Along Came Polly (2004)

January 16, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Romance, Theatrical

½*/****
starring Ben Stiller, Jennifer Aniston, Philip Seymour Hoffman, Bryan Brown
written and directed by John Hamburg

Alongcamepollyby Walter Chaw A half-baked, underfed comedy of body function that doesn't even manage the wit to successfully honour the threadbare conventions of its idiot slapstick sub-genre, Along Came Polly isn't offensive so much as apocalyptically tiresome. Even at an anaemic eighty-five minutes, the film drags somehow, limping across the finish line with an ass rimshot that isn't funny at the beginning of the picture with Hank Azaria and hasn't gotten any funnier by the end of it with Ben Stiller. How something so indebted to dozens upon dozens of other films can't get the imitation right buggers the imagination, providing a nation of yearning hacks that dulcet feeling of hope that results in a few more horrifically inept screenplays (produced and directed with commensurate incompetence) just like this one probably in the first half of 2004 alone. Bleak doesn't even begin to describe it.

Swimming Pool (2003) – DVD

January 15, 2004Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Crime, Drama, DVD, France, Mystery, Thriller, UK

**/**** Image B- Sound A- Extras B-
starring Charlotte Rampling, Ludivine Sagnier, Charles Dance, Marc Fayolle
screenplay by François Ozon and Emmanuele Bernheim
directed by François Ozon

by Travis Mackenzie Hoover On evidence of the four films of his released theatrically in North America, François Ozon has two modes: a hyper-real pastiche on someone else's work ( Water Drops on Burning Rocks, 8 Women) and a more conventionally realistic gloss on his own material (Under the Sand and now Swimming Pool). I must say that I prefer the former to the latter, as there's nothing particularly radical about the director's own ideas (which often veer off into cliché) and his style, unlike in his crazy adaptations, reads nothing into the material that might redeem it from its own limitations. Swimming Pool is a classic example of this, with a listless look barely propping up a standard-issue script fit for those who fancy themselves culturally aware but were born yesterday as far as the art of the cinema is concerned.

The Wind and the Lion (1975) – DVD

January 14, 2004Posted in1970s, Action, Adventure, Authors: Walter Chaw, Drama, DVD

***/**** Image A Sound A Extras A
starring Sean Connery, Candice Bergen, Brian Keith, John Huston
written and directed by John Milius

by Walter Chaw Based extremely loosely on an actual event, John Milius’s The Wind and the Lion is better examined as a treatise, and an informed one, on America’s continuing role as an Imperialist force bullying esteem under the title of World’s Policeman. A moral right to use force to enforce ideology–a manifest belief, in fact, that the United States is an outlaw, frontier nation existing under the thinnest shine of civilization (“Bring it on” our current alpha male cowboy growls, embroiled in what he once referred to as a “crusade” in a modern Middle East)–is offered a mirror in the film first by Brian Keith’s exceptional Theodore Roosevelt, then by rakish Berber the Raisuli (Sean Connery), at war with his own Moroccan government in showdowns recalling Lawrence of Arabia tumbled with The Wild Bunch. The marriage of epic romance and the epic romanticization of brutality is, after all, the main ingredient of Milius’s work as screenwriter (Apocalypse Now, contributions to Dirty Harry and its immediate sequel, Magnum Force) and director (the underestimated Red Dawn), as well as the stuff with which the west, at least in the history books, was won.

Lucía, Lucía (2003) – DVD

January 12, 2004Posted in2000s, Adventure, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Comedy, Crime, Drama, DVD, Mexico, Mystery, Romance, Spain, Thriller

La hija del caníbal
**/**** Image B Sound A- Extras C+
starring Cecilia Roth, Carlos Álvarez-Novoa, Kuno Becker, Manuel Blejerman
screenplay by Antonio Serrano, based on the novella Homónima by Rosa Montero
directed by Antonio Serrano

by Travis Mackenzie Hoover A critic at the CHICAGO READER once pointed out that movies often show events that would traumatize us if they happened in real life. But what happens when they cheat and fail to traumatize the characters to which they occur? That's the major problem with Lucía, Lucía (La hija del caníbal), a film that takes a threatened murder and a shocking betrayal and treats them as springboards for a character-building "adventure." In reality, the events swirling around the protagonist would crush her spirit and leave her a broken woman, but in Antonio Serrano's Learning Annex version, everything is a conduit to her self-actualization–a desperately naïve approach that so lowers the stakes of the film that it barely registers.

