Ned Kelly (1970) – DVD

April 7, 2004Posted in1970s, Authors: Walter Chaw, DVD, UK, Western

*/**** | Image B- Sound C
starring Mick Jagger, Clarissa Kaye-Mason, Mark McManus, Ken Goodlet
screenplay by Tony Richardson and Ian Jones
directed by Tony Richardson

by Walter Chaw Somewhere between the islets of McCabe and Mrs. Miller and Pat Garrett and Billy the Kid, just off the coast of Performance and Mad Dog Morgan, floats Tony Richardson's less visited, incomprehensible, woefully miscalculated Ned Kelly. Edited with a cheese grater and scored with bizarre faux-Aussie folk by strange bedfellows Shel Silverstein and Waylon Jennings, all while giving lie to David Mamet-as-director's claims to originality in dispensing with exposition in favour of oblique, impenetrable dialogue and stilted performances, Ned Kelly is also home to one of the worst performances by a rock star in a world that knows Graffiti Bridge and Glitter. Really just the kissing cousin of such of its contemporary counter-cultural misfires as Myra Breckinridge and Beyond the Valley of the Dolls, the panicked 1970 policy of giving the kids what they want, whatever that might be, is filtered here through the disturbing prism of a 42-year-old Englishman's perspective. (Admittedly, as angry young men go, Mick Jagger is a better choice than Breckinridge's Rex Reed.) Curiously though, as it so often does, the rare convergence of everything gone wrong makes for pretty compulsive viewing.

Black Sunday (1977) – DVD

April 6, 2004Posted in1970s, Adventure, Authors: Walter Chaw, Crime, Directors: John Frankenheimer, Drama, DVD, Espionage, Thriller

***/**** Image A Sound B
starring Robert Shaw, Bruce Dern, Marthe Keller, Fritz Weaver
screenplay by Ernest Lehman, Kenneth Ross and Ivan Moffat
directed by John Frankenheimer

by Walter Chaw Before Thomas Harris created a genius shrink-turned-serial murderer, he wrote the everything-old-is-new-again terrorist saga Black Sunday, managing to incorporate the Super Bowl into its tale of good intelligence saving the day. How novel. What's constant between this and Harris's Hannibal Lecter trilogy is his interest in broken heroes: the inversion of the man of action archetype that germinated in the Fifties Western tradition and flowered in the voodoo ego-nomics of the Reagan-mad Eighties, locating Black Sunday firmly in the deep well of Seventies cinema–filthy with ineffectual champions and astringent endings. But where Harris's novel understood its place in the bittersweet, paranoid zeitgeist, Black Sunday, with its all-star cast (Robert Shaw two years after Jaws, Bruce Dern at his peak, Marthe Keller a year removed from Marathon Man), megalomaniacal producer Robert Evans, and blockbuster aspirations, proves to be another Star Wars-style harbinger of the impending end of what was possibly the most amazing period in film in history.

A Room with a View (1985) [Two-Disc Special Edition] – DVD

April 6, 2004Posted in1980s, Authors: Travis Mackenzie Hoover, Drama, DVD, Romance, UK

***/**** Image A- Sound A- Extras B-
starring Maggie Smith, Denholm Elliot, Helena Bonham-Carter, Simon Callow
screenplay by Ruth Prawer Jhabvala, based on the novel by E.M. Forster
directed by James Ivory

Roomwithaviewcapby Travis Mackenzie Hoover Somebody says to one of the more priggish characters in E.M. Forster's A Room with a View, "You were all right as long as you kept to things, but when it came to people…" It's a line that doubly applies to James Ivory's 1985 film version, which indeed has more to say about the things surrounding its characters than it does the characters themselves. Great care has been taken to tastefully capture the physical details of Italy and England circa 1908, and great care has been taken to provide the actors with the fashions to match. But when the lights come up, we don't really have a strong impression of the characters, who simply populate the period tableaux like mannequins.

