Satire Archives - Page 3 of 5 - FILM FREAK CENTRAL

Year One (2009)

June 19, 20092000s, Authors: Ian Pugh, Comedy, Satire, Theatrical

½/****
starring Jack Black, Michael Cera, Oliver Platt, Hank Azaria
screenplay by Harold Ramis & Gene Stupnitsky & Lee Eisenberg
directed by Harold Ramis

by Ian Pugh Maintaining relevance is a bitch, ain't it? Just ask Harold Ramis. His sequel Analyze That marked the point at which Robert De Niro lost his self-parody cred; seven decades' worth of film noir had beaten him to the punch at everything he had to say in The Ice Harvest; and the ball is only now starting to roll on that third Ghostbusters movie that's been unwarranted for the better part of fifteen years besides. But, having found a friend in Judd Apatow, Ramis finally has the means of making a movie for the here and now and gathering together an ensemble cast composed of all those funny guys the kids seem to like these days. Unfortunately, with cinematic trends as fickle as they are, most of these ultra-popular comedians already passed their expiration dates a minimum of two years ago–and, to the surprise of absolutely no one, Year One ends up being another rotten egg in what is thus far the weakest summer for movies in recent memory. As cavemen, Jack Black is still the wild-eyed idiot and Michael Cera still the stuttering virgin; Forrest Gump'ing their way through the Old Testament, they cross paths with Cain (David Cross) and Abel (Paul Rudd) as well as that other famous pair, Abraham (Hank Azaria) and Isaac (Christopher Mintz-Plasse, reprising McLovin as anticipated). Rest assured that, if the film really wanted to jump around the Book of Genesis, it probably would have featured Jonah Hill as Esau and Will Ferrell as Jacob, doing whatever it is they do anymore without deviating from what you know about them. You pays your money and gets what you expects, and that's precisely what's so deadly about Year One.

Seattle International Film Festival ’09: In the Loop

May 13, 20092000s, Authors: Jefferson Robbins, Comedy, Film Festivals, Satire, UK

***/****starring Peter Capaldi, Tom Hollander, Gina McKee, James Gandolfiniscreenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Rochedirected by Armando Iannucci by Jefferson Robbins It's the Downing Street Memo actualized as comedy. Spun off from director Armando Iannucci's own 2005 BBC series "The Thick Of It", In the Loop broadens its scope from the backroom foibles of clueless, self-interested British MPs to encompass the American policy vultures, partisan hacks, and PTSD generals who devise, or are victimized by, war policy. Ported over wholesale from "The Thick Of It" is Peter Capaldi's bloodthirsty Malcolm Tucker, chief enforcer for the Prime Minister and…

Batbabe: The Dark Nightie (2009) + The Stewardesses (1971) [2-DVD Set] – DVDs

March 9, 20091970s, 2000s, Authors: Ian Pugh, Comedy, Drama, DVD, Esoterica, Satire, Scream/Shout! Factory, Superhero

BATBABE: THE DARK NIGHTIE
*½/**** Image B- Sound B Extras C
starring Darian Caine, Molly Heartbreaker, Jackie Stevens, Smoke Williams
written and directed by John Bacchus

THE STEWARDESSES
*/**** Image B- Sound B- Extras A
starring Michael Garrett, Christina Hart, William Basil
written and directed by Al Silliman Jr.

by Ian Pugh It may seem ridiculous to call a softcore porno spoof of The Dark Knight a disappointment, but I've been aching to see any sort of comedic critical response to Christopher Nolan's masterpiece since it stole my heart last summer. We should always be willing to throw our sacred cows onto the fire to test their mettle, and we're woefully lacking in the right forums to do so: MAD MAGAZINE lost its currency a while back (or maybe I just turned 16) and Internet satire is too scattershot. Where else are we to turn for our defiant, independent parodies of the instant classics of modern culture? Porn, of course. Leave it to some clever guy in the adult industry to come up with the Jerker (Rob Mendara), a devious clown/agent of chaos/chronic masturbator out to prove that everyone is capable of descending to his level of depravity–by stealing all the precious pornography in Bacchum City! Meanwhile, strip-club owner/dancer Wendy Wane (Darian Caine) believes that Bacchum's new D.A. Henrietta Bent (Molly Heartbreaker) will afford her the opportunity to retire her Batbabe persona and settle down with old flame Rachel Balls (Jackie Stevens).

