TIFF ’02: The Good Thief
TIFF ’02: Ararat
TIFF ’02: Standing in the Shadows of Motown
TIFF ’02 Raising Victor Vargas
TIFF ’02: 8 Femmes
TIFF ’02: L’Idole
TIFF ’00: Low Self Esteem Girl
Low Self-Esteem Girl
***/****
starring Corrina Hammond, Ted Dave, James Dawes, Rob McBeth
written and directed by Blaine Thurier
Guys want her body.
Zealots want her soul.
–Low Self Esteem Girl‘s honest tagline
by Bill Chambers A few minutes into Low Self Esteem Girl, I got the distinct feeling I was watching an episode of “Candid Camera” in which the recording device itself, and not the camera’s subjects, was the one being had. First-time director Blaine Thurier, a former cartoonist for Vancouver’s TERMINAL CITY, zigzags his digital video camera about the house of Lois (Corrina Hammond) like a spy who has unwittingly stumbled upon a stage exercise: Lois and Gregg (Ted Dave), her one-night stand, conduct a pillow-fight with overtones of rape, and then she offers him a beer–at which point I half-expected a drama teacher to call time-out, step into the frame, and critique their performances.
TIFF ’99: Smiling Lobsters and Martin Scorsese Invitations
"Fished" out of the archives in memory of Bill Henderson (1926-2016).-Ed.
by Bill Chambers The movie is called Goat on Fire and Smiling Fish. I have it on my list of what to see during the Festival–near the bottom. Its premise sounds congenial enough, but that title has obviously been conceived to inspire double-takes.
Antz (1998)
**/****
screenplay by Todd Alcott and Chris Weitz and Paul Weitz
directed by Eric Darnell and Tim Johnson
by Bill Chambers Directors Eric Darnell and Tim Johnson as well as “stars” Dan Aykroyd, Jane Curtin, Danny Glover, Jennifer Lopez, and Christopher Walken file into the sweaty, crowded Tudor Room of Toronto’s Four Seasons hotel to discuss the Dreamworks/PDI production Antz, a computer-generated movie that took two-and-a-half years to complete. Antz will beat the not-dissimilar Disney/Pixar project A Bug’s Life to screens by a month. That’s why Jeffrey Katzenberg–Michael Eisner’s former right-hand man, and the K in Dreamworks SKG–is there, tucked between some cameras and journalists. He looks to be gloating–does he have cause to?