The Legacy (1978) – Blu-ray Disc

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**½/**** Image B+ Sound B+ Extras B
starring Katharine Ross, Sam Elliott, Roger Daltrey, John Standing
screenplay by Jimmy Sangster, Patrick Tilley and Paul Wheeler from a story by Sangster
directed by Richard Marquand

by Bryant Frazer One in a spate of post-The Exorcist, post-Rosemary's Baby potboilers about ordinary people confronting ancient evil in the modern world, The Legacy has an enduring reputation as a big slice of horror cheese and not much else. Certainly, it's derivative–just another old-dark-house yarn set in the English countryside, spiced up in '70s fashion with a sinister, Satanic backstory that never quite clicks together. It's one of the last horror movies to come out in the handsomely-mounted classic style favoured by Hammer before contemporary slashers and body-horror changed the game completely in the 1980s, but what it lacks in originality and coherence it makes up for in comfy genre atmosphere. Co-scriptor Jimmy Sangster was one of the top dogs at Hammer Film Productions (his writing credits include Horror of Dracula and The Curse of Frankenstein) and Welsh director Richard Marquand was a BBC documentarian making his fiction debut (he would go on to direct Return of the Jedi). That's not a world-beating combination, but if you like your occult thrillers played straight, The Legacy's workmanlike style is an asset.

Ghoulies (1985)/Ghoulies II (1988) [Double Feature] – Blu-ray Disc

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GHOULIES
**½/**** Image A Sound B+ Extras B-
starring Peter Liapis, Lisa Pelikan, Michael Des Barres, Jack Nance
screenplay by Luca Bercovici and Jefery Levy
directed by Luca Bercovici

GHOULIES II
***/**** Image A Sound B+ Extras B-
starring Damon Martin, Royal Dano, Phil Fondacaro, J. Downing
screenplay by Charlie Dolan and Dennis Paoli
directed by Albert Band

by Jefferson Robbins Not rip-off, not homage, but something in the water. Luca Bercovici's 1985 Ghoulies, from the lo-fi film factory of Charles Band, felt on release like a ploy to frack cash out of Joe Dante's Gremlins from the year before. In fact it had a parallel development, launching pre-production in 1983 under the working title Beasties and formally premiering in Britain in November of 1984. It also boasts a far weirder strain of presentation than Dante's peak, something Lynchian that goes beyond the mere presence of Jack Nance. It has its passel of '80s "teen" types harassed by horrors, sure: the stoner(s), the ladykiller, the nerd–not to mention their attendant ladies, none of whom are given much personality, resulting in a deeply uninteresting film debut for young Mariska Hargitay. But their mannerisms in large part are so outré and alienating, it's at times like watching an underfinanced dinner-theatre preview of 1986's Blue Velvet. And then the dead warlock bursts out of the ground to be attended by a clutch of grody puppets.

Nomads (1986) – Blu-ray Disc

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**½/**** Image B+ Sound B+ Extras B
starring Lesley-Anne Down, Pierce Brosnan, Anna-Maria Monticelli, Adam Ant
written and directed by John McTiernan

by Bryant Frazer Director John McTiernan’s film debut is a true ’80s oddity. Pierce Brosnan sports an ersatz French accent in his first big movie role. He’s billed opposite Lesley-Anne Down, riding the downhill slope of her post-Sphinx career, but the two have only one scene together. McTiernan’s script, to date his only screenwriting credit, is some superficial fluffernutter about restless inuat (spirits of Inuit mythology) haunting the L.A. living–except when it’s a diffuse meditation on the stateless qualities of Angelenos and California in general. Even the score, an improvisational guitar-and-synth freakout by Bill Conti and (I shit you not) Ted Nugent, is genuinely weird.

