Out of Time (2003) [Special Edition] – DVD

February 24, 2004Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**½/**** Image B Sound B Extras B
starring Denzel Washington, Eva Mendes, Sanaa Lathan, Dean Cain
screenplay by Dave Collard
directed by Carl Franklin

by Walter Chaw If Carl Franklin were going to reunite with Denzel Washington, I wish he would've just made a follow-up to their exceptional adaptation of Walter Mosley's Devil in a Blue Dress–and while we're taking a stroll through fantasyland, I really wish that Franklin would make another film the equal of his astonishing One False Move. Not to say that Out of Time is a bad film (given the fatigue of the premise, it's a remarkably good film), just to say that it's only good enough to remind (unlike Franklin's excrescent High Crimes) of the kind of filmmaker that Franklin has been and, hope springing eternal, could be again. What translates well is a sense of breezy professionalism in a preposterous film put together so well that it gives the illusion of being entirely effortless and occasionally great. Out of Time reminds of the superior Confidence in the same way that Franklin reminds of James Foley: they're genuinely gifted neo-noir directors at the top of the game when they're at the top of their games, but too often given to undertaking projects of convenience. For Franklin, Out of Time is something like a return to form but more like a skilled director trying hard to find his way back to the true path.

Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film – Books

February 23, 2004Posted in2000s, Authors: Bill Chambers, Books About Movies

written by Peter Biskind
FFC rating: 5/10

by Bill Chambers  "Miramax, Sundance, and the Rise of Independent Film," the subtitle of Peter Biskind's latest slipshod industry exposé Down and Dirty Pictures, ought to be reworded "The Rise of the Miramax and Sundance Independent Film." An extremely narrow-focused chronicle of the indie landscape after it was made procreant by Steven Soderbergh's sex, lies, and videotape, the book, in a manner not unlike Soderbergh's Traffic (whose making is touched on therein), alternates passages retracing Miramax's long journey up its own ass, Sundance's peaking, and October Films' head Bingham Ray's consummation of self-fulfilling prophecies. It's a hastily-published tome–you can smell the ink drying in the preface, which brings up the recutting of the Christmas 2003 release Bad Santa–at a loss for an ending, what with Miramax and Sundance proving ultimately unassailable, however much Biskind mourns their metamorphoses into more commercially-minded enterprises. This seems the most efficient way to damn the hyperbole of Biskind's prose, seeing as how Down and Dirty Pictures charts a course for an Apocalypse that fails to materialize, at least with any tragic weight.

The Order (2003) – DVD

February 23, 2004Posted in2000s, Authors: Walter Chaw, DVD, Germany, Horror, Mystery, Thriller

*½/**** Image B- Sound B Extras B
starring Heath Ledger, Shannyn Sossamon, Mark Addy, Benno Fürmann
written and directed by Brian Helgeland

by Walter Chaw Somewhere between the good-bad of Lost Souls and the bad-bad of Bless the Child is the medium-bad of The Order (just north of the medium-bad of Stigmata), a Brian Helgeland film that, using much of the same cast from his A Knight's Tale, squanders a pretty interesting concept and a handful of powerful scenes on so much confused exposition that it's nigh impossible to get too invested in the thing. More of a shame is that the foundation for the piece is such a strong one, revolving as it does around the idea that the Catholic Church would be hateful towards a personage who could absolve sin outside the Church proper, allowing sinners a "backdoor" into salvation. Since it's a simple conceit and a thorny one, it's easy to see why Helgeland thought he had something here. It's only with the ponderous details the hyphenate loads onto this cart that The Order gets irretrievably bogged down.

In Fighting Shape: FFC Interviews Omar Epps

February 22, 2004Posted in2000s, Authors: Walter Chaw, Interviews

OmareppsinterviewtitleOmar Epps takes the gloves off to talk about AGAINST THE ROPES and more

February 22, 2004|Just three days after a surprise blizzard shut down Denver for an evening, I met Omar Epps at the Hotel Teatro, where we chatted about how when it's above freezing in the surprisingly sunny Mile High City, there's a line around the Dairy Queen. We discussed the strange social caste system that's developed in Aspen, what with trailer parks inhabited by all the service industry workers ringing the jewel of the Rockies like a Dickensian indictment of excess, and eventually, we worked our way around to the subject of minority directors and his new film, Charles S. Dutton's Against the Ropes. In truth, I was more interested in his work with personal hero "Beat" Takeshi Kitano in Kitano's English-language debut Brother, and how an actor still somewhat on the margins of stardom (despite one of the truly memorable "ER" turns as Dr. Dennis Gant, the poor sot who throws himself under the L after half a season) has managed to assemble a filmography diverse enough to incorporate titles like Breakfast of Champions, Love and Basketball, and Dracula 2000. This is to say nothing of his extracurricular projects, such as a music production company called "BKNYC Records," which already has a few artists in its stable. Maybe the question's the answer.

