American Gangster (2007); I’m Not There (2007); No Country for Old Men (2007) + No Country for Old Men [’08 BD + 2-Disc Collector’s Edition] – Blu-ray Discs

American Gangster (2007); I’m Not There (2007); No Country for Old Men (2007) + No Country for Old Men [’08 BD + 2-Disc Collector’s Edition] – Blu-ray Discs

Posted in****/****, 2000s, 2007, 2009, Authors: Bill Chambers, Authors: Walter Chaw, Best Picture (Academy Awards), Biopic, Blu-ray Disc, Canada, Coen Brothers, Crime, Directors: Ridley Scott, Drama, DVD, Esoterica, FFC Must-Own, France, Gangster, Germany, Music, Theatrical, Thriller, UK

AMERICAN GANGSTER
***/****
starring Denzel Washington, Russell Crowe, Chiwetel Ejiofor, Cuba Gooding, Jr.
screenplay by Steven Zaillian
directed by Ridley Scott

I’M NOT THERE
***½/****
starring Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere
screenplay by Todd Haynes & Oren Moverman
directed by Todd Haynes

FFC Must-OwnNO COUNTRY FOR OLD MEN
****/****
’08 BD – Image A+ Sound A+ Extras B-
CE – Image A+ Sound A+ Extras B+
starring Tommy Lee Jones, Javier Bardem, Josh Brolin, Kelly Macdonald
screenplay by Joel Coen & Ethan Coen, based on the novel by Cormac McCarthy
directed by Joel Coen & Ethan Coen

by Walter Chaw Consider the moment when an overly enthusiastic police search results in the demolition of a replica dresser commissioned by Harlem drug lord Frank Lucas (Denzel Washington) for the Carolina plantation he’s bought to house his extended family. In one canny instant, there’s the suggestion that nothing ever changes: the things we lose in time we will always lose. The image Ridley Scott provides for us as he moves the Lucas clan into their new digs is loaded and dangerous, with a group of African-Americans walking up the lush green lawn of an antebellum plantation–usurpers of a corrupt American Dream that, American Gangster posits, is still corrupt and in essentially the same way. True, there’s a cartoon bogey in a New York cop (Josh Brolin) erected as the straw man for all of New York’s Finest who’s profiting off French Connection junk (gasp, he shoots a dog, and probably also smokes)–but the real villainy in the picture is the idea that the path to true status and achievement in the United States is on the backs of not just others, but entire groups of others.

Lakeview Terrace (2008) – Blu-ray Disc

Posted in2000s, 2008, 2009, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, Thriller, Will Smith

***/**** Image A- Sound A- Extras A
starring Samuel L. Jackson, Patrick Wilson, Kerry Washington, Jay Hernandez
screenplay by David Loughery and Howard Korder
directed by Neil LaBute

by Walter Chaw It’s wrong to say that Neil LaBute’s Lakeview Terrace, despite its literal miscegenation subplot and the openness of its main character’s intolerance, is about race and racism in a year that’s already seen its fair share of the renewal of the race conversation in the United States, both in and out of the cineplex. Because it’s a LaBute picture, closer to the truth that Lakeview Terrace is a film about misanthropy–that no matter the cloth, the uniform is the general shittiness with which we treat each other–and, more, how easily we shed the raiments of civilization when confronted with the brute, caveman essence of competing for sex. It’s not as scabrous as LaBute’s early work, but I wonder if that isn’t a function in part of the spirit of a year that found miscegenation as a secondary conceit of the mainstream’s Fourth of July tentpole flick, Hancock. The twist in Lakeview Terrace is that the bigot front and centre is a black man (named after Biblical Abel, no less) and that it’s all been genre-mixed in the cop-gone-rogue, Internal Affairs/Unlawful Entry tradition, speaking ultimately to the distinct ’70s feeling of paranoia towards authority that’s resurfaced in films of the last eight Bush years while trying, with some success, to refocus racism into generalized rage, confusion, frustration, and intolerance. After seven years of examining the lines against which society coalesces when the world falls down, here’s a film about the tenuous handshake that tenants of the new world order have with the re-gelling of society. In a lot of ways, Lakeview Terrace belongs in a conversation about the recent spate of flicks concerning war veterans returning from the front (like The Lucky Ones, or Home of the Brave (also starring Samuel L. Jackson)) of an unpopular war broken, angry, and unfit for the hypocrisy of peaceful coexistence.