Sleepaway Camp II: Unhappy Campers (1988) [Collector’s Edition] + Sleepaway Camp III: Teenage Wasteland (1989) [Collector’s Edition] – Blu-ray + DVD Combo Packs

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SLEEPAWAY CAMP II: UNHAPPY CAMPERS
*½/**** Image B+ Sound B Extras B+
starring Pamela Springsteen, Renée Estevez, Brian Patrick Clarke, Walter Gotell
written by Fritz Gordon
directed by Michael A. Simpson

SLEEPAWAY CAMP III: TEENAGE WASTELAND
½*/**** Image B+ Sound B Extras B+
starring Pamela Springsteen, Tracy Griffith, Michael J. Pollard
written by Fritz Gordon
directed by Michael A. Simpson

by Bryant Frazer Say what you will about the original Sleepaway Camp–you can't accuse it of lacking ambition. All writer-director Robert Hiltzik had to do to sell a movie with that title in that era was cast a bunch of teenagers in a wan Friday the 13th knock-off and splash some Karo blood around in the woods. Yet he made something dark and unique, with queer undertones: the first gender-identity horror film. The story goes that Hiltzik's script for a follow-up was rejected by producer Jerry Silva, who thought it was too dark. Instead, he forged ahead with plans to shoot two overtly-comic sequels back-to-back in Georgia under the direction of local talent Michael A. Simpson. A 24-year-old writer named Fritz Gordon got the gig on a recommendation from U.S. distributor Nelson Entertainment.

Miami Blues (1990) – Blu-ray Disc

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***/**** Image B+ Sound A Extras B
starring Fred Ward, Alec Baldwin, Jennifer Jason Leigh, Nora Dunn
screenplay by George Armitage, based on the novel by Charles Willeford
directed by George Armitage

by Jefferson Robbins Remember when handheld camera was a technique deployed to signal disorientation, estrangement, and vulnerability and not simply "the way we shoot movies now"? In George Armitage's Miami Blues, the otherwise-steady camera first comes unhinged when ex-con Frederick "Junior" Frenger Jr. (Alec Baldwin) orders newly-requisitioned hooker Pepper (Jennifer Jason Leigh) to roll over on her belly, presumably so he can employ her the way male prisoners employ each other sexually. He can't, though, because there's something different there, and an afternoon's purchased pleasure becomes an affair. Armitage's use of the camera is a punctuation, a chapter break in Junior's story, reassuring us that while Junior is malevolent and unpredictable, Pepper won't immediately meet the same fate as the Hare Krishna that Junior (kind of accidentally) murdered an hour before. Still, you should probably worry for her.

New Year’s Evil (1980) – Blu-ray Disc

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**/**** Image B+ Sound B+ Extras B
starring Roz Kelly, Kip Niven, Chris Wallace, Grant Cramer
screenplay by Leonard Neubauer
directed by Emmett Alston

by Bryant Frazer Every 1980s slasher movie needed a gimmick, and New Year's Evil has two: a Halloween-inspired holiday tie-in and a youth-culture exploitation angle. A Hollywood-based serial killer promises to murder a victim at the stroke of midnight in each of the four continental U.S. time zones, announcing his intentions by calling "Hollywood Hotline", a New Year's Eve countdown TV show hosted by Roz Kelly (the erstwhile Pinky Tuscadero on "Happy Days") that features live performances by punkish new wave acts. The results are surprisingly watchable. The psycho-killer story is actually a bit twisty as these things go, with a mid-film reversal of fortune aiming to give audiences a rooting interest in the villain. And though the bands on screen (Shadow and Made in Japan) seem to be employed mainly to help pad out the film's 86-minute running time, their proto-Guns N' Roses sounds are not entirely disagreeable.

Brazilian Western (2013) – Blu-ray + DVD Combo Pack

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Faroeste caboclo
**½/**** Image A Sound A Extras B-

starring Felipe Abib, Antonio Calloni, César Troncoso, Marcos Paulo
screenplay by Marcos Bernstein and Victor Atherino
directed by René Sampaio

by Jefferson Robbins If a few things fall too neatly into place in René Sampaio's Brazilian Western–like beautiful Maria Lúcia (Isis Valverde) jumping into bed with fugitive João (Fabrício Boliveira), who just held her at gunpoint in her own bedroom–well, it's a fable. That's meant literally, since the film is adapted from a megahit ballad of roughly the same name: Legāio Urbana's nine-minute barn-burner of calamity, bloodshed, love, and redemption spoke to something in the Brazilian psyche in 1987, charting João de Santo Christo's fatal misadventures with the corrupt forces that kept a boot on the underclass. Sampaio's adaptation has a lot to live up to in that respect, as well as in honouring the western genre to which the title nods. It winds up a Leone-ian Scarface of sorts, although the stakes are different–pot instead of coke, infatuation rather than the will to power, with imbalances of class and race at the forefront.

