Mimic: Sentinel (2003) – DVD

November 12, 2003Posted in2000s, Authors: Walter Chaw, DVD, Horror, Sci-Fi, Thriller

***/**** Image B+ Sound A Extras A
starring Karl Geary, Amanda Plummer, Alexis Dziena, Rebecca Mader
written and directed by J.T. Petty

by Walter Chaw Written and directed by wunderkind J.T. Petty, the second sequel to Guillermo Del Toro's underestimated and, admittedly, somewhat botched Mimic is a self-confessed "Rear Window with giant man-eating cockroaches" marked by a strong sense of camp and a visual style humming with a cohesive, kinetic logic that indicates, possibly, the emergence of a major genre talent. Between Mimic 3: Sentinel ("Mimic: Sentinel" on its title card and hereafter "Sentinel") and his remarkable feature debut, the mostly silent NYU student film Soft for Digging, Petty betrays a genuine gift for cinematic storytelling, stripping down dialogue to a skeletal structure and relying on the force of his images for the bulk of the exposition. Accordingly, the parts of Sentinel that bog down are the parts that rely too much on the cast to provide backstory and motivation when the best, most poetic bits of the picture are the first ten minutes (including its credit sequence) that tells all one needs to know without a word of dialogue.

Battlestar Galactica (1978) [Widescreen] – DVD

November 11, 2003Posted in1970s, Action, Adventure, Authors: Travis Mackenzie Hoover, DVD, Sci-Fi

**/**** Image A- Sound B+ Extras D
starring Richard Hatch, Dirk Benedict, Lorne Greene
screenplay by Glen A. Larson
directed by Richard A. Colla

by Travis Mackenzie Hoover I find it supremely ironic that George Lucas had the nerve to sue the Battlestar Galactica team for the crime of plagiarism–this, after plundering Kurosawa and Ford and Leni Riefenstahl (and God knows who else) to create the po-mo patchwork quilt known as Star Wars. It doesn't really reflect well on your case when the thieves in question have actually ripped off fewer movies (and cultures, and archetypes) than the alleged textual victim; accordingly, Lucas lost the argument and the case. And yet, on some spiritual level, the bigger theft has more integrity than the smaller one. At the very least, Star Wars gives the impression that somebody wanted to make it: it's in awe of its sources, and that respect surges through every purloined frame. The Galactica crew only respected money and career opportunities, making the irritant of this would-be cash cow's maiden voyage seem like a mosquito the size of a Cessna.

Hulk (2003) [2-Disc Special Edition] – DVD

November 8, 2003Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Sci-Fi, Superhero

**/**** Image A- Sound A Extras B-
starring Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas
screenplay by John Turman and Michael France and James Schamus, based on the Marvel comic
directed by Ang Lee

Hulkcapby Walter Chaw The first in a troika of films to focus on rage as the catalyst for physiological change (the others being Danny Boyle's brilliant 28 Days Later… and Stephen Norrington's The League of Extraordinary Gentlemen, which counts Mr. Hyde among its gentlemen) this past summer, Ang Lee's Hulk is a plodding dirge about the sins of the fathers that struggles mightily between the requirement to awe and the desire to mean something. Its story of repressed memories of abuse and reconciliation amounts to not-much when the tortured protagonist seems supremely capable of suppressing his rage, only losing control when jolted with a cattle prod or when his girlfriend is menaced by a trio of mutant hounds. An oh-so-subtle suggestion–embedded in a dream within a flashback–that emotionally distant Bruce Banner (Eric Bana in full zombie mode) may have abused his ex-girlfriend Betty Ross (Jennifer Connelly) speaks to a canny chronicler of dysfunction in Lee (The Ice Storm) struggling with the demands of a film with a ridiculous budget and a level of expectation in the same stratosphere. When Betty nonsensically offers, "It must be a combination of the nanomeds and the gamma radiation," Bruce responds: "No, it's something deeper." Alas, it's not.

