The Bourne Legacy (2012) – Blu-ray + DVD + Digital Copy + Ultraviolet

December 11, 2012Posted in2012, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Espionage, Japan, Thriller

Bournelegacy1

½*/**** Image A+ Sound A Extras B-
starring Jeremy Renner, Rachel Weisz, Edward Norton, Stacy Keach
screenplay by Tony Gilroy & Dan Gilroy
directed by Tony Gilroy

by Walter Chaw By the end of Tony Gilroy’s unbearably long and talky The Bourne Legacy, one is left feeling as though the film hasn’t even started yet. Nothing happens in it, and the only thing it inspires is anticipation: it’s all first act; all supplementary material; all self-importance and hot air. Jason Bourne (Matt Damon) sits this one out while another similar soldier, Aaron Cross (Jeremy Renner), occupies a space parallel to the first three films, climbing mountains, Grey-ing wolves, and saving hot virologist Dr. Marta (Rachel Weisz) from the clutches of our evil government so that she can infect him with a virus that makes him smart. This leads to a moment, inevitable, where Cross suggests that losing 12 points off his artificially inflated IQ would result in some personal “Flowers for Algernon” apocalypse where 12 points would probably result in him forgetting his phone number at worst. It also leads to a series of incoherent flashbacks that fit in perfectly with Gilroy’s impossible-to-follow action sequences; if you’re just going to turn a camera on and throw it out a window, why bother trying to set it up? For those keeping score, there are more spinning Lazy Susan shots here than in Transformers: Asshole. You’ve been warned.

The Big Heat (1953) – Blu-ray Disc

December 6, 2012Posted in****/****, 1950s, 2012, Authors: Walter Chaw, Blu-ray Disc, Gangster, Mystery, Thriller

Bigheat9

****/**** Image A Sound C+ Extras B
starring Glenn Ford, Gloria Grahame, Jocelyn Brando, Alexander Scourby
screenplay by Sydney Boehm, based on William P. McGivern’s SATURDAY EVENING POST serial
directed by Fritz Lang

by Walter Chaw The pinnacle of Fritz Lang’s American noir output, The Big Heat vacillates between hard-bitten and surprisingly tender. A movie of dualities, it positions Glenn Ford’s Det. Sgt. Bannion on the liminal borders between dialectic states: he presents a familiar hardboiled veneer on the one side, a broken, exhausted, eventually devastated family man on the other. The picture partitions noir bodily, forcefully into the margins of the gender divide, and it confronts, full-on, the popular conception of the ’50s nuclear family. It appears fully formed, an irritant to the hegemony of the American myth of nuclear/consumer nirvana, and it suggests that the cultural upheaval that would result in the helter-skelter ’60s started showing its fatigue early. The Big Heat is Rebel Without a Cause, except the mother is killed and the gay kid lives.

The Dark Knight Rises (2012) – Blu-ray + DVD Combo Pack

The Dark Knight Rises (2012) – Blu-ray + DVD Combo Pack

December 3, 2012Posted in2012, Action, Adventure, Authors: Walter Chaw, Crime, Directors: Christopher Nolan, Disaster Movie, Drama, Superhero, Thriller, UK

***½/**** Image A- Sound A+ Extras A-
starring Christian Bale, Michael Caine, Gary Oldman, Anne Hathaway
screenplay by Jonathan Nolan and Christopher Nolan
directed by Christopher Nolan

by Walter Chaw For all its overreaching (and what’s perilously close to a training montage), Christopher Nolan’s The Dark Knight Rises is fascinating, engaging, and aggressively present. It’s a wonderfully-performed melodrama about the sad, intractable state of our sorry state, painted in broad strokes in a muted palette. It’s what many would think impossible despite the evidence of its predecessor: a comic book for grown-ups. And it accomplishes what it sets out to do without much in the way of action sequences or hero moments–the irony being, of course, that The Dark Knight Rises is fated to become the best-reviewed and most-lucrative release of 2012 for having the very same qualities for which the deeply-underappreciated Superman Returns was lambasted. I would argue that a wide swath of the people who will adore it will have difficulty articulating exactly why.