Mad Max (1979) [Collector’s Edition] – Blu-ray Disc

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***½/**** Image B Sound B+ Extras B
starring Mel Gibson, Joanne Samuel, Steve Bisley, Hugh Keays-Byrne
written by James McCausland and George Miller
directed by George Miller

by Walter Chaw George Miller’s films are warnings against dehumanization, against valuing machineries over intuition and emotions. It’s what drives the Holocaust parable at the heart of his masterpiece, Babe: Pig in the City; what made him the perfect match for Twilight Zone: The Movie‘s remake of “Nightmare at 20,000 Feet.” Though terms like “visionary” and “auteur” are as overused as they are misused, Miller is both. He’s a rarity in the modern conversation: an aging director who shows no signs of a slackening energy or diminished focus. See also in Miller’s work an unusual sensitivity to physical deformity set up against a righteous offense at spiritual blight. (He began his career as a trauma physician.) His films seek to do no harm, but sometimes you need to cut out some healthy tissue to get at the disease. All of it–the work as a doctor, the scrappiness, the impulsiveness that led to his strapping an airplane jet on a car and hoping no one would die (no one did)–is part of a creation mythology for Miller that’s as fulsome as Herzog’s. Testament to Miller’s enduring influence and outsider status: he’s a sainted figure, for good reason.

Herzog: The Collection [Blu-ray Disc] – Stroszek

Stroszek

****/****
DVD – Image A Sound A Commentary A
BD – Image B Sound A- Commentary A
starring Bruno S., Eva Mattes, Clemens Scheitz, Wilhelm von Homburg
written and directed by Werner Herzog

Mustownby Walter Chaw I love this film. I'm enthralled by it. And every time I revisit it, it has a new gift for me. Bruno S. plays the titular Stroszek, a street performer released from a two-year institutionalization and left to his own devices with hooker girlfriend Eva (Eva Mattes) and pal Mr. Scheitz (Clemens Scheitz). There's a transparency to the performances that transcends naturalism: you sense that the actors are not only playing themselves (more so than usual), but also that they're playing themselves as allegorical figures in a metaphor for their lives. It's Spider, but it's at once more and less expressionistic than David Cronenberg's film–and while the long, quiet, empty reaches of living in the giant abandoned warehouse of a mind in flux is a constant melancholy the two films share, there is something in Stroszek, crystallized in the haunting image of a premature baby pawing at its bedding, that does more to traumatize the human condition. When the film's heroic triumvirate flee Germany for the gilded shores of Wisconsin ("Everybody's rich there"), in a migration that reminds a little of Aguirre's doomed hunt for El Dorado, Stroszek is suddenly a picture about pilgrimage to a holy land that exists solely in the windy spaces conjured by the promise of westward expansion.

Vampire’s Kiss (1989)/High Spirits (1988) [Double Feature] – Blu-ray Disc

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VAMPIRE'S KISS
***½/**** Image B Sound B Extras A
starring Nicolas Cage, Maria Conchita Alonso, Jennifer Beals, Elizabeth Ashley
screenplay by Joseph Minion
directed by Robert Bierman