The Matrix Revolutions (2003)

November 5, 2003Posted in2000s, Action, Authors: Walter Chaw, Esoterica, Martial Arts, Sci-Fi, Theatrical

**½/****
starring Keanu Reeves, Carrie-Anne Moss, Laurence Fishburne, Hugo Weaving
written and directed by Lana Wachowski & Lilly Wachowski

by Walter Chaw Where The Matrix Reloaded works best as a kitschy send-up of West Side Story, The Matrix Revolutions is the funniest, most overblown re-telling of The Old Testament since The Ten Commandments. It should have been called "Revelations," truth be told, and indeed a sly wink to covenants and the Apocalypse comprises its final scenes. The film comes complete with martyred saints, crucified saviours, and enough murder and fireworks to keep Philistines attentive during the extended lore sequences, less boring here than in the last instalment, though those looking for mortal doses of faux philosophical pretension will find their goblets full to brimming. What saves this chapter, as it did the previous, is the idea that the arrogance required to pull off something this ponderous, this glowering and self-important, is in fact a valuable thing in a mainstream movie climate more interested in the comfortable affirmation of formula. Though it's likely that box office history will interpret the last two parts of The Matrix unkindly, it's all too possible that the trilogy may come to be seen as something like a classic of ambitious, hysterical overreaching. And why not? That's exactly what it is.

Dark Angel: The Complete First Season (2000-2001) – DVD

November 4, 2003Posted in2000s, Action, Adventure, Authors: Walter Chaw, Drama, DVD, Mystery, Sci-Fi, Television

Image B+ Sound A Extras C
“Pilot,” “Heat,” “Flushed,” “C.R.E.A.M.,” “411 on the DL,” “Prodigy,” “Cold Comfort,” “Blah Blah Woof Woof,” “Out,” “Red,” “Art Attack,” “Rising,” “The Kidz Are Aiight,” “Female Trouble,” “Haven,” “Shorties in Love,” “Pollo Loco,” “I and I Am a Camera,” “Hit a Sista Back,” “Meow,” “…And Jesus Brought a Casserole”

by Walter Chaw Ah, the Apocalypse. Terrorists set off a nuclear bomb in orbit, and the resultant electromagnetic pulse cripples the mighty United States’ information highway, plunging Seattle 2019 into what the morose voiceover introduction proclaims is the Third World. The mean streets of the Emerald City are teeming with grungy, coffee-addled youth culture, aggressive panhandlers, and Russian gangsters milling beneath a constant drizzle while bike messengers zip around with insouciant wet flying off their natty dreadlocks–and then the catastrophic energy pulse, after which we meet Max (Jessica Alba). With a beauty-mark bespecked-chin, a pouting leer, and a penchant for delivering every line with a head wobbling “oh no you did-ent” undead inner-city spunk (which not only gets tired, but also dates the piece almost instantly–recall the airless jingo-ese of “What’s Happenin'”), Alba struts into and out of her fifteen minutes as lead terminator in the James Cameron-conceived (and occasionally scripted) series “Dark Angel”.

Watchers/Watchers II [Double Feature] – DVD

October 31, 2003Posted in1980s, 2000s, Action, Authors: Walter Chaw, Canada, DVD, Horror, Sci-Fi, Thriller, ZERO STARS

WATCHERS (1988)
*/**** Image C- Sound C
starring Corey Haim, Barbara Williams, Michael Ironside
screenplay by Bill Freed and Damian Lee, based on Watchers by Dean R. Koontz
directed by Jon Hess

WATCHERS II (2002)
ZERO STARS/**** Image C Sound C
starring Marc Singer, Tracy Scoggins, Jonathan Farwell, Irene Miracle
screenplay by Henry Dominic
directed by Thierry Notz

by Walter Chaw Lassie vs. Link in what amounts to one of the stupidest films ever made: an adaptation of a Dean Koontz (one of the stupidest novelists ever made) novel, Watchers looks cheap, plays cheap, and stars Corey Haim as a Lita Ford-looking, ambiguously gay teen who’s upstaged by a dog yet again (see: The Lost Boys and, in a way, Silver Bullet). At least he’s not upstaged by Corey Feldman this time around, which, frankly, can’t be good for anyone’s career or self-respect. A tale of a genetically engineered orangutan warring with a genetically engineered golden retriever in the upscale suburbs of Anywhere, America that looks like Vancouver and boasts of the entire Mayberry police force, Watchers is aided now and again by a trademark ridiculous performance from Michael Ironside, the poor man’s Jack Nicholson, but is generally an unredeemable tale of military paranoia and dog love. As the mutt gazes intently off-screen at the commands of his invisible handler (and Haim the same), the film has as its only vaguely interesting moment one where a fat kid named “Piggy” and Jason Priestly try to out-bike the killer monkey, restaging The Lord of the Flies as a BMX downhill derby. Oh, the humanity.

