TIFF ’05: Capote

September 11, 2005Posted in2000s, Authors: Bill Chambers, Biopic, Canada, Crime, Drama, Film Festivals, TIFF
**/****starring Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Jr., Chris Cooperscreenplay by Dan Futterman, based on the novel by Gerald Clarkedirected by Bennett Miller Editor's note: I was so wrong about this film it's almost funny. It probably should've won Best Picture that year. by Bill Chambers Richard Brooks's masterful screen translation of Truman Capote's true-crime (Tru-crime?) novel In Cold Blood is full of indelible imagery that at first seems to seep into the fabric of Capote beyond director Bennett Miller's control. But as the homages--most notably, both pictures postpone the pivotal slaying of the ominously-named Clutter family until showing…

In Es-Crowe: On “Elizabethtown”

September 10, 2005Posted in2011, Authors: Bill Chambers, Blog, Film Festivals, TIFF
originally published September 10, 2005Because Cameron Crowe considers it a work-in-progress, critics at last night's TIFF screening of the interminable Elizabethtown were asked, in not so many words, to handle the film with kid gloves. (Apparently the folks at Venice saw a completely different cut.) So to avoid a flap, I won't be posting a capsule review at the mother site, but let me just say that the version I saw--which looked polished but by no means finished--makes one long for the subtlety and finesse of Garden State. (And really, how much more warning do you need?) Its epiphanies are so processed and…

TIFF ’05: Shopgirl

September 9, 2005Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Romance, TIFF
**/****starring Steve Martin, Claire Danes, Jason Schwartzman, Bridgette Wilson-Samprasscreenplay by Steve Martin, based on his novelladirected by Anand Tucker by Bill Chambers Believe it or not, it takes more out of you to watch Anand Tucker's Shopgirl than to read the Steve Martin novella on which it's based. As in his Hilary and Jackie, Tucker seems to be striving for something lyrical but winds up with something purple, submerging as he does nearly every scene in Barrington Pheloung's syrupy score whilst failing to consolidate redundant emotional gestures. Consequently, Shopgirl is like Lost in Translation on steroids, bloated where the other…

TIFF ’04: Saw

September 16, 2004Posted in2000s, Authors: Bill Chambers, Film Festivals, Horror, Mystery, TIFF
**/****starring Leigh Whannell, Cary Elwes, Danny Glover, Monica Potterscreenplay by Leigh Whannelldirected by James Wan by Bill Chambers Saw is ready and rarin' to be analyzed, opening as it does with the scholar-baiting tableau of a man (Leigh Whannell, also the film's screenwriter) waking in a bathtub, baptized or reborn. (It just so happens that his name is Adam.) And I swear to God the bad guy lives on "Stygian Street." Everything about Saw points to Whannell putting the cart before the horse: symbolism before context; set-pieces before bridges; revelations before mysteries... The movie's logic is at once unassailable and…

TIFF ’04: Palindromes

September 15, 2004Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Esoterica, Film Festivals, TIFF
*½/****starring Ellen Barkin, Stephen Adly Guirgis, Jennifer Jason Leigh, Richard Masurwritten and directed by Todd Solondz by Bill Chambers Preceded by the snarkiest, if also funniest, on-screen dedication since The War Zone's "For my father" ("In loving memory of Dawn Wiener"--Dawn being the pre-teen heroine of Todd Solondz's breakthrough feature Welcome to the Dollhouse), Solondz's fifth film, Palindromes, is a virtual sprinkler head oscillating back and forth to spritz everything in the director's purview with venom. (It's his idea of moral ambivalence.) A "palindrome" is something that reads the same forwards and backwards, and by casting several different actresses to…

TIFF ’04: Keane

September 14, 2004Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Mystery, Thriller, TIFF
***½/****starring Damian Lewis, Abigail Breslin, Amy Ryanwritten and directed by Lodge Kerrigan by Bill Chambers It may seem as though Lodge Kerrigan is spinning his wheels by revisiting the territory of his directorial debut two pictures later, but this actually provides a means by which to judge Kerrigan's maturation as an auteur. Only slightly more prolific than Terrence Malick, Kerrigan quietly penetrated the indie scene with 1994's Clean, Shaven, which cast Peter Greene--in a role that brilliantly exploited the actor's own mercurial nature--as Peter Winter, a paranoid schizophrenic scoping out his only child and her new parents; the film furnishes…

TIFF ’04: p.s.