The Haunting in Connecticut (2009)

Posted in2000s, 2009, Authors: Ian Pugh, Canada, Drama, Horror, Mystery, Theatrical, Thriller, UK

*/****
starring Virginia Madsen, Kyle Gallner, Martin Donovan, Elias Koteas
screenplay by Adam Simon & Tim Metcalfe
directed by Peter Cornwell

by Ian Pugh SPOILER WARNING IN EFFECT. Never mind all of this “true story” malarkey–what really makes The Haunting in Connecticut stand out from the pack is the sociopathic obnoxiousness with which it’s been marketed to moviegoers. The dark and depressing trailers are bad enough, but who can forget the giant ad that invaded YouTube‘s front page last week that showed a young boy ejecting a gravity-defying stream of vomit before inviting the user to “click to watch two dead boys”? Though “dead boys” is actually a reference to the famous folk poem (as in “back to back they faced each other”), it’s still not exactly the smartest way to promote your wares outside the hopefully-miniscule sadist demographic–especially when the final product ends up being cookie-cutter ADD bullshit like The Haunting in Connecticut.

Quantum of Solace (2008)

Quantum of Solace (2008)

Posted in2000s, 2008, 2009, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Espionage, Italy, James Bond, Mystery, Thriller, UK

½/**** Image A+ Sound A+ Extras C
starring Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench
screenplay by Paul Haggis and Neal Purvis & Robert Wade
directed by Marc Forster

by Walter Chaw Sex without foreplay, Marc Forster’s limp dick of a James Bond flick Quantum of Solace takes the kinetic, angry ugliness of Casino Royale and, together with Paul Haggis’s Dances with Wolves screenplay of affected naivety and wide-eyed, late-blooming outrage, fashions a most-unwelcome return to the hoary Bond franchise of old. As if aware that all that stuff about Bolivian peasants pining for water might be connected, and queasily, to Indiana Jones and the Temple of Doom (a daring cargo-jet escape is similarly cribbed from that film), Quantum of Solace does its level best to strip entire set-pieces from the Bourne series (a knife fight, the close-quarters disarming of government agents, the roof-top flight), forgetting in the process to port over the coherence of Doug Liman or Paul Greengrass choreography. The picture’s idea of an action sequence consists of extreme close-ups of two vehicles involved in some kind of ill-defined skirmish intercut with extreme close-ups of Bond and some bad guy who looks just like him intercut with flashes and body parts, ending in Bond walking away with a wry grimace on his face. What a real director could have done with the prologue on a winding mountain road in Italy that has a truck nudged off it by the baddies almost pancake 007 on the way down. And what a real screenwriter could have done with the concept of Bond as the remorseless liquid terminator from T2. Instead we get admittedly only the logical offspring of this ill-begotten union between the guy who directed The Kite Runner and Finding Neverland and the asshole who wrote Crash and a few episodes of “The Facts of Life”. Whoever had the bright idea that this would be the magical, gritty duo to continue the resuscitation of Albert Broccoli’s dusty old wet-dream of a crusading GOP avatar desperately needs to be shown the door.

The One (2001) – [Special Edition] DVD|Blu-ray Disc

Posted in2000s, 2009, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Martial Arts, Sci-Fi, Thriller

*/****
DVD – Image A Sound A Extras A
BD – Image A- Sound A- Extras A
starring Jet Li, Carla Gugino, Delroy Lindo, Jason Statham
screenplay by Glen Morgan & James Wong
directed by James Wong

by Walter Chaw The confused child of “Sliders” and Highlander, the latest attempt to translate Jet Li’s appeal for an American audience is James Wong and Glen Morgan’s asinine-but-breezy sci-fi actioner The One. Li is good cop Gabe, who, in a world of 124 parallel universes, discovers that he is one of two “Gabes” left. Li is also, in the great tradition of Twin Dragons and Double Trouble, evil universe-hopper Yulaw, who has discovered that each incarnation of himself he kills increases the strength and intelligence of his remaining selves. Blazing a trail of terror through 123 universes, Yulaw intends to become “the one” Jet Li: a super-genius killing machine.