Bride of Re-Animator (1990) – DVD

October 30, 2003Posted in1980s, Authors: Walter Chaw, Comedy, DVD, Horror, Japan, Sci-Fi, Thriller

**½/**** Image C Sound C
starring Bruce Abbott, Claude Larl Jones, Fabiana Odento, David Gale
screenplay by Woody Keith and Rick Fry
directed by Brian Yuzna

by Walter Chaw Screaming Mad George is a genius. Make-up artist extraordinaire, his legacy is born of Stan Winston and Tom Savini, but his touch is more witty than the former and more perverse than the latter, resulting in a body of work that, by itself, makes the third Children of the Corn film a winner, the climax of Brian Yuzna’s Society unspeakably sticky, and this, Yuzna’s sequel to Stuart Gordon’s classic splatter flick Re-Animator, a gore flick of unusual visual wit and energy. A continuation of the sad events at H.P. Lovecraft’s doomed Miskatonic University, the tale of mad Herbert West (B-movie legend Jeffrey Combs) and his experiments in reanimating living tissue (undaunted, apparently, by his run-in with an over-eager intestinal tract in the first film) with hapless assistant Dan (Bruce Abbott), Bride of Re-Animator captures a lot of the gleeful lack of boundaries of the first film without, predictably, the attendant surprise and freshness. Still, what emerges is a genre picture that, for all of its lack of psychosexual subtext and subtlety, gains for its jubilant indulgence in the wetworks.

Terminator 3: Rise of the Machines (2003) [2-Disc Widescreen Edition] – DVD

October 29, 2003Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Germany, Schwarzenegger, Sci-Fi, UK

**½/**** Image A- Sound A+ Extras B
starring Arnold Schwarzenegger, Nick Stahl, Claire Danes, Kristanna Loken
screenplay by John D. Brancato & Michael Ferris
directed by Jonathan Mostow

by Walter Chaw Where the first film banked on romantic melancholy, and the second on a literalization of both techno-paranoia and the Oedipal split, Terminator 3: Rise of the Machines (hereafter T3)–the first in the Terminator trilogy to be directed by someone other than James Cameron (U-571‘s Jonathan Mostow)–is essentially a mega-budgeted slasher flick rematted as a hero mythology, but without the sociological significance of the genre. What T3 is, at its core, is a post-modern picture with a few agreeable moments of self-knowing humour that devolve into a self-worshipping reverence. With Arnold Schwarzenegger threatening to jettison his foundering movie career (something of a disaster since the last Terminator film) to pursue a terrifying career in politics, the picture plays like an Academy highlight reel, with Arnie delivering three variations of his “I’ll be back” as well as a quick “I lied” for the dozen or so people who still remember Commando. T3 never gets more clever than that, really (though a moment where Arnie’s killer robot dons a pair of Elton John sunglasses is a classic image only missing a quick refrain of “The Bitch is Back”), and the picture resolves itself as derivative (I should say “slavishly, worshipfully derivative”) of the other films in the trilogy while adding a lot of loud “nothing new.”

House of 1000 Corpses (2003) + Waxwork/Waxwork II: Lost in Time [Double Feature] – DVD

October 16, 2003Posted in1980s, 2000s, Authors: Walter Chaw, Comedy, DVD, Fantasy, Horror, Sci-Fi, UK, West Germany, ZERO STARS

HOUSE OF 1000 CORPSES
**/**** Image A Sound A Extras A
starring Sid Haig, Bill Moseley, Sheri Moon, Karen Black
written and directed by Rob Zombie

WAXWORK (1988)
*/**** Image D Sound D
starring Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook
written and directed by Anthony Hickox

