Hot Docs ’03: Hush!

May 1, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs, Russia
***/****directed by Victor Kossakovsky by Travis Mackenzie Hoover By far the most original of this year's crop is Hush!, in which director Victor Kossakovsky turns his gaze through his apartment window and collects the goings-on outside. Lovers meet in the street, dogs are walked, street cleaners sweep up the curb, and public workers tear up the street to do... something. Seasons change, rain and snow fall, a police van has a close call at an intersection and the hole in the street gets bigger and bigger as the workers continue to do God-knows-what. Sometimes the action unfurls in real time,…

Owning Mahowny (2003)

May 1, 2003Posted in****/****, 2000s, Authors: Walter Chaw, Canada, Crime, Drama, Theatrical, Thriller

****/****
starring Philip Seymour Hoffman, Minnie Driver, Maury Chaykin, John Hurt
screenplay by Maurice Chauvet, based on the Gary Stephen Ross book Stung: The Incredible Obsession of Brian Molony
directed by Richard Kwietniowski

by Walter Chaw Richard Kwietniowski’s Owning Mahowny charts the mendacity of addiction with something like a poet’s lyrical melancholy. The director’s follow-up to his surprisingly gentle take on Thomas Mann, Love and Death on Long Island, finds another story of obsessive love that is itself obsessed with the importance of place in defining the accumulated essence of identity and desire. Kwietniowski’s films seem to be about secret outsiders finding themselves at some point swept out to proverbial sea, the land fading fast. While in Love and Death on Long Island that divorce illustrates the reach traversed by reclusive novelist Giles De’Ath (John Hurt) to claim his inamorata, in Owning Mahowny, the widening gyre is considerably (and deliciously) more complicated; the film marks Kwietniowski’s emergence as the most promising cartographer of self-confessional mortification since countryman Terence Davies. And Kwietniowski does it all with gentle, uncompromising humour.

The Dancer Upstairs (2002)

April 30, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Crime, Drama, Spain, Theatrical, Thriller

**/****
starring Javier Bardem, Laura Morante, Juan Diego Botto, Elvira Mínguez
screenplay by Nicholas Shakespeare, based on his novel
directed by John Malkovich

by Travis Mackenzie Hoover Why do people insist on making movies as though all Latin-American countries are the same? How is it that they can get away with ignoring cultural differences and national identities as though they were nothing? The same first-world writers who set their scripts “somewhere in Latin America” would surely find an Ecuadorian or a Peruvian presumptuous for setting his or her own tale “somewhere in Western Europe.” But these jokers have no guilt about herding millions and millions of people into the same leaky boat, and defining the stretch from Mexico to Argentina as one big, ugly banana republic. The results are usually not pretty, and The Dancer Upstairs is no exception to the rule.

Hot Docs ’03: The Day I Will Never Forget

April 30, 2003Posted inAuthors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs, UK
***½/****directed by Kim Longinotto by Travis Mackenzie Hoover The co-director of Divorce Iranian Style is back with this intelligent and powerful documentary on female genital mutilation in Kenya. Not only does it show, in a chilling centrepiece sequence, the immediate and excruciating pain it causes the young girls subjected to the practice (as well as the health consequences of dirty instruments and heavy stitching), but it also explores the cultural mechanisms that ensure that people, even women, will continue it. The ears burn at hearing tribal leaders offer their explanations of the logic in its implementation, as well as at…

Hot Docs ’03: Rockets Redglare!

April 30, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs
***½/****directed by Luis Fernandez de la Reguera by Travis Mackenzie Hoover The lively but tragic saga of Michael Morra, a.k.a. Rockets Redglare, is explored in this somewhat crude but extremely moving documentary. Morra/Redglare lived a life that would be ennobled by the word "marginal": he was born a heroin-addicted baby, raised in grinding poverty, all but witnessed the murder of his mother, and bounced from needle to rehab to needle again in a titanic losing battle with addiction. But he was also an extremely creative individual, and rose in the '80s to become a character actor, comedian, and performance artist…

Hot Docs ’03: And Along Came a Spider

April 29, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs, Iran
Va ankaboot amad***/****directed by Maziar Bahari by Travis Mackenzie Hoover You'd think it would be clear-cut: a serial killer who murders 16 prostitutes should be treated with a maximum of scorn. But that's not how it happened in Iran, where the notorious Saeed Hanei dispatched members of society who were already believed to have been the scum of the earth. The sadistic "spider-killer," already high on killing from the Iran-Iraq war, believed that he was doing God's work, and interviews with his family reveal that they are proud that their son/husband/father was taking a stand on those who would corrupt…

Hot Docs ’03: Stupidity

April 29, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Film Festivals, Hot Docs
½*/**** directed by Albert Nerenberg by Travis Mackenzie Hoover Words fail me in describing this travesty, a hypocritical assault on the senses which traffics in the very imagery it pretends to deplore and leaves you drained, battered, and completely demoralized. Ostensibly, it's about the media events and herd behaviours that conspire to keep the stupid oppressed and the even dumber in power, but despite the presence of Noam Chomsky and scattered other intellectuals, Stupidity is an exercise in smug superiority that does nothing to fight the powers that be. It's more interested in looking smarter than the crowd instead of…

