Mystery Science Theater 3000 XVII – DVD

Image C+ Sound C+ Extras B-
2.1 "The Crawling Eye" (1989), 5.15 "The Beatniks" (1992), 10.10 "The Final Sacrifice" (1998), 11.5 "Blood Waters of Dr. Z" (1999)

by Alex Jackson I know it's loony, but I watched "Mystery Science Theater 3000" (or "MST3K") mostly for the movies. Oh, I liked the jokes. There were some episodes I laughed so hard at I had to turn off the television because I couldn't breathe. But I saw the riffing as a bonus, a way to make a good thing better. I didn't really watch the show just because it was funny, and its ironic appreciation of "bad movies" didn't strike me as all that different from the sincere appreciation I had for the likes of Plan 9 from Outer Space as a child. In fact, I don't think it's all that different from the deeper appreciation I have for those movies today. Mocking them doesn't necessarily detract from them. Their sensually visceral aspect always shines through. You can easily tell if something is any good regardless of who is talking over it. Besides, there's something amiably homey and relaxed about the "Mystery Science Theater 3000" approach. If you like a film, you should be able to enjoy it on your sofa. You should be able to converse about it in the moment. And you should even be able to laugh at it. If you can only love something with reverence, I'm not sure that's love.

Parker Lewis Can’t Lose: The Complete First Season (1990-1991) – DVD

Image C Sound B Extras B-
“Pilot,” “Operation Kubiac,” “Power Play,” “Parker Lewis Must Lose,” “Close, But No Guitar,” “G.A.G. Dance,” “Love’s a Beast,” “Saving Grace,” “Musso & Frank,” “Deja Dudes,” “Radio Free Flamingo,” “Science Fair,” “”Teacher, Teacher,” “Rent-a-Kube,” “Heather the Class,” “Jerry: Portrait of a Video Junkie,” “Splendor in the Class,” “The Human Grace,” “Citizen Kube,” “Randall Without a Cause,” “Jerry’s First Date,” “Against the Norm,” “King Kube,” “Teens from a Mall,” “My Fair Shelly,” “Parker Lewis Can’t Win”

by Jefferson Robbins It’s the cool uncle of “Malcolm in the Middle”. It’s got “Scrubs” among its progeny, and the ’80s teen comedies of Savage Steve Holland somewhere back up the line of descent. It may have single-handedly established the swoosh-smash-zip school of sitcoms, festooned with sound effects, inner monologues, and discursive daydreams. If it wanted, “Parker Lewis Can’t Lose” could claim “Family Guy” as a descendant, for the way it appropriates “Parker”‘s absurdist jump-cuts to tangential situations.1

Batbabe: The Dark Nightie (2009) + The Stewardesses (1971) [2-DVD Set] – DVDs

BATBABE: THE DARK NIGHTIE
*½/**** Image B- Sound B Extras C
starring Darian Caine, Molly Heartbreaker, Jackie Stevens, Smoke Williams
written and directed by John Bacchus

THE STEWARDESSES
*/**** Image B- Sound B- Extras A
starring Michael Garrett, Christina Hart, William Basil
written and directed by Al Silliman Jr.

by Ian Pugh It may seem ridiculous to call a softcore porno spoof of The Dark Knight a disappointment, but I've been aching to see any sort of comedic critical response to Christopher Nolan's masterpiece since it stole my heart last summer. We should always be willing to throw our sacred cows onto the fire to test their mettle, and we're woefully lacking in the right forums to do so: MAD MAGAZINE lost its currency a while back (or maybe I just turned 16) and Internet satire is too scattershot. Where else are we to turn for our defiant, independent parodies of the instant classics of modern culture? Porn, of course. Leave it to some clever guy in the adult industry to come up with the Jerker (Rob Mendara), a devious clown/agent of chaos/chronic masturbator out to prove that everyone is capable of descending to his level of depravity–by stealing all the precious pornography in Bacchum City! Meanwhile, strip-club owner/dancer Wendy Wane (Darian Caine) believes that Bacchum's new D.A. Henrietta Bent (Molly Heartbreaker) will afford her the opportunity to retire her Batbabe persona and settle down with old flame Rachel Balls (Jackie Stevens).