WAXWORK II: LOST IN TIME (1991)
ZERO STARS/**** Image C Sound C
starring Zach Galligan, Alexander Godunov, Monika Schnarre
written and directed by Anthony Hickox

by Walter Chaw Curiously, compulsively watchable in a grindhouse exploitation sort of way, neo-glam shock-rocker Rob Zombie follows in Twisted Sister Dee Snider’s capering footsteps with a derivative flick that mainly goes a long way towards demonstrating how hard it is to make a coherent movie. More Richard Donner’s The Goonies than Tobe Hooper’s The Texas Chain Saw Massacre, House of 1000 Corpses is a shoestring series of hyperactive camera movements and disjointed images culled from what seems too many films to count, from Bloodsucking Freaks to Near Dark to Maniac to The Serpent and the Rainbow to Halloween to Hellbound: Hellraiser 2 and so on, with no reason except to demonstrate how many horror movies Zombie has seen. The only thing missing from the picture–besides actual dread–is a helpful annotation so that youngsters intrigued can check out the real deal.

Star Trek V: The Final Frontier (1989) – DVD|[Special Collector’s Edition] DVD

October 14, 2003Posted in1980s, Action, Adventure, Authors: Bill Chambers, Authors: Vincent Suarez, DVD, Sci-Fi, Star Trek, Thriller

**½/****
1999 DVD – Image B Sound A-
SCE DVD – Image A Sound A Extras A
starring William Shatner, Leonard Nimoy, DeForest Kelly, James Doohan, Laurence Luckinbill
screenplay by David Loughery
directed by William Shatner

by Vincent Suarez On the heels of the wildly successful (and equally overrated) Star Trek IV: The Voyage Home, the Trek franchise seemed poised to become, of all things, a crossover phenomenon. That changed with the release of the financially disappointing and generally reviled (by critics and Trek fans alike) fifth installment, Star Trek V: The Final Frontier, which nearly killed the film series. Wisely, Paramount and producer Harve Bennett asked Nicholas Meyer, director of the magnificent Star Trek II: The Wrath of Khan, to helm Star Trek VI: The Undiscovered Country, putting the series back on warp drive.

28 Days Later (2002) [Widescreen Special Edition] – DVD

September 24, 2003Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Drama, DVD, Horror, Sci-Fi, Thriller, UK, Zombie

28 Days Later…
**½/**** Image B Sound A- Extras A
starring Cillian Murphy, Naomie Harris, Brendan Gleeson, Christopher Eccleston
screenplay by Alex Garland
directed by Danny Boyle

by Travis Mackenzie Hoover 28 Days Later… is a film that shoots for resonance but is too shortsighted to hit the target. Its tale of an England beset by rage-crazed zombies is clearly a metaphor for something–but what? Timing rules out certain international disasters (9/11 happened as the film was shooting), and a certain opacity of intent clouds the entire film, making you reach out for something that you're never sure is really there. There are compensatory pleasures (a general creepiness, one smashing performance), but the film lacks something beyond its grasp, leaving you with an adequate, reasonably entertaining picture, and nothing more.

Dreamcatcher (2003) [Widescreen Edition] – DVD

September 16, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Drama, DVD, Horror, Sci-Fi, Stephen King, Thriller

*/**** Image A- Sound A Extras B-
starring Morgan Freeman, Thomas Jane, Jason Lee, Damian Lewis
screenplay by William Goldman and Lawrence Kasdan, based on the novel by Stephen King
directed by Lawrence Kasdan

by Walter Chaw As stupid as stupid can be, Lawrence Kasdan’s splashy comeback on the backs of two writers who haven’t really been any good for about 40 years between them (Stephen King and William Goldman) is riddled with knee-slapping plot inconsistencies and the sort of dunderheaded conveniences that reek equally of desperation and a lack of respect for the audience. Based on the first King novel written after the author was smeared across a Maine highway by a man who would later kill himself in a trailer, the book is a fine short story trapped in the body of a 600-page book. Hopelessly protracted, after the first 200 pages, the novel becomes a pathetic exercise in chronic self-reference: the malady of a successful author who’s begun to lose the line between reality and his cult of personality. King has become a writer interested in writing love letters to his fanbase and smug gruel for everyone else.