Postal (2008) – Blu-ray Disc

December 2, 20082000s, Action, Authors: Bryant Frazer, Blu-ray Disc, Comedy, Satire

*½/**** Image B Sound B Extras C+
starring Zack Ward, Dave Foley, Chris Coppola, Seymour Cassel
screenplay by Uwe Boll and Bryan C. Knight
directed by Uwe Boll

by Bryant Frazer Uwe Boll may not be the world's worst filmmaker, but when he made his name internationally by turning beloved videogame titles into movies (the zombie shooter House of the Dead, the survival-horror adventure Alone in the Dark) that played like cheap, cynical cash grabs, he earned that sobriquet along with the undying enmity of a certain branch of the movie-nerd contingent. Go ahead and run a Google search on "worst filmmaker alive" and see how many times Boll's name comes up on the first page alone.

Starship Troopers 3: Marauder (2008) – Blu-ray Disc

September 23, 20082000s, Action, Authors: Bryant Frazer, Blu-ray Disc, Satire, Sci-Fi

**½/**** Image A Sound A- Extras B-
starring Casper Van Dien, Jolene Blalock, Amanda Donohoe, Boris Kodjoe
written and directed by Ed Neumeier

by Bryant Frazer Hollywood has lately been lousy with torpidly sincere, marquee-name-bedecked anti-war movies, but leave it to the auteurs working in the low-budget trenches to devise an impolite satire of current war efforts. Starship Troopers 3: Marauder isn't exactly deep, but it is an Iraq War allegory that takes on not only the political groupthink that comes with a war well-fought, but also the delusional, God-on-our-side religious angle. In this ramshackle action adventure written and directed by Ed Neumeier, co-writer with director Paul Verhoeven of the original Starship Troopers (which was more a rambunctiously contrary riff on Robert Heinlein's same-named novel than an actual adaptation), the Federal Network's space marines are fighting against a race of alien bugs in an interplanetary war that's become so unpopular that the penalty for anti-war protestors is televised hanging. "This is a very simple ruling," declares one federal judge before an execution, adding–in quotation of a notorious comment made by White House press secretary Ari Fleischer in September 2001–"People need to watch what they say."

V for Vendetta (2006) – Blu-ray Disc

May 29, 20082000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, Germany, Revenge, Satire, Sci-Fi, Thriller, UK

***½/**** Image B+ Sound B Extras B-
starring Natalie Portman, Hugo Weaving, Stephen Rea, John Hurt
screenplay by The Wachowski Brothers, based on the graphic novel by Alan Moore & David Lloyd
directed by James McTeigue

by Walter Chaw As documents for the opposition go, V for Vendetta may be the ballsiest, angriest picture of the current administration, flashing without apology images of naked prisoners of the state, shackled in black hoods and held in clear acrylic boxes while a febrile talking head and his cloistered intimates (called "fingers") form a closed fist around them. It surmises a future where the government plants stories in centrally-owned media conglomerates, controlling groupthink by providing just one point of view. Woe be unto those with a critical mind because what, after all, is more dangerous to a dictatorial theocracy than a question? But more, the picture is an impassioned plea for alternative lifestyles, exposing the melodrama of Brokeback Mountain to be embarrassed, even polite, when the struggle for equal regard is something that should be undertaken with passion and brio–it's life and death, and V for Vendetta presents it as such. There are no half measures in a film that takes as its hero an eloquent monologist in a Guy Fawkes mask (Hugo Weaving), his erstwhile, reluctant sidekick a young woman, Evey (Natalie Portman), transformed through the government-sanctioned abduction of her parents and a period of torture and imprisonment into not an avenging angel, but a voice of reason. How fascinating that the reasonable solution in the picture is the destruction of Britain's Parliament on the Thames.