The French Connection (1971) [Five Star Collection] – DVD|Blu-ray Disc

The French Connection (1971) [Five Star Collection] – DVD|Blu-ray Disc

Posted in1970s, 2009, Action, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Best Picture (Academy Awards), Blu-ray Disc, Crime, Directors: William Friedkin, Drama, DVD, Thriller

***/****
DVD – Image A Sound B+ Extras A+
BD – Image D+ Sound B- Extras A+
starring Gene Hackman, Fernando Rey, Roy Scheider, Tony Lo Bianco
screenplay by Ernest Tidyman
directed by William Friedkin

by Travis Mackenzie Hoover There’s no denying the skill that went into The French Connection. It’s the runner-up exciting film about people doing almost nothing, second only to All the President’s Men–and I’m only half-joking when I say that. It takes a director with vision to make a couple of guys tailing a couple of other guys interesting, and William Friedkin definitely has the vision: he single-handedly creates the meaning that holds the sketchy script together and keeps us caring about whether our heroic flatfoots get their dubious man. That meaning, however, ought to give us pause, as it makes that same year’s hit Dirty Harry look like Easy Rider by comparison.

Gomorrah (2008) + Slumdog Millionaire (2008)

Posted in2000s, 2008, 2009, Authors: Walter Chaw, Best Picture (Academy Awards), Crime, Drama, France, Germany, India, Italy, Romance, Theatrical, Thriller, UK

Gomorra
***½/****
starring Salvatore Abruzzese, Simone Sacchettino, Salvatore Ruocco, Vincenzo Fabricino
screenplay by Maurizio Braucci & Ugo Chiti & Gianni Di Gregorio & Matteo Garrone & Massimo Gaudioso & Roberto Saviano, based on the book by Saviano
directed by Matteo Garrone

SLUMDOG MILLIONAIRE
*/****
starring Dev Patel, Freida Pinto, Madhur Mittal, Anil Kapoor
screenplay by Simon Beaufoy, based on the novel Q & A by Vikas Swarup
directed by Danny Boyle and Loveleen Tandan

by Walter Chaw Dropping us in the middle of Italian slum Scampia, itself smack dab in the middle of nothing, Matteo Garrone’s Gomorrah (Gomorra) is the Hud of gangster flicks, all deglamourized, harsh, expressionist stripping-away of illusions and idealism to reveal the gasping, grasping emptiness underneath. Like Hud, the source of that idealism is years of cinema supporting a romanticized iconography: the American western in Martin Ritt’s film, the collected works of Francis Coppola and Martin Scorsese in Garrone’s peek inside the ways of this thing of ours. Unlike Hud, there’s no intimation of a “happy” ending for the sociopaths of Gomorrah–no feeling that for whatever the cost to a normalized (idealized?) existence, the outcasts and opportunists living their lives in imitation of Tony Montana are doomed to their tough-guy surfaces and the anonymous deaths predicted for them during a brutal prologue. Non-narrative and populated by a non-professional cast of locals and unusual suspects, the picture, however steeped in naturalism, is finally a formalist piece about as free of structure as Sartre–and every bit as meticulous. This “No Exit” (and the French title of Sartre’s play fascinatingly translates, when applied to a discussion of a film, as “In Camera”) and its unlocked oubliette is Scampia: The players in organized crime are imprisoned there by choice, trapped by the validation they desire from one another.