Shallow Grave (1995) [The Criterion Collection] – Blu-ray Disc

December 2, 2012Posted in1990s, 2012, Authors: Jefferson Robbins, Blu-ray Disc, The Criterion Collection, Thriller, UK

Shallowgrave12

**½/**** Image A+ Sound A Extras A
starring Kerry Fox, Christopher Eccleston, Ewan McGregor, Ken Stott
screenplay by John Hodge
directed by Danny Boyle

by Jefferson Robbins The title, in retrospect, is an indictment. Danny Boyle’s debut feature Shallow Grave made a splash both in the UK and abroad, but his flatmate protagonists are so thin and hastily sketched, their interfaces with the world beyond their stylish fourth-floor walk-up so glancing and limited, that even the inevitable comeuppances for their bad behaviour don’t interest us much. When three striving young Edinburgh roommates happen into a questionable cash windfall and run afoul of brutal gangsters and nosy coppers, the real marvel is that we’re buffaloed into caring by some forthright performances and by Boyle’s visually striking helmsmanship. The characters’ motivations beyond the suitcase MacGuffin are pretty much absent: They’re fatally shallow, with grave consequences. Boyle misdirects us away from these concerns, already hinting towards the vertiginous risks he’d take two years later with Trainspotting (there’s even a creepy animated baby, of a sort), and his cast is frighteningly talented and appealing. Yet it’s hard to shake the notion that we’ve unwrapped a prettily-wrapped gift package containing nothing but socks.

Batman: The Dark Knight Returns, Part 1 (2012) – Blu-ray + DVD + Digital Copy

November 11, 2012Posted in2012, Action, Animation, Authors: Jefferson Robbins, Blu-ray Disc, DVD, Superhero, Thriller

Tdkreturns1

**½/**** Image A Sound A Extras B+
screenplay by Bob Goodman, based upon the graphic novel by Frank Miller and Klaus Janson
directed by Jay Oliva

by Jefferson Robbins There’s nothing left. Batman: Year One is so last year, The Killing Joke basically got turned into The Dark Knight, and “Watchmen” has become both a big-movie flopola and a prequel comics series. With Batman: The Dark Knight Returns, Part 1 on shelves now and its concluding Part 2 due on direct-to-video disc this winter, the DC Universe has basically wrung itself dry of compelling product from the ’80s comics revolution that it can repurpose into features and animated editions. The bones remain for new stories, but the cost-benefit on original work vs. revivified fan favourites ever tilts towards the latter. Those of us who discovered or returned to superhero comics as a result of Frank Miller’s and Alan Moore’s mature deconstructions are seeing their final fruits. The only burning question is how many shmoes bought this package from Amazon thinking they were getting The Dark Knight Rises in half of a special two-disc edition.

Skyfall (2012)

November 7, 2012Posted in2012, Action, Adventure, Authors: Walter Chaw, China, Crime, Espionage, James Bond, Theatrical, Thriller, Turkey, UK

**/****
starring Daniel Craig, Javier Bardem, Ralph Fiennes, Judi Dench
screenplay by Neal Purvis & Robert Wade and John Logan
directed by Sam Mendes

by Walter Chaw For me, the James Bond films are the literalization of a very particular Conservative fantasy in which a suave, quippy, emotionally-arrested sociopath battles Cold War foes, beds beautiful women without consequence, always has the latest technology, and engages in the endless murder of foreigners. Just suggesting a “license to kill” reveals a certain level of arrogance; and it’s their confrontation of the noisome wake left by those attitudes that makes On Her Majesty’s Secret Service and the more recent Casino Royale the powerhouses they are. Skyfall, the latest in the decades-spanning series, tries but fails to do the same. A good part of the problem can be traced back to non-action director Sam Mendes (superseding Marc Forster, non-action director of the disastrous Quantum of Solace), who, in trying to honour the visceral requirements of the genre, finds himself unable to produce either a meaty melodrama or a capable action vehicle.