HIGH SPIRITS
**/**** Image B Sound B+
starring Daryl Hannah, Peter O'Toole, Steve Guttenberg, Beverly D'Angelo
written and directed by Neil Jordan

by Walter Chaw Delightfully, extravagantly bizarre, Robert Bierman's Vampire's Kiss houses arguably Nicolas Cage's most peculiar performance in the service of a piece the contemporary in every way of Oliver Stone's Wall Street and the precursor, in every way, to Mary Harron's American Psycho. It excoriates the boy's club of the executive boardroom, treats sexual harassment and assault like real things with real consequences, and has something to say on the subjects of race and the economic caste. It's a canny satire of the vampire genre even as it's an honourable addition to it, exploring those metaphorical elements that transformed vampirism in the '80s into the equivalent of being the "cool kid" (The Lost Boys), the rock star (The Hunger), and the eternally demon lover (Fright Night). Working from a script by Joseph Minion, who not only wrote Martin Scorsese's brilliant (and in some ways similar) After Hours but also the Scorsese-helmed episode of "Amazing Stories" called "Mirror, Mirror" (itself an antecedent to David Robert Mitchell's It Follows), Bierman proves himself an able navigator of Minion's liminal cartography. Vampire's Kiss is about the spaces between and the things that fall in there.

Escape from New York (1981) [Collector’s Edition] – Blu-ray Disc|Escape from New York [Special Edition – DVD Collector’s Set] – DVD

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John Carpenter's Escape from New York
***½/****
DVD – Image B+ Sound A- Extras B+

BD – Image B+ Sound A Extras A
starring Kurt Russell, Lee Van Cleef, Ernest Borgnine, Donald Pleasence
screenplay by John Carpenter & Nick Castle
directed by John Carpenter

The below was written a dozen years ago, definitely in a crunch (I remember being among the first to receive a review copy of that DVD and wanting to scoop other sites) and, consequently, probably in a crabby mood. New reviews of John Carpenter movies, particularly the early ones, tend to read like fetishism as opposed to criticism. Indeed, over the years, Carpenter's aesthetics have become a shorthand for cool, such that some modern horror filmmakers seem to believe that by co-opting them they'll gain instant credibility. Still, I think I resisted the pleasures of Escape from New York a little too vehemently–this must be the most negative 3.5-star review I've ever written. Yes, that rape scene, or would-be rape scene, is troublesome, but for Snake to intervene would've been even more offensive, because it would mean the situation was cynically contrived to give him a moment of glory. Snake's heroism isn't pandering, and while his laconic machismo fits a certain Eastwood mold, he finally emerges as more of a countercultural badass who uses his carte blanche audience with the President to ask him the kind of impertinent rhetorical question one wants to say to every bureaucrat valued more than the soldiers doing his bidding: "We did get you out. A lot of people died in the process. I just wondered how you felt about it." The President's ineffectual condolences, phrased as boilerplate and expressed with squirm-inducing hesitation as he mentally scans for a lifeline (then and there, Donald Pleasence exonerates his miscasting), justify Snake's final act in a way that makes me regret ascribing the "moral evasion" of The Thing–say what?–to this picture as well. Carpenter isn't ducking anything here: Snake sees that this world is rotten from the head down and so he lights the proverbial fuse. God bless him, he's an asshole. (But not a dick.)

Blacula (1972)/Scream Blacula Scream (1973) [Double Feature] – Blu-ray Disc

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BLACULA
**½/**** Image B+ Sound B+ Extras C+
starring William Marshall, Denise Nicholas, Vonetta McGee, Charles Macaulay
screenplay by Joan Torres and Raymond Koenig
directed by William Crain

SCREAM BLACULA SCREAM
*½/**** Image A- Sound A- Extras D
starring William Marshall, Don Mitchell, Pam Grier, Richard Lawson
screenplay by Joan Torres & Raymond Koenig and Maurice Jules
directed by Bob Kelljan

by Bryant Frazer It takes some nerve to turn an exploitative, possibly racist script treatment from a low-budget movie-manufacturing plant like Samuel Z. Arkoff's American Independent Pictures (AIP) into a tragic meditation on the legacy of slavery in contemporary urban society, but that's what director William Crain and actor William Marshall damn near pulled off with Blacula. Originally conceived as a blaxploitation programmer with the ersatz jive-talking title Count Brown Is in Town, the project that would become Blacula took on some gravity when Crain cast Marshall, a trained Shakespearean actor, in the title role. Marshall insisted on alterations to the script that gave the film a subtext: he would play the lead as an 18th-century African noble who, while touring Europe in an attempt to persuade the aristocracy to oppose the slave trade, was turned into a vampire and imprisoned for more than 100 years by the rabidly racist Count Dracula. In Marshall's imagining of the story, it was Dracula who, seeking to demean the uppity foreigner, saddled him with the dismissive, derivative moniker Blacula.