My Fair Lady (1964) [Two-Disc Special Edition] – DVD

April 5, 2004Posted in1960s, Authors: Travis Mackenzie Hoover, Best Picture (Academy Awards), Drama, DVD, Family, Musical, Romance

**/**** Image A Sound A+ Extras B
starring Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White
screenplay by Alan Jay Lerner
directed by George Cukor

by Travis Mackenzie Hoover It has always astonished me how high cultural artifacts can be transformed into doltish Broadway musicals–how Cervantes could suffer the bastardization of "Man of La Mancha", how T.S. Eliot could inspire "Cats", or how Shakespeare could invite a cross-pollination with "juvenile delinquency" to become a deadly flower called West Side Story. It's a mystery best left to specialists, I guess, hence I can only look with amazement on Lerner and Loewe's My Fair Lady, which bears the distinction of sucking every ounce of irony out of George Bernard Shaw's "Pygmalion" to accommodate fabric and masonry in its place. I suppose that George Cukor's film version is some kind of achievement taken on its own terms, but the problem is, those terms are piddling: the issues of class and gender that were contemporary to Shaw are downplayed so relentlessly that what remains is nothing more than a funny story with occasional songs–which, sadly, is exactly what a musical audience is looking for.

Stuck on You (2003) [Widescreen] – DVD

April 4, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD

**½/**** Image A- Sound A- Extras B-
starring Matt Damon, Greg Kinnear, Eva Mendes, Wen Yann Shih
screenplay by Peter Farrelly & Bobby Farrelly
directed by Bobby Farrelly & Peter Farrelly

by Walter Chaw It may not be funny in the slightest, but like Shallow Hal, the Farrelly Brothers' Stuck On You is often fascinating for the extent to which it seeks to dissect the exploitation of disability in film. The picture is surprisingly affecting when it's addressing the conjoined twins at its centre, pointing at once to where the Farrellys are headed with their art, and to the realization that where this picture really fails is in the fallacy that it needs to be a comedy at all. (The most glaring gaffe the casting of Cher as herself, a joke as out of tune as it is out of time.) What emerges from the film isn't the sort of scatological brinkmanship the brothers are credited with/derided for, but rather an often sharp examination of identity, the strength of familial bonds, and the courage to dream–elements each to be found woven in some fashion throughout the filmmakers' critically underestimated oeuvre.

Mostly Martha: FFC Interviews Martha Coolidge

April 4, 2004Posted in2000s, Authors: Walter Chaw, Interviews

McoolidgeinterviewtitleApril 4, 2004|A long time has passed between big-screen assignments for filmmaker Martha Coolidge, the first woman president of the Director's Guild of America. It's been seven since her unofficial conclusion to the Grumpy Old Men franchise, Out to Sea–and thirteen years since her last good film, Rambling Rose. Making her mark in the early Eighties as a distaff John Hughes with a pair of teensploitation classics (Valley Girl and Real Genius), Ms. Coolidge, though she'll only hint at it, seems to be the victim of a particular sexism in the United States among directors (something perhaps exacerbated by her aforementioned election to the head of the DGA in 2002), a phenomenon relegating her to television projects, place-markers, and the occasional flyer on something that might actually be accidentally worth a damn with a little coaxing.

The Prince & Me (2004)

April 2, 2004Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Romance, Theatrical

**/****
starring Julia Stiles, Luke Mably, Ben Miller, James Fox
screenplay by Jack Amiel & Michael Begler and Katherine Fugate
directed by Martha Coolidge

by Walter Chaw Surprisingly good not the same thing as genuinely good, Martha Coolidge's The Prince & Me returns the director to her Valley Girl formula of cross-cultural teen romantic hurlyburly with a few nice moments and the pleasing aura of a light fantasy, but the film finds itself weighed down at the end by the requirements of its exhausted genre. Moreover, The Prince & Me fails the courage test, needing desperately to have ended about ten minutes before it actually does, and though not a moment of it demands (nor could a moment of it bear) to be assessed through the prism of realism, the gadget of its finale is less "fairytale" than insipid. One cliffhanger is more than enough in most fables, so when The Prince & Me decides to follow twist fast with preordained turn, it exposes its structure as far too flimsy to support the burden of those contortions.

