Easy Rider (1969) [40th Anniversary] – Blu-ray Disc

June 15, 2010Posted in****/****, 1960s, 2010, Adventure, Authors: Walter Chaw, Blu-ray Disc, Drama, Esoterica, FFC Must-Own, Jack Nicholson, Road Movie

****/**** Image A Sound A Extras A
starring Peter Fonda, Dennis Hopper, Jack Nicholson, Luke Askew
screenplay by Peter Fonda, Dennis Hopper, Terry Southern
directed by Dennis Hopper

WATCH IN iTUNES

Mustownby Walter Chaw SPOILER WARNING IN EFFECT. It's not easy to mark the beginning of the Sixties as an idea. Me, personally, as it's the way I'm wired, I like to use as the starting gun the trilogy of dysfunctional pictures–Psycho, Eyes Without a Face, Peeping Tom–that literally inaugurate the decade, but I'd also accept that 1962's Cuban Missile Crisis was enough for many of the nearly-disaffected to become completely what-the-fuck disaffected. And if you go with that, then what happens at the end of 1963 with the assassination of JFK is that Zapruder places film as the end-all of Truth. A lot changed with those 26.6 seconds of film–or, should we say, a lot changed back, to a period where the newsreel, no matter how doctored or fabricated, was the primary mass means of information-gathering before television began to encroach on it. A lot of ink's been spilled about the extent to which movies in the mid-to-late-Fifties tried to outdo the boob-tube with grand Technicolor visions; comparatively little has been written about Zapruder's 486 colour frames, which stole the thunder of television's hold on vérité–remember, in 1960, Hitch wanted to shoot Psycho in a televisual style for its implicit realism–as elegantly as a shell fired from a mail-order Carcano. TV achieves a stalemate by broadcasting Vietnam during the dinner hour, yet it doesn't win outright until the '90s when it embraces shakycam and film unveils itself once and for all as a magician's medium: smoke, mirrors, Forrest telling LBJ he needs to piss, and the Titanic going down again to the tune of a tween tearjerker.

Alice in Wonderland (2010) – Blu-ray + DVD

June 14, 2010Posted in2000s, 2010, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Tim Burton, Disney, DVD, Family, Fantasy

**/**** Image A Sound A Extras B-
starring Johnny Depp, Anne Hathaway, Helena Bonham Carter, Mia Wasikowska
screenplay by Linda Woolverton
directed by Tim Burton

by Walter Chaw A diary of missed opportunities but not the disaster it could have been, Tim Burton's Alice in Wonderland reminds a great deal of Walter Murch's Return to Oz in that both are closer in spirit to the respective dark of their inspirations while still falling tantalizingly shy of the beguiling murk of their headwaters. (In terms of adaptations, No Country for Old Men holds the gold standard for cinema that understands its source well enough to use it in its own sentence.) It'll be compared of course to the Disney animated classic that mistook Lewis Carroll's misanthropy-soaked surrealism for whimsy–a comparison Burton tries to sidestep by incorporating more elements (the Bandersnatch, the Jabberwocky, the Jub-Jub Bird, snickersnack) from the largely-ignored second book, Alice Through the Looking Glass, but one that'll hound a film featuring plucked-out eyeballs and a castle moat traversed by skipping across severed heads.

Dispatch from the 2010 WWSFF: Midnight Mania – Creepy

June 12, 2010Posted in****/****, 2010, Authors: Bill Chambers, Canada, Czech Republic, Film Festivals, Short Films, UK

Click here to visit the Worldwide Short Film Festival's official website.

by Bill Chambers Back in my early-twenties, there was one summer job I had where I found myself doodling animals saying inexplicable–and, needless to say, often repulsive–things. It started out as an effort to break the ice with my only co-worker (we spent most of our time locked in a makeshift editing bay together), then escalated into a constant test of her boundaries. I happened across some of these drawings recently, and they are resolutely unfunny: a bunny threatening to kill your mother with an axe, a frog telling a fart joke; in retrospect, I wonder why said co-worker eventually invited me to her wedding. Stockholm Syndrome's my best guess. Nevertheless, during the subterranean Looney Tune that is Everybody (animated; ds. Jessie Mott; 4 mins.; ½*/****), I began to feel grateful that there was no real public forum to display those cartoons back then, because all I'd really be doing is inviting some asshole on the Internet to dismiss it as adolescent shit. This is adolescent shit. Rendered in crude, impatient watercolours, various deer, bats, goats, etc. are anthropomorphized via cheaply cryptic remarks like "I'm too small in the necessary spaces," and "You paralyze me with disgust. You're spilling open like a gelatinous achin' belly." To which I reply, by way of Al Pacino in Heat, "Don't waste my motherfuckin' time!"