Dolls (1987) [Collector’s Edition] – Blu-ray Disc

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***/**** Image B+ Sound B- Extras B-
starring Stephen Lee, Guy Rolfe, Hilary Mason, Carrie Lorraine
screenplay by Ed Naha
directed by Stuart Gordon

by Bryant Frazer A cross between "Hansel and Gretel" and The Old Dark House, Dolls is director Stuart Gordon's idea of a family-friendly horror movie. That is, it puts a little girl in peril from square one and admires her serenity and good-heartedness in the face of danger all around. The dark house belongs to the Hartwickes, an adorable elderly couple with an extensive collection of murderously ambulatory dolls. The little girl is 7-year-old Judy Bower (Carrie Lorraine), and the peril comes not from the old folks or their killer figurines but from her lousy parents–a loveless father and stepmother who have brought her on vacation only because joint custody keeps the child-support payments low. Joining the unhappy family at Hartwicke Manor on a dark and stormy night are fellow travellers-in-refuge Ralph (Stephen Lee), an earnest but overgrown man-child, and Isabel (Bunty Bailey, best-known from A-Ha's "Take on Me" music video) and Enid (Cassie Stuart), the shifty rocker-girl hitchhikers he picked up. Naturally, the guests start to disappear one by one. Who will be left at the end of the night?

Motel Hell (1980) [Collector’s Edition] – Blu-ray + DVD Combo Pack

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**/**** Image B Sound B+ Extras B
starring Rory Calhoun, Paul Linke, Nancy Parsons, Wolfman Jack
screenplay by Robert Jaffe and Steven-Charles Jaffe
directed by Kevin Connor

by Bryant Frazer SPOILER WARNING IN EFFECT. If you give Motel Hell credit for anything, score it full marks for its infamous abattoir-set climax, in which an overalls-clad farmer wearing a grotesque pig mask and wielding a chainsaw battles the local sheriff–also wielding a chainsaw–over the body of a damsel in distress bound to a conveyer belt feeding an industrial meat slicer. Motel Hell wasn't particularly original, even in the annals of American B-movies of the era, and it's not especially scary or creepy–director Kevin Connor doesn't have much of a taste for horror. But he was certainly able to recognize a spectacle. During a long career, Connor directed Christopher Lee, Peter Cushing, and Mickey Rooney in a fantasy called Arabian Adventure, shot on location in Japan another horror film starring Susan George, and even helmed a TV biopic of Elizabeth Taylor starring Sherilyn Fenn. It's the signature image of Farmer Vincent wearing a hog's head and brandishing a power saw, though, that has followed him through the decades.

Phantom of the Paradise (1974) [Collector’s Edition] – Blu-ray Disc

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***/**** Image A- Sound A Extras A-
starring Paul Williams, William Finley, Jessica Harper, Gerrit Graham
written and directed by Brian De Palma

by Bryant Frazer When did Brian De Palma become Brian De Palma? Some of the director’s pet themes were already taking shape in his earliest films, and–following his abortive, disowned studio debut, Get to Know Your RabbitSisters proved he could make something out of a lurid, over-the-top indie thriller. But only Phantom of the Paradise suggested the real scale of his outré ambition. Mixing slasher-movie tropes into a supernatural romantic fantasy with elements of rock opera, in collaboration with an actual star singer-songwriter? In 1974, apparently Brian De Palma believed he could do anything.