Max Payne (2008) – DVD|Blu-ray Disc

Max Payne (2008) – DVD|Blu-ray Disc

Posted in2000s, 2008, 2009, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Canada, Crime, Drama, DVD, Mystery, Thriller

**/****
DVD – Image N/A Sound B Extras C
BD – Image A Sound A+ Extras B-
starring Mark Wahlberg, Mila Kunis, Beau Bridges, Olga Kurylenko
screenplay by Beau Thorne
directed by John Moore

by Walter Chaw Valkyries: a staple of Norse mythology, right? Picking sides in fights, flying the fallen to Valhalla, and becoming winged waitstaff in that eternal beer hall in the sky. (Or fat women in Wagner.) First thing that comes to mind isn’t a mind-blowing, Timothy Leary-esque freak out–unless you’re John Moore’s ridiculous Max Payne. That isn’t the worst thing about Max Payne, but it’s one of them. And while there’s no crime in appropriating concepts you don’t entirely understand, there probably should be. This is not a smart movie, and it doesn’t know whether it should be a faithful adaptation of its video game source material or a post-modern take on films noir, though it should be said that it looks beautiful anyway, a successful iteration of the Sin City aesthetic. The only thing really missing from its retinue of noir tropes is a stoic anti-hero at its centre; Max Payne badly miscalculates not in casting professional lump of meat Mark (Talks to Animals) Wahlberg, but in subsequently allowing him to attempt a fully fleshed-out performance when his usual monotone would’ve fit the pomo/homage portion of this film perfectly.

The International (2009)

Posted in2000s, 2009, Action, Authors: Walter Chaw, Crime, Drama, Espionage, France, Germany, Mystery, Theatrical, Thriller, UK

*/****
starring Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O’Byrne
screenplay by Eric Warren Singer
directed by Tom Tykwer

by Walter Chaw There’s a shootout at the Guggenheim in the late-middle of The International that is the only real clue director Tom Tykwer had anything to do with the film. The rest of it, despite its title reminding of that Christopher Walken SNL skit about velvet smoking jackets and attempted rape, is just more of the same musty prestige-y Topical Picture™ that usually stars people like Sean Penn or Kevin Costner instead of, as The International does, Clive Owen and Naomi Watts. Bland and blander, as it turns out. A rumpled Owen is Salinger, some kind of ill-defined crusader for justice with a badge from Interpol and a dark past from Syd Field, while Watts, as ADA Elly, spends her first scene with a Boston/Newark accent and the rest with her standard-issue Yank. They’re tepid on the trail of a big giant bank that has a nefarious plan to control debt, which I confess is what I thought banks do. With the picture more interested in mashing its thumb against the “Relevant” button than in creating characters of interest, villains who frighten, and situations that involve, Tykwer, for his part, seems at a loss as to how to employ his agile camera and so trusts a premise that’s already feeling a little mothballed for the collapse and bailout of our banking system. It doesn’t matter that The International doesn’t know what to be from one minute to the next–what matters is that it’s an exact replica of The Interpreter in every way that counts and is, therefore, completely, immanently, blessedly forgettable.

The Mummy: Tomb of the Dragon Emperor (2008) [2-Disc Deluxe Edition]; Wanted (2008) [2-Disc Special Edition]; Mamma Mia! [2-Disc Special Edition] – DVDs

Posted in2000s, 2008, 2009, Action, Adventure, Authors: Walter Chaw, Canada, China, Crime, DVD, Fantasy, Germany, Musical, Romance, Thriller, UK, War, ZERO STARS

THE MUMMY: TOMB OF THE DRAGON EMPEROR
ZERO STARS/**** Image A Sound A Extras D
starring Brendan Fraser, Jet Li, Maria Bello, Michelle Yeoh
screenplay by Alfred Gough & Miles Millar
directed by Rob Cohen

WANTED
*/**** Image A Sound A Extras D
starring James McAvoy, Morgan Freeman, Terence Stamp, Angelina Jolie
screenplay by Michael Brandt & Derek Haas and Chris Morgan, based on the comic books by Mark Millar and J.G. Jones
directed by Timur Bekmambetov

