Image A Sound A Extras B+
"Pilot," "The Will," "The Foot," "Familia," "An Open Book," "The Room," "Brotherhood," "Crossroads," "Life's Too Short," "The New Person," "The Trip," "A Private Life," "Knock, Knock"
by Bill Chambers Like you, I was enthralled by American Beauty, but its resonance proved short-lived. The spell was broken for me when my friend innocently observed after a screening that men only masturbate in the shower in movies–the whole film mentally unravelled from there, that hanging thread, as I became cognizant of, and progressively bothered by, its oversimplifications. Is it just my imagination, or would Mr. Furley spin in his syndicated grave over the misinterpretation that informs the picture's climax? Though the culturally young are entitled to find American Beauty profound, since it's of that particular kind of Hollywood caginess that takes a trained eye (and is especially cheeky coming from an enfant terrible of the British stage), more people need(ed) to recognize that it's Blame It On Rio with proscenium arches.