Hellboy (2004)

April 2, 2004Posted in2000s, Action, Adventure, Authors: Walter Chaw, Comedy, Fantasy, Sci-Fi, Superhero, Theatrical

***/****
starring Ron Perlman, Selma Blair, Jeffrey Tambor, Karel Roden
screenplay by Guillermo del Toro, based on the comics by Mike Mignola
directed by Guillermo del Toro

Hellboyby Walter Chaw A bona fide auteur in an age of facile pretenders, Guillermo del Toro is the pulp genre’s Martin Scorsese, his films filtering devout Catholic imagery through a lurid colour palette and obsessed with insectile machineries and mentor relationships between boys and old men. Del Toro’s pictures are deeply personal explorations of faith, of redemption and resurrection–he made of Blade II a tale of the prodigal son, and now with Hellboy he’s crafted a story of an evolving passion.

Wild Things 2 (2004) – DVD

April 2, 2004Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller, ZERO STARS

ZERO STARS/**** Image A Sound A Extras D
starring Susan Ward, Leila Arcieri, Isaiah Washington, Tony Denison
screenplay by Ross Helford & Andy Hurst
directed by Jack Perez

by Walter Chaw Alligator swamps and high school, I get the comparison, but like the first film, Wild Things 2 is coy, smug, and not so much meta as a self-satisfied, misogynistic tease. Those looking for titillation will have to settle for a lot of slo-mo beach volleyball, multiple views of Susan Ward walking around slowly in such a way as to hide her alarming thighs, and a brief three-way featuring a body double for repulsive/hot (see also: Brittany Murphy) Leila Arcieri, who drops Arcieri down about two cup sizes while upping her pastiness by at least three Danes. Seriously here, how hard would it have been to find a couple of exhibitionistic starlets for a direct-to-video smut pic like Wild Things 2? The really disturbing thing about that is that Arcieri and Ward were apparently hired for their acting ability.

The Rundown (2003) [Widescreen] – DVD

April 1, 2004Posted in2000s, Action, Adventure, Authors: Walter Chaw, Comedy, DVD, Schwarzenegger, Thriller

***/**** Image A+ Sound A+ Extras B+
starring The Rock, Seann William Scott, Christopher Walken, Rosario Dawson
screenplay by R.J. Stewart and James Vanderbilt
directed by Peter Berg

by Walter Chaw There’s an ebullient lustre to Peter Berg’s dedicatedly obnoxious The Rundown, an action film with so little pretension that it actually comes off as smart. It’s the same peculiar phenomenon that makes of Laurel & Hardy geniuses after the fact, banking on timing and carefully cultivated absurdity to at once define and rejuvenate the mismatched buddy-on-the-run genre. Consider a scene in which Dwayne “The Rock” Johnson fights a tribe of pygmy Brazilian freedom fighters, edited and choreographed like a Yuen Brothers wu xia married to a Weissmuller Tarzan flick. Delirious and ridiculous, exciting in spite of itself, The Rundown is the kind of adrenalized filmmaking that is, in fact, more intelligent and misanthropic than it seems. More, it’s not a fluke: Actor Berg’s directorial debut Very Bad Things remains, along with Doug Liman’s Go, one of the great underestimated time-capsule pitch-black comedies of the late-Nineties. If not for a few glaring moments where Berg displays the first symptoms of obfuscating Danny Boyle disease (CGI pullouts, nauseating zooms, and meaningless hyper-edits), particularly in its prologue, The Rundown would be something of a cult all-timer.

demonlover (2002) – DVD

March 30, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Drama, DVD, Esoterica, France, Mexico, Mystery, Thriller

