DIFF ’02: Gossip
The Endurance: Shackleton’s Legendary Antarctic Expedition (2001)
***½/****
screenplay by Caroline Alexander and Joseph Dorman, based on the book by Alexander
directed by George Butler
by Walter Chaw If there seems to be a glut of information lately on Sir Ernest Shackleton and his ill-fated voyage across Antarctica, thank Caroline Alexander, who almost single-handedly revived interest in Shackleton’s travails by unearthing Aussie photographer Frank Hurley’s astonishing archive of photographs and short films after eighty years. Inspired in part by the death of legendary polar explorer Robert Falcon Scott, Shackleton and his crew of 28 set sail in August of 1914 in a three-masted barkentine dubbed “The Endurance.” Their quest, the last great trek of the age of exploration, was to be the first to cross Antarctica on foot, but The Endurance was trapped by pack ice about one day’s sail from the continent.
The Starz Independent FilmCenter Project, Vol. 3
by Walter Chaw
FAITHLESS (2000)
Trolösa
***/****
starring Lena Endre, Erland Josephson, Krister Henriksson, Thomas Hanzon
screenplay by Ingmar Bergman
directed by Liv Ullman
It is perhaps most instructive to look back at the beginning of a life when contemplating the end of one. Swedish auteur Ingmar Bergman spent his nineteenth year in The Skerries (a Stockholm archipelago), a tumultuous period during which he lost the girl he loved, lost his faith in religion, and finally lost a close male friend to death. That year, when married with the all-pervasive influence of playwright Strindberg and a tireless love of the theatre, provides the root concerns shooting through Bergman's filmography: the idea that marriage is a constant negotiation of losses (abortions and suicides included in that mix) and that should God exist, He is grown apathetic.
The Starz Independent FilmCenter Project, Vol. 2
by Walter Chaw
ONE WEEK (2000)
*/****
starring Kenny Young, Saadiqa Muhammad, Eric Lane, Milauna Jackson
screenplay by Carl Seaton, Kenny Young
directed by Carl Seaton
One of the pleasures of junior high (towards the end of the year, once teachers have exhausted lesson plans and their patience) was the educational reel, that impossibly dated relic of the Fifties or Sixties that advised against, in the most stultifying terms possible, such sundry indiscretions as driving too fast or wandering around in the desert without extra water and a hat. The armed forces upped the ante with cautionary tales of green grunts succumbing to the wiles of Third-World call girls and the attendant itches of perdition. The only thing that separates Carl Seaton's zero-budget morality tirade One Week and scatological G.I. shock schlock is the fact that it's in colour (though the lighting in many scenes makes that distinction moot), and that it lacks a chiding talking condom.
Together (2000)
Tillsammans
**/****
starring Lisa Lindgren, Michael Nyqvist, Emma Samuelsson, Sam Kessel
written and directed by Lukas Moodysson
by Walter Chaw A cross between Lars von Trier’s The Idiots and an irritating home video made by flower children, Swedish phenom Lukas Moodysson’s Together (Tillsammans) is an aggressively affable, ultimately simplistic film that displays almost nothing in the way of the craft or sensitivity of an Ingmar Bergman, his mentor in spirit and most vocal supporter. It is a film that defies criticism by beating critics to the punch: “These people are unlikable hypocritical idiots? My point exactly,” says Moodysson. “It’s filmed with almost no knowledge of even the basics of filmmaking? What better way to show the rawness of real life?” But I don’t buy it, not when we’re eternally two steps ahead of the gutless screenplay and consistently pulled from the drama by the same repetitive series of establishing zooms and shaky framing. Tillsammans looks as bad as any Dogme 95 film.