TIFF ’03: Undead

September 14, 2003Posted in2000s, Action, Australia, Authors: Bill Chambers, Comedy, Film Festivals, Horror, Sci-Fi, TIFF, Zombie
½*/****starring Felicity Mason, Mungo McKay, Rob Jenkins, Lisa Cunninghamwritten and directed by Peter Spierig & Michael Spierig by Bill Chambers For novice directors, even genre can become an irresistible new toy. So it is with the Spierig Brothers' Undead, an Australian film that liberally applies CG but more detrimentally cribs from every and any horror flick that fanboys ever extolled; those mouth-breathing types who post talkback at AICN have never been this condescended to, yet I fear that Undead's pandering will sail over their heads and lead to a misguided appreciation of the film as a one-stop shop for all…

The Ωmega Man (1971) – DVD

September 1, 2003Posted in1970s, Authors: Walter Chaw, DVD, Horror, Sci-Fi

The Omega Man
*/**** Image A- Sound B Extras D
starring Charlton Heston, Anthony Zerbe, Rosalind Cash
screenplay by John William Corrington and Joyce H. Corrington, based on the novel I Am Legend by Richard Matheson
directed by Boris Sagal

by Walter Chaw Its dialogue and score at constant war with the tickle of poignancy threatening to justify The Ωmega Man‘s cult status, Boris Sagal’s at times astonishingly awful adaptation of Richard Matheson’s classic short novel I Am Legend is some kind of weird hippie elegy spiced with a few disturbing religious images and a lot of casual racism. The idea that Matheson’s vampires are now black-hooded (monastic and judicial) albino mutants living in an abandoned civic building, representative of not a new order but the oppressive old, is too clearly a lament for the doom of the flower-power generation. Frankly, the image of broken-down hippies trying to plant seeds in blasted earth in the middle of Easy Rider said it all with more elegance and brevity.

Memoirs of an Invisible Man (1992) – DVD + John Carpenter: The Prince of Darkness – Books

August 17, 2003Posted in1990s, Adventure, Authors: Bill Chambers, Books About Movies, Directors: John Carpenter, DVD, Sci-Fi

MEMOIRS OF AN INVISIBLE MAN
**/**** Image A- Sound B+ Extras C
starring Chevy Chase, Daryl Hannah, Sam Neill, Michael McKean
screenplay by Robert Collector & Dana Olsen and William Goldman, based on the book by H.F. Saint
directed by John Carpenter

JOHN CARPENTER: THE PRINCE OF DARKNESS
FFC rating: 6/10
written by Gilles Boulenger

by Bill Chambers In John Carpenter: The Prince of Darkness, a new interview book by Gilles Boulenger, John Carpenter says that you don’t see the possessory credit on Memoirs of an Invisible Man (i.e., “John Carpenter’s Memoirs of an Invisible Man“) because the film is not 100% his, but rather the product of studio interference he knew full well would take place prior to signing on. (“Warner Bros. is in the business of making audience-friendly, non-challenging movies,” Carpenter declares.) Boulenger doesn’t ask his subject how he stomached accepting the project–funnyman Chevy Chase’s darling, which Chase had shepherded through an abortive incarnation to be directed by Ivan Reitman and scripted by William Goldman before Carpenter climbed aboard–despite his misgivings, since he obviously did it for the A-list boost and the last time he did that (Christine) felt tormented about it for years after. (“When there is no connection between the movie and my inner soul, I get lost and I walk through it.”) You’ll find that’s the pattern of Boulenger’s Q&A: Carpenter feeds his interrogator provocative morsels, and they go untested because Boulenger has a set-list he wants to get through. (It’s the spontaneous follow-up question, the willingness to confront, that tests an interviewer’s mettle.) I fear we may have another Laurent Bouzereau on our hands, for Boulenger’s favourite query–he uses it over and over again–is also his most reductive: “Do you recall one telling anecdote about the shoot?”