Strangers on a Train (1951) [Two-Disc Special Edition] – DVD|Blu-ray Disc

October 31, 2012Posted in****/****, 1950s, 2012, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Directors: Alfred Hitchcock, Drama, DVD, FFC Must-Own, Thriller

Strangers5

****/****
DVD – Image A Sound A Extras B
BD – Image A- Sound A Extras B
starring Farley Granger, Ruth Roman, Robert Walker, Leo G. Carroll
screenplay by Raymond Chandler and Czenzi Ormonde, based on the novel by Patricia Highsmith
directed by Alfred Hitchcock

by Walter Chaw SPOILER WARNING IN EFFECT. Alfred Hitchcock’s queerest film (Rope notwithstanding) and proof positive of the director’s knack for casting men of ambiguous sexual mooring in roles that cannily exploit it, Strangers on a Train, shot in vibrant contrasts by the great Robert Burks, is best read as a dark comedy–a noir in the most perverse sense of the term. Find in it the finest performance by troubled Robert Walker, tormented to his grave by David O. Selznick’s infatuation with and eventual theft of wife Jennifer Jones and committed, not long after Strangers on a Train finished shooting, to a mental institution, where he was the victim of an accidentally-lethal dose of sedative. Playing a character named after the kidnapper and murderer of the Lindbergh baby, Walker is Bruno, a spatted dandy who bumps shoes with hero Guy (Farley Granger–the “girl” in the Rope dyad) on a train and ostensibly hatches a plan with the pliant tennis star to “criss-cross” murders (trade assassinations, as it were), freeing each of them from the burden of blood motive. Bruno wants his father dead; Guy, involved in a very public affair with the senator’s daughter Anne (Ruth Roman) but shackled to loathsome Miriam (Kasey Rogers), would benefit from Miriam’s timely demise. So when Miriam turns up dead by Bruno’s hand, Guy is trapped by circumstance into either murdering Bruno’s dad or going to the police and implicating himself and his lover in a conspiracy.

The Raven (2012) – Blu-ray + DVD Combo Pack

October 24, 2012Posted in2012, Authors: Walter Chaw, Blu-ray Disc, Crime, DVD, Horror, Hungary, Mystery, Spain, Thriller, ZERO STARS

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ZERO STARS/**** Image B+ Sound A Extras C
starring John Cusack, Luke Evans, Alice Eve, Brendan Gleeson
screenplay by Ben Livingston & Hannah Shakespeare
directed by James McTeigue

by Walter Chaw I’m no nineteenth-century cop, but I personally would begin by interrogating the guillotine-pendulum maker. James McTeigue’s abominable The Raven posits legendary Marylander Edgar Allan Poe (John Cusack) as a crazed, alcoholic, frustrated-artist type who has a bar tab the length of his arm to go with a fiery temper and a quite-requited, it turns out, affair with toothy Emily (from Aardman Studios: Alice Eve), daughter of Captain Hamilton (Brendan Gleeson). Alack-alay, what should happen but a wax museum breaks out as a critics-hating serial killer (just like Theatre of Blood, which I should’ve revisited instead) enacts scenes from Poe’s stories whilst dressed in the hat and cape of McTeigue’s V for Vendetta protag. Good copper Det. Fields (Luke Evans) is hot on the miscreant’s trail, enlisting Poe as a Poe expert to try to get one step ahead of the well-read marauder. There is, alas, no ratiocination the equal of the mystery of Ben Livingston and Hannah Shakespeare’s (no relation, I hope) bewilderingly bad screenplay. No one, no one, could deliver these lines–a mush of anachronistic phrases and “period” posh–with conviction, much less the miscast Cusack and a motley band of supporting players. The good news is that The Raven is funny. The bad news is that it’s so awful, it makes you the kind of person who watches a movie just to be superior to it.