MAMMA MIA!
ZERO STARS Image B Sound A Extras C-
starring Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Stellan Skarsgård
screenplay by Catherine Johnson, based on the songs of ABBA
directed by Phyllida Lloyd

by Walter Chaw Fast becoming the post-Welles RKO without a commensurate Val Lewton to grease the transition from art to filthy lucre, today’s Universal Pictures finds itself a long, long way from Psycho with a bumper crop of genuinely bad movies reverse-engineered from past box-office champions. Each of them–The Mummy: Tomb of the Dragon Emperor, Wanted, and Mamma Mia!–broke the golden 100-million dollar mark, since they were made with just the Benjamins in mind; sadly, only the criticism of flaccid attendance was likely to curb an endless march of identical pictures this year. For the simple-minded, the success of these films despite the near-universal condemnation of them by anyone with a working prefrontal lobe is proof positive that critics are out of touch with the common man. On the contrary, I’d offer that, asked whether he thought the atrocious The Mummy: Tomb of the Dragon Emperor (hereafter The Mummy 3) would be financially successful, the average critic would have said he’d be surprised if it didn’t do a hundred mil in its first three weeks of release. Out of touch is believing that something is good because it makes a lot of money.

Push (2009)

Posted in2000s, 2009, Action, Authors: Walter Chaw, Canada, Sci-Fi, Superhero, Theatrical, Thriller

**/****
starring Chris Evans, Dakota Fanning, Camilla Belle, Djimon Hounsou
screenplay by David Bourla
directed by Paul McGuigan

by Walter Chaw Here’s the thing: I like Paul McGuigan’s movies. They’re facile, it’s true, eye candy–if, on occasion (Wicker Park), brilliant eye candy–and slick genre pieces that aren’t really about anything in the sense that they aren’t at all resonant in any meaningful way. He’s done a Hitchcock (Wicker Park again) and a gangster flick (Gangster No. 1) and a costume epic (The Reckoning) and a caper (Lucky Number Slevin), and now with Push he’s done his superhero flick; and not a one of them has something to say outside itself. They’re post-modern in that sense, pure genre pieces reliant entirely on our conversance with the medium to provide their form and function. They’re feature-length music videos–and I mean this as a compliment–that hum along with a kick-ass soundtrack, sexy imagery, and the ghost of a narrative to string it all together. They go down easy and there’s not much of an aftertaste. That being said, Push doesn’t benefit from familiarity: the craft is excellent, there are moments in it that harbour tremendous potential, but at the end of the day, it’s just another superhero movie that suffers from not having Bryan Singer’s alienation issues or Christopher Nolan’s existential identity crisis. What works in McGuigan’s other work as a nice corrective to genres burdened by too much close scholarship washes out in Push as either too late or, more likely, too soon. In any case, what plagues the film is that it lacks much in the way of difference.

Blue Streak (1999) – Blu-ray Disc

Posted in1990s, 2009, Action, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Crime, Germany, Thriller

**/**** Image A- Sound B Extras C+
starring Martin Lawrence, Luke Wilson, Dave Chappelle, William Forsythe
screenplay by Michael Berry & John Blumenthal and Steve Carpenter
directed by Les Mayfield

by Bryant Frazer Very early on in Blue Streak, as Miles Logan, the character portrayed by a fast-talking Martin Lawrence, co-opts Dr. Martin Luther King’s famous “I Have a Dream” speech to describe his own civil rights movement upon getting released from the joint after serving time for his role in a botched jewel heist, it’s clear the film is aiming for giddy irreverence. But slavish conformance to most conventions of the late-1990s PG-13 action farce keeps it from scaling the kind of heights that Lawrence’s confident and wholly unpretentious comic presence occasionally suggests.

Zodiac (2007) [2-Disc Director’s Cut] – Blu-ray Disc

Zodiac (2007) [2-Disc Director’s Cut] – Blu-ray Disc

Posted in2000s, 2007, 2009, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Directors: David Fincher, Drama, Mystery, Thriller

***/**** Image A+ Sound A+ Extras A+
starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr., Anthony Edwards
screenplay by James Vanderbilt, based on the book by Robert Graysmith
directed by David Fincher 

