bier

by Walter Chaw Susanne Bier’s first Dogme 95 film Open Hearts (Elsker dig for evigt) is the Danish movement’s twenty-eighth and the second by a female director after last year’s Italian for Beginners. It reveals the austere, half-snooty/half-tongue-in-cheek manifesto as a surprisingly effective platform for a reinvention of the woman’s picture–a resurrection of the estrogen melodramas circa Mildred Pierce, the legitimizing of the soap opera genre fallen on disrepute since the invention of soaring violins and Julia Roberts. The limiting constraints of Dogme 95, most of them aimed at stripping filmmaking of all artifice, seem to purify the emotionalism latent in stories of paralyzed lovers and star-crossed priests–perhaps the least expected offshoot of a movement that is not only extremely distracting, but probably began life as something of a joke.

The Beach Boys: An American Band (1985)/Brian Wilson: “I just wasn’t made for these times” (1995) [Double Feature] – DVD

February 27, 2003Posted in****/****, 1980s, 1990s, Authors: Walter Chaw, Documentary, DVD, Music

THE BEACH BOYS: AN AMERICAN BAND
****/**** Image C+ Sound B+
directed by Malcolm Leo

BRIAN WILSON: “I JUST WASN’T MADE FOR THESE TIMES”
***½/**** Image B Sound B+
directed by Don Was

by Walter Chaw There are a handful of albums indispensable to a comprehensive understanding of the roots of modern music, and The Beach Boys‘ “Pet Sounds”–a sort of Apocalypse Now for band-leader Brian Wilson, a mad compendium of musical fragments (Bach’s progressions, The Four Horsemen‘s harmonies) that cohered into a Spector-esque Wall of Sound sparsity/harmony–is irrefutably among them. Intent on making definitive, album-length statements, spurred on by his obsessive competitiveness with The Beatles (“Rubber Soul” predates “Pet Sounds”, and though Paul McCartney cited “Pet Sounds” as a primary influence on “Sgt. Pepper’s Lonely Hearts Club Band”, the release of that album is often blamed for Brian Wilson’s nervous breakdown), and sensing the opportunity in 1966 of being at the vanguard of the psychedelic movement with a follow-up album (the never-completed “Smile”), the story of The Beach Boys and Brian Wilson is as operatic and tinged with ironic destiny as an Aeschylean tragedy.

The First $20 Million (2002) – DVD

February 26, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DVD, ZERO STARS

The First $20 Million Is Always the Hardest
ZERO STARS/**** Image C Sound B-
starring Adam Garcia, Rosario Dawson, Jake Busey, Enrico Colantoni
screenplay by Jon Favreau and Gary Tieche, based on the novel by Po Bronson
directed by Mick Jackson

by Walter Chaw Food-obsessed Japanese girl band Cibo Matto plays quietly behind a weird commercial of pastel San Diego Chickens sky-diving within the first five minutes of The First $20 Million Is Always the Hardest, offering a benighted hope that the film won’t suck that is so ephemeral that its inevitable death is less cruel than perverse. Playing like a version of Real Genius that’s somehow worse, the idea of a hard-partying geek fraternity involved in changing the world one byte at a time is so disinteresting and bankrupt that its resounding failure isn’t nearly as surprising as the twin revelations that the otherwise bright-seeming Jon Favreau co-wrote the screenplay (and appears in a cameo with crap in his mouth), and that this dog pile of a script (based on a novel by Po Bronson) actually found suitors.

Frank McClusky, C.I. (2002) – DVD

February 24, 2003Posted in2000s, Authors: Walter Chaw, Comedy, DVD

**/**** Image A Sound A-
starring Dave Sheridan, Randy Quaid, Enrico Colantoni, Dolly Parton
screenplay by Mark Perez
directed by Arlene Sanford

by Walter Chaw There’s a freshness to the staleness of Frank McKlusky, C.I. that charms initially before it grates for its dedicated cuteness and innocuous incorrectness. With an amazing supporting cast of the lower echelon of B-list comedy performers (Dolly Parton, Randy Quaid, Orson Bean (reprising his Being John Malkovich character), Andy Richter, Kevin Pollack, Adam Corolla, and Chris Farley’s also-fat brother), the picture is clearly a rip-off of Jim Carrey’s Ace Ventura films, complete with a mugging Dave Sheridan (so good in Bubble Boy, now channelling Carrey), a pooch sidekick, and a blonde love interest in the emetic Cameron Diaz (of Carrey’s The Mask) mold played, strangely enough, by Cameron Richardson.

Ordinary Decent Criminal (2000) – DVD

February 24, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Crime, DVD, Gangster, Germany, Ireland, UK

*/**** Image A- Sound B+
starring Kevin Spacey, Linda Fiorentino, Peter Mullan, Stephen Dillane
screenplay by Gerard Stembridge
directed by Thaddeus O’Sullivan

by Walter Chaw Completed about a year after John Boorman’s infinitely superior The General, Thaddeus O’Sullivan’s Ordinary Decent Criminal is a sporadic “fictionalizing” of the life of Irish crime boss Martin Cahill that dresses up Cahill’s exploits with slick visuals while attempting the unsavoury task of doing exactly what The General was accused of doing: making urban terrorism and torture whimsical caper fare. Recasting Cahill as a Keyser Soze with a sense of oily humour and renaming him Michael Lynch (Kevin Spacey), Ordinary Decent Criminal is extraordinarily lightweight blather free entirely of the sense of scale and place of Boorman’s film. The General is fantastic, Ordinary Decent Criminal: just fatuous.