The A-Team (2010)

June 10, 2010Posted in2000s, 2010, Action, Adventure, Authors: Walter Chaw, Comedy, Crime, Theatrical, Thriller

*/****
starring Liam Neeson, Bradley Cooper, Jessica Biel, Quinton "Rampage" Jackson
screenplay by Joe Carnahan & Brian Bloom and Skip Woods
directed by Joe Carnahan

Ateamby Walter Chaw Not the full-on prison rape its preview promises, Joe Carnahan's is-what-it-is The A-Team is a sometimes-affable acceptance that the best this film will possibly be, given that it has not one spark of inspiration in its creation, is an expensive knock-off of a kitschy cultural artifact. It doesn't quite go the route of surreal post-modernism like the The Brady Bunch movies, but neither does it try to play it Leave it to Beaver straight, instead walking a middle road through occasional flashes of self-awareness amid much stupid action. Credit where credit's due that, prior to its bombastic finale, disgraced Col. Hannibal Smith (a miscast Liam Neeson) mutters, "Overkill is greatly underrated," despite that overkill in bad movies like this is neither overrated nor unexpected. I guess I just appreciate the opportunity to chortle smugly. Rather, The A-Team is a Michael Bay joint without the overt racism and dangerous misogyny–a picture for nostalgic and/or stupid people that doesn't also make them bellicose and agitated. At the least, it holds the honoured distinction of being the first movie I've ever seen that uses a quote from Gandhi to shake a career assassin out of his newly-acquired distaste for violence. That, my friend, takes a certain level of genius and chutzpah.

Invictus (2009) – Blu-ray Disc

June 8, 2010Posted in2000s, 2010, Authors: Bill Chambers, Authors: Walter Chaw, Biopic, Blu-ray Disc, Clint Eastwood, Drama, Sports

***/**** Image B+ Sound A- Extras B-
starring Morgan Freeman, Matt Damon, Tony Kgoroge, Patrick Mofokeng
screenplay by Anthony Peckham, based on the book Playing the Enemy by John Carlin
directed by Clint Eastwood

by Walter Chaw During an awards season seemingly devoted to surveying the racial divide, Clint Eastwood's Invictus lands a glancing blow as a Reconciliation sports melodrama that avoids the hysterical outburst even as it fails to hit one out of the park. Of the two, I think I'd rather the former. Expecting a (more) self-important Hoosiers, I was pleasantly surprised by Eastwood's leisurely, cocksure, tempered-by-age stroll through the first days post-Apartheid as Nelson Mandela (Morgan Freeman, finally playing Abraham Lincoln) is tasked with the near-impossible job of suturing a nation coming out from under a long Plantation nightmare without his administration becoming exactly what the minority Afrikaner fears. It locates sports as one quick avenue to the heart of the lowest common denominator (just as the existence of Invictus locates film as another), and it fires dual salvos at its audience by first being a sports underdog uplift flick without much sports or uplift, then in not deigning to explain the fundamentals of rugby to its American audience, instead launching a quick jab at America's reluctance to engage the worlds' pastimes (rugby and soccer, notably). What it really does for the race conversation is allow Eastwood the opportunity to at last feature Freeman in a movie designed around him as opposed to having him–as he did in Million Dollar Baby and Unforgiven–function as a comparative component against which the white protagonist is memorialized and measured. Better late than never.

