blind date: UNCENSORED (2002) – DVD

**½/**** Image B+ Sound B+

by Bill Chambers The only reality-TV (whatever that oxymoron means) series I watch, “blind date” has a crack writing staff, photogenic–and certifiable–‘contestants,’ and editing that’s breezy without feeling clipped. For the uninitiated: Cameras follow a couple apparently arbitrarily but more often, one imagines, cruelly matched on their first date and, in the vein of pop-up video, word balloons and subtitles provide patronizing though often uproarious and surreal commentary on the proceedings. My personal favourite moment of the show to date is the oblivious bodybuilder who is asked what he is thinking by his companion: a thought-bubble appears above his head containing a chicken smoking a cigarette. Mostly these asides are, as Homer Simpson would say, funny ’cause they’re true.

Johnson County War (2002) – DVD

*/**** Image C+ Sound B+
starring Tom Berenger, Luke Perry, Rachel Ward, Burt Reynolds
screenplay by Larry McMurtry & Diana Ossana, based on Riders of Judgment by Frederick Manfred
directed by David S. Cass, Sr.

by Walter Chaw The Hallmark Channel's epic remake of Heaven's Gate–based, like that film and Frederick Manfred's Riders of Judgment, on the Johnson County Range War of 1892–does the impossible by making Michael Cimino's legendary boondoggle gain esteem in memory and by comparison. Actually a remake in subject only, legendary stuntman-turned-really bad TV director David S. Cass, Sr.'s Johnson County War (clocking in at an inexcusable 180 minutes) is a dog's breakfast of hoary western clichés, appalling film craft, and wooden performances from B-list talent.

Highlander TV Series: Season One (1992-1993) – DVD

Image CD+ Sound C Extras B
“The Gathering,” “Innocent Man,” “Road Not Taken,” “Bad Day in Building A,” “Free Fall,” “Deadly Medicine,” “Mountain Men,” “Revenge is Sweet,” “The Sea Witch,” “Eyewitness,” “Family Tree,” “See No Evil,” “Band of Brothers,” “For Evil’s Sake,” “For Tomorrow We Die,” “The Beast Below,” “Saving Grace,” “The Lady and the Tiger,” “Avenging Angel,” “Eye of the Beholder,” “Nowhere to Run,” “The Hunters”

by Walter Chaw It always struck me as the height of synergy that Queen would score a homoerotic cock opera involving swords and decapitations (and a first episode flat-of-the-blade ass-slap that would make Boy George blush), so, despite all of the things that are extravagantly wrong about the “Highlander” franchise moving to weekly television, the one thing that’s right about the transplant is the use of Freddie Mercury’s creepy ballad to immortal Scottish duellists as its theme song. Essentially a variation on that favourite fantasy of morbid teenagers–the vampire rock star mythos (live forever, fight clandestine battles with leather-horse foes, bed beautiful women and have a non-queer justification for not wanting to commit, pretend to have a cool accent, feel sorry for the small worries of mere mortals, look great)–the main difference in the “Highlander” universe is that the Highlanders aren’t capable of making new Highlanders. It’s as gay as a French holiday, is what I’m saying–not that there’s anything wrong with that.

Wes Craven Presents Don’t Look Down (1998) – DVD

ZERO STARS/**** Image C Sound C
starring Megan Ward, Billy Burke, Terry Kinney, Angela Moore
teleplay by Gregory Goodell
directed by Larry Shaw

by Walter Chaw The easy thing to do with the Wes Craven-produced tele-shocker Don’t Look Down is to add the addendum “because you’ll see this movie at the bottom” to its title. Broadcast on the Hallmark Channel as a zero-budget, zero-thrills bit of particularly fragrant, past-its-sell-by-date cheese, the plot involves TV-movie Ashley Judd-alike Megan Ward (and, indeed, the actress played Ashley in a TV-movie, Naomi & Wynonna: Love Can Build a Bridge) as Carla, a woman who’s lost her feral hippie sister (Tara Spencer-Nairn–see her now in Wishmaster: The Prophecy Fulfilled!) in a freak sight-seeing accident and so develops a bad case of acrophobia.

Felicity: Season One [The Complete First Season Plus Pilot Episode] (1998-1999) – DVD

Image B Sound B+ Commentary A-
“Pilot”, “The Last Stand”, “Hot Objects”, “Boggled”, “Spooked”, “Cheating”, “Drawing the Line Part 1”, “Drawing the Line Part 2”, “Thanksgiving”, “Finally”, “Gimme an O!”, “Friends,” “Todd Mulcahy Part 1”, “Todd Mulcahy Part 2”, “Love and Marriage”, “The Fugue”, “Assassins”, “Happy Birthday”, “Docuventary”, “Connections”, “The Force”, “Felicity Was Here”

by Bill Chambers

“Starring Golden Globe Award-winning actress Keri Russell and today’s hottest young stars, Felicity introduces us to a wide-eyed college freshman and the most exhilarating journey of all–self-discovery. From co-creators and executive producers J.J. Abrams (Alias) and Matt Reeves, along with executive producer Brian Grazer, Ron Howard and Tony Krantz, comes to Felicity, which explores the excitement and uncertainty of living in New York City–a setting where anything goes and anything can happen.”
–DVD liner summary for “Felicity: The Complete First Season”

I had what I consider a pretty good excuse to watch the well-hyped pilot of “Felicity”, a show that is not necessarily mine to judge: A year before, I directed co-star Scott Speedman in a short film–I like to keep track of the Ursa Major alumni. But, and the name-dropping/bean-spilling ends after this indulgence, Scott does not belong on a teen soap, per se–as far as my experience with him goes, the format is too rigid for his improvisational methods, which happened to lean towards the profane. It was a bit like observing a caged tiger throughout “Felicity”‘s run, though I’d bet my bottom dollar that the first time his character, Ben Covington, called someone a “dick,” it was unscripted. The moment sparkles.

The Mummy: Quest for the Lost Scrolls (2002) – DVD

*/**** Image A Sound B- Extras C-

by Walter Chaw Universal and Kids’ WB present the abominable and derivative The Mummy: Quest for the Lost Scrolls, the first three episodes of a tragically bad action-adventure cartoon based on characters from Stephen Sommers’s live-action blockbuster The Mummy Returns. After Aryan-izing Fraser’s Rick O’Connell and his irritating moppet Alex (who is, predictably, the star of the show), the animators proceed to rip-off sources as disconcertingly varied as The Evil Dead, Star Wars, and Sommers’s Mummy saga, natch, all while perpetuating myths of the wilting femme and the foppish Brit that, shockingly, its adult counterparts never did.

Three DVDs That Commemorate 9/11

by Walter Chaw Distilling raw viscera into heartbreaking stories at once the most dangerous thing that we as an American culture do and the thing at which we are the best, the first anniversary of the September 11th attacks on the United States finds three documentaries on DVD to go with the around-the-clock soft-milking of the events on what seems like every channel on the dial. While the endless cascade of now-familiar images continues to enrage and shock, too often the intention of the coverage is to find the "human" stories in the midst of the suggested carnage; to tug the heartstrings (and, truly, what human cannot be moved by orphaned children, widowed wives, widowed husbands, progeny-less parents, and martyred heroes) is fine so long as there is an accompanying resolve.

Dinotopia (2002) – DVD

*/**** Image A Sound A Extras B
starring David Thewlis, Katie Carr, Jim Carter, Alice Krige
screenplay by Simon Moore, based on the Dinotopia books by James Gurney
directed by Marco Brambilla

by Walter Chaw Dinotopia is not so much a remake of Sid and Marty Krofft’s schlock-classic television show “Land of the Lost” as it is “Land of the Lost” with computer graphics imaging. The miniseries, which originally aired on ABC last spring, comes complete with mystical power stones, lost cities, an unforeseen disaster leading to the outsider discovery of the primeval setting, mysterious old technologies, talking beasties, and, of course, dinosaurs. It’s not fair to say that Dinotopia is unwatchable, because four hours later, I’m shuddering proof that it is, technically, watchable–better to say it’s improbable that anyone over the mental age of five will finish this miserable marathon unless it’s their sad occupation to do so.

Clint Eastwood: Out of the Shadows (2000)

***/**** Image B Sound A
directed by Bruce Ricker

by Walter Chaw Directed by Bruce Ricker, Clint Eastwood: Out of the Shadows is a particularly good biographical account featuring clips from dozens of the titular subject’s work, interviews with former Eastwood co-stars as diverse as Meryl Streep and Richard Burton, and a smooth narration read by Morgan Freeman that links the periods of the actor’s professional life with grace and alacrity. Of particular interest are the moments in which such admirers as French director Bertrand Tavernier discuss Eastwood’s reception overseas. Blissfully lacking scrutiny into the actor’s personal life, the picture is more A&E than E!, choosing the road less travelled in tracing the actor’s evolution from studio stable hand to one of the most powerful directors in the United States.

Frank Herbert’s Dune (2000) – DVD|Frank Herbert’s Dune [Special Edition: Director’s Cut] – DVD

***/****
DVD – Image C+ Sound C+ Extras C+

DVD (SEDC) – Image A Sound A Extras A-
starring William Hurt, Alec Newman, Saskia Reeves, James Watson
screenplay by John S. Harrison, based on the novel by Frank Herbert
directed by John Harrison

by Jarrod Chambers On the whole, I enjoyed the 2000 miniseries Frank Herbert’s Dune, which was adapted and directed by John Harrison. It has a sustained mood, it conveys some of the spirit of its source material, and it is entertaining, especially the last episode. The plot, stated baldly: Paul Atreides (Alec Newman), the young son of Duke Leto Atreides (William Hurt) comes to a desert planet called Arrakis, notable as the only source in the universe of the mysterious substance “spice.” The spice unleashes psychic powers in young Paul, who, along with his mother, Jessica (Saskia Reeves), is driven from his home and must join the Fremen, a group of desert nomads. He grows up with the tribe and eventually leads a rebellion against House Harkonnen, who now rule Arrakis, finally brokering peace with Emperor Shaddam IV (Giancarlo Giannini) and the mysterious Spacing Guild, which owns all the spaceships.

The Great American Songbook (2002) – DVD

***/**** Image A Sound A Extras C+
directed by Andrew J. Kuehn

by Walter Chaw Starting off fascinating and ending up feeling slightly overlong, the expansive musical travelogue The Great American Songbook traces the roots of “American” popular music from the War of 1812 through to the early Christy minstrel shows, Bessie Smith, Irving Berlin, George & Ira Gershwin, and beyond. If it’s true that things go in cycles on a grand scheme, it’s also true of an individual’s life: Reviewing The Great American Songbook for me coincides with my first reading of Griel Marcus’s brilliant Mystery Train; touches hands with my interview with Andrei Codrescu, who’s working on a documentary about the Mississippi blues; and follows fast my exposure to the brilliant Sarah Vowell’s brilliant piece on the “Battle Hymn of the Republic.” The piece found me, in other words, already on a journey into our heritage of American music, and if the picture is more travelogue than encyclopedia, its value is as timeline and supplement.

Buffy the Vampire Slayer: The Complete First Season (1997) + Friends: The Complete First Season (1994-1995) – DVDs

BUFFY THE VAMPIRE SLAYER: THE COMPLETE FIRST SEASON
Image B- Sound B Extras B
"Welcome to Hellmouth," "The Harvest," "The Witch," "Teacher's Pet," "Never Kill a Boy on the First Date," "The Pack," "Angel," "I Robot – You Jane," "The Puppet Show," "Nightmares," "Out of Mind, Out of Sight," "Prophecy Girl"

FRIENDS: THE COMPLETE FIRST SEASON
Image B+ Sound A- Extras B+
"Pilot," "The One With the Sonogram at the End," "The One With the Thumb," "The One With George Stephanopoulos," "The One With the East German Laundry Detergent," "The One With the Butt," "The One With the Blackout," "The One Where Nana Dies Twice," "The One Where Underdog Gets Away," "The One With the Monkey," "The One With Mrs. Bing," "The One With the Dozen Lasagnas," "The One With the Boobies," "The One With the Candy Hearts," "The One With the Stoned Guy," "The One With Two Parts," "The One With All the Poker," "The One Where the Monkey Gets Away," "The One with the Evil Orthodontist," "The One with Fake Monica," "The One with the Ick Factor," "The One with the Birth," "The One Where Rachel Finds Out"

by Bill Chambers Like a child experiencing puberty, the first season of a television series hopes you don't notice that it hasn't settled into its voice yet, that it has no sense of style, that it's unprepared for the microscope of society. The pressures are great for a teenager, but the stakes for a TV show are similarly high: While going through its growing pains, it has a limited number of chances to catch ratings lightning in a bottle. Imagine saying to a gawky adolescent, "Impress me." With the near-simultaneous DVD releases of "Buffy the Vampire Slayer: The Complete First Season" and "Friends: The Complete First Season", there's an occasion to reflect on how a series becomes popular (although the zeitgeist is always such a mystery we can't ever hope for a demonstrable hypothesis) and, for fun's sake, to retrace the evolution of these unique TV-watching experiences.

Fidel (2002) – DVD

*½/**** Image B- Sound B
starring Victor Huggo Martin, Gael Garcia Bernal, Patricia Velasquez, Cecilia Suarez
screenplay by Stephen Tolkin, based on the books Guerrilla Prince by Georgie Anne Geyer and Fidel Castro by Robert E. Quirk
directed by David Attwood

by Walter Chaw Fidel is a very long, frustrating, exculpatory biopic of Cuba’s dictator that, in its near-fanatical dedication to even-handedness, provides a piece devoid of a moral compass. In certain instances, pacifism implies an endorsement of one side and director David Attwood is certainly guilty of not taking a stand on one of the most controversial, inflammatory, murderous, megalomaniacal, and charismatic figures in modern history. Beginning, intriguingly, in 1949 with a young Castro (Victor Huggo Martin) as a clean-shaven lawyer incensed by certain acts of vandalism perpetrated by the American Navy in Havana, the film promises to draw an interesting connection to Gandhi’s legal background and, most fascinatingly, the starkly different ways these two revolutionary leaders conduct their rebellions (and to what eventual purposes).

Hard Lessons (1986) – DVD

The George McKenna Story
*/**** Image C- Sound C
starring Denzel, Lynn Whitfield, Akosua Busia, Richard Masur
screenplay by Charles Eric Johnson
directed by Eric Laneuville

by Walter Chaw Hot on the heels of Denzel Washington’s second Oscar–which was sort of a relieved, honorary accolade for avoiding the umpteenth resurrection of his Glory performance, another collaboration with Spike Lee, and a third slain civil rights leader–comes Artisan’s hasty repackaging of 1986’s TV movie The George McKenna Story, ironically dubbed Hard Lessons and refurbished with new promotional art.

A Glimpse of Hell (2001) – DVD

**/**** Image A Sound A-
starring James Caan, Robert Sean Leonard, Daniel Roebuck, Jamie Harrold
screenplay by David Freed
directed by Mikael Salomon

by Walter Chaw Apart from the satirical possibilities, it appears that the rationale behind the title A Glimpse of Hell is the graphic aftermath of an explosion in the gunnery chamber of the U.S.S. Iowa. A made-for-TV docudrama that breeds Edward Dmytryk’s The Caine Mutiny with Rob Reiner’s A Few Good Men, A Glimpse of Hell impresses only with its dedication to mediocrity. While the subject is topical, recounting the possible malfeasance aboard an aging battleship that resulted in a magazine explosion, the execution is theatrical and cardboard from direction (by Mikael Salomon, cinematographer of The Abyss) to performance.

The Larry Sanders Show: The Entire First Season (1992) – DVD

Image C+ Sound B Extras B-
“The Garden Weasel (a.k.a. What Have You Done For Me Lately?),” “Promise,” “Spiders,” “The Guest Host,” “The New Producer,” “The Flirt,” “Hank’s Contract,” “Out of the Loop,” “The Talk Show,” “The Party,” “Warmth,” “A Brush with the Elbow of Greatness,” “Hey Now”

by Bill Chambers TV was born puritanical and never really took the stick out of its ass. We don’t even think of cable as TV–one asks, “What’s on TV?” vs. “What’s on cable?” It’s a television medium, a bastard offspring, and what I love–one of the things I love–about “The Larry Sanders Show” is that it revolves around TV but could only be a cable show. You’ll wish, after a couple of episodes, that network sitcoms weren’t still so reined-in by standards and practices and beholden to children up past their bedtimes, as “The Larry Sanders Show” makes poetry of profanity and has a sadistic, altering worldview, particularly on business relationships and the entertainment industry. One whiff of it wipes the Stepford smile off TV’s face.