Without Warning (1980) – Blu-ray + DVD Combo Pack

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***/**** Image B- Sound B+ Extras A-
starring Jack Palance, Martin Landau, Tarah Nutter, Christopher S. Nelson
written by Lyn Freeman, Daniel Grodnik, Ben Nett, Steve Mathis
directed by Greydon Clark

by Bill Chambers A slasher movie in spirit, Greydon Clark's Without Warning sure opens like one, in that some cannon fodder is swiftly dispatched to establish the bogeyman and the threat he represents. But instead of the typical frisky coeds or vacationing couple, the first victims are a father (Cameron Mitchell) and his adult son (Darby Hinton) on a hunting trip, and their dialogue is freighted with an impressive amount of history and subtext. The son is rudely awakened at the crack of dawn by his angry father; he proceeds to criticize the taste of the local water, which the father stubbornly hears as girlish griping rather than the anvil it actually is. Though they're archetypal opposites (the Great Santini and his sensitive offspring), the son does try to call a truce of sorts and is soundly, sadly rebuffed. The father's macho anti-intellectualism–the boy brought books on a hunting trip!–makes theirs an unbridgeable generation gap, and there's an unsettling moment where he trains his rifle on his son, sniper-style, before thinking the better of it. Then suddenly the father is attacked by flesh-eating disks that burrow into his skin, and what can he do except cry out for his kid, who soon suffers the same tragic fate.

Herzog: The Collection [Blu-ray Disc] – Heart of Glass (1976)

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Herz aus Glas
***½/****
DVD – Image A Sound B Commentary B
BD – Image A- Sound A- Commentary B
starring Josef Bierbichler, Stefan Güttler, Clemens Scheitz, Volker Prechtel
written and directed by Werner Herzog

Mustownby Walter Chaw Hias (Josef Bierbichler) is a shepherd and a prophet, and his pronouncements pepper Heart of Glass like edicts from God. He defines the structure, in so much as there is one, of a picture that drifts in tone between Werner Herzog's nightmarish, nostalgic Bavarian romanticism and a certain variety of gothic surrealism. Indeed, Heart of Glass, while hewing close to Herzog's themes of the insufficiency of myth as a means to obscure truths about horror and beauty as well as of the artist as solitary, Byronic voyager, appears to be Herzog's play at the stylization of Buñuel. After an aged glassblower dies in a small village, the out-of-time surviving villagers, reliant on the "ruby glass" that was the artisan's specialty, spend the balance of the piece spiralling in a maddening gyre to divine the secret of the formula. Like Aguirre: The Wrath of God, the story behind the scenes–that Herzog hypnotized his cast daily to create a trancelike (glassy-eyed, if you will) mien–has become almost better-known than the details of the film itself. 

Herzog: The Collection [Blu-ray Disc] – My Best Fiend (1999)

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Mein liebster Feind – Klaus Kinski
**/****
DVD – Image B+ Sound B+
BD – Image B+ Sound B+
directed by Werner Herzog

Mustownby Walter Chaw My Best Fiend is Werner Herzog trying to dispel some of the myths surrounding his career by magnifying a few of the myths surrounding Klaus Kinski's. As such, it feels a lot more like a cheap shot than like a tribute, burying as it does Kinski's indisputable genius beneath a lot of documentary evidence that Kinski was a slavering lunatic. And though Herzog betrays a definite affection for Kinski (nowhere more so than in a hilarious/warm reminiscence offered to the very proper German couple living in the apartment once shared by the director and actor), more often the piece is given to obfuscating outtakes and anecdotes. Consider the eclipsing impact that B-roll footage of a raving Kinski on the set of Aguirre, The Wrath of God and Herzog's comments about the natives offering to kill the actor for him have on Kinski's astonishingly reserved, haunted performance in the film. If you've never seen Aguirre, you'd think that Kinski was awful in it–and if you have seen Aguirre, your mind begins to blur what's actually on the screen. It's subtle, but it starts to resemble a snowjob akin to the belief, held by most (even those who've seen the films), that Halloween and The Texas Chain Saw Massacre are splatter flicks, when in fact there's more blood in Psycho than in those two films combined.