Walk Hard: The Dewey Cox Story (2007) [2-Disc Unrated Widescreen Edition] – Blu-ray Disc

April 18, 20082000s, Authors: Bill Chambers, Blu-ray Disc, Comedy, Music, Satire

WALK HARD: THE DEWEY COX STORY
AMERICAN COX: THE UNBEARABLY LONG, SELF-INDULGENT DIRECTOR'S CUT
**½/**** Image A Sound A+ Extras B+
starring John C. Reilly, Jenna Fischer, Tim Meadows, Kristen Wiig
screenplay by Judd Apatow & Jake Kasdan
directed by Jake Kasdan

by Bill Chambers In a recent magazine profile, Judd Apatow blamed the box-office failure of Walk Hard: The Dewey Cox Story (hereafter Walk Hard) on its opening-weekend competition, National Treasure: Book of Secrets and Sweeney Todd: The Demon Barber of Fleet Street. I could definitely see the combination of those movies hoarding the demographic spectrum, but I'd like to propose a different theory: I think that Walk Hard bombed because the laser precision with which it mercilessly dissects singer-songwriter biopics ultimately shamed audiences for falling for their literalminded epiphanies (see: Reese Witherspoon's June Carter telling Joaquin Phoenix's Johnny Cash that he's unable to "walk the line"), Freudian claptrap, and whitewashed characterizations in the first place. The picture drips with contempt–not for the individuals who inspire these celluloid monuments (as I had initially feared), but for the institutionalized paradigm into which the lives of artists as disparate as Cash, Ray Charles, and Bobby Darin could each be comfortably slotted. For the middlebrow establishment, Walk Hard is the equivalent of getting teased for complimenting the emperor on his new wardrobe.

The Best of the Colbert Report (2005-2007)

February 19, 20082000s, Authors: Ian Pugh, Comedy, DVD, Satire, Television

Image B Sound B

by Ian Pugh Speaking strictly as a casual observer of the event, one of the lessons the recent WGA strike taught us was that talk-show scripts are pretty carefully tailored to their hosts' personalities. Consequently, one could finally determine, once and for all, why "The Colbert Report" is superior to its progenitor, "The Daily Show with Jon Stewart": When you boil everything down to the bare essentials, it's easier to see that Stewart's treatment of world events, unlike Stephen Colbert's, is primarily composed of sharp chuckles and incredulous reactions. It's a belaboured but valid point that Comedy Central's hour of "fake news" has casually drifted closer to relevance as mainstream news sources continue their downward trend towards pop infotainment and outrageous bias, and by taking on the persona of an ill-informed, blowhard pundit, Colbert merely brings media politics to their logical extreme, presenting news items precisely as they matter to his infallible worldview. His mock inability to detect irony is a sharp, timely condemnation–sharp enough, at least, to send the White House Press Corps retreating to the fossilized, altogether toothless material of Rich Little after Colbert did his thing at their annual Correspondents Dinner. But one of the most important facets of Colbert's act–indeed, one that greatly extends the shelf-life of his shtick–is how he takes the accolades he receives as a satirist and effortlessly folds them to fit the monstrous ego of his onscreen character.

Chappelle’s Show: The Series Collection (2003-2006) – DVD

February 11, 20082000s, Authors: Ian Pugh, Comedy, DVD, Music, Satire, Television

Image B|B|B+ Sound B+|B+|B+ Extras C|B|B-
episodes 101-112
episodes 201-213
episodes 301-303

by Ian Pugh Dave Chappelle's greatest asset and greatest liability both lie in his desire to be underestimated, which handily encapsulates the brilliance of Comedy Central's "Chappelle's Show" and why it lasted a scant two seasons. The series' wraparound segments consist of stand-up from Chappelle that's almost painful in its modesty–so much so that you never fail to be ambushed by his boisterous impersonations and trenchant observations. The same joke of "A Moment in the Life of Lil' Jon" (2.6) improbably works every time it's subsequently recycled, while Charlie Murphy's "true Hollywood stories" about Rick James add up to one of the greatest half-hours to have ever aired on television thanks to Murphy's dynamic storytelling and Chappelle's volcanic impression of James. But however unintentional it may have been, Chappelle's infectious enthusiasm, his ability to subtly burrow into your brain, also tends to manifest itself as a collection of catchphrases, ultimately distracting from the deceptive simplicity of his social commentary.