Legion (2010) – Blu-ray Disc

June 6, 2010Posted in2000s, 2010, Action, Authors: Walter Chaw, Blu-ray Disc, Fantasy, Horror

*/**** Image A- Sound A Extras B
starring Paul Bettany, Lucas Black, Tyrese Gibson, Dennis Quaid
screenplay by Peter Schink and Scott Stewart
directed by Scott Stewart

by Walter Chaw I actually don't mind a portrayal of God that's more in line with Milton's: voyeuristic, sadistic, inscrutable, unmerciful, absent. I prefer it, truth be told. The problem with Legion is that it plunks this high-minded, utterly humanistic idea in the middle of garbage the likes of which the world outside of SyFy original flicks has never known. Bad doesn't begin to describe it–"futile" is closer to the truth, as ex-ILM geek Scott Stewart does his best to make a complete hash of one possible apocalypse, departing from "Revelations" to find an angry God, "sick of all the bullshit," divinely possessing a posse of Los Angelinos so that they may lay zombie siege to a dusty roadside diner populated by a collection of spam-in-a-cabin archetypes. Take grizzled diner owner Bob (Dennis Quaid), for instance, a longtime ex-smoker who still keeps a lighter named "hope" in his breast pocket because, as anyone who's ever seen a movie knows, he's going to have to use it at some point to ignite a propane tank in a moment of selfless sacrifice. It's one of several martyrdoms in a film that's fairly relentless about the great unknowable nature of this Christian God. He's pissed, no question, and no amount of brotherly grace will make Him un-pissed.

How I Did It: FFC Interviews Vincenzo Natali

June 6, 2010Posted in2000s, 2010, Authors: Ian Pugh, Canada, Interviews
Vnataliinterviewtitle
With Splice, director Vincenzo Natali's career comes alive. ALIVE!

June 6, 2010|I had been invited to interview Vincenzo Natali, and although I immediately acquainted myself with his previous work, nothing could prepare me for the film he was coming to Boston to promote. Indeed, anyone who's seen the trailers for Natali's latest, the Frankenstein-ian family drama Splice, is certain to be surprised by what the final product has in store. You didn't see that one comin', did ya? I know I didn't.

Dispatch from the 2010 WWSFF: Midnight Mania – Freaky

June 4, 2010Posted in2000s, 2010, Animation, Authors: Bill Chambers, Denmark, Film Festivals, France, Israel, Japan, Norway, Short Films, Spain, Switzerland, UK

Click here to visit the Worldwide Short Film Festival‘s official website.

 
by Bill Chambers It’s tempting to say that pop already ate itself, leaving a vast wasteland of remakes and reboots that can’t possibly be fertile enough to cultivate imaginations; I sometimes lie awake worrying that one day all we’ll be left with is the vultures and their Jane Austen mashups, their homemade Lord of the Rings prequels and Sweded Rambo movies. Should such a Doomsday scenario come to pass, let’s hope it occasionally yields something as whimsical and obviously heartfelt as France’s The Little Dragon (Le petit dragon) (animated; d. Bruno Collet; 8 mins.; ***/****), in which a magical force brings a Bruce Lee action figure to life, seemingly with the legend’s identity, if not his soul, intact, as it is his impulse upon encountering a Chuck Norris cut-out to kick it down. (He also recognizes his name and image on other collectibles.) Decked out in his yellow Game of Death jumpsuit, he navigates a maze of cobweb-strewn movie memorabilia that appears to be some Harry Knowles type’s bedroom; in a moment of quintessentially French cinephilia, Bruce, having been passed the torch (the Statue of Liberty torch from a Planet of the Apes model kit, that is), stumbles on a makeshift crypt lined with dolls of Rita Hayworth, Humphrey Bogart, Errol Flynn, Clark Gable, Louise Brooks, Robert Mitchum, and, erm, Robert Taylor. The stop-motion animation is charming–this scrappy little guy may actually be the ne plus ultra of Lee imitators, who are of course legion–and the tone is deceptively irreverent. This is fan art, executed with gusto–but does it have a function? Collet could be the next Nick Park–but is he hurting for inspiration?

Splice (2010)

June 3, 2010Posted in2000s, 2010, Authors: Ian Pugh, Canada, Drama, France, Horror, Mexico, Sci-Fi, Theatrical

***/****
starring Adrien Brody, Sarah Polley, Delphine Chanéac, David Hewlett
screenplay by Vincenzo Natali & Antoinette Terry Bryant and Doug Taylor
directed by Vincenzo Natali

Spliceby Ian Pugh Vincenzo Natali's Splice unavoidably lives in the shadow of countless sci-fi/horror properties that came before it–stories that have already taught us, as Splice teaches us, that tragedies occur when Man dabbles in God's domain. But dismiss the film as cliché at your own peril. While it provides numerous shocks to the system, the traumas themselves take a backseat to the horror of their implications and, moreover, what those tragedies say about the risks and ambitions of daily life. Indeed, while the movie consciously seeks to fashion a cautionary tale out of the stock phrase "What's the worst that could happen?," its ultimate goal is to tell that tale as a domestic drama.