Herzog: The Collection [Blu-ray Disc] – Aguirre, The Wrath of God (1972)

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Aguirre, der Zorn Gottes
****/****
DVD – Image A Sound B+ Commentary A
BD – Image A- Sound B+ Commentaries A
starring Klaus Kinski, Helena Rojo, Del Negro, Ruy Guerra
written and directed by Werner Herzog

by Walter Chaw A work of holy madness about acts of holy madness, Aguirre, The Wrath of God is a transcendent, haunting film that defies description and captures, somehow, what it means to be human in all the venal, small, sometimes grand things that being human implies. Once seen, it's never forgotten, and upon repeat viewings, it's one of those pictures that makes you want to cry for no particular reason but that it is, in almost every non-quantifiable way, perfect, a film alight with invention, love, and passion–a memoir of the worm in the gut that demands blood and glory. Aguirre (Klaus Kinski) is an under-lieutenant in the bona fide Peruvian expedition of Gonzalo Pizarro (Alejandro Repullés) to find the lost city of gold, El Dorado, a fiction of the Peruvian Indians meant as a suicide pill for their conquistadors. Once the expedition bogs down in the mud of the rainy season, Pizarro sends nobleman Don Pedro de Ursua (Ruy Guerra) off with Aguirre on a satellite mission to scout a path ahead for the main body. Though neither party was ever heard from again, Aguirre, The Wrath of God proposes to tell the final days of Ursua's doomed men.

The Final Terror (1983) – Blu-ray + DVD Combo Pack

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*/**** Image B+ Sound B- Extras B+
starring John Friedrich, Rachel Ward, Adrian Zmed, Mark Metcalf
screenplay by Jon George & Neill Hicks and Ronald Shusett
directed by Andrew Davis

by Bryant Frazer Of all the lousy, Z-list horror films that flooded American multiplexes in the wake of the success of Friday the 13th, The Final Terror may have the most incongruously A-list IMDb profile page, which explains its failure to languish in well-deserved obscurity. It is exemplary of the 1980s horror boom as opportunistic folly–horror movies were being made by people who had no interest in making horror movies, simply because that's where the easy money was. Horror buffs know this, but still, how can any self-respecting 21st-century genre cultist resist the siren call of a little-known slasher starring Rachel Ward, Daryl Hannah, Mark Metcalf, Adrian Zmed, and Joe Pantoliano and directed by Andrew Davis?

Deadly Eyes (1982) – Blu-ray + DVD Combo Pack

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Night Eyes
**/**** Image B+ Sound B- Extras B+
starring Sam Groom, Sara Botsford, Lisa Langlois, Scatman Crothers
screenplay by Charles Eglee, based on a screenplay by Lonon Smith and the novel The Rats by James Herbert
directed by Robert Clouse

by Bryant Frazer There's really only one thing you need to know about Deadly Eyes, and I'm going to tell you right here in the lede. Deadly Eyes is a film in which hordes of giant killer rats terrorizing downtown Toronto are played by dachshunds wearing rat costumes. That's it. A monster movie is only as good as its monster, and this monster is wiener dogs in drag. If you don't find that off-putting–perhaps you raised your eyebrows, gasped in delight, and leaned in a little closer to your computer screen upon reading those words–then it's quite possible Deadly Eyes is the terrible horror movie you've been waiting for.

Herzog: The Collection [Blu-ray Disc] – Even Dwarfs Started Small (1971)

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Auch Zwerge haben klein angefangen
***½/****
DVD – Image A Sound B+ Commentary A
BD – Image A- Sound B+ Commentary A
starring Helmut Döring, Gerd Gickel, Paul Glauer, Erna Gschwendtner
written and directed by Werner Herzog

by Walter Chaw Even Dwarfs Started Small opens with a disquieting montage featuring a young girl rending live birds with her teeth that also culminates in the image of a chicken eating another chicken (shades of Magritte's 1927 painting "Pleasure"). Both actions speak to a sort of insensate savagery, the divorce between the Freudian Id and Ego so favoured by the surrealists–and in setting the film in a fictitious place populated entirely by the little people of the title, it touches on the surrealist belief that non-Western civilizations were closer to an undifferentiated nature. The story proper concerns the uprising of a "Prisoner"-like colony against an ineffectual, Kafkaesque godhead (Pepi Hermine) and the Institution he represents. Rebelling against the imprisonment of leader Pepe (Gerd Gickel, tied to a chair throughout), the rebels devolve from a semi-organized protest into bedlam, crucifying monkeys, organizing cockfights, and, in one of the most hopeless conclusions in film, watching as rebel leader Hombre (Helmut Döring) laughs until he chokes at the sight of a defecating camel.