RoboCop (1987) [20th Anniversary Collector’s Edition] – DVD

November 14, 20071980s, Action, Authors: Walter Chaw, Crime, DVD, Satire, Sci-Fi, Thriller

***½/**** Image B+ Sound B- Extras A+
starring Peter Weller, Nancy Allen, Daniel O'Herlihy, Ronny Cox
screenplay by Edward Neumeier & Michael Miner
directed by Paul Verhoeven

by Walter Chaw I feel like I must've seen RoboCop, one of the key films slotted into my moviegoing sweet spot, at least two dozen times one summer on a shitty bootleg I made by hooking two VCRs together–the now-defunct Orion being one of those companies that apparently never adopted Macrovision to discourage such a thing. I watched it in regular rotation with the big movies of 1986¹ (Aliens, Big Trouble in Little China, Highlander, Ferris Bueller's Day Off, Manhunter, Cronenberg's The Fly², Blue Velvet) and 1987 (Predator, The Untouchables, Evil Dead II, Angel Heart, Innerspace, Near Dark, The Hidden, Full Metal Jacket, The Princess Bride, Hellraiser, Raising Arizona, The Living Daylights, The Big Easy, and Lethal Weapon). Those years in which I went from thirteen-to-fourteen in a haze of hormonal delirium (9½ Weeks, No Way Out, and Fatal Attraction are in my onanistic hall of fame) I consumed more film than I ever would again until fashioning movie-watching into a pastime resembling a career. I developed the ability to distinguish between popular movies and movies I was supposed to like (Manon of the Spring–the medicine of it going down smoother thanks to the not-shy Emmanuelle Béart) and began keeping journals of my adventures at the cineplex (Union Square Six, Green Mountain Six, Westland Two, Lakeside Two, Cinderella Drive-In–all gone now), carefully stapling my ticket stubs to the page as some tithe to my flickering, twilit devotionals. Movies were the angel/devil at war on my shoulders: morality and venality; virtue and hedonism; good and evil; Apollo and Dionysus; the sun and the moon. I ebbed and flowed with them. It would be another five years before I fully understood the import of cinema in articulating a good portion of my worldview–not to mention almost all of the strategies with which I deconstructed other mediums. I was lulled by the popular opinion of my generation that movies were not worthwhile objects of devotion and so I channelled my attention in formal education into poetry and literature–but the space between mattress-and-box-spring was always stuffed with this secret totem.

Extras: The Complete First Season (2005) – DVD

April 3, 20072000s, Authors: Ian Pugh, Comedy, Drama, DVD, Satire, Television, UK

Image A- Sound A Extras B
"Kate Winslet," "Ben Stiller," "Ross Kemp," "Samuel L. Jackson," "Les Dennis," "Patrick Stewart"

by Ian Pugh The oft-invoked reason as to why we indulge in "entertainment journalism" is because it demystifies the culture of celebrity. Proof of star public outbursts and make-up-free faces, in other words, forces them to "our" level of humanity. At first glance, Ricky Gervais and Stephen Merchant's BBC sitcom "Extras" feeds into that fascination through parody: Proposed as unreachable titans via eponymous episode titles, the guest stars who tower over "background artists" Andy Millman (Gervais) and Maggie Jacobs (Ashley Jensen) are invariably revealed to be windbags and/or perverts. It's possible to see this as an attempt to deter us from rumour-mongering: Kate Winslet becomes a bitter Oscar bridesmaid ("You are guaranteed an Oscar if you play a mental," she says upon seeing a woman with cerebral palsy), for instance, and Ben Stiller–improbably directing a film about the Yugoslav Wars–presents himself as precisely the kind of loser he plays in the movies but with twice the ego.

Reno 911: Most Wanted Uncensored (2003-2006) – DVD

March 7, 20072000s, Authors: Ian Pugh, Comedy, Crime, DVD, Satire, Television

Image B- Sound B- Extras C
"Scavenger Hunt," "Homeland Security, Pt. 1," "Homeland Security, Pt. 2," "Reverend Gigg LeCarp," "Officer Smiley," "Reading Ron," "Rick from Citizen's Patrol"

by Ian Pugh As often as "COPS" is used to validate political arguments regarding the police (on one side as a constant reminder of heroism, on the other as a constant reminder of excessive force), the show is rather useless in serious discussion because it filters out the mundanities in a cop's line of work in favour of only the most titillating footage–which is exactly what's kept it on the air for twenty years. As appalling as it is that "COPS"' lowest-common-denominator brand of entertainment has integrated itself into pop culture, if it is truly "guilty" of anything, it's not that it has outright created a new generation of John Waynes and Harry Callahans (or William Kunstlers and Ron Kubys), it's that it pares down the idea of the police into something that's up for easy generalization. The attempt to throw them in a positive light is obvious, but it all depends on your own worldview: cops are either infallibly virtuous or infallibly corrupt.