Overnight Delivery (1998) – DVD

January 11, 2004Posted in1990s, Authors: Bill Chambers, Comedy, DVD, Road Movie, Romance

½*/**** Image B- Sound B
starring Reese Witherspoon, Paul Rudd, Christine Taylor, Larry Drake
screenplay by Marc Sedaka and Steven Bloom
directed by Jason Bloom

by Bill Chambers A cult film without a cult, Overnight Delivery has gained a reputation, if not a following, for being the uncredited inspiration behind slippery documentarian Todd Phillips’s official fiction debut, Road Trip. And, of course, it stars the Reese Witherspoon who had not yet been body-snatched by the species that also got Ashley Judd, although it’s worth noting that Overnight Delivery is a harbinger of Sweet Home Alabamas to come, with Witherspoon a conduit for one meet-cute cliché after another. I’ll admit that she’s adorable in the picture, but her character, a college student whose bad taste in men is made a virtue by the workhorse plot, is a cipher steadily depleting the goodwill she shamelessly earns in her introduction as a stripper in a Catholic school uniform named Ivy Von Trapp. In true Hollywood fashion, Ivy’s striptease is cut short before her Pointer Sisters get to do the Neutron Dance–she’s too busy squatting for the patrons stuffing bills into her skirt.

The Drama King: FFC Interviews Campbell Scott

January 11, 2004Posted in2000s, Authors: Walter Chaw, Interviews

Campbellscottinterviewtitle

January 11, 2004|I reread Richard Henry Dana, Jr.'s Two Years Before the Mast in the days leading up to a chat with Campbell Scott regarding his new film as director, Off the Map. It is the book that Off the Map's matriarch (Joan Allen) reads by lamplight throughout the picture, one that transfers its philosophy of nautical reflection to not only the picture's rhythms but also a visual scheme that re-imagines Dana's vast deeps as the smothering doldrums of the New Mexico desert. Scott's fourth film behind the camera, Off the Map is surprisingly sticky, offering up echoes for days after a viewing and displaying a confidence of voice and purity of spirit of an artist hitting his stride in the last couple of years as actor, director, and sometime producer. So I went to the underground grotto of Denver's Magnolia Hotel with the intention to talk to the generous Mr. Scott about tranquility, Zen and the art of filmmaking if you will–to take a peak into that treasure chest that has offered forth, in addition to Off the Map, one of this year's best films in The Secret Lives of Dentists, and one of last's, Rodger Dodger.

The Office: The Complete First Series (2001) – DVD

January 10, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Pseudo-Documentary, Television, UK

Image A- Sound A Extras B+
"Downsize", "Work Experience", "The Quiz", "Training", "New Girl", "Judgement"

by Travis Mackenzie Hoover

"I've had several e-mails complaining about a suggestion I made in this column that we should give cannabis to anorexics so they get the munchies. This was a satirical joke and was not meant to offend. I do not advocate the use of illegal drugs and I do not find any eating disorders amusing."
-David Brent, writing in the WERNHAM-HOGG NEWS

Catwoman (2004) [Widescreen Edition] – DVD

January 10, 2004Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Crime, DVD, Superhero, ZERO STARS

ZERO STARS/**** Image A+ Sound A+ Extras C
starring Halle Berry, Benjamin Bratt, Sharon Stone, Lambert Wilson
screenplay by John Brancato & Michael Ferris and John Rogers
directed by Pitof

Catwomandvdcapby Walter Chaw Catwoman is all the bad that Gigli promised to be and more. It’s bad enough that not only are careers over, but somebody should be slapped. The question arises as to whether it’s as bad as Glitter, and though the answer is “sure,” that doesn’t fully address the fact that it’s bad in the same way as Glitter. It’s fabulously, deliriously, egregiously awful–a queer camp classic in the making, and the second film so far this summer to squeeze a lovely young actress into S&M gear (see: Keira Knightley in King Arthur). If this is the face of modern feminism (“I’m bad, but only as bad as I wanna be,” Berry’s Catwoman skanks), then count me in: I’m strangely un-threatened by the show-all boom-boom girl power of Jessica Simpson, Christina Aguilera, the Olsen Twins, and so on. Call me crazy.