Hot Docs ’03: Kim’s Story (1997)

April 29, 2003Posted in1990s, 2000s, Authors: Travis Mackenzie Hoover, Canada, Documentary, Film Festivals, Hot Docs
**½/****directed by Shelley Saywell by Travis Mackenzie Hoover This is the story of Kim Phuc, who was napalmed during the Vietnam War and became the subject of an infamous photo that shocked the world. Her life is full enough of incident: Having become a symbol of America's brutality during the war, she was turned into a propaganda instrument by the Vietnamese government and subsequently defected to the west. She remains, however, a committed pacifist and continues to build bridges between herself and veterans--including, in the film's biggest surprise, the pilot who dropped the napalm on her. Alas, the crew that…

Hot Docs ’03: How High is the Mountain + How Deep is the Ocean

April 28, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs, Taiwan

HOW HIGH IS THE MOUNTAIN
***/****
directed by Shiang-Chu Tang

HOW DEEP IS THE OCEAN
***½/****
directed by Shiang-Chu Tang

by Travis Mackenzie Hoover These are two tangentially related films by the Taiwanese director Shiang-Chu Tang, and they're like nothing else in the Hot Docs festival. They're neither as overly schematic as so many socially-minded documentaries nor overly aestheticized like the school of Errol Morris. In fact, those poles don't really apply to these films, which record social processes through the examples of individuals and which have a formal beauty to them that is totally non-coercive. Watching them, you don't feel forced into taking a stance–you are provided with the stuff of peoples' lives to draw your own conclusions as to how they ended up the way they did.

Love Liza (2002) – DVD

April 27, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, France, Germany

***½/**** Image B Sound A- Commentary B+
starring Philip Seymour Hoffman, Kathy Bates, Jack Kehler, Sarah Koskoff
screenplay by Gordy Hoffman
directed by Todd Louiso

by Walter Chaw Philip Seymour Hoffman is Dante and the slings and arrows of mendacity are his Virgil, chasing him through the inferno of his day-to-day. A remarkable actor at his frequent best when deserted by a lover, Hoffman in Love Liza is Wilson Joel, a man whose wife has just killed herself and left a sealed letter behind. It becomes his albatross, toted around unexamined, as Wilson descends on a spiral of juvenile addiction (gasoline huffing) and avoidance. He sleeps on the floor outside his bedroom and does his best to dodge his mother-in-law (Kathy Bates)–hiding the sharp odour of his addiction behind the lie of becoming a radio-controlled airplane pilot.

Hot Docs ’03: Generation of Hate

April 27, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Documentary, Film Festivals, Hot Docs
**/****directed by Shelley Saywell by Travis Mackenzie Hoover In Generation of Hate, Shelley Saywell goes to Iraq and doesn't come back with much you didn't already know. Apparently, the Iraqi people hate America for constantly attacking them and aren't allowed to speak about Saddam's oppression--shocker! Sure, it can't hurt to hear that one more time, but Saywell's primitive technique doesn't give the subject much urgency beyond the common liberal "tsk." Lacking in structure and confused in focus, the video ricochets from subject to subject, taking sound bites here and there and imposing frightfully obvious voice-overs that often repeat themselves. The…

Hot Docs ’03: The Lost Boys (2002)

April 27, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, UK
**/****directed by Clive Gordon by Travis Mackenzie Hoover Can a film have a wealth of new information and still be a failure? If the film is Clive Gordon's The Lost Boys, the answer is an unfortunate "yes." Dealing with the ultimate fate of some of the "lost boys" of the Sudan, who fled to northern Kenya when they were attacked by the Arab army, it shows a handful of the 3,500 who were selected for resettling in America. On the plus side, it shows a process that rarely is seen on film, that of people struggling to adjust to a…

Mr. Intense: FFC Interviews James Foley

April 26, 2003Posted in2000s, Authors: Walter Chaw, Interviews

JfoleyinterviewtitleApril 27, 2003|Discovered at a student party by director Hal Ashby, one of the more tragic figures of the American New Wave of the ’70s, James Foley is at his best when detailing the brash social textures of the United States and the intricacies of male relationships (and, by extension, male relationships arrayed around dangerous women) in his canny shrines to the film noir genre. His new film Confidence returns Foley to the mean streets of his Glengarry Glen Ross in a caper film that defies the odds by not only being an entertaining and cohesive heist flick (after the high-profile flops that were David Mamet’s Heist and Frank Oz’s The Score), but also by finding a role for the aggressively unlikable Ed Burns that actually suits him. Foley’s best film, however, remains the brilliant After Dark, My Sweet–the only film, curiously, that he’s ever written, and the only screen adaptation of Jim Thompson that rings with the lewd authenticity of a Thompson novel.