The Animal (2001) [Uncut Special Edition] – DVD

February 20, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, DVD, Sci-Fi

*/**** Image A- Sound A- Extras D+
starring Rob Schneider, Colleen Haskell, John C. McGinley, Guy Torry
screenplay by Tom Brady & Rob Schneider
directed by Luke Greenfield

by Travis Mackenzie Hoover There's not much to say about The Animal that hasn't been said a million times before about a million other cheap and lazy comedies. If you're even moderately discerning, you'll be groaning at the story of yet another nerdy schlub who once again achieves magical powers and, sure enough, finally gets the girl of his dreams; you'll also be rolling your eyes at the old jokes, tired scatological references, and boring un-PC swipes that dot the narrative like bird droppings. I know that I'm groaning and rolling my eyes at the prospect of writing about them, because there's not much to be proved here that isn't blindingly obvious: that making a comedy is no excuse for taking a holiday from wit and intelligence, and that bad filmmakers are seldom as funny on screen as they seem to themselves between takes.

Welcome to Mooseport (2004) + EuroTrip (2004)

February 20, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Czech Republic, Germany, Romance, Theatrical

WELCOME TO MOOSEPORT
ZERO STARS/****
starring Gene Hackman, Ray Romano, Marcia Gay Harden, Maura Tierney
screenplay by Tom Schulman
directed by Donald Petrie

EUROTRIP
**½/****
starring Scott Mechlowicz, Jacob Pitts, Kristin Kreuk, Nial Iskhakov
screenplay by Alec Berg & David Mandel & Jeff Schaffer
directed by Jeff Schaffer

Welcometoeurotripby Walter Chaw Has there ever been a prospective leading man this self-immolating? Ray Romano on the big screen comes off as some kind of etherized cross between Jerry Lewis and Woody Allen: a nightmare auto-consumptive, allegedly comic offspring who, left alone for long enough, will eventually swallow his own face. I haven’t felt this much aggressive antipathy towards a personality since the heyday of George Raft. Romano’s performances in Ice Age and now Welcome to Mooseport deposit him square in the David Caruso/Sean Hayes school of engaging television performers whose charms are unique to the boob tube. They’re small-screen vampires, and 35mm is their sunlight.

The Other Side of the Bed (2002)

February 20, 2004Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Musical, Romance, Spain, Theatrical

El Otro lado de la cama
**/****
starring Ernesto Alterio, Paz Vega, Guillermo Toledo, Natalia Verbeke
screenplay by David Serrano
directed by Emilio Martínez Lázaro

Othersideofthebedby Bill Chambers By the fifteen-minute mark of The Other Side of the Bed (El Otro lado de la cama), actresses Paz Vega and Natalia Verbeke have both doffed their clothes and bedded down the same man, but the movie, a musical, is–or wants to be–as sanitary as an Elvis vehicle. Director Emilio Martínez Lázaro labours to make promiscuity innocent again, if ever there was such a thing, and his sense of whimsy is quite seductive at first, since films about the self-interested are so often as shallow or tunnel-visioned as their protagonists (see: Thirteen). Lázaro risks, of course, glossing over his characters’ predicaments to the point of condescension by leeching the film of any gloom, but something possibly worse insinuates itself, a kind of apathy as it occurs that frothiness is being used to evade subjecitivity altogether. The Other Side of the Bed is colourfully sterile, if you will, an ensemble piece in the noncommittal sense of the term, and if you find yourself empathizing with anyone on screen, it’s generally because she’s not wearing pants at the time.