***/**** Image D+ Sound D+
starring Connie Nielsen, Charles Berling, Chloë Sevigny, Gina Gershon
written and directed by Olivier Assayas

by Travis Mackenzie Hoover Right now, I think I like Olivier Assayas's demonlover. I think. I don't always feel this way: after a couple of screenings and a lot of pondering, I have to say that this singularly dense and elliptical movie has a lot of things going against it. Like its lead, it's cold and austere to a fault, viewing its techno-financial milieu from a safe distance and attributing to it a number of traits that simply don't add up. But in the cold light of day, the film connects the dots about the business of cultural production that are normally hidden from view. Assayas may be grasping at straws in a number of instances, but his general framework is sound, and as he speaks of the disconnect of people from the industries that shape them, I'm inclined to look past demonlover's weaknesses. Right now, at least.

Wild Things (1998) [Unrated Edition] – DVD

March 30, 2004Posted in1990s, Authors: Bill Chambers, Crime, Drama, DVD, Mystery, Satire, Thriller

**/**** Image A- Sound A-
starring Kevin Bacon, Matt Dillon, Neve Campbell, Denise Richards
screenplay by Stephen Peters
directed by John McNaughton

by Bill Chambers I shepherded myself through puberty on a steady diet of Cinemax, and I’ve apologized for worse than this movie’s sins on behalf of director John McNaughton, whose Mad Dog and Glory almost sires a new genre: misogyny uplift. So I’ve always considered my indifference towards Wild Things to be something of an anomaly. A continuation of a theme that ran subtly through McNaughton’s powerful Normal Life, i.e., some inextricable link between carnal desire and pecuniary greed, Wild Things (originally titled Sex Crimes) opens with an aerial view of the ‘Glades that cleverly juxtaposes alligator-infested swampland with the grounds of a nearby high school. The implication is clear, but then again it’s too clear, and you can shut the movie off then and there without missing a beat.

Green Acres: The Complete First Season (1965-1966) – DVD

March 30, 2004Posted in1960s, Authors: Walter Chaw, Comedy, DVD, Television

Image B- Sound B+
"Oliver Buys a Farm," "Lisa's First Day on the Farm," "The Decorator," "The Best Laid Plans," "My Husband, the Rooster Renter," "Furniture, Furniture, Who's Got the Furniture?," "Neighborliness," "Lisa the Helpmate," "You Can't Plug in a 2 with a 6," "Don't Call Us, We'll Call You," "Parity Begins at Home," "Lisa Has a Calf," "The Wedding Anniversary," "What Happened in Scranton?," "How to Enlarge a Bedroom," "Give Me Land, Lots of Land," "I Didn't Raise My Husband to Be a Fireman," "Lisa Bakes a Cake," "Sprained Ankle, Country Style," "The Price of Apples," "What's in a Name?," "The Day of Decision," "A Pig in a Poke," "The Deputy," "Double Drick," "The Ballad of Molly Turgis," "Never Look a Gift Tractor in the Mouth," "Send a Boy to College," "Horse? What Horse?," "The Rains Came," "Culture," "Uncle Ollie"

by Walter Chaw A sort of old-fashioned dedication to the all-power of the paterfamilias that seems appalling now and probably seemed more than a little quaint by 1965, "Petticoat Junction" (and The Egg and I) spin-off "Green Acres" has a surprisingly good nature that forgives it a lot of its contemporary offensiveness, locating the series as a belated, often surreal continuation of television's "Golden Age" that saw father knowing best and mother knowing next to nothing. Oliver Wendell Douglas (Eddie Albert), the eternal Pollyannaish optimist, uproots his high society wife Lisa (Eva Gabor), the archetypical dingbat, from her beloved Park Avenue penthouse view and plants them both square in the middle of provincial Hooterville on 160 acres of the rundown old Haney farm. There are moments in the series' first season when it's apparent that series writers Jay Sommers and Dick Chevillat have something subversively weird on their minds; "Green Acres" is like a grassroots "The Prisoner" at times–it's just that brilliantly peculiar.