Spy Kids 3-D: Game Over (2003)

July 25, 2003Posted in2000s, Action, Adventure, Authors: Walter Chaw, Comedy, Family, Sci-Fi, Stallone

Spy Kids 3: Game Over
½*/****
starring Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara
written and directed by Robert Rodriguez

Spykids3dby Walter Chaw Robert Rodriguez’s deeply unpleasant conclusion to his Spy Kids trilogy lacks the smarts and inventiveness of the first two films in the series, putting all of its eggs in a 3-D basket that is so certain to cause headache that bottles of aspirin should be passed out alongside the flimsy red/blue glasses. All the weaknesses of the previous Spy Kids entries, unbolstered in Spy Kids 3-D: Game Over (hereafter Spy Kids 3) by a sense of joy and innovation, are unforgivable in this film: the genuinely awful child actors, the cheesy special effects, and that certain air of imported moral superiority that seems a late-hour attempt to justify the emptiness of the exercise. Out of nowhere, the lessons of family and respect for disability find themselves grafted to this flimsiest of low-tech frameworks–special effects that are so amateurish and poorly implemented they don’t so much remind of Tron as replicate Tron bit-for-bit twenty-one years after the fact. The narrative of the film, such as it is, reveals itself to be a life-support system for hyperactive incompetence, and for a series of stupid cameos that are at least preferable to Sylvester Stallone as something called The Toymaker.

Cowboy Bebop: The Movie (2001) [Special Edition] – DVD

July 6, 2003Posted in2000s, Action, Animation, Authors: Walter Chaw, Crime, Drama, DVD, Japan, Sci-Fi, Thriller

***/**** Image A Sound A Extras C
screenplay by Keiko Nobumoto
directed by Shinichiro Watanabe

by Walter Chaw Yôko Kanno’s soundtrack for Cowboy Bebop: The Movie (hereafter Cowboy Bebop) is a jubilant a blend of funk, jazz, blues, soul, and punk that soars even though it’s a pale shadow of the “bebop” innovated by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and Bud Powell (and Kenny Clarke and Max Roach) in Minton’s Playhouse in the early 1940s. It functions as something of a brilliantly mellifluous backbone to the film and the series that spawned it–chimeric and socially significant, again like Bird’s bebop, in that the 26-episode Japanese television series became one of the most recognized and revered crossovers in animated series history. The bebop idea of riffing on a melody to the extent that the melody becomes unrecognizable (with an attendant introduction of dozens of beats to the standard four-beat bar) carries through in the frenetic kineticism of series that also, by its format, mirrors jazz bebop’s compact agility (generally carried by quartet and quintet arrangements)–making a feature-length film, then, a strange place for the “Cowboy Bebop” franchise to go.

The Incredible Hulk Returns (1988)/The Trial of the Incredible Hulk (1989) [2 Disc Set]; The Death of the Incredible Hulk (1990); The Incredible Hulk (1996) – DVDs

June 17, 2003Posted in1980s, 1990s, Action, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Espionage, Fantasy, Sci-Fi, Superhero

THE INCREDIBLE HULK RETURNS
**/**** Image B- Sound B Extras A+
starring Bill Bixby, Lou Ferrigno, Lee Purcell, Jack Colvin
written by Nicholas Corea
directed by Bill Bixby & Nicholas Corea

THE TRIAL OF THE INCREDIBLE HULK
*/**** Image B- Sound B Extras A+
starring Bill Bixby, Lou Ferrigno, Rex Smith, John Rhys-Davies
written by Gerald Di Pego
directed by Bill Bixby

by Walter Chaw It all comes back in a rush, the crosshairs fixing David Banner’s (Bill Bixby) face, the breathless narration summarizing the whole of the creation story in ninety seconds, the shots of long-haired Lou Ferrigno, in full body paint, embodying the rage and frustration of the flower-power generation in all its ripped-jean glory. Punked with a horse’s dose of gamma radiation, mild-mannered Dr. Banner turns into a ball of flexing id that gets most wroth until running across a kitten or something and calming down. Jekyll and Hyde for the “me” generation; that a research scientist disinterested in the particulars of cashing in turns into a giant green ball of type-A is one avenue for discussion, though a better one is the fact that Banner represents in a real way the idea of hope and compassion in a time more interested in “Hulk smash”–making the moldy Marvel hero a potentially good match for the reflective sensibilities of Ang Lee. That Banner’s pacifist nature is always defeated by his “anger” speaks volumes about the inevitability of the metamorphosis of hippie to yuppie, as well as the death of a dream that transformation encompasses.