by Walter Chaw The best film of its kind since All the President’s Men, David Fincher’s Zodiac is another very fine telephone procedural drawn from another landmark bit of investigative journalism–though more fascinatingly, it’s another time capsule of a very specific era, flash-frozen and suspended in Fincher’s trademark amber. Still, by the very nature of its subject matter, Zodiac deals in millennial anxieties: the un-‘catchable’ foe; the unknowable cipher; the futility of the best efforts of good and smart men; and the disintegration of the nuclear family smashed to pudding in a diving bell collapsed under the pressure of the sinking outside. The film is as remarkable as it is because it’s about something as simple and enchanted as the human animal–not just bedraggled San Francisco detective Toschi (Mark Ruffalo), but also Zodiac’s two female victims and, in a strange echo, two almost-invisible wives: Toschi’s (June Raphael) and that of newspaper cartoonist Robert Graysmith (Jake Gyllenhaal). Easy to say that actresses Raphael and Chloë Sevigny are wasted by being given nary anything to work with outside a terrified moment and a single speech, respectively; better to say that they assume the only function they can in a picture revolving around male cooperation and survival in a world that has reduced itself to the barbarous niceties of macho religions and arcane rituals. No accident that the Zodiac Killer’s partiality to a medieval code is central to a key revelation.

Sundance ’09: The Killing Room

Posted in2000s, 2009, Authors: Alex Jackson, Film Festivals, Mystery, Sundance, Thriller
**/****starring Chloë Sevigny, Peter Stormare, Clea DuVall, Timothy Huttonscreenplay by Gus Krieger, Ann Peacockdirected by Jonathan Liebesman by Alex Jackson Jonathan Liebesman's The Killing Room would still have been pretty hokey five years ago, but in 2009, with the election and inauguration of Barack Obama, it's looking nothing short of obsolete. Genre filmmakers are going to have to face the fact that the Bush years are over. One of our new president's very first acts while in office was to shut down Guantanamo Bay; if torture porn wants to survive into the next decade, it's going to have to reinvent…
Dead & Buried (1981) [Limited Edition] – DVD|Blu-ray Disc + I Know What You Did Last Summer (1997) [Special Edition] – DVD|Blu-ray Disc

Dead & Buried (1981) [Limited Edition] – DVD|Blu-ray Disc + I Know What You Did Last Summer (1997) [Special Edition] – DVD|Blu-ray Disc

Posted in1980s, 1990s, 2009, Authors: Bill Chambers, Blu-ray Disc, Blue Underground, DVD, Horror, Mystery, Thriller

DEAD & BURIED
***/****
DVD – Image B- Sound C+ (Remixes)/B (Mono) Extras A
BD – Image B+ Sound B Extras A-
starring James Farentino, Melody Anderson, Jack Albertson, Lisa Blount
screenplay by Ronald Shusett and Dan O’Bannon
directed by Gary A. Sherman

I KNOW WHAT YOU DID LAST SUMMER
**/****
DVD|BD – Image A- Sound A Extras A-
starring Jennifer Love Hewitt, Sarah Michelle Gellar, Ryan Phillippe, Freddie Prinze, Jr.
screenplay by Kevin Williamson, based on the novel by Lois Duncan
directed by Jim Gillespie

by Bill Chambers SPOILER WARNING IN EFFECT. Gary A. Sherman’s Dead & Buried and Jim Gillespie’s I Know What You Did Last Summer, released theatrically fourteen years apart, together demonstrate that the more the horror genre stays the same, the more it changes. Each of these B-movies resorts to similar cheap tricks (first and foremost a coastal setting (the atmospheric equivalent of a non-perishable in horror)) and traffics in pessimism, yet one is genuinely hopeless and the other is trendily nihilistic–karo syrup as late-Nineties fashion accessory. A great gulf stands between the sensibilities of the two pictures that’s unearthed by drawing other such subtle distinctions: one is cruel, the other callous; one is about death, the other about killing; one is sexy, the other exploitive; and so on and so forth. Virtually indescribable to modern audiences despite its familiar elements, Dead & Buried is a Darwinian fossil of the horror cinema, whose DNA has been perverted by the progressive commercialization of the culture and weakening of the intellectual position. Simplified: Current scare flicks still sometimes enjoy provocative subtext (like the recent Freddy Vs. Jason); more often, they die on the vine from WB-itis.