Takeshis’ (2005) – DVD

January 8, 20072000s, Action, Authors: Walter Chaw, Comedy, Drama, Esoterica, Japan, Satire

**/**** Image B Sound B
starring Takeshi Kitano, Kotomi Kyono, Kayoko Kishimoto, Ren Osugi
written and directed by Takeshi Kitano

by Walter Chaw Midway between Fellini's 8½ and Bob Fosse's All That Jazz is Japanese auteur Takeshi Kitano's Takeshis', a film that indicates with its possessive title that it belongs to both the director (Takeshi Kitano) and star ("Beat" Takeshi); acknowledging that they're one and the same (Kitano is billed as the former when he directs, the latter when he performs), they each have a function and persona unique unto themselves. The burden of that division, which Takeshi has taken on since midway through Violent Cop, is illustrated in the picture as a series of fractures that meld reality with televisual reality and filmic reality–nothing so ostentatious as Sven Nykvist and Ingmar Bergman reflected in a mirror in Persona, but going so far as to have "Beat" Takeshi, dressed as a clown, refer to Takeshi Kitano as "that asshole." The omniscience of the director is referred to often in the text as casting directors (rather, actors playing casting directors, or casting directors playing themselves) remark that Yakuza never look like Kitano (who has made something of a name for himself as a Yakuza: he's a little like the Japanese Robert De Niro)–and yet the central narrative of the picture then involves the slow evolution of the actor who looks like Kitano into Takeshi Kitano's Yakuza persona. Kitano is thus marking the difference between the devices of the director and the relatively passive objectification that is the primary definition of an actor–between the godhead inscrutable and the subject humiliated, as well as the eventual bleed-through between the roles actors assume and the mold into which perception forces them.

That’s My Bush! [The Definitive Collection] – DVD

January 2, 20072000s, Authors: Ian Pugh, Comedy, DVD, Satire, Television

Image B+ Sound B+ Extras B-
"An Aborted Dinner Date," "A Poorly Executed Plan," "Eenie Meenie Miney MURDER!," "S.D.I.-AYE-AYE!," "The First Lady's Persqueeter," "Mom 'E' D.E.A. Arrest," "Trapped in a Small Environment," "Fare Thee Welfare"

"What we're sick of–and it's getting even worse–is: You either like Michael Moore or you wanna fuckin' go overseas and shoot Iraqis. There can't be a middle ground. Basically, if you think Michael Moore's full of shit, then you are a super-Christian right-wing whatever. And we're both just pretty middle-ground guys. We find just as many things to rip on on the left as we do on the right. People on the far left and the far right are the same exact person to us."
— Trey Parker, "Interview of the Meanest"; IN FOCUS, October 2004

by Ian Pugh I think "South Park" boasts the occasional flash of brilliance, but I resent that its more flagrantly political messages, particularly in the past few seasons, essentially boil down to 'both sides are fucking crazy: here's how it really is.' Trey Parker and Matt Stone strike me less as philosophers than as contrarians who force their perceived sensible alternatives down our throats as the infallible Solution. It's a shame, too, because Parker and Stone remain two of the most talented satirists of our generation, if not in terms of hot-button topics: The ending of the recent "South Park" episode "Stanley's Cup," for instance, attacked sports movies by reminding us that every game involves two teams with similar aspirations, and, of course, Team America: World Police's caustic parody of "Rent" is as concise and shocking a criticism of that musical as one will find. I'm not taking the stupidly dismissive "I like you better when you're funny" position that Tucker Carlson had towards Jon Stewart on CNN's "Crossfire", but in the world of "South Park", there are only three options when it comes to world events: left, right, and middle, the latter being invariably correct. Compared to the innumerable increments in the political spectrum of reality, three extremes are no better than two.

The Venture Bros.: Season One (2003-2004) – DVD

December 13, 20062000s, Action, Adventure, Animation, Authors: Ian Pugh, Comedy, DVD, Satire, Television