Dying Young (1991) – DVD

February 19, 2004Posted in1990s, Authors: Walter Chaw, Drama, DVD, Romance

½*/**** Image A Sound B
starring Julia Roberts, Campbell Scott, Vincent D’Onofrio, Colleen Dewhurst
screenplay by Richard Friedenberg
directed by Joel Schumacher

by Walter Chaw If you ever wondered, like I never did, what a movie scored by Kenny G (actually James Newton Howard–Kenny G is just the “featured saxophone performer”) would be like, director Joel Schumacher and star Julia Roberts, in the middle of her big-hair era, hold the answer. “Dying Young,” nothing–this thing was dead before it got there. Seems to me that while Schumacher’s films were always terrible, puerile ennoblement fantasies, there was a time–at least in the ’90s–when his titles had a bit of honesty about them: Flatliners, Falling Down, and the ironically-dubbed Flawless and Batman Forever.

They Drive by Night (1940) – DVD

February 18, 2004Posted in1940s, Authors: Bill Chambers, Crime, Drama, DVD, Thriller

**½/**** Image B+ Sound B+ Extras B
starring George Raft, Ann Sheridan, Ida Lupino, Humphrey Bogart
screenplay by Jerry Wald & Richard Macaulay
directed by Raoul Walsh

by Bill Chambers At first an earnest but cheerful portrait of two brothers trying to make ends meet as Depression-era truckers, Raoul Walsh’s They Drive By Night does a complete about-face in terms of tone about halfway through that’s almost guaranteed to cause intellectual whiplash. It might therefore be an effective salve to think of this sea change as analogous to our road-bound heroes’ plight, but it’s business as usual for both distributor Warner Bros. (here combining two disparate pieces of source material–A.I. Bezzerides’s novel The Long Haul and the 1935 Bette Davis vehicle Bordertown–simply to get mileage out of pre-owned properties) and Walsh, since Walsh seemed to gravitate towards cross-pollinated screenplays. (I’m thinking of his Pursued, a western that flirts haphazardly (yet rewardingly) with noir conventions, or his gangsters-go-camping yarn High Sierra (written by John Huston).) Nevertheless, the film’s U-turn is so radical that it arguably transforms They Drive By Night into one of the U.S. cinema’s earliest experiments in portmanteau–adequate absolution, really, for this borderline social-conscience picture’s zany mutation into a gothic melodrama.

Pather Panchali (1955) + The World of Apu (1959) – DVDs

February 17, 2004Posted in1950s, Authors: Travis Mackenzie Hoover, Coming of Age, Drama, DVD, India

PATHER PANCHALI
***½/**** Image C+ Sound C+
starring Kanu Bannerjee, Karuna Bannerjee, Subir Bannerjee, Uma Das Gupta
screenplay by Bibhutibhushan Bandyopadhyay & Satyajit Ray, based on Bandyopadhyay's novel
directed by Satyajit Ray

Apur Sansar
***/**** Image B- Sound B
starring Soumitra Chatterjee, Sharmila Tagore, Alok Chakravarty, Swapan Mukherjee
screenplay by Satyajit Ray, based on the novel by Bibhutibhushan Bandyopadhyay
directed by Satyajit Ray

by Travis Mackenzie Hoover SPOILER WARNING IN EFFECT. Through some strange executive decision, FFC was given the option of reviewing only two-thirds of Satyajit Ray's Apu Trilogy. Note that the word "trilogy" generally indicates three parts; note also that the omitted film, Aparajito, constitutes the middle of this particular trilogy, making the experience of watching movies one (Panther Panchali) and three (The World of Apu) in conjunction seem weirdly disconnected. No matter: Complete or not, revisiting even just the pair helped me to better appreciate the achievement of two of the most hallowed films ever made, each of which I had underrated when I saw them initially on VHS some years ago. And while The World of Apu seems to me to be the weakest of the lot, Pather Panchali more than justifies its position as a precious jewel in the world-cinema crown.

Dr. Jekyll and Mr. Hyde [Classic Double Feature] – DVD

February 16, 2004Posted in****/****, 1930s, 1940s, Authors: Walter Chaw, DVD, Horror, Sci-Fi, Thriller

DR. JEKYLL AND MR. HYDE (1931)
****/**** Image B Sound B Extras A+
starring Fredric March, Miriam Hopkins, Rose Hobart, Holmes Herbert
screenplay by Samuel Hoffenstein and Percy Heath, based on the novel by Robert Louis Stevenson
directed by Rouben Mamoulian