Vampyres (1974) – Blu-ray Disc

June 3, 2010Posted in1970s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Blue Underground, Horror, UK, Vampire

a.k.a. Vampyre Orgy, Daughters of Dracula
***/**** Image B+ Sound B+ Extras B+
starring Marianne Morris, Anulka, Murray Brown, Brian Deacon
screenplay by Diane Daubeney
directed by José Ramón Larraz

Vampyrescap

by Bryant Frazer SPOILER WARNING IN EFFECT. One of the hallmarks of Eurohorror is brightly-lit sex scenes. Rather than reveal nudity in chiaroscuro, or in the kind of colour-gelled Hollywood glow meant to suggest candlelight or moonlight, cinematographers working in this mode step right up and wash light over their actresses to ensure that no detail is lost in shadow. This tableau looks a little strange from a contemporary vantage–off the top of my head, I don't think anybody but Paul Verhoeven and maybe the mumblecore crew shoots sex scenes so plainly these days–but it's a stylistic disconnect and a marker of a sense of time and place that makes these films a conduit for nostalgia among cinephiles of a certain age. José Ramón Larraz, a Barcelona-born director working in England, doesn't let Vampyres out of the gate before staging a bedroom scene involving two young, completely naked women. The sleepy brunette Fran (Marianne Morris) and the pale blonde Miriam (Anulka, a former PLAYBOY centrefold) are rolling around in bed before a killer in a top hat arrives in silhouette and fills their nubile bodies with bullets. (Were the title not Vampyres, you'd be forgiven for assuming the film had just announced itself as a giallo.) With that violent flourish, the opening credits begin.

Shutter Island (2010) – Blu-ray Disc

June 1, 2010Posted in2000s, 2010, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Directors: Martin Scorsese, Drama, Mystery, Thriller

**/**** Image A Sound B Extras B-
starring Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Max Von Sydow
screenplay by Laeta Kalogridis, based on the novel by Dennis Lehane
directed by Martin Scorsese

by Walter Chaw The first thirty minutes of Martin Scorsese’s Shutter Island left me breathless with delight. The rack-focus through mess-hall implements; swaying along a ceiling as we peer beyond the door to the head, where our hero, U.S. Marshal Teddy Daniels (Leonardo DiCaprio), is losing his lunch; the way a ferry blows through a fog bank like Travis Bickle’s cab through the steam escaping a New York sewer cap. When it snows, it snows up like in the dream sequences from Bringing Out the Dead (there’s even a moment when the smoke from Teddy’s cigarette retreats into the butt)–and when a shadowy figure named Laeddis (Elias Koteas) finally materializes in the midst of Teddy’s fugue, he bears a striking resemblance to Travis Bickle. (It’s not until later that we understand the full extent of this self-reference.) Shutter Island is among the director’s handsomest films, and moments of it suggest there’s a masterpiece here–as a WWII Holocaust drama, or a ghost story, or a period Red Menace piece, or a 1960s Manchurian Candidate manqué, or a 1940s Freud clinic, or a G-Man noir, or a straight procedural, or a modernist existential piece–if he wants it. But it’s less than the sum of its tantalizing parts, providing instead a hackneyed climax that proves just another votive lit in Dennis Lehane’s church of dead children.

War of the Worlds (2005) – Blu-ray Disc

May 31, 2010Posted in2000s, 2010, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Sci-Fi, Spielberg, Tom Cruise

**/**** Image A Sound A Extras A-
starring Tom Cruise, Dakota Fanning, Miranda Otto, Tim Robbins
screenplay by Josh Friedman and David Koepp, based on the novel by H.G. Wells
directed by Steven Spielberg

Waroftheworlds2005cap2

by Walter Chaw SPOILER WARNING IN EFFECT. A lot like Minority Report, the first 90% of War of the Worlds is among the best movies of the year and the last 10% is among the worst. Spielberg is the only one who can ruin his films and he does it over and over again because he's Peter Pan in a Captain Hook world. There has never been a more gifted visual storyteller than Steven Spielberg; in the five minutes of shorthand that opens his War of the Worlds, he creates three characters we care about, a world that we recognize, and a real hope that this time, this one time, he'll be courageous enough to follow a narrative through to its logical end instead of the one he thinks will least disturb his audience. His audience being one that he underestimates with such stunning regularity that it can be said with confidence at this point that he's not really underestimating anybody–that he knows for whom he's making movies, posterity be damned. War of the Worlds is a work of obvious genius that is about nothing, which is an amazing and disheartening thing to say because so much of the picture is composed of jaw-dropping–I mean it, it's astonishing–Holocaust tableaux mixed with 9/11 imagery.

Pontypool (2009) – DVD

May 22, 2010Posted in2000s, 2010, Authors: Jefferson Robbins, Canada, DVD, Horror, Thriller, Zombie

***/**** Image A Sound A Extras B-
starring Stephen McHattie, Lisa Houle, Georgina Reilly
screenplay by Tony Burgess, based on his novel Pontypool Changes Everything
directed by Bruce McDonald

Pontypoolcap

by Jefferson Robbins Few things give me the willies like the sublimation of self. The idea that my essential me-ness could someday drain away and be lost–to injury, dementia, what have you–makes me shudder. At the extreme, there's the fear that some invading force, a me supplanted by a not-me, might subjugate my personality. Little wonder that Brian O'Blivion's monologue in Videodrome about communicating with his own brain cancer, or almost any mind-control scenario scripted for comics by Grant Morrison, can set me cringing.

Shrek Forever After (2010)

May 20, 2010Posted in2000s, 2010, Adventure, Animation, Authors: Ian Pugh, Comedy, Family, Fantasy, Romance, Theatrical

*/****
screenplay by Josh Klausner & Darren Lemke
directed by Mike Mitchell

Shrek4by Ian Pugh Because Shrek the Third tied things up pretty conclusively, what they're probably going to tell you is that Shrek Forever After (hereafter Shrek 4) is more of an epilogue than a sequel. What they won't tell you is that this "epilogue," co-written by the screenwriter of Date Night, is more of a toy than a feature film. But your money's just as green as it ever was. Now settled into a monotonous family life, Shrek (voice of Mike Myers) strikes a deal with Rumpelstiltskin (Walt Dohrn) for the chance to live one more day as a bachelor/terrifying ogre. Unfortunately, said deal transports Shrek into an alternate reality in which he never rescued Fiona (Cameron Diaz) from the dragon's lair, freeing Rumpelstiltskin to conquer the kingdom of Far Far Away. And despite much talk of being grateful for what you have, that's all there is to it, really. Sure, it's better than Shrek the Third, but lots of things are better than Shrek the Third–and even then, Shrek 4 is only an improvement in the sense that it isn't obsessed with scatological humour…and that it doesn't leave an especially terrible aftertaste. It doesn't leave the slightest impression at all, in fact. It's not merely a product, it wants you to see it as a product: It's a Wonderful Life as told by Mr. Potter. Oh, and it's in 3-D. I mean, of course it is.

The House of the Devil (2009) – Blu-ray Disc

May 18, 2010Posted in2000s, 2010, Authors: Walter Chaw, Blu-ray Disc, Horror, Mystery

***½/**** Image B Sound B Extras B
starring Jocelin Donahue, Tom Noonan, Mary Woronov, Dee Wallace
written and directed by Ti West

by Walter Chaw Her hair's a little longer, but she's a dead ringer for Karen Allen from Starman (with a touch of Brooke Adams from Invasion of the Body Snatchers thrown in), this girl dancing to The Fixx's classic "One Thing Leads to Another," Walkman clapped to her ears, in a creepy house in the middle of nowhere. Samantha (Jocelin Donahue, a real find) is there because she answered one of those tear-away babysitting ads posted outside her dorm, and who cares if it's not really a kid the guy, Mr. Ulman (Tom Noonan), wants her to look after but instead a demented old mother-in-law socked away in the attic*–he's giving her four hundred bucks so he and his wife (Mary Woronov) can enjoy the lunar eclipse. I know what you're thinking, but Ti West's gorgeous ode to '80s exploitation shockers comes off as more than mere pomo exercise or homage; The House of the Devil is a lovingly crafted little gem that owes as much to Roman Polanski's paranoia trilogy and Bob Clark's Black Christmas. (Come to think of it, Donahue also bears a resemblance to Margot Kidder around the time of the latter and DePalma's Sisters.) Smarter than hell about its sources, it employs all of them to a full seventy minutes of unbearable tension capped by twenty minutes of payoff. It's the same ratio of foreplay-to-climax as Rosemary's Baby, and lo, The House of the Devil would play wonderfully on a double-bill with the same.