September 13, 2004Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Film Festivals, Romance, TIFF
P.S.**½/****starring Laura Linney, Topher Grace, Gabriel Byrne, Marcia Gay Hardenscreenplay by Helen Schulman and Dylan Kidd, based on the novel by Helen Schulmandirected by Dylan Kidd by Bill Chambers Curious that Dylan Kidd, the mind behind the revelatory Roger Dodger, felt compelled to include a "director's statement" in the pressbook for his sophomore feature, p.s., but it's nonetheless an essential read in that it gives the lie to artist intentionality. "From Aristotle to Joseph Campbell to Robert McKee," Kidd writes, "everyone's in agreement: you can't have drama without obstacles...The idea behind p.s. was to tell a story where nothing stands…

TIFF ’04: Sideways

September 12, 2004Posted in2000s, Authors: Bill Chambers, Comedy, Drama, Film Festivals, TIFF
***/****starring Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Ohscreenplay by Alexander Payne & Jim Taylor, based on the novel by Rex Pickettdirected by Alexander Payne by Bill Chambers Alexander Payne has a gift for wry humour, of course, and in Sideways, there's a nice, sardonic hold on a bathroom door's sign--"MEN"--after Jack (Thomas Haden Church), having learned nothing from a sour indiscretion that netted him a broken nose, starts hitting on a waitress. By the same token, the curlicue noted above is typical of the level of organization, for lack of a better word, in Payne's work, which always…

TIFF ’04: I ♥ Huckabees

September 11, 2004Posted in2000s, Authors: Bill Chambers, Comedy, Esoterica, Film Festivals, Germany, TIFF, UK
i ♥ huckabeesI Heart Huckabees**/****starring Dustin Hoffman, Isabelle Huppert, Jude Law, Jason Schwartzmanscreenplay by David O. Russell & Jeff Baenadirected by David O. Russell by Bill Chambers David O. Russell's debut feature Spanking the Monkey now bears the mark of Kane. (Citizen, that is.) A funny, caustic mood-piece that heralded the Second Coming of Hal Ashby, it was also an impossible thing to live up to--or down, for that matter, Spanking the Monkey's mother-son incest plot in some ways a modern correlative to Citizen Kane's taboo-shattering demystification of William Randolph Hearst. Russell's work since (Flirting with Disaster, Three Kings) has…

TIFF ’04: White Skin

September 10, 2004Posted in2000s, Authors: Bill Chambers, Canada, Drama, Film Festivals, Horror, Mystery, Thriller, TIFF
La Peau blanche**/****starring Marc Paquet, Marianne Farley, Frédéric Pierre, Jessica Malkascreenplay by Joël Champetier, Daniel Roby, based on the novel by Joël Champetierdirected by Daniel Roby by Bill Chambers I had a pretty good idea of where White Skin (La Peau blanche) was headed, and although I was more tickled that it had the French-word-for-chutzpah to go to those ludicrous extremes than disappointed that the outcome was vaguely predictable (if movies never failed to surprise me, it would only mean that I watch as many as I do in vain (besides which, no film uses a clip from Rabid indiscriminately)),…

TIFF ’04: Tarnation

September 8, 2004Posted in2000s, Authors: Bill Chambers, Documentary, Film Festivals, TIFF
***/****written and directed by Jonathan Caouette by Bill Chambers Stylistically falling somewhere between avant-garde and dog's-breakfast, Jonathan Caouette's Tarnation invents an ethos to go along with the name of the editing software, "iMovie," used to assemble it, giving us what feels like the world's first "I" movie. The film doesn't so much defy description as resist it (Frank Zappa's "dancing about architecture" maxim applies here), but clearly a summary shouldn't be discouraged, as the more subjective the work, the greater the chance it stands of becoming the salvation of some disenfranchised individual. (Caouette himself says he was relieved to find…

TIFF ’04: Blood

September 7, 2004Posted in2000s, Authors: Bill Chambers, Canada, Drama, Film Festivals, TIFF
*½/****starring Emily Hampshire, Jacob Tierneyscreenplay by Jerry Ciccoritti, based on the play by Tom Walmsleydirected by Jerry Ciccoritti by Bill Chambers Just the other day I watched Dial M for Murder, a single-set movie faithfully adapted from a stage play that never quite becomes theatre-on-film because, let's face it, we're talking about Alfred Hitchcock here. Jerry Ciccoritti is no Alfred Hitchcock--not that Ciccoritti's Blood wants or tries to be Dial M for Murder, but its Mike Figgis, let's-see-what-this-button-does aesthetic so reeks of overcompensation as to end up not only preserving the material's stage roots in amber, but also lulling us…

TIFF ’04: 5×2 – Five Times Two

September 6, 2004Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, France, Romance, TIFF
Cinq fois deux**/****starring Valérie Bruni-Tedeschi, Stéphane Freiss, Géraldine Pailhas, Françoise Fabianscreenplay by François Ozon & Emmanuèle Bernheimdirected by François Ozon by Bill Chambers Racking up an unorthodox number of short films before tackling his first feature, 1998's lead balloon Sitcom, the prolific François Ozon returns to his roots in a way with 5x2 - Five Times Two (5x2 - Cinq fois deux), a collection of five vignettes that charts an ill-fated marriage--backwards. As the picture opens, Marion (archetypal Ozon blonde Valérie Bruni-Tedeschi) and Gilles (Stéphane Freiss) are being read the terms of their divorce agreement; as the picture closes, the…