DR. JEKYLL AND MR. HYDE (1941)
**½/**** Image A Sound B Extras A+
starring Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp
screenplay by John Lee Mahin, based on the novel by Robert Louis Stevenson
directed by Victor Fleming

by Walter Chaw Owing a tremendous debt to German Expressionism and the silent era that the cinema had only recently left behind, Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde is a surprisingly disturbing and enduring take on Robert Louis Stevenson’s dark tale of the id. Opening with a point-of-view shot, something that the director referred to as a first in the American cinema, the prologue’s build to a medical amphitheatre reveals the connection between this film and Mel Brooks’s classic satire Young Frankenstein, illustrating that it’s as important a headwater of the horror genre as the Universal monster features. Mamoulian and veteran cinematographer Karl Struss (the DP on F.W. Murnau’s Sunrise) themselves owe a great debt to Robert Weine’s The Cabinet of Dr. Caligari, indulging in claustrophobic, expressionistic sets, long wipes, slow dissolves (in one case, extremely slow), extended floating takes, and matching shots that use statuary and illness to offset love and ecstasy. This Dr. Jekyll and Mr. Hyde is fever delirium; it’s stagy, no question, exhibiting a distinct discomfort with dialogue as well, but its images, including Jekyll’s transformation into Hyde (the first stage of which resembles Conrad Veidt from Caligari), remain powerful seven decades later.

Matchstick Men (2003) [Widescreen Edition] – DVD

February 15, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Directors: Ridley Scott, Drama, DVD, Nicolas Cage

**/**** Image B+ Sound B+ Extras B+
starring Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill
screenplay by Nicholas Griffin & Ted Griffin, based on the novel by Eric Garcia
directed by Ridley Scott

by Walter Chaw The defining Nicolas Cage performance is still the one he delivered in Vampire’s Kiss, an indescribably strange film that saw the actor affecting some sort of Algonquin accent and, in the picture’s most memorable scene, screaming at his therapist while wearing an ill-fitting set of plastic fangs. For Ridley Scott’s highly anticipated take on the dead-on-its-feet big con formula Matchstick Men (one last score for the grizzled shyster, a young apprentice who’s not what he seems, an unexpected and unwise late partner in crime, a big twist telegraphed from the first frame, and so on), Cage seems to have resurrected his perversely hammy turn in that underseen camp classic: screaming at another therapist (Bruce Altman, always good), donning another disguise with an astonishing number of distracting tics and affectations, and ultimately accepting his fate with a sort of fatigued, fatalistic resignation.

The Republic of Love (2004)

February 13, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Comedy, Drama, Romance, Theatrical, UK

***/****
starring Bruce Greenwood, Emilia Fox, Edward Fox, Connor Price
screenplay by Deepa Mehta and Esta Spalding, based on the novel by Carol Shields
directed by Deepa Mehta

Republicofloveby Travis Mackenzie Hoover Not long ago in these pages, I gave Ginger Snaps II: Unleashed a thumbs-up for leading us out of Canadian master-shot hell with a bold use of montage. Little did I know that the master shots would deliver a riposte so soon afterwards, but lo and behold, here is The Republic of Love, a movie that finds a way to use Canada's compositional rhythm of choice to fairly spectacular effect. True, it has some narrative deficiencies, and it builds to a climax that never really arrives, but Deepa Mehta's slick and stately use of cinematography and colour redeems what could have been another leaden exercise in choice-free Canadian aesthetics.

Spider-Man: The Animated Series (2003) – DVD

February 12, 2004Posted in2000s, Action, Animation, Authors: Walter Chaw, DVD, Spider-Man, Superhero, Television

Image A Sound A+ Extras A Cheese A
"Heroes and Villains," "Royal Scam," "Law of the Jungle," "Sword of Shikata," "Keeping Secrets," "Tight Squeeze," "Head Over Heals," "The Party," "Flash Memory," "Spider-Man Dis-Abled," "When Sparks Fly," "Mind Games: Part One," "Mind Games: Part Two"

by Walter Chaw Taking place right where the Sam Raimi feature film leaves off, with Peter Parker, Mary Jane, and Harry Osborn off to college (Peter perplexed, MJ clueless, Harry seething), MTV's "Spider-Man: The Animated Series" is a completely CGI creation that has a pretty tough time finding a pulse in among all the whiz-bang. In truth, it took me a long time to thaw to the look of the series, so much like a nifty video game that I caught my thumbs twitching in unconscious sympathy with the gyrations of the coloured .gifs. And even when it stopped actively bugging me, I never completely bought into the piece as any kind of drama–the suspension of disbelief impossible when thoughts of the size of the mainframe, the insane processor rates, and how neat a video game all this was going to make one day keep running through the brain like a stock ticker. Worse, even if the look of the thing were not super-distracting, the voice acting by lead Neil Patrick Harris is more smug than the intended wry, sounding an awful lot like not only Doogie Howser (natch), but also Screech from "Saved by the Bell". Popstress Lisa Loeb is pretty much non-descript as Mary Jane, her absence from all the collection's voluminous special features conspicuous but probably due either to her being busy with a cooking show on the Food Network with boyfriend Dweezil Zappa or not feeling very confident about the series.