Day of the Dead (2008) + Lost Boys: The Tribe (2008) [Uncut Version] – DVDs

Posted in2000s, 2008, 2009, Action, Authors: Walter Chaw, Canada, Comedy, DVD, Horror, Sci-Fi, Thriller, Vampire, ZERO STARS, Zombie

DAY OF THE DEAD
ZERO STARS/**** Image B Sound B Extras C
starring Mena Suvari, Nick Cannon, Michael Welch, Ving Rhames
screenplay by Jeffrey Reddick
directed by Steve Miner

LOST BOYS: THE TRIBE
*½/**** Image B- Sound B Extras D
starring Tad Hilgenbrinck, Angus Sutherland, Autumn Reeser, Corey Feldman
screenplay by Hans Rodionoff
directed by P.J. Pesce

by Walter Chaw As I’m an avowed fan of George Romero’s severely underestimated Day of the Dead, imagine my unsurprised chagrin when über-hack Steve Miner’s remake of Romero’s third zombie outing falls far nearer in quality to Tom Savini’s dishonourable remake of Night of the Living Dead than to Zach Snyder’s better-than-the-original Dawn of the Dead. A mess from conception to execution, the picture’s first misstep is to turn the splatter effects over to cheap-o CGI phantoms and allow the ridiculous cardboard stencils played by Mena Suvari and–horrors–Nick Cannon to run roughshod. The soul of Romero’s flicks–of all good zombie flicks–lies in their social awareness and in the ultimate feeling that whatever chills and thrills enjoyed along the way, it was all a metaphor for something more interesting than an end-of-days high concept.

Touch of Evil (1958) [50th Anniversary Edition] – DVD

Posted in****/****, 1950s, 2009, Authors: Alex Jackson, Crime, Directors: Orson Welles, DVD, FFC Must-Own, Thriller

****/**** Image A+ Sound A Extras A
starring Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia
screenplay by Orson Welles, based on the novel Badge of Evil by Whit Masterson
directed by Orson Welles

by Alex Jackson Particularly in light of its 50th Anniversary DVD reissue, which gathers together all three extant versions of the film, I find myself grouping writer-director Orson Welles’s Touch of Evil with multiple-incarnated masterworks like Blade Runner, Apocalypse Now, and, to a lesser extent, Dawn of the Dead and Brazil. Moreover, I don’t quite see it as a 1950s noir thriller from Universal, or even really as an Orson Welles picture–rather, I look at Touch of Evil as a canonical part of every young (male?) cinephile’s indoctrination. It occurs to me that you should be able to buy one-sheets for it at your local record store. So I was mildly surprised to hear Jonathan Rosenbaum admit in his audio commentary that he disliked the picture when he saw it as a teenager. He explains that he tied it too closely to the film noir genre and found it an unpleasant specimen. David Edelstein, in his theatrical review of the 1998 restoration, writes that he initially regarded it as one of the worst movies ever made. The picture neatly conformed to his preconceptions of what bad movies are like.

Revolver (2005) – DVD|Blu-ray Disc

Posted in2000s, 2009, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, DVD, France, Mystery, Thriller, UK

*/****
DVD – Image A Sound A Extras C-
BD – Image A Sound A Extras C-
starring Jason Statham, Ray Liotta, Vincent Pastore, Andre Benjamin
written and directed by Guy Ritchie

by Walter Chaw Give Guy Ritchie a little credit for being ambitious and take a little away from him for being so relentlessly pussy-whipped that Revolver, his return to the neo-Mod gangster genre that made his name, is one part rumination on the mystical mumbo-jumbo of his then-wife’s Kabbalah, one part exploration of the self-actualized ego, and every part pretentious, pseudo-intellectual garbage. It’s so fascinated with itself that the yak-track on the film’s DVD and Blu-ray releases finds Ritchie periodically consulting his assistant as an augur of whether or not Ritchie has gotten too complicated for the audience of nitwits not put off enough by the movie to avoid watching it again with the commentary activated. He believes he’s created something of such vast, far-reaching, ungraspable, existential implication that this cheap, showy action pic is the ne plus ultra of modern experience, with Ritchie our schlock Zoroaster, guiding us through avatar Jake Green (Jason Statham) as he emerges from years of solitary confinement, during which he learned the parameters of the perfect con by intercepting the chess moves of the two prisoners on either side of him. Jake has claustrophobia, something Ritchie helpfully offers is a “metaphorical fear,” by which I think he means that it’s a metaphor for all fear; his clumsiness with the articulation of this single concept illustrates how it is that the rest of it is such a godawful mess. Consider Revolver‘s interesting only to the extent that Ritchie’s self-absorption is ironic when applied to a picture about the internal struggle between Freud’s personality strata–never mind that Jake’s Super-Ego is André Benjamin and his Id appears to be motherfucking Big Pussy. Jesus, this is a stupid movie.