Hot Docs ’03: Algeria: The Nameless War

April 26, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Hot Docs, Sweden
***½/****directed by Agneiska Lukasiak by Travis Mackenzie Hoover Director Agneiska Lukasiak got more than she bargained for when she went to shoot in Algeria and fell in love with one of its countrymen, Habib. Not only was she in a country racked by civil conflict, she also had to face up to her culture shock at the country's radically different approaches to love. Despite her amour fou for Habib, his familial obligations make it impossible for her to marry without destroying his family's means of support. As she ponders her unhappy love, she wanders around Algiers illegally taping war zones,…

Hot Docs ’03: Juchitan, Queer Paradise

April 26, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Chile, Documentary, Film Festivals, Hot Docs
Juchitán de las locas**½/****directed by Patricio Henriquez by Travis Mackenzie Hoover This documentary has a honey of a subject: a Mexican Zapotec town with a high tolerance for homosexuality. Unfortunately, it blows it when it takes a personal angle that obscures the town's inner workings. At first, the film gets your hopes up by showing Juchitan's relaxed nature--gays and the transgendered are treated with respect, women are given a high rank in society, and the Zapotec language is still spoken in a country where native languages are quickly disappearing. But Juchitan quickly shifts gears to follow several residents of the town,…

Hot Docs ’03: Strip Club DJs

April 26, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Documentary, Film Festivals, Hot Docs, Television
***/****directed by Derrick Beckles by Travis Mackenzie Hoover One approaches a film on this topic with a sense of humour: surely it couldn't have anything other than good ribald laughs. But as Strip Club DJs inches ever closer to its conclusion, it becomes more and more disturbing, until you are choked-up with a combination of contempt and pity for those who would play the tunes at your local peeler bar. It turns out that the DJ is the nerve centre for the whole operation: not only must he spin the discs, he must also arrange who has the rights to…

Hot Docs ’03: My Flesh and Blood

April 25, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Disability, Documentary, Film Festivals, Hot Docs
***½/****directed by Jonathan Karsh by Travis Mackenzie Hoover Susan Tom more or less adopts special-needs children; this is her story, and it's both gripping and moving. A woman described by her mother as trying to fill her own "loneliness," Tom has taken on the children who are too much for other people--there are kids missing limbs, who have been horribly burned, who have cancer and cystic fibrosis, and one hyperactive boy with a terrible mean streak. The film takes stock of a year with Tom and her family, and considers what it takes to care for children who demand so…

Hot Docs ’03: Bruno S. – Estrangement is Death

April 25, 2003Posted in2000s, Authors: Travis Mackenzie Hoover, Documentary, Film Festivals, Germany, Hot Docs
Bruno S. - Die Fremde ist der Tod***/****directed by Miron Zownir by Travis Mackenzie Hoover At the Cannes premiere of one of his films, Werner Herzog discovery Bruno S. decided to play his accordion outside the theatre; unfortunately, no one knew how to take this, and the police were called in to arrest him. That pretty much sums up the life of Bruno S., who, after two films with Herzog, faded into obscurity, never to catch the public eye again. But that wasn't the only rejection in his life: Not only was he the victim of neglectful parents, but his…

The Hot Chick (2002) – DVD

April 25, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD, Teen, ZERO STARS

ZERO STARS/**** Image A Sound B+ Extras B-
starring Rob Schneider, Rachel McAdams, Anna Faris, Andrew Keegan
screenplay by Tom Brady & Rob Schneider
directed by Tom Brady

by Walter Chaw What to think of a variation on Teen Wolf wherein the victim of the lycanthropic puberty metaphor is a young girl who turns into Rob Schneider? What to make of a film that wrests its central conceit of enchanted jewellery from the long-putrefied grasp of Mannequin 2? And what to make of a film released in the year 2002 that is this misogynistic, homophobic, racist, and cruel to the obese? Rather than postulate that our culture has regressed to the hale cultural morass of the mid-1980s, it’s doubtless more fruitful to examine the ways in which film is becoming as self-reflexive, meta-critical, and free of irony as television.

It Runs in the Family (2003)

April 25, 2003Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical, ZERO STARS

ZERO STARS/****
starring Michael Douglas, Kirk Douglas, Cameron Douglas, Diana Douglas
screenplay by Jesse Wigutow
directed by Fred Schepisi

Itrunsinthefamilyby Walter Chaw Appalling at its best, Fred Schepisi’s It Runs in the Family is a congenital disaster best described as an interminable episode of “Old People Say the Darndest Things”. Between this and Last Orders, Aussie director Schepisi seems to desire cornering the market on gravid meditations on decrepitude and death. He finds himself here a far cry from his Seventies output (The Devil’s Playground, The Chant of Jimmie Blacksmith), which, much like countryman Bruce Beresford’s early work, announced an important filmmaker who has, in the intervening years, become a hired hand and a coin of considerably devalued worth. It Runs in the Family is so relentlessly mawkish that it does give insight into the state of mind that allows condescension to become comfortable status quo by habitually marginalizing the elderly and demented as adorable dispensers of quaint homilies and spunky vulgarity.