Image B Sound A- Extras C
"Dia de los Dangerous!," "Careers in Science," "Mid-Life Chrysalis," "Eeney, Meeney, Miney… Magic!," "The Incredible Mr. Brisby," "Tag Sale–You're It!," "Home Insecurity," "Ghosts of the Sargasso," "Ice Station–Impossible!," "Are You There, God? It's Me, Dean.," "Past Tense," "The Trial of the Monarch," "Return to Spider-Skull Island"

by Ian Pugh Lengthy postmodern discussions about the drug use in "Scooby-Doo" and the sexual habits of the Smurfs dominated the public mind long before TimeWarner acquired the Hanna-Barbera catalogue. It was only a logical move, then, that TimeWarner's Cartoon Network would devote much of its late-night Adult Swim programming block ("Harvey Birdman: Attorney at Law", "Sealab 2021", and, to a lesser degree, "Robot Chicken") to taking the old H-B anti-classics and filtering them through the fine mesh screen of a contemporary ironic eye. Look here, we've got an old superhero, he's an attorney now, that's pretty wacky! Check it out, we've turned the straightforward drama of "Sealab 2020" into angry surrealism! It works to varying degrees of success, primarily depending upon the individual show's (or individual episode's) willingness to move beyond the inherent ridiculousness of its premise. What can we say, then, when "The Venture Bros." represents the kids-on-adventures serial "Jonny Quest", a series centred on a family whose surname is a literal synonym for the characters being parodied? Are we meant to gasp when brilliant über-dad Dr. Benton Quest becomes Dr. Thaddeus "Rusty" Venture (voiced by Henry Fool's James Urbaniak), an ignorant pill-popper, negligent of his teenage sons Hank (co-creator Jackson Publick) and Dean (Michael Sinterniklaas)? Or when bodyguard/second father figure Race Bannon becomes Brock Samson (Patrick Warburton), an emotionally-detached psychopath?

Inside Man (2006) [Widescreen] + Thank You for Smoking (2006) [Widescreen] – DVDs

October 1, 20062000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Directors: Spike Lee, Drama, DVD, Mystery, Satire, Thriller

INSIDE MAN
***/**** Image A Sound A- Extras B
starring Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer
screenplay by Russell Gewirtz
directed by Spike Lee

THANK YOU FOR SMOKING
***/**** Image B+ Sound B+ Extras B
starring Aaron Eckhart, Maria Bello, Adam Brody, Sam Elliott
screenplay by Jason Reitman, based on the novel by Christopher Buckley
directed by Jason Reitman

by Walter Chaw You make mistakes as a film critic sometimes and, unlike a lot of professions, when you flub, you do it for the record. I underestimated Spike Lee's 25^th Hour badly upon its release a few years ago, misunderstanding it, fearing it, seeing it as a mediocre film when, in fact, subsequent viewings have revealed it as possibly Lee's tonal masterpiece. My inclination, then, is to overcompensate with Inside Man by offering it every benefit of the doubt beforehand, during, and now–by trying hard to overlook the first bad Jodie Foster performance I can remember as well as a mishandled denouement that stretches the picture past the point of recoil. But even with a jaundiced eye, Inside Man cements Lee as one of the few filmmakers with the brass ones to comment on the race schism, and to shoot (with assistance from ace cinematographer Matthew Libatique) a post-9/11 New York with the gravity of a heart attack. In his individualism, though, that almost-shrill dedication to pumping fists up familiar channels, Lee raises a few eyebrows (and elicits a couple of grins) for posing his Nazi villain in various desktop-photo tableaux with other twentieth century, profiteering, conservative ogres like George and Barbara Bush and Margaret Thatcher. It's an interesting companion piece to V for Vendetta in that way, at once a melodramatic throwback and a progressive scalpel. It's blaxploitation, Seventies paranoia, and the latest Spike Lee Joint from Ground Zero.

Scary Movie 4 (2006) [Unrated & Uncensored] – DVD

August 14, 20062000s, Authors: Travis Mackenzie Hoover, Comedy, DVD, Horror, Satire

**/**** Image B+ Sound B+ Extras C
starring Anna Faris, Regina Hall, Craig Bierko, Bill Pullman
screenplay by Craig Mazin & Jim Abrahams & Pat Proft
directed by David Zucker

by Travis Mackenzie Hoover The problem with Scary Movie 4 isn't that the jokes are cheap–indeed, we'd be disappointed if they weren't. No, the problem is that the film has no real point-of-view beyond a) black people are funny; b) gay people are funny; c) lascivious black women are hilarious; and d) recent horror movies fit together (however uneasily). The torrent of hit-or-miss gags is perhaps par for the course, but these bits aren't held together by some overarching idea or sensibility–there's no satire of current horror titles, just a parade titles and the lazy ethnic/sexual/bathroom humour that is this sort of movie's bread and butter. Which probably won't mean squat to the people who've made the series a cash cow, but anyone looking for genuine comedy (as opposed to listless shtