Loser (2000) – DVD

*/**** Image B+ Sound A-
starring Jason Biggs, Mena Suvari, Greg Kinnear
written and directed by Amy Heckerling

by Bill Chambers SPOILER WARNING IN EFFECT. As with most of her films, director Amy Heckerling’s latest, Loser, seesaws between unpleasant and artificial, and is sometimes both at once. When she tackles big issues, such as abortion in Fast Times at Ridgemont High, it’s impossible to tell whether she’s being matter-of-fact or glib about them (they carry an almost documentary starkness), but whatever the case, she continually refuses political comment. Such is the sitcom tendency of her work: to jeopardize the innocence of her characters and then hit the reset button. This fear of drama soured me on Fast Times…, Look Who’s Talking, Clueless, and now Loser, in which Ms. Heckerling also demonstrates, for the first time, zero affinity for the milieu.

Here on Earth (2000) – DVD

*/**** Image B+ Sound B
starring Chris Klein, Leelee Sobieski, Josh Hartnett, Annette O'Toole
screenplay by Michael Seitzman
directed by Mark Piznarski

by Bill Chambers In Here on Earth, prep-school valedictorian Kelley (Chris Klein) leaves campus after curfew in his new Mercedes and gets embroiled in a game of chicken that winds up leaving the small town next door short one gas station ("here on Earth" even Hallmark movies have explosions) and restaurant. Kelley and the other boy, a local with permanent bedhead named Jasper (Josh Hartnett), are sentenced to a summer of rebuilding the diner, which I'm sure sounds like wise, character-building justice until the headline "ROOF OF RESTAURANT BUILT BY TEENAGE RIVALS WITH NO CONSTRUCTION EXPERIENCE COLLAPSES, KILLING PATRONS." A girl comes between them, the latter's long-time sweetheart Sam (Leelee Sobieski). She spies on the preppie delivering the graduation speech he could've made to the birds and the trees, and is touched enough to want to jump his bones.

Drive Me Crazy (1999) – DVD

**/**** Image B Sound A- Extras D
starring Melissa Joan Hart, Adrien Grenier, Stephen Collins, Ali Larter
screenplay by Rob Thomas, based on the novel How I Created My Perfect Prom Date by Todd Strasser
directed by John Schultz

by Bill Chambers I've seen so many bloody teen movies over the past two years that Drive Me Crazy felt like the beginning of a new semester. All my old friends were there–the jock, the rebel, the slut–and I once again looked forward to attending a prom, here called a "Centennial." Now and again, however, the film manages to tread, if not break, new ground as it recycles that old saw about an adversarial boy and girl who fall for their own love charade as they attempt to make former sweethearts jealous. Would you believe that every single one of its characters is (gasp!) insecure?

Revenge of the Nerds/Revenge of the Nerds II: Nerds in Paradise [Fox Double Feature] – DVD

REVENGE OF THE NERDS (1984)
***½/**** Image A- Sound B+
starring Robert Carradine, Anthony Edwards, Ted McGinley, Bernie Casey
screenplay by Steve Zacharias & Jeff Buhai
directed by Jeff Kanew

REVENGE OF THE NERDS II: NERDS IN PARADISE (1987)
½*/**** Image A- Sound B+
starring Robert Carradine, Curtis Armstrong, Bradley Whitford, Courtney Thorne-Smith
screenplay by Dan Guntzelman & Steve Marshall
directed by Joe Roth

by Bill Chambers One's great, the other ain't, and that's the truth, Ruth. Revenge of the Nerds, too often lumped in with the T&A comedies that flanked its theatrical release (Up the Creek, Porky's Revenge, et al.), is a cinematic gem of exemplary construction–one of the best, most empathetic teen movies with which John Hughes was not affiliated. Revenge of the Nerds II: Nerds in Paradise, alas, sequelizes the trashy rep of its predecessor rather than the reality.

Brokedown Palace (1999) – DVD

**/**** Image B+ Sound B+
starring Claire Danes, Bill Pullman, Kate Beckinsale, Lou Diamond Phillips
screenplay by David Arata
directed by Jonathan Kaplan

by Bill Chambers It’s somebody’s idea of a cruel joke: hire two of the most beautiful actresses in the known universe and slather them in grime and grit and stink for the better part of 100 minutes. While the characters don’t seem to mind (“I’ve had worse haircuts,” remarks Claire Danes’s Alice Marano of being sentenced to 33 years in a foreign prison–though her bob-crop is quite fetching), the intended audience for Brokedown Palace–teenagers unfamiliar with Midnight Express–had a rather adverse reaction to the thought of watching a couple of starlets wallow in a world of piss and roaches and Bill Pullman lawyers and Lou Diamond Phillips embassy officials, if the pitiful box-office is any indication. So why did they bother sanitizing it for younger viewers?

Cruel Intentions (1999) [Collector’s Edition] + Payback (1999) – DVDs

CRUEL INTENTIONS
**/**** Image A+ Sound A- Extras A
starring Ryan Phillipe, Sarah Michelle Gellar, Reese Witherspoon, Selma Blair
written and directed by Roger Kumble

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PAYBACK
**/**** Image A Sound A
starring Mel Gibson, Maria Bello, Gregg Henry, Lucy Liu
screenplay by Brian Helgeland and Terry Hayes, based on the novel The Hunter by Richard Stark
directed by Brian Helgeland

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Cruelintentionscapby Bill Chambers SPOILER WARNING IN EFFECT. The Mel Gibson revenge movie Payback and the teen romance Cruel Intentions have a surprising amount in common. For starters, they each represent the mainstream's idea of a subversive night at the movies. Both films centre unapologetically on bastard antiheroes–if Payback and Cruel Intentions were intended as escapist entertainments, and I believe they were, then something like the "Quake" and "Doom" videogame mentality has invaded Hollywood filmmaking: Let's spend the evening staring at a disposable world through the eyes of a misanthrope.

The Breakfast Club (1985) [Widescreen] – DVD

***/**** Image A- Sound A-
starring Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson
written and directed by John Hughes

by Vincent Suarez Oh, how I wish I could hate The Breakfast Club. Maybe it’s because I was a geeky high-school senior in 1985, when the film was released, and I defiantly loathed anything that smacked of cool. Perhaps it’s because writer/producer/director John Hughes has been responsible for some of the most inane (e.g., Dutch, Curly Sue, Baby’s Day Out) and unnecessary (e.g., Flubber, Miracle on 34th Street, 101 Dalmatians) films in recent memory.