Jack and the Beanstalk: The Real Story (2001) – DVD

***/**** Image A Sound A Extras C
starring Matthew Modine, Vanessa Redgrave, Mia Sara, Daryl Hannah
teleplay by James V. Hart and Brian Henson & Bill Barretta
directed by Brian Henson

by Walter Chaw Visually fascinating and texturally dark, Jim Henson Studios’ Jack and the Beanstalk: The Real Story (henceforth Jack and the Beanstalk), directed by Henson heir Brian, is a hallucinogenic take on the tale of Jack the Giant Killer that posits Jack as a liar and a thief–the bad guy. Set in modern times with a descendant of the legendary Jack (also named Jack (Matthew Modine)) being the head of a large multinational corporation (shades of co-writer James V. Hart’s Hook), Jack and the Beanstalk presents an occasionally captivating point of view that mythologizes big-business malfeasance as it manifests through environmental atrocity and unchecked expansion. It suggests that Jack’s theft of the goose that laid the golden eggs and the singing harp results in 374 days of famine for the denizens of the giant’s world–and that the giant Thunderdell (Bill Barretta) was in fact a beneficent and much-loved keeper of his people.

Queer as Folk: The Complete First Season (1999) – DVD (volumes 1 and 6 only)

Image C Sound C+ Extras ?

by Walter Chaw It's extremely difficult to review a television show in a traditional sense. Television series tend to be long-term investments–seldom is the first season of anything ("The Sopranos" being an obvious exception, "Cheers" being an obvious example) worth much of a damn, especially in comparison to later seasons, when everything hums like a well-oiled machine. Explanation for this can be found in the awkwardness inherent in too much desperate exposition crammed into too short a time. Accordingly, the first episode of "Queer as Folk", recently collected in a six-DVD box set (FILM FREAK CENTRAL was supplied only with discs one and six), is mannered and uncomfortable. That's almost beside the point.

Hostage High (1997) [Director’s Uncut Version] – DVD

Detention: The Siege at Johnson High
**/**** Image B Sound C+ Extras C
starring Rick Schroder, Henry Winkler, Freddie Prinze Jr., Ren Woods
screenplay by Larry Golin
directed by Michael W. Watkins

by Walter Chaw Kids who go to Columbine High School and don't compete in organized athletics are referred to as "no sports." It's not a kind term. On the weekends in Littleton, crowds of teenagers driving new model Dodge Rams, BMWs, and SUVs collect in area parking lots to make a lot of noise and hoot at people driving by until the police arrive to disperse them–if they bother to come at all. If you're African-American like a good friend of mine, they'll sometimes make monkey noises; if you're Asian like myself, they do the Mr. Miyagi crane pose and laugh like loons. From my personal experience in this community, having 15 of their fellow students die in a hail of bullets did not teach a significant population of Columbiners compassion, tolerance, and respect. Maybe just the opposite.

The Hobbit (1978) + The Return of the King (1980) – DVDs

THE HOBBIT
**/**** Image B- Sound C
screenplay by Romeo Muller,
based on the novel by J.R.R. Tolkien
directed by Jules Bass & Arthur Rankin Jr.

THE RETURN OF THE KING
**½/**** Image B- Sound C
screenplay by Romeo Muller,
based on the novel by J.R.R. Tolkien
directed by Jules Bass & Arthur Rankin Jr.

by Walter Chaw There are a couple of ways to tackle screen adaptations of J.R.R. Tolkien’s Lord of the Rings trilogy and its prequel, The Hobbit. One is to do as Ralph Bakshi did with his 1978 animation The Lord of the Rings and present a sexualized and disturbing vision of Middle Earth; the other is to make a film for children that omits the more troubling elements of Tolkien (the racism, homoeroticism, religiosity), as with Jules Bass and Arthur Rankin Jr.’s two feature-length television specials: The Hobbit (1978) and The Return of the King (1979).