Lars and the Real Girl (2007); The Passion of Greg the Bunny: The Best of the Film Parodies Volume 2 (2006-2007); The Cottage (2008) [Unrated] – DVDs

LARS AND THE REAL GIRL
*½/**** Image A Sound B Extras D
starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner
screenplay by Nancy Oliver
directed by Craig Gillespie

THE PASSION OF GREG THE BUNNY: THE BEST OF THE FILM PARODIES VOLUME 2
Image B+ Sound B Extras C+
"Fur on the Asphalt," "Wumpus the Monster," "Sockville," "Blue Velveteen," "Plush: Behind the Seams," "Wacky Wednesday," "The Passion of the Easter Bunny: A Fabricated American Movie"

THE COTTAGE
½*/**** Image A- Sound B- Extras D
starring Andy Serkis, Reece Shearsmith, Stephen O'Donnell, Jennifer Ellison
written and directed by Paul Andrew Williams

by Ian Pugh Beyond its pale stab at indie street cred and an Oscar nomination for Best Original Screenplay (which are almost one and the same these days), Lars and the Real Girl shares with Juno an invitation to partake in a never-ending stream of laughs over its premise until it basically flips a switch and instructs you to get emotional over it–the supposed target of discussion here being nothing less than that ever-popular subject of paternalistic revulsion, mental illness. Ryan Gosling turns his "twitchy zombie" knob up to eleven as Lars, a quiet loner living in his brother Gus's (Paul Schneider) backyard shed. After Gus's pregnant wife Karin (Emily Mortimer) expresses concern that her brother-in-law is spending too much time by himself, Lars orders a realistic sex doll named "Bianca" over the Internet and parades it around the neighbourhood as the girlfriend he never had, much to the consternation of Gus, Karin, and Lars's would-be love interest Margo (Kelli Garner), who can only respond with uncertain stares and a lot of hemming and hawing.

Hiya, Kids!!: A ’50s Saturday Morning – DVD

by Ian Pugh Take a gander at the stuff you used to watch as a kid and you'll more than likely come to two realizations: 1) that a lot of stupefying crap wormed its way into your living room; and 2) that the shows that were actually pretty good tended to throw out a lot of jokes that flew right over your preteen head. Dedicating each of its four discs to a different block of children's programming from some indeterminate period of the Golden Decade*, Shout! Factory's Hiya, Kids!!: A '50s Saturday Morning DVD collection strongly suggests that this would prove true of every generation from the boomers on. Entire plotlines ripped from the pages of LIFE magazine, a bobbing camera briefly acting the part of the audience collectively nodding its head in agreement, "Hamlet" characterized as a comedy–watching television from fifty years ago is an interesting venture, though "interesting" may be as far as a greenhorn like me can go in examining this set. Although it appears to have deliberately avoided iconic moments from the shows in question in order to maintain the illusion of simply stumbling on them with a flip of the dial, Hiya, Kids!! is somewhat self-defeating as the re-creation of an experience. It's easy to get the gist of the show in question (the "dramas" are especially easy to pin down), but it's extremely difficult to form a substantial opinion about anything in this line-up. True that you often decide whether or not to dedicate yourself to a TV series on the basis of one episode, but with the sheer number of interactive concepts on display–most notably in all-inclusive "clubs"–you realize that the phenomenon that surrounded many of these programs contributed immeasurably to their purpose and appeal. Alas, without much context, the brilliant concept behind Hiya, Kids!! tends to feel a little arbitrary.

Swamp Thing: The Series (1990-1991) – DVD

Image B- Sound B Extras C
"The Emerald Heart," "Falco," "Treasure," "From Beyond the Grave," "Blood Wind," "Grotesquery," "New Acqaintance," "Natural Enemy," "Spirit of the Swamp," "Legend of the Swamp Maiden," "The Death of Dr. Arcane," "The Living Image," "The Shipment," "Birthmarks," "The Dark Side of the Mirror," "Silent Screams," "Walk a Mile in My Shoots," "The Watchers," "The Hunt," "Touch of Death," "Tremors of the Heart," "The Prometheus Parabola"

by Ian Pugh In many ways the anti-Darkman, Wes Craven's Swamp Thing also saw a comic-book scientist irrevocably transformed into a monster at the hands of hoodlum saboteurs. Alas, unlike Sam Raimi with his masterpiece, Craven is unable to strike a balance between seriousness and silliness, falling too far in the latter direction before the picture finally collapses under its own snarky weight. It is, however, the film that enlightened me as to why B-movie anti-appreciation is such a worthless endeavour, since Swamp Thing never bothers to pretend that it's anything more than a couple of dudes in rubber suits wailing on each other. When you're making a movie in the "MST3K" mindset, as Craven appears to be, you don't really have a movie in mind, per se–you're just positioning actors as they recite lines from a script.