In the Line of Duty 4 (1989) – DVD

January 8, 2004Posted in1980s, Action, Authors: Bill Chambers, Comedy, Crime, DVD, Hong Kong, Martial Arts

In the Line of Duty IV
皇家師姐Ⅳ直擊證人
Wong ga si je IV: Jik gik jing yan
**½/****
starring Donnie Yen, Cynthia Khan, Yat Chor Yuen, Michael Wong
screenplay by Cheung Chi Shing & Wang Wing Fa
directed by Yuen Woo Ping

by Bill Chambers Generally regarded as the best chapter in the series (and released in America prior to any of the others), Yuen Woo Ping’s In the Line of Duty 4 is an effective action spectacle and a mediocre cop drama; intense though it may be, the film is simply not of a calibre that leaves you remembering it as such. I know there are people who swear by its star, Donnie Yen, but I’ve seen him in about six pictures now (most recently, Zhang Yimou’s awesome Hero), and I don’t find his screen presence all that enthralling. If he’s eschewed the peacocking that has catapulted his contemporaries in HK cinema to international stardom, he’s also lacking in the animal magnetism that keeps your eyes on one blur as opposed to another blur during a martial-arts brawl. Good fighter, of course. Yen is probably the biggest name in In the Line of Duty 4‘s bargain cast, a fact only emphasized by the wishful misprinting of Ping’s name above the title (implying that he’s Yen’s co-star rather than his director) on the front of Fox’s new R1 DVD release.

The Red Pony (1949) – DVD

January 7, 2004Posted in1940s, Authors: Travis Mackenzie Hoover, Drama, DVD, Family, Western

**½/**** Image C+ Sound B
starring Myrna Loy, Robert Mitchum, Shepperd Strudwick, Peter Miles
screenplay by John Steinbeck, based on his short story collection Red Pony
directed by Lewis Milestone

by Travis Mackenzie Hoover In the simplest possible terms, The Red Pony is a Disney true-life adventure with a literary pedigree. As far as Disney true-life adventures go, it’s a superior one, thanks largely to competent direction by Lewis Milestone and a screenplay by John Steinbeck. But even the reasonably A-list personnel on hand can’t lift it above the lowliness of the genre–largely because what you see is what you get. There’s nothing to read between the lines of its tale of a boy and his pony, and despite some peripheral interest involving the boy’s parents and a stableman, the film fails completely to evoke the spaces between their words and the tension in their relationships, making it come and go with little rhyme or reason.

The Outer Limits: The Original Series – The Entire First Season (1963-1964) – DVD

January 6, 2004Posted in****/****, 1960s, Authors: Walter Chaw, Drama, DVD, Horror, Mystery, Sci-Fi, Television, Thriller, ZERO STARS

Outerlimitstuesdayby Walter Chaw In the hour or so past my bedtime in the endless dusk of UHF syndication, I used to watch Rod Serling’s “The Twilight Zone” and Joseph Stefano’s “The Outer Limits” with my father. The previous fed the nightmares of my youth, the latter fed my fondest desires and deepest faith in the eternal verity, and nobility, of asking questions, of ambition, of being courageous enough to fail to change the world. “The Outer Limits”, I realize in these first months after my father’s death, represented the best things about him–and about me: that line pure that stretches between where we are and where we hope to go. “The Outer Limits” is, more so than “The Twilight Zone”, about how we never feel as though we are the men we ought to be because our fathers have set too difficult an example. Where Serling dazzled with O. Henry-like twists, “The Outer Limits” sobered with existential frustrations: one is the dove resolution, the other the hat forever emptying.

I Remember Mama (1948) + George Stevens: A Filmmaker’s Journey (1984) – DVDs

January 3, 2004Posted in1940s, 1980s, Authors: Travis Mackenzie Hoover, Documentary, Drama, DVD, Family

I REMEMBER MAMA
***/**** Image B+ Sound A-
starring Irene Dunne, Barbara Bel Geddes, Oscar Homolka, Philip Dorn
screenplay by Dewitt Bodeen, based on the play by John Van Drutten
directed by George Stevens

GEORGE STEVENS: A FILMMAKER'S JOURNEY
**/**** Image A- Sound A-
directed by George Stevens, Jr.

by Travis Mackenzie Hoover Andrew Sarris once remarked that George Stevens was "a minor director with major virtues" who became "a major director with minor virtues." He was referring to the point at which Stevens cast screwball frivolity aside in favour of the lugubrious, but there's more complexity to the A Place in the Sun helmer than that: he was simultaneously light and heavy, keeping details in focus as he blew small stuff way out of proportion. His dramatic talent is the kind that gets overestimated by Oscar-watchers but underestimated by intellectuals, falling in some distorted medium that is major and minor at the same time.