Spider-Man (2002) [Full Screen Special Edition + Superbit] – DVDs

June 13, 2003Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Directors: Sam Raimi, DVD, Sci-Fi, Spider-Man, Superhero

***½/****
SE – Image C Sound A- Extras B
SUPERBIT – Image A Sound A (DTS) A- (DD) Commentary B
starring Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco
screenplay by David Koepp
directed by Sam Raimi

Spidermansbitcap1

by Walter Chaw Sam Raimi’s banana yellow, 1973 Dodge 88 Oldsmobile is Uncle Ben’s (Cliff Robertson, himself the happy–however briefly–subject of a lab experiment in 1968’s Charley) ride in Spider-Man, and it is as canny and appropriate a cameo as any since Hitchcock’s greedy quaff of a champagne flute in Notorious. The good news is, the appearance of said vehicle is as clever as the rest of Spider-Man, that rare variety of modern popular film boasting of subtext and tricky riptides tackling puberty and abrupt Oedipal splits with good humour, insight, and grace. If not for the abominable CGI (really only overused in two scenes), I would have a hard time finding fault with Spider-Man, the model comic book movie in its surprisingly dark tone, lively pace, shrewd performances, sense of humour, and sly intelligence.

Franchise Boogie: The Jungle Book 2; The Brady Bunch Movie; A Very Brady Sequel; Terminator 2: Judgment Day; Die Another Day; The Animatrix

June 9, 2003Posted in1990s, 2000s, Action, Animation, Authors: Bill Chambers, Comedy, Disney, DVD, Family, James Bond, Musical, Sci-Fi

THE JUNGLE BOOK 2 (2003)
*/**** Image A Sound A Extras C
screenplay by Karl Geurs
directed by Steve Trenbirth

THE BRADY BUNCH MOVIE (1995)
***/**** Image B+ Sound A-
starring Shelley Long, Gary Cole, Christine Taylor, Christopher Daniel Barnes
screenplay by Bonnie Turner & Terry Turner
directed by Betty Thomas

A VERY BRADY SEQUEL (1996)
***½/**** Image B Sound A-
starring Shelley Long, Gary Cole, Christopher Daniel Barnes, Christine Taylor
screenplay by Harry Elfont & Deborah Kaplan and James Berg & Stan Zimmerman
directed by Arlene Sanford

TERMINATOR 2: JUDGMENT DAY (1991)
***½/**** Image A+ Sound A Extras A
starring Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick
screenplay by James Cameron & William Wisher Jr.
directed by James Cameron

DIE ANOTHER DAY (2002)
**/**** Image A Sound A+ Extras A-
starring Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike
screenplay by Neal Purvis & Robert Wade
directed by Lee Tamahori

THE ANIMATRIX (2003)
***/**** Image A+ Sound A Extras A
written by The Wachowski Brothers*, Yoshiaki Kawajiri, Kôji Morimoto, Shinichirô Watanabe, Peter Chung
directed by Peter Chung, Andrew R. Jones, Yoshiaki Kawajiri, Takeshi Koike, Mahiro Maeda, Kôji Morimoto, Shinichirô Watanabe

(*We defer to screen billing but recognize this is inaccurate.-Ed., 2016)

by Bill Chambers The studios apply their stratagem for summertime theatrical releases to DVD in 2003, having overcrowded video store shelves this month and last with sequels and offshoots to the degree that, a few weeks from today, you will notice that a Matrix film and a Terminator film are vying for attention both at home and at the multiplex. As Charlie’s Angels: Full Throttle, Bad Boys II, and Legally Blonde 2 touch down in theatres, Die Another Day, The Jungle Book 2, and the Brady Bunch movies land on DVD, and then there are the cross-promotions: It seems like everyone wants a piece of the fallout from Universal’s big-screen Hulk, with Fox, Buena Vista, Anchor Bay, and Universal itself issuing “Hulk”-branded discs prior to the feature film’s June 20th opening. Synergy this aggressive may well erase the line separating legitimate media from its ancillaries yet; Fox takes a bold step in this direction with the upcoming From Justin to Kelly, slated to debut on disc a mere six weeks past its theatrical premiere date, thus rendering the latter a glorified trailer for the former.