Wonderland (2003) [Limited 2-Disc Edition] – DVD

February 9, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Crime, Documentary, Drama, DVD, Mystery, Thriller

WONDERLAND
*/**** Image A- Sound A Extras B
starring Val Kilmer, Lisa Kudrow, Kate Bosworth, Dylan McDermott
screenplay by James Cox & Captain Mauzner and Todd Samovitz & D. Loriston Scott
directed by James Cox

by Walter Chaw A collision of vérité with the sort of Requiem for a Dream grind-cut quick-edits that have produced some of the worst films of the last couple of years (case in point: Spun), Wonderland sets out to tell the true story of 1981's Wonderland Murders, which left four scumbags dead and porn king John Holmes–King Scumbag, as it were–implicated in the lead pipe nastiness. It's a regurgitation in so many ways of so many things: neo-Boogie Nights, neo-noir, neo-Val Kilmer's own strung-out performance in the superior The Salton Sea–and therein lies the problem, as Kilmer is altogether too likeable an anti-hero, typecast as the strung-out simpleton too good-looking to be at the bottom, too drunk on himself to be anywhere else. A section where the passage of time is represented by a montage of TV GUIDE listings provides the only spark in the midst of this spastic spectacle, demonstrating a knowledge of its cathode tube parentage as cannily as the use of Duran Duran's "Girls on Film" tune that defined the MTV-made hit, dancing on the edge of art and porn. It happens early, it raises hopes, and then Wonderland runs itself well past the point of caring.

The Documentarian Becomes the Documented: FFC Interviews Errol Morris

February 8, 2004Posted in2000s, Authors: Walter Chaw, Documentary, Interviews

EmorrisinterviewtitlerevisedThe legendary documentarian comes out from behind THE FOG OF WAR

February 8, 2004|My first was The Thin Blue Line in the winter of 1988. Working backwards, finding Errol Morris's first two films was extremely difficult in the years before DVD and the blossoming of the Internet as the world's finest rummage sale, but the picture made enough of an impression on me that I spent the next six months tracking them down. Gates of Heaven was a revelation, Vernon, Florida changed my life, and it didn't occur to me until much later that the obsessive process of finding them and the unexpected rewards of that search were similar to this filmmaker's process was, in fact, the profession (private detective) through which Morris made his living in the seven years between Vernon, Florida and The Thin Blue Line. (Vernon, Florida is just brilliant enough to be career suicide, apparently.) So while Vernon, Florida has become something of a Medium Cool for a new generation of film brats (All the Real Girls director David Gordon Green cites the work as one of his all-timers), The Thin Blue Line has become the moment that many point to as the definitive modern reintroduction to the debate about the matter of degrees that separates fiction from non-fiction cinema. The title referring to the line of law enforcement that separates civilization from chaos, The Thin Blue Line is almost better read as the line between fabulism trusted as fact, and fabulism accepted as fantasy.

Hell Up in Harlem (1973) [Soul Cinema] – DVD

February 7, 2004Posted in1970s, Action, Authors: Bill Chambers, Crime, Drama, DVD, Thriller

**½/**** Image A Sound B+ Commentary A+
starring Fred Williamson, Julius W. Harris, Gloria Hendry, Margaret Avery
written and directed by Larry Cohen

by Bill Chambers There have been wiser marketing decisions: MGM leaves Black Caesar out of their "Best of Soul Cinema" DVD set while including the film's sequel, Hell Up in Harlem. Having not yet managed to see Black Caesar for myself, I wondered if that's why Hell Up in Harlem left me as confused as I was entertained. But according to writer-director Larry Cohen in his DVD commentary, one of the finest I've ever listened to (and worth a purchase by itself), that ain't the half of it. In their infinite wisdom, AIP cashed in on a follow-up to Black Caesar so soon after its release that Cohen and star Fred Williamson–whose title character had perished at the end of the original, not that anyone seemed to care–had to shoot it in tandem with It's Alive! and That Man Bolt, respectively. Since those productions were situated on opposite coasts, Williamson couldn't film his lead role in Hell Up in Harlem until one or the other wrapped, resulting in a shake-and-bake screenplay whose main dramatic consideration was how to get away with an abundance of over-the-shoulder shots of the star. This is also why Williamson's character inexplicably decides to move to L.A., and why he boards a flight to Los Angeles at L.A.X. International.