TIFF ’03: The Agronomist

September 16, 2003Posted in2000s, Authors: Bill Chambers, Directors: Jonathan Demme, Documentary, Film Festivals, TIFF
**½/****directed by Jonathan Demme by Bill Chambers Jonathan Demme alternates between fiction and documentary filmmaking, a practice that has gone curiously unheralded for an Academy Award-winning director of both mainstream and cult repute. If The Agronomist is any indication of what to expect from Demme's Cousin Bobby or Storefront Hitchcock, to name two of his earlier documentaries thus far unseen by yours truly, I can see why his studio features garner all the attention: though a committed work (Demme began tracking the exploits of his subject, slain Haitian radio journalist Jean Dominique, as far back as the late-Eighties), The Agronomist…

TIFF ’03: Bus 174

September 16, 2003Posted in****/****, 2000s, Authors: Bill Chambers, Brazil, Documentary, Film Festivals, TIFF
****/****directed by José Padilha by Bill Chambers Bus 174 sums up its own trumping of the devious City of God with a quote from Sandro do Nascimento, the hostage-taker who becomes the focal point of this absorbing, even-handed documentary: "This ain't no American movie!" Presumed to be on a cocaine bender as he holds the passengers of a Rio city bus at gunpoint, his irrational demands amounting to more firearms (he asks police for "a rifle and a grenade"), Sandro is almost impossible for special forces to psychologically profile: he lets a student go to prevent him from being late…

Virginie Speaks (sorta): FFC Interviews Virginie Ledoyen

September 14, 2003Posted in2000s, Authors: Bill Chambers, Film Festivals, France, Interviews, TIFF

VledoyentitleSeptember 15, 2003|Gallic ingenue Virginie Ledoyen strides confidently into the room, and the second she spots me we say a grinny "Hi!" in unison. Alas, the communication breakdown commences shortly thereafter: I was diagnosed with a swollen eardrum a few days before, and I lead our interview with a pre-emptive apology for any struggle I might encounter trying to hear her, which I think–combined with my being her last in a morning brimming over with interviews and the usual language-barrier issues–caused her to be a tad…brusque in her responses.

TIFF ’03: Undead

September 14, 2003Posted in2000s, Action, Australia, Authors: Bill Chambers, Comedy, Film Festivals, Horror, Sci-Fi, TIFF, Zombie
½*/****starring Felicity Mason, Mungo McKay, Rob Jenkins, Lisa Cunninghamwritten and directed by Peter Spierig & Michael Spierig by Bill Chambers For novice directors, even genre can become an irresistible new toy. So it is with the Spierig Brothers' Undead, an Australian film that liberally applies CG but more detrimentally cribs from every and any horror flick that fanboys ever extolled; those mouth-breathing types who post talkback at AICN have never been this condescended to, yet I fear that Undead's pandering will sail over their heads and lead to a misguided appreciation of the film as a one-stop shop for all…

TIFF ’03: Danny Deckchair

September 13, 2003Posted in2000s, Australia, Authors: Bill Chambers, Comedy, Film Festivals, Romance, TIFF
**/****starring Rhys Ifans, Miranda Otto, Justine Clarke, Rhys Muldoonwritten and directed by Jeff Balsmeyer by Bill Chambers Danny Deckchair is so aware of being a formula fish-out-of-water comedy that it leaves some of the more crucial gestures of plot off its checklist, resulting in a film equally unsatisfying for its clichés and for its lack thereof. Rhys Ifans, that starved Allman brother, plays Danny Morgan, a Walter Mitty-ish construction worker stuck in a dead-end relationship with Trudy (Glenda Lake), a fame-hungry travel agent seeing a TV newsman on the side. Aware that Trudy is sick of his weird inventions, Danny…

TIFF ’03: The Brown Bunny

September 13, 2003Posted in2000s, Authors: Bill Chambers, Drama, Esoterica, Film Festivals, Japan, TIFF
***/****starring Vincent Gallo, Chloe Sevigny, Cheryl Tiegswritten and directed by Vincent Gallo Editor's Note: Roger Ebert responded to this capsule in his print review when The Brown Bunny was finally released to theatres. It sicced his readers on me, which I deserved; I particularly regret my cheap shot at his weight. Fortunately, I met up with him at a TIFF screening of Saw a few weeks later and it was water under the bridge. (He even told a joke: when I asked if he was "seeing Saw," he said, "I thought I'd teeter-totter instead.") I often wonder if I actually…

TIFF ’03: Vodka Lemon

September 12, 2003Posted in2000s, Armenia, Authors: Bill Chambers, Comedy, Drama, Esoterica, Film Festivals, France, Italy, Switzerland, TIFF
***/****starring Lala Sarkissian, Romen Avinian, Ivan Franek, Armen Marouthianscreenplay by Hiner Saleem, Lei Dinety, Pauline Gouzennedirected by Hiner Saleem by Bill Chambers Discombobulating and deadly dull for its initial half-hour, Hiner Saleem's Vodka Lemon coalesces before it's too late into something by no means ineffectual. The first in an accumulation of vignettes finds an old man being schlepped in his bed through the Armenian tundra to a funeral site, where he promptly removes his dentures to pipe a dirge for the other mourners. The picture continues to lightly tread such surreal ground until the whimsical closing shot, in which music…