Defiance (2008)

Posted in2008, 2009, Action, Authors: Walter Chaw, Drama, Theatrical, Thriller, War

½*/****
starring Daniel Craig, Liev Schreiber, Jamie Bell, Alexa Davalos
screenplay by Edward Zwick & Clay Frohman
directed by Edward Zwick

by Walter Chaw It’s finally happened: Red Dawn with Russian Jews. It’s not so much unthinkable as inevitable after the fact. You could go your whole life without conjuring something so perverse; it’s the kind of thing “South Park” might have done at a quarter the budget, with thrice the ingenuity, and without the star power of über-studs Daniel Craig and Liev Schreiber making a pretty convincing play for inclusion in the bad accent hall of fame. When Craig, as heroic bandit Tuvia Bielski, delivers his St. Crispian’s Day speech in half-pidgin/half-Queen’s English (“Uff vee shut die? Tlyin to liff? At least we die like human beings!”) as director Ed Zwick ladles on the Fiddler on the Roof score and we get reaction shots of a Dickensian urchin all dirt and eyes, what choice do we have but to harden our hearts and wonder how it is that every “true story” run through this prestige mill ends up exactly the same grain. The moment when Tuvia and his woodsman brother Zus (Schreiber) take on the responsibility of two fine young lasses at the behest of a set-upon farm family, however, is the moment that it clicks that this piece of macho bullroar is a direct blood descendant of John Milius’s stupidest movie of 1984. There but for the grace of Swayze and Sheen goes Defiance–a film so bad that it’s not only worse than Red Dawn, but worse because instead of positing an imaginary occupation of heartland America, it sets itself smack dab in the middle of the Nazi occupation of Belorussia circa 1941–suggesting in the process that while it’s not true there was no Jewish resistance in WWII, it might be true that the reason so many were killed is because they weren’t as macho as Tuvia and Zus. Kind of a sticky wicket, that.

The Spirit (2008)

Posted in2000s, 2008, Action, Authors: Walter Chaw, Crime, Theatrical, Thriller, ZERO STARS

ZERO STARS/****
starring Gabriel Macht, Eva Mendes, Sarah Paulson, Samuel L. Jackson
written and directed by Frank Miller

by Walter Chaw Frank Miller is something like a god in the modern comics era–at least he is to me. The guy who invented the graphic-novel form for most non-true-believers with his The Dark Knight Returns, he’s recently been in the conversation because of the film made from his Sparta book (300) and Robert Rodriguez’s excellent, Miller-driven Sin City, and he’s the one who introduced to me the idea that comic books were a medium and not a genre. So when Miller reveals that he’s taking the reins of a big-budget comic-book adaptation, there’s reason for excitement that something from his extensive backlog could see the light of day under its creator’s hand. (I have the same hope for that asshole Alan Moore, as well as Grant Morrison–and, hell, Sergio Aragones.) Astonishing, then, that he would first choose to adapt Will Eisner’s seminal, 1940s comic inset “The Spirit”, then to adapt it as an acid, unfunny ape on the kinds of films Miller himself has helped to popularize. It tastes like a bitter pill, like sour grapes masquerading as satire without a real clear indication of what Miller so dislikes about the recent hits based on his work. A waste of time to say that The Spirit is dreadful (and an understatement besides: The Spirit makes dreadful look like Van Gogh); and it’s hardly more fruitful to poke holes in the whys and wherefores of its failure when those are obvious from the first five minutes of its benighted existence. Time is better spent, perhaps, trying to pull out of it some sort of insight into why no one called “shenanigans” on this abortion at any point. It’s unbelievable, really. And far from dissuading me from the idea that Miller is a genius, I’d argue that it takes a special kind of genius to make something this full of bile, this incompetent, this unwatchable, this bad.