Marci X (2003) [Widescreen] – DVD

February 6, 2004Posted in2000s, Comedy, DVD, Germany, Music

**½/**** Image B+ Sound A
starring Lisa Kudrow, Damon Wayans, Richard Benjamin, Christine Baranski
screenplay by Paul Rudnick
directed by Richard Benjamin

by Walter Chaw Long about the time Lisa Kudrow and her JAP posse wrap scarves around their heads in a hip-hop club and engage in a tribal dance they learned at The Seven Sisters, it becomes apparent that, while Richard Benjamin's Marci X is sort of terrible, it's also sort of brave. The places that it goes with its observations about race relationships in the United States are places that films rarely go on purpose anymore, and I admire the hell out of it for that. If most of the jokes fall flat while too much of the runtime is given over to musical numbers starring Lisa Kudrow that go nowhere, when the barbs hit their target, they do so with a kind of timeliness that defeats Paramount's decision to shelve the thing for a couple of years before dumping it in theatres last summer without much fanfare to a chorus of pre-written pans.

Against the Ropes (2004) + Catch That Kid (2004)

February 6, 2004Posted in2000s, Action, Adventure, Authors: Walter Chaw, Biopic, Comedy, Crime, Drama, Family, Germany, Romance, Sports, Theatrical

AGAINST THE ROPES
*/****
starring Meg Ryan, Omar Epps, Skye McCole Bartusiak, Tony Shalhoub
screenplay by Cheryl Edwards
directed by Charles Dutton

CATCH THAT KID
**/****
starring Kristen Stewart, Corbin Bleu, Max Thieriot, Jennifer Beals
screenplay by Michael Brandt & Derek Haas
directed by Bart Freundlich 

by Walter Chaw  AgainstthekidErin Brockovich with more boxing, Charles S. Dutton's Against the Ropes (released in the same time of year as Steven Soderbergh's surprise obliterating feminist uplift drama and likewise inspired by the true story of a crass woman from a blue-collar background making good) is interested in mythmaking in the way that boxing manager Jackie Kallen, the subject of this would-be biopic, was. Oddly enough, the film is also interested in marginalizing its minority "product" in the way that Kallen is portrayed to have been by the film. Ostensibly the story of Kallen (Meg Ryan) discovering middleweight James Toney on the streets and fashioning from such rough loam the stuff of a boxing hall of fame shoo-in, the film takes so many liberties with history that the "truth" resembles a Hallmark Hall of Fame production complete with a jaunty score by the late Michael Kamen that made me want to punch something. It's lowest-common-denominator filmmaking, a shake-and-bake Oprah Winfrey urban melodrama that hits all the Wildcats-meets-Rocky moments of saccharine populist uplift on its road to instant Palookaville.

The Badge (2002) – DVD

February 5, 2004Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**/**** Image C+ Sound B+
starring Billy Bob Thornton, Patricia Arquette, William Devane, Tom Bower
written and directed by Robby Henson

by Walter Chaw Cornering the market on redneck hicks on the mend, Billy Bob Thornton stars in Robby Henson's direct-to-cable The Badge, a Louisiana cop erotica opera equal parts James Lee Burke and The Big Easy. Long on unmotivated slow-motion stretches and editing choices that are bizarre at best, the picture has ambition and atmosphere to burn but stumbles over its own pretension. A cop procedural, lovers-on-the-run intrigue, and ultra-liberal posturing share time in a lurid gumbo before a third-act reveal; the picture's rife with flashbacks and gravid pontificating that undermine the entire shooting match. Better than it should be for Thornton's remarkable ability to convey confusion and discomfort, The Badge is more an Issue movie than a whodunit–and like most movies erring on the liberal side, its strengths don't have a chance against the sloppiness of that bleeding heart on its sleeve.