Johnny English (2003) [Widescreen] – DVD

January 3, 2004Posted in2000s, Action, Adventure, Authors: Bill Chambers, Comedy, DVD, Espionage, France, UK

*/**** Image B+ Sound B Extras C+
starring Rowan Atkinson, Natalie Imbruglia, Ben Miller, John Malkovich
screenplay by Neal Purvis & Robert Wade and William Davies
directed by Peter Howitt

by Bill Chambers The only thing mustier than James Bond movies are parodies of them, and as if we needed proof, along comes the excruciatingly predictable 007 send-up Johnny English, in which Rowan Atkinson soars to the lows of Leslie Nielsen at his most contemptibly greedy (see: Spy Hard). (I like both comedians, Atkinson and Nielsen, but only when they're leashed to masters Richard Curtis and David Zucker, respectively.) If it's true that Atkinson was recently motivated by the stateside failure of this very film to check himself into an Arizona rehab centre for depressed celebrities (and frankly, don't blame audiences–distributor Universal didn't exactly tax themselves advertising Johnny English to domestic moviegoers), I hope his caretakers remind him in haste that none of Monty Python's features grossed an enviable sum abroad, that the James Bond franchise has already satirized itself into the ground (it's no casual point that Johnny English was co-scripted by the same writing team behind The World Is Not Enough and Die Another Day), and that his first problem is trying to please a country that opens rehab centres for depressed celebrities.

Film Freak Central’s Top 10 of 2003

January 1, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Best-of Lists, Blog

Top102003Stained by the twin horrors of school shootings and 9/11, the films of 2003 (many of the best of which are actually 2002 films that didn't find a release slot until this year) are interested in listlessness and languor, in addressing what appears to be a national ennui where the worst are filled with passionate intensity and the rest of us are spectators. Declared the worst year in memory at the Cannes Film Festival by any number of wags, 2003 was instead, I'd offer, deadened by a sort of fatalistic nihilism that bleaches our entertainments with a grey wash, making it difficult to muster much in the way of enthusiasm on the one hand and comfort on the other. The splashiest of the year's best films, in fact, are about revenge and noble sacrifice, while a trio of strong pictures (Dogville, The True Meaning of Pictures, Rhinoceros Eyes) have been pushed back to 2004, transforming this year's wrap-up into something of a patchwork creature. Stepping back, it seems only right that it be that way.–Walter Chaw

21 Grams (2003)

December 31, 2003Posted in2000s, Authors: Bill Chambers, Drama, Esoterica, Theatrical

**/****
starring Sean Penn, Naomi Watts, Benicio Del Toro, Charlotte Gainsbourg
screenplay by Guillermo Arriaga
directed by Alejandro González Iñárritu

21gramsby Bill Chambers Alejandro González Iñárritu's Amores Perros was the first film in the wake of Pulp Fiction to wallow in criminal behaviour and monkey with chronology that still managed to stake its own cinematic claim (not the least of which, inaugurating the Mexican New Wave) far removed from the squatters in Tarantinoland, and if I found its fatalism terribly endearing, I realize now that I also derived a lot of pleasure from its trip-hop vibe, which served a function as the film's levity. To its great detriment, 21 Grams has no sense of humour: Iñárritu seeks to depress you with his English-language sophomore effort by weaving a tapestry of dejection and sorrow, but unless the sun breaks through the clouds once in a while, how can we lament it? That Iñárritu dismisses the human process of adaptation in examining the aftermath of a fatal car accident is only half the problem: he underestimates the swiftness with which an audience grows acclimated and eventually impervious to suffering, too.

The Long, Hot Summer (1958) + Hud (1963) – DVD

December 31, 2003Posted in****/****, 1950s, 1960s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Romance, Western

THE LONG, HOT SUMMER
***/**** Image A Sound A Extras B+
starring Paul Newman, Joanne Woodward, Anthony Franciosa, Orson Welles
screenplay by Irving Ravetch and Harriet Frank, Jr., based on the William Faulkner stories "Barn Burning" and "The Spotted Horses"
directed by Martin Ritt

by Walter Chaw The Long, Hot Summer is a classic example of Hollywood trying to have it both ways: it combines the seriousness of a literary property and some young Method talent with the lurid garishness of a dime-store novel. Seizing upon the exploitable elements–all that decadent behaviour and sexual dysfunction–of William Faulkner's work, the film pushes them to the fore, giving the cast the opportunity to sex things up in bare-shirted, post-Brando fashion. As a result, the film resembles soapy melodrama much more than Faulkner ("NOT SINCE PEYTON PLACE!" screams the trailer), but it's melodrama with the strength of its fetid convictions that makes for lively entertainment, whatever its shortcomings.