Final Exam (1981) – Blu-ray Disc

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*½**** Image B- Sound B- Extras C
starring Cecile Bagdadi, Joel Rice, Ralph Brown, DeAnna Robbins
written and directed by Jimmy Huston

by Bryant Frazer Beware the toothless horror film–it's no fun being gummed to death. That's how you feel, more or less, by the climax of Final Exam, a low-budget Halloween knock-off crossed with a dopey frat-boy comedy. Written and directed by Jimmy Huston, who had made a series of southern-fried features for the drive-in circuit with North Carolina-based actor-producer Earl Owensby, Final Exam is a vintage programmer about a handful of students on a mostly-deserted college campus and a serial killer slicing his way through them, essentially at random.

Sleepaway Camp (1983) [Collector’s Edition] – Blu-ray + DVD Combo Pack

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**½/**** Image A- Sound A- Extras B+
starring Mike Kellin, Katherine Kamhi, Paul DeAngelo, Jonathan Tiersten
written and directed by Robert Hiltzik

by Bryant Frazer Ah, summer camp. Softball games, capture the flag, nightswimming, and life-changing boating accidents. Not to mention killer bees, child molesters, maniacs in the shower, and one kid with a whole lot of baggage, if you know what I mean. Sleepaway Camp is a slasher movie, and it depicts lakeside Camp Arawak as a pressure-cooker of hormones and teenage flop sweat. Into this fetid milieu step Ricky and Angela, teenaged cousins united by tragedy: a boating accident that killed Angela's parents and sibling some years earlier. Ricky (Jonathan Tiersten) might be a little awkward, but he just wants to fit in; Angela (Felissa Rose), meanwhile, seems downright disturbed, spending much of her time dead silent, staring down her fellow campers with a mournful, almost accusatory glare. Before long, some of those campers start dropping dead as surely as the flies that coat the glue strips dangling in Arawak's kitchen. There's a soup incident, a shower incident, and an incident involving a toilet stall and angry bees. There's a bit of business with a curling iron that's probably inappropriate in a movie starring underage actors. The slasher's hands appear on screen, but do they belong to unhappy Angela? Overprotective Ricky? Or someone else entirely?

Evilspeak (1982) – Blu-ray Disc

Evilspeak1click any image to enlarge

**/**** Image B Sound B Extras B
starring Clint Howard, R.G. Armstrong, Joseph Cortese, Claude Earl Jones
screenplay by Joseph Garofalo and Eric Weston
directed by Eric Weston

by Bryant Frazer Consider the pig. Pork is damned near a gourmet food these days. Celebrity chefs will serve you layers of pork belly wrapped around potatoes, figs, even pineapple. They'll dip bacon in chocolate, infuse it in vodka, or drape it across an ice-cream sundae, resplendent in its brown glory. Your local organic market probably sells artisanal bacon cured with dark, fine-grained muscovado imported from Mauritius and flavoured with angel farts and faerie dust. The recent cinema has also celebrated the pig, via two excellent Babe movies and a decent adaptation of Charlotte's Web. It wasn't always that way, though. No less an authority than God Himself went Old Testament on pork back in the day, and it took the famous and completely disingenuous "Pork: The Other White Meat" campaign to rehabilitate swine for the U.S. market. What I mean to say is that the 1982 horror movie Evilspeak, in which a trio of crazed, Satan-possessed porkers burst into a bathroom and disembowel a nude woman taking a shower, couldn't have done the humble pig's reputation any favours.