Blackboard Jungle (1955) – DVD

May 17, 2010Posted in1950s, 2010, Authors: Alex Jackson, Drama, DVD, Teen

**½/**** Image B+ Sound B Extras C+
starring Glenn Ford, Anne Francis, Louis Calhern, Margaret Hayes
screenplay by Richard Brooks, based on the novel by Evan Hunter
directed by Richard Brooks

Blackboardjunglecapby Alex Jackson There are a few scenes in Richard Brooks’s Blackboard Jungle that hold up, legitimately, as a thoughtful and fruitfully provocative investigation of the “inspirational teacher” genre. And when the film isn’t working, it’s often valuable as a time capsule of the 1950s and can be appreciated in a detached, archaeological way. But there are also times when you just can’t help but condescend to it, and I’d hate for Blackboard Jungle to become a camp object. Blackboard Jungle may not be worthy of praise simply for dealing with issues of race and class, but the fact remains that some fifty years later, its subject matter continues to touch a raw nerve. By treating it ironically and laughing at it, we’re absolved of the responsibility to fully engage with the issues it raises.

Avatar (2009) – Blu-ray + DVD

May 17, 2010Posted in2000s, 2010, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Fantasy, Romance, Sci-Fi

**/**** Image A+ Sound A+
starring Sam Worthington, Zoë Saldana, Stephen Lang, Sigourney Weaver
written and directed by James Cameron

by Walter Chaw A morally, historically, socially, and politically childish amalgam of Pocahontas and Ferngully: The Last Rainforest, Avatar finds James Cameron–still the Cameron of Titanic (or the uncomfortably simpering T2, if we're honest with ourselves) rather than the Cameron of Aliens and The Terminator–trying his hand at being Kevin Costner: powerful, dim, and only relevant for a tiny window of time he doesn't realize has already closed. The more simple-minded liberal proselytizing he perpetrates like Avatar, the farther away he gets from the B-movie muscularity that indicated his early career. It's a bad thing, believe me, that the first set of movies people think to compare your latest to is first George Lucas's ridiculous prequel trilogy–then Dances with Wolves.

Lost: The Complete Fourth Season (2008) – Blu-ray Disc

May 17, 2010Posted in2000s, 2010, Adventure, Authors: Walter Chaw, Blu-ray Disc, Drama, Fantasy, Mystery, Sci-Fi, Television, Thriller

Image A- Sound A+ Extras B
"The Beginning of the End," "Confirmed Dead," "The Economist," "Eggtown," "The Constant," "The Other Woman," "Ji Yeon," "Meet Kevin Johnson," "The Shape of Things to Come," "Something Nice Back Home," "Cabin Fever," "There's No Place Like Home: Part 1," "There's No Place Like Home: Part 2"

by Walter Chaw Four years into its run, "Lost" appears to have hit something of a stride–at least it does until it falls completely off the rails, maybe for good. Blame the most recent Writer's Strike, which happened in the middle of this truncated season, or better yet, blame the fact that the series can't seem to leave well enough alone. It has a chance to be transcendent, see, and resigns itself to being ordinary. The best episode of the run so far happens early in the season with episode 4.5, "The Constant." A clear homage to Kurt Vonnegut's Slaughterhouse-Five, it replaces Billy Pilgrim with our Desmond (Henry Ian Cusick), who becomes "unstuck" in time and struggles during the course of things to find a "constant" with which to anchor his consciousness in one fixed timeline. Ingeniously executed and manufacturing the first real suspense "Lost" has managed since possibly the first episode of the first season (or since the first hatch was opened), "The Constant" suggests that there are separate Oceanic Flight 815s, that reality is slippery, and that there might be a struggle somewhere, between some things, for control over a dominant reality. "The Constant" marks the moment I became a "Lost" fan. And then, in the very next episode, "The Other Woman," everything goes to shit: "Lost" scrambles to demystify all these philosophies in favour of a vast conspiracy masterminded by an evil billionaire who, apparently, has filled a fake plane with exhumed corpses and planted it in the ocean so as to prevent his daughter Penelope–named for Odysseus's wife, right?–from reuniting with a boy of whom he doesn't approve. The problem is mainly that after three-and-a-half years of this garbage, anything the creators could come up with in terms of an Answer would not be equal to the investment the show's loyal viewers have already made in it.