Brother Bear (2003) [2-Disc Special Edition] – DVD

March 30, 2004Posted in2000s, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Disney, Drama, DVD, Family

½/**** Image B+ Sound A Extras B-
screenplay by Tab Murphy and Lorne Cameron & David Hoselton and Steve Bencich & Ron J. Friedman
directed by Aaron Blaise & Bob Walker

by Walter Chaw Deeply unentertaining and, at its heart of hearts, a quintessential example of a dishonest picture, Disney's Brother Bear is rock-bottom entertainment destined to be Pixar's best bargaining chip. It plugs bears and moose into a formula already plumbed Disney-style with lions and meerkats (and once before again with Earth Children stereotypes of Native Americans), boiling an entire culture and mythology down to an insultingly reductive pastiche and taking swipes at women along the way to telling one of the most inapplicable codas in the history of fable: "The story of a boy who became a man by becoming a bear."

Director of the “Dead”: FFC Interviews Zack Snyder

March 28, 2004Posted in2000s, Authors: Walter Chaw, Interviews, Zombie

ZsnyderinterviewtitleMarch 28, 2004|Supplanting that other zombie movie (the at least twice as gory The Passion of the Christ) at the top of the box-office charts last weekend, Dawn of the Dead compelled me to request a phone interview with its director, Zack Snyder. I should amend that I was driven not by pressing questions, but by that flicker of fanboyism I'd thought long-extinguished; I was stunned to have liked the film, just as I was stunned to have enjoyed Marcus Nispel's remake of The Texas Chainsaw Massacre. Nevertheless, it strikes me that in a day of high production values and sophisticated action editing, the personal horror films of the Seventies are being re-imagined as self-aware takes on the slick formula and stainless steel look of Aliens from a decade later. There's even a Carter Burke character in the new Dawn of the Dead.

Jersey Girl (2004)

March 26, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical, Will Smith

*½/****
starring Ben Affleck, Liv Tyler, George Carlin, Raquel Castro
written and directed by Kevin Smith

by Walter Chaw Self-satisfied and self-congratulatory, Kevin Smith’s films generally give off the feeling of a by-invitation-only party attended by Smith, Matt Damon, Jason Lee, Ben Affleck when he’s not gambling, and Jason Mewes when he’s not in prison or missing. Apparently a smart guy, the moments in his films that suggest evidence of that brightness are overwhelmed by repetitive profanities, puerile devices (i.e. Dogma‘s shit monster), cameos by his cool friends, and old jokes retold in coarse fashion. He’s the love child of David Mamet and a thirteen-year-old virgin at the mercy of pals handsomer and more popular than he, always trying to impress with his blue toughness without the maturity to understand that what made him cool way back when with Clerks wasn’t his scatological horniness, but his intelligence and flashes of observational sophistication.

Dogville (2003)

March 26, 2004Posted in****/****, 2000s, Authors: Bill Chambers, Denmark, Directors: Lars von Trier, Drama, Esoterica, Theatrical

****/****
starring Nicole Kidman, Paul Bettany, Harriet Anderson, Lauren Bacall
written and directed by Lars von Trier

Dogvilleby Bill Chambers SPOILER WARNING IN EFFECT. Movie pop art is enjoying a renaissance (cf Elephant, Eternal Sunshine of the Spotless Mind), of which Lars von Trier's savagely cathartic Dogville is the consummate centrepiece. This despite–and partly because of–outward appearances belying its status as a movie at all: Chalk outlines stand in for traditional sets, designating walls, fences, rosebushes, even the dog, Moses, of the titular locale, a pious community (is there any other kind in von Trierland?) situated in the Rocky Mountains circa Prohibition. A void surrounds the rectangle of pavement that constitutes Dogville–it turns white to indicate day and black to indicate night. One could be forgiven for momentarily mistaking Dogville for that fourth-wall-breaking production of Thornton Wilder's Our Town that aired on HBO last year; as Dogville's narrator, John Hurt is as thorough and intrusive a commentator as Our Town's own Stage Manager.