Cloud Atlas (2012)

October 23, 2012Posted in2012, Authors: Walter Chaw, China, Drama, Esoterica, Germany, Hong Kong, Mystery, Sci-Fi, Singapore, Spain, Theatrical, Thriller, UK

Cloudatlas

**/****
starring Tom Hanks, Halle Berry, Jim Broadbent, Hugh Grant
screenplay by Lana Wachowski & Tom Tykwer & Andy Wachowski, based on the novel by David Mitchell
directed by Lana Wachowski & Tom Tykwer & Andy Wachowski

by Walter Chaw It speaks to the extraordinary hubris of the tripartite godhead behind Cloud Atlas (the Wachowskis and Tom Tykwer) that in the middle of a 172-minute film composed of interminable exposition and multiple timelines, they would invoke long-winded Russian prisoner Solzhenitsyn without fear of ironic reprisal. More, it speaks to their hubris that they would make a film this sprawling and messianic about the Disney maxim that you’re never too puny to change the world, so don’t stop trying, tiger! If you’re at all offended by white people doing the “ah, so” thing in yellow-face, by the way: relax, because there’re also white people doing the evil Fu Manchu thing in yellow-face. What there isn’t is white people doing blackface, suggesting that if you’re about to make the argument that Cloud Atlas is about how we’re all the same under the skin to the extent that we could have been different races in past and future lives, then don’t bother. That doesn’t stop the movie, though, from talking about the evils of slavery with a super-duper, plantation-attitudes-changing Magic Negro, or from positing a future-Korea that clones wage-slaves before paying off never-accidental post-modern self-referents. If you were to take Cloud Atlas remotely seriously, in fact, you’d have to address it as an attempt to create a completely post-modern artifact in a world that didn’t already have “Beavis and Butt-Head”. Quick, look, the author of that manuscript the old editor in the 2012 timeline is reading was written by the kid from the 1973 timeline who had a crush on one of the black versions of Halle Berry (the one playing Pam Grier)! Did I mention that Berry has a timeline in whiteface? Or that Hugo Weaving and Ben Whishaw have ones in drag?

Torso (1973) + Maniac Cop (1988) – Blu-ray Discs

October 21, 2012Posted in1970s, 1980s, 2012, Action, Authors: Jefferson Robbins, Blu-ray Disc, Blue Underground, Crime, Horror, Italy, Mystery, Satire, Thriller

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I corpi presentano tracce di violenza carnale
***½/**** Image A Sound B Extras B
starring Suzy Kendall, Tina Aumont, Luc Merenda, John Richardson
screenplay by Ernesto Gastaldi and Sergio Martino
directed by Sergio Martino

MANIAC COP
**½/**** Image B Sound A Extras B
starring Tom Atkins, Bruce Campbell, Laurene Larson, Sheree North
screenplay by Larry Cohen
directed by William Lustig

by Jefferson Robbins Slasher movies are concerned with not just murder, but with its root cause–not motive, really, but motivation. There has to be a detonator, or else stalker-horror is what its most strident critics accuse it of being: all body-count, no brains. The films have leeway to be less concerned with motive than, say, those Ustinov-as-Poirot adaptations, where the whole cast learns whodunit while seated for tea and cakes in the third act. (I sort of miss those; I wish “mystery” hadn’t been usurped by “thriller” in the moviemaking lexicon, and in part I blame Jonathan Lynn’s 1985 Clue.) But they have to successfully allude to a trigger point, some match to the killer’s keg of gasoline.

All the President’s Men (1976) – Blu-ray Disc (DigiBook)

October 7, 2012Posted in****/****, 1970s, 2012, Authors: Walter Chaw, Blu-ray Disc, FFC Must-Own, Mystery, Thriller

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****/**** Image A Sound B Extras A
starring Robert Redford, Dustin Hoffman, Jack Warden, Jason Robards
screenplay by William Goldman, based on the book by Carl Bernstein and Bob Woodward
directed by Alan J. Pakula 

by Walter Chaw The final film in director Alan J. Pakula’s loose “paranoia trilogy,” All the President’s Men does the impossible by making heroes of newspaper reporters and a thriller out of telephone calls and follow-up interviews. Based on Bob Woodward and Carl Bernstein’s exposé of the Watergate Scandal and President Richard Nixon’s involvement in felonious dirty tricks, it’s more than just a cunningly-crafted docudrama–it’s a key film in the best era of the medium’s history. It’s a picture that highlights the period’s mistrust in our leadership while establishing highly unconventional heroes for whom the stakes couldn’t possibly be higher. And though we know how it all works out, it seems more poignant for our knowing how everything works out.