S.W.A.T. (2003) [Widescreen Special Edition] – DVD

December 30, 2003Posted in2000s, Action, Adventure, Crime, DVD, Thriller

*/**** Image A Sound A+ Extras B
starring Samuel L. Jackson, Colin Farrell, Jeremy Renner, Michelle Rodriguez
screenplay by David Ayer and David McKenna
directed by Clark Johnson

by Walter Chaw The promise of the premise is a return to John Carpenter's Escape from L.A., or his Rio Bravo redux Assault on Precinct 13, an idea of a seething urban cess erupting at the promise of notoriety and filthy lucre, but S.W.A.T. washes out as a flaccid, almost wholly uninteresting bit of macho formula. The potential of the film to be Aliens with rampaging hordes of West Coast gangsters seems, at the least, acknowledged in the United Colors of Benetton casting, down to the tough-talking, one-named Latina, but like everything else in the film, the only thing that S.W.A.T. genuinely achieves is a feeling of squandered opportunities and a lot of quiet time to think about them. More, the picture has that distinctive feeling of something that never started by the time it ends–a laggardly-paced two hours of limp set-up that hobbles across the finish line, sputtering on fumes and bluster, boasting mainly of the questionable achievement that it is the exact simulacrum of any episode of the dated '70s television series on which it is based.

So Close (2002) – DVD

December 30, 2003Posted in2000s, Action, Adventure, Authors: Walter Chaw, Comedy, Crime, Drama, Hong Kong, Romance, Thriller

*/**** Image A Sound A-
starring Shu Qi, Vicki Zhao, Karen Mok, Song Seung Hun
screenplay by Jeff Lau
directed by Corey Yuen

by Walter Chaw Frankly, So Close could suck a tennis ball through a keyhole. Directed by action choreographer Corey Yuen (whose The Transporter I actually sort of liked), the film, a head-scratching mix of elaborate camera angles and stultifying “Dragnet” editing, is so dedicated to trundling from one rigorously disinteresting action set-piece to the next that it’s fair to wonder why the filmmakers even bothered to provide exposition of any sort.

Assassination Tango (2003) – DVD

December 29, 2003Posted in2000s, Argentina, Authors: Walter Chaw, Crime, Drama, DVD, Romance, Thriller

***/**** Image B Sound B Extras C
starring Robert Duvall, Ruben Blades, Kathy Baker, Luciana Pedraza
written and directed by Robert Duvall

by Walter Chaw In one of a series of largely-improvised exchanges about the mystical hold of the tango on the spirit of Argentines, a crusty veteran confides in enigmatic Yankee hitman John J. (Robert Duvall, also writer-director) that the tango, among absolutes such as love and hate, is life. In Assassination Tango, the titular dance is also the metaphor for the desire to find balance between the brutish and the sublime or, failing that, to provide a strict framework within which the brute can prowl. (A visit to a caged panther in a Buenos Aires zoo becomes the visual manifestation of the idea as well as oblique reference to Kafka's "The Hunger Artist," the hero of which searches, like J., for sustenance.) The tango is the urgent pull of ritual that binds animal sexuality into the meticulous structure of dance, working on the literal level as doppelgänger to John J.'s carefully-controlled, gradually encroaching chaos and on another level as metaphor for a filmmaker seeking equilibrium between personal crisis and professional ambition at the end of his career. It's rationale enough for a picture so often interested in frustrating narrative to the benefit of the richness of its palimpsest; if ever there were a film that lives entirely in its subtext, Assassination Tango (even its title a semantic conundrum) is it.

28 Movies Later…: FFC Interviews Brendan Gleeson

December 28, 2003Posted in2000s, Authors: Walter Chaw, Interviews, Ireland

BgleesoninterviewtitleDecember 28, 2003|On the telephone from the Cold Mountain junket in San Diego, on the afternoon of the announcement that the film had garnered an extravagant eight Golden Globe nominations, I was honoured to speak with the marvellous Brendan Gleeson–the best thing about Cold Mountain, as it happens, and the best thing about a great many films. The star of John Boorman's criminally underestimated The General, Gleeson has found himself of late cast in the role of patriarch or mentor and, more fascinatingly, providing both the moral and metaphorical centre of his films, often in just a supporting role. For Gleeson to be routinely overlooked come awards season says a great deal about awards season and the extent to which showy performances–performances that the layperson swiftly identifies as performances–overshadow the sort of bedrock naturalism and presence of a character actor like Gleeson.