Robin Hood (2010)

May 14, 2010Posted in2000s, 2010, Action, Adventure, Authors: Walter Chaw, Directors: Ridley Scott, Drama, Theatrical, UK

**/****
starring Russell Crowe, Cate Blanchett, William Hurt, Max Von Sydow
screenplay by Brian Helgeland
directed by Ridley Scott

Robinhood2010by Walter Chaw Predictably, achingly, perfectly okay, Ridley Scott into his dotage has produced a string of absolutely unsurprising, overlong, uninspiring-if-occasionally-visually-striking films, of which Robin Hood is only the latest. An attempt to “reboot” the Robin Hood legend with a “prequel” that shows how a middle-aged Robin (Russell Crowe) meets his Merry Mystery, Alaska Men, woos freshly-widowed “maid” Marion (Cate Blanchett), sort of composes the “Declaration of Independence,” directly influences–it’s implied–the signing of the Magna Carta (in the completion of which the film’s real hero, William Marshal (William Hurt), was instrumental) not long after the events of the movie, and enters into a life of sylvan banditry at the prodding injustice of ineffectual King John (Oscar Isaac, doing his best Russell Brand). It also suggests that Marion is a Maid of Orléans figure who rides into battle alongside the menfolk to repulse an inexplicable French invasion shot in such a way as to suggest a Gallic D-Day landing (or an attack on Northern England by the New Orleans Saints)*–marking the second time Blanchett’s done this exact scene after the admittedly-worse Elizabeth: The Golden Age. All of which is portrayed in so exacting and expository a way in that inimitably stately Ridley Scott style that the picture’s bumfuddling 140-minute runtime feels like a couple of torturous days spent at a Renaissance Fair. Maybe it’s the complete lack of stakes that hamstrings the production–the surety that no compelling issues will be broached, despite all the posturing about Robin Hood being Thoreau over six centuries before Thoreau (or Thomas Jefferson five centuries before Jefferson) in a deeply stupid town-centre meeting that more closely resembles the Endor council in Return of the Jedi than it does the requisite stirring centrepiece monologue in this prestige epic lost without an awards season.

Edge of Darkness (2010) + When in Rome (2010)|Edge of Darkness – Blu-ray Disc

May 9, 2010Posted in2000s, 2010, Action, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Crime, Drama, Mystery, Romance, Theatrical, Thriller, UK

EDGE OF DARKNESS
***½/**** Image B+ Sound B+ Extras C+
starring Mel Gibson, Ray Winstone, Danny Huston, Bojana Novakovic
screenplay by William Monahan and Andrew Bovell, based on the television series by Troy Kennedy Martin
directed by Martin Campbell

WHEN IN ROME
*/****
starring Kristen Bell, Josh Duhamel, Will Arnett, Anjelica Huston
screenplay by David Diamond & David Weissman
directed by Mark Steven Johnson

by Ian Pugh Allegedly a radical departure from the BBC miniseries upon which it's based, Martin Campbell's Edge of Darkness works because there's nothing typical about it. Boston PD detective Tom Craven (Mel Gibson) naturally blames himself when his daughter Emma (Bojana Novakovic) is gunned down by a masked man with a shotgun, but his private inquiry into the matter reveals that Emma herself was the more likely target: it had something to do with her job at a nuclear R&D lab run by sadistic creepshow Jack Bennett (an almost-ridiculously slimy Danny Huston). The trick to Tom's subsequent trip down the rabbit hole is that he never stops blaming himself, even once his quest is validated by the trail of bodies left by both him and the mysterious conspirators pulling the strings. This is Gibson's first starring role in eight years following a lengthy trek through Crazytown, and he might be the only actor who could have pulled it off so flawlessly–simply because there's always been something slightly terrified about his specific brand of martyrdom, something that points to it all being painfully unnecessary.