Child’s Play (1988) [Chucky’s 20th Birthday Edition] – DVD|Blu-ray + DVD; Chucky: The Killer DVD Collection

October 1, 2012Posted in1980s, 1990s, 2000s, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Canada, Comedy, DVD, Horror, Romania, Satire, Thriller, UK

Childsplaycap

CHILD’S PLAY
***/****
DVD – Image A- Sound A- Extras B+
BD – Image A Sound A Extras B+
starring Catherine Hicks, Chris Sarandon, Alex Vincent, Brad Dourif
screenplay by Don Mancini and John Lafia and Tom Holland
directed by Tom Holland

CHILD’S PLAY 2 (1990)
**/**** Image C+ Sound A-
starring Alex Vincent, Jenny Agutter, Gerrit Graham, Brad Dourif
screenplay by Don Mancini
directed by John Lafia

CHILD’S PLAY 3 (1991)
*/**** Image B- Sound A-
starring Justin Whalin, Perrey Reeves, Jeremy Sylvers, Brad Dourif
screenplay by Don Mancini
directed by Jack Bender

BRIDE OF CHUCKY (1998)
**/**** Image B Sound B Extras C
starring Jennifer Tilly, Brad Dourif, Katherine Heigl, Nick Stabile
screenplay by Don Mancini
directed by Ronny Yu

SEED OF CHUCKY (2004)
*/**** Image A- Sound B Extras C-
starring Jennifer Tilly, Brad Dourif, Billy Boyd, Redman
written and directed by Don Mancini

by Ian Pugh SPOILER WARNING IN EFFECT. Twenty years and four sequels later, it’s obviously pointless to try to conceal that Child’s Play is about a serial killer (Brad Dourif) who transfers his soul into an innocuous doll, but watching it today–more than a decade after it thoroughly traumatized me as an impressionable preteen–I was surprised to learn that the film itself didn’t do much to hide that fact from the start. Oh, sure, when you first approach Child’s Play, you’re ostensibly supposed to wonder whether little Andy Barclay (Alex Vincent) is responsible for the murders peppered throughout, despite his loud protestations that Chucky did it. But no, it never really tries to pretend that these horrible acts are being committed by anyone other than that godawful doll. In taking that perspective, Child’s Play preys upon the irrational fears we all harbour–that sting of dread we get at the sight of an unintentionally unsettling toy, immediately wished away by safe, immutable reason: that’s impossible–a doll can’t hurt you.

Beyond the Black Rainbow (2012) – Blu-ray Disc

September 19, 2012Posted in2012, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, Canada, Esoterica, Horror, Sci-Fi, Thriller

Beyond4

***/**** Image A Sound A Extras F
starring Michael Rogers, Eva Allan, Scott Hylands
screenplay by Panos Cosmatos, inspired by the book Be Your Self by Mercurio Arboria
directed by Panos Cosmatos

by Angelo Muredda Panos Cosmatos claims he wasn’t allowed to watch R-rated movies as a kid and had to make do with the lurid box covers he saw on video store shelves. Rising above those less-than-ideal conditions, the first-time helmer and son of famed Cobra and Rambo: First Blood Part II director George P. Cosmatos makes an auspicious debut with Beyond the Black Rainbow. As befits its retro title, this is a bravura pulp homage that recreates the feeling of a preteen creeping down the hall to catch a sidelong glance of the bygone genre cinema pulsing out of the living-room TV and painting the walls orange. Still, it’s best approached not as a found object from that time, but as a mood piece–a sustained exercise in atmospheric nostalgia for what LCD Soundsystem eloquently called the “unremembered ’80s.”