Secondhand Lions (2003) [New Line Platinum Series] – DVD

March 26, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Drama, DVD, Family

**½/**** Image A- Sound A Extras A+
starring Michael Caine, Robert Duvall, Haley Joel Osment, Kyra Sedgwick
written and directed by Tim McCanlies

by Walter Chaw A conservative imperialist fable, the peculiar Secondhand Lions can't quite decide between the polarizing siren songs of the NRA and the AARP. Scylla and Charybdis had nothing on the rock and a hard place of the two most powerful lobbies in the United States, so it was only a matter of time before an ostensible children's film (set in Texas, natch) founded on the tenets of old people shooting guns at young people (and waxing rhapsodic about their days oppressing the dark-skinned denizens of sandy places) stumbled onto the silvering screen starring, naturally, Robert Duvall and, unnaturally, Michael Caine. Speaking of unnatural, Osment, taking his first tentative steps into adult Method hell, looks a little like a poorly articulated marionette engaged in a puppet theatre where the only instruction is mad, mechanical gesticulation. To see him react to a door closing is akin to watching someone get defibrillated.

Made-Up (2003) + The Reckoning (2004)

March 26, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Horror, Mystery, Theatrical, UK

MADE-UP
**½/****
starring Brooke Adams, Lynne Adams, Eva Amurri, Gary Sinise
screenplay by Lynne Adams
directed by Tony Shalhoub

THE RECKONING
*/****
starring Paul Bettany, Tom Hardy, Willem Dafoe, Gina McKee
screenplay by Mark Mills, based on the novel by Barry Unsworth
directed by Paul McGuigan

Madeupreckoningby Walter Chaw The problem with Tony Shalhoub’s directorial debut Made-Up is a certain forced artificiality in presentation and execution that, though in keeping with the mock-documentary-within-a-mock-documentary format, makes the consideration of it emotionally and aesthetically removed. It’s a slippery criticism to level at a picture that seems to be about emotional and aesthetic remove, of course, but there comes a point when the form imitates the message to an obfuscating degree–in other words, when it’s no longer about the distance, but is the distance. So for all the empty extra-textual readings the film culls for its subtext (Brooke Adams, an actress out of the scene for a decade or so, plays an actress out of the scene for at least a decade; sisters play sisters; the daughter is played by the daughter of Susan Sarandon; and so on), Made-Up is salvaged by a sense of decency, and one meta-read that carries some weight as Shalhoub, an Arab-American of Lebanese descent, directs a film about the ills of stereotyping based on appearance.

The Heart of Me (2003) – DVD

March 23, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Drama, DVD, Germany, Romance, UK

**½/**** Image B+ Sound B+ Extras C+
starring Helena Bonham Carter, Olivia Williams, Paul Bettany, Eleanor Bron
screenplay by Lucinda Coxon, based on the novel The Echoing Grove by Rosamond Lehmann
directed by Thaddeus O’Sullivan

by Travis Mackenzie Hoover There’s nothing especially wrong with The Heart of Me, a professional, handsomely mounted, beautifully shot film featuring good performances from an attractive cast and a script that can at least be described as well-written. Unfortunately, that same screenplay doesn’t go far enough in pondering the ramifications of its narrative events: people fall in and out of love arbitrarily, make decisions because the plot requires it, and do horrible things just to get a rise out of the audience. There’s no real artistic purpose beyond the sound and fury of the story–it’s more designed and photographed than written and directed, with no real thematic exploration going on behind the devastatingly gorgeous goings-on. Thus The Heart of Me is craftsman-like enough to keep you watching, but it leaves you with nothing beyond a bunch of people being melodramatic while surrounded by sumptuous décor.