TIFF ’12: The Paperboy + At Any Price

September 18, 2012Posted in2012, Authors: Bill Chambers, Crime, Drama, Film Festivals, Mystery, Sports, Thriller, TIFF

THE PAPERBOY
*/****
directed by Lee Daniels

AT ANY PRICE
*/****
directed by Ramin Bahrani

by Bill Chambers The great Pete Dexter writes tersely about criminal perversity in the southern United States; the problem in adapting him to the cinema is that without his hardboiled prose, which lends everything he writes the whiff of reportage (a newspaperman originally, he turned to novels after drug dealers beat him nearly to death over one of his columns), the psychosexual situations he describes threaten to collapse into camp. Because of this, Dexter and Precious/Shadowboxer auteur Lee Daniels sounded like a match made in Hell to me, but the blunt force of Daniels’s shamelessness proves strangely compatible with Dexter’s writing in The Paperboy, based on the latter’s 1995 best-seller. If only he could direct! Daniels is like a less bourgeois Henry Jaglom, cutting between a panoply of indifferently-composed shots like a frog on a griddle with little feeling for either spatial or character dynamics.

TIFF ’12: The Iceman

September 12, 2012Posted in2012, Action, Authors: Bill Chambers, Biopic, Crime, Drama, Film Festivals, Gangster, Mystery, Thriller, TIFF

*½/****
directed by Ariel Vroman

by Bill Chambers Although The Iceman proves that a movie cannot get by on Michael Shannon’s dark charisma alone, Shannon has reached that point in his career where his casting supplies the lion’s share of subtext. Hence, a line like “I dub cartoons for Disney”–uttered not two minutes into the film, before there’s enough context for it to be a joke or a lie–induces titters of recognition. Of course, most will know going in that Shannon’s playing real-life contract killer Richard Kuklinski, who’s thought to have dispatched over 100 people, professionally-speaking. In The Iceman, the film version of his life, smut-bootlegger Kuklinski starts a family with winsome Barbara (a baby-talky Winona Ryder) at the same time mobster Roy DeMeo (Ray Liotta) makes him an enforcer. He keeps Barbara in the dark about his new profession (his old one, too), telling her he’s a stockbroker to explain the conspicuous infusions of cash; by the time their angelic daughters are in middle-school, he’s settled comfortably into the schizoid role of suburban-dad-slash-serial-killer. Eventually, he sub-contracts himself out to Pronge (Chris Evans, so skeevy I mistook him for Bradley Cooper), a free agent who operates out of a Mr. Softee truck and gives Kuklinski the idea to freeze his victims, and thus his eponymous nickname.

TIFF ’12: Antiviral

September 9, 2012Posted in2012, Authors: Bill Chambers, Canada, Film Festivals, France, Horror, Mystery, Satire, Sci-Fi, Thriller, TIFF

*½/****
written and directed by Brandon Cronenberg

by Bill Chambers Featuring more close-ups of needles piercing flesh than a booster-shot training video, Antiviral, the debut feature by Cronenberg offspring Brandon, takes place in a world evolutions ahead of TMZ, where fans pay to have themselves infected with viruses extracted from their celebrity crushes. (“Biological communion,” the film calls this process–a phrase that links father and son filmmakers as efficiently as a paternity test.) The slightly repulsive Caleb Landry Jones is Syd March, a rogue technician for The Lucas Clinic who breaks protocol by contaminating himself with the disease that is rapidly, unexpectedly killing superstar Hannah Geist (Sarah Gadon), making him a target of Hannah’s family–who figure he’ll be useful in their search for a cure–and fans, who want to watch him expire as a proxy for their beloved Hannah. Yes, it’s pretty silly.

TIFF ’12: Argo

September 7, 2012Posted in2012, Action, Authors: Bill Chambers, Best Picture (Academy Awards), Comedy, Drama, Film Festivals, Thriller, TIFF, UK

***½/****
directed by Ben Affleck

by Bill Chambers Ben Affleck’s films as a director are no longer surprisingly good–they’re expectedly good. The surprise of his latest, Argo, is twofold: first, put a beard on Affleck and suddenly he’s an actor of gravitas; second, that this directing detour his career took may have been born of not just self-preservation, but real movie love. You can see it in his hoarding of genre staples for one-scene (Adrienne Barbeau) and in some cases one-line (Michael Parks) roles, but more importantly, you can see it in the gentle Hollywood satire Argo briefly–perhaps too briefly–becomes. Set in 1979, the picture is suffused with a passion for filmmaking, if also a tinge of wistfulness for that bygone era in filmmaking. Though it may be period-authentic when Affleck shows the Hollywood sign in a state of disrepair, I think it’s meant as commentary on the present. Argo is the second Warner release this year to revert to the golden-age Saul Bass logo–it fits better here.

Brainstorm (1983) – Blu-ray Disc

September 5, 2012Posted in1980s, 2012, Authors: Bryant Frazer, Blu-ray Disc, Sci-Fi, Thriller

Brainstorm1small

***/**** Image C+ Sound B Extras F
starring Christopher Walken, Natalie Wood, Louise Fletcher, Cliff Robertson
screenplay by Robert Stitzel and Philip Frank Messina
directed by Douglas Trumbull

by Bryant Frazer Brainstorm will always have a reputation–among those who are familiar with it at all–as a film maudit. Casual film buffs know it as the sci-fi picture Natalie Wood was shooting when she drowned at the age of 43, under circumstances that remain clouded by mystery. Some of them know that it was one of only two narrative features (Silent Running being the other) directed by special-effects genius Douglas Trumbull, whose work on 2001: A Space Odyssey, Close Encounters of the Third Kind, and Blade Runner is the stuff of legend. Real movie nerds remember that Brainstorm was intended by its director to be one of those landmarks that forever changes the future of film–like The Jazz Singer debuting synch sound, Becky Sharp employing three-strip Technicolor, or The Robe introducing CinemaScope. As a movie partly about the afterlife, it is a weird kind of eulogy to Natalie Wood, yes, but it also memorializes Trumbull’s enduring dream of a new breed of cinema that would make moving images more likelife, and more mind-expanding, than any photographic process that had come before.

Unstoppable (2010) – Blu-ray + Digital Copy

August 27, 2012Posted in2010, 2012, Action, Authors: Walter Chaw, Blu-ray Disc, Directors: Tony Scott, Thriller

**½/**** Image A Sound A- Extras B
starring Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee
screenplay by Mark Bomback
directed by Tony Scott

by Walter Chaw It’s strange to be writing this review a couple of days after Tony Scott ended his life by walking off a bridge in California–an event that inspired me to revisit my favourite of his films (Enemy of the State and Déjà Vu) and one that spurred me, too, to finally give Scott’s Unstoppable another look after finding I had little use for it upon initial release. I have an aversion to Scott’s movies in general; I don’t have the muscle or sensitivity to distinguish between them and other stuttering, grandiloquent pictures that have resulted in things like Michael Bay. Believe me, the temptation is high to present a critical re-evaluation of his work immediately upon his passing. Positioning oneself as the guy who knew that Chris Farley was John Belushi is one of those vantages every critic wishes he had, if only for the brief respite from charges of elitism it might bring. But listen, The Taking of Pelham 1 2 3, Domino, Spy Game, The Fan, Days of Thunder, and Beverly Hills Cop 2–there’s really no defense for any of it. And when I say that I like stuff like The Hunger, True Romance, The Last Boy Scout, or even Scott’s Jim Harrison adaptation Revenge, I’m not saying I love them. Tony Scott’s an auteur, sure–proof that “auteur” doesn’t by itself confer a positive or a pejorative connotation. I’ll give him this, though: He shot a Tarantino script as a remake of Badlands and produced a sneaky sequel to The Conversation, so, yeah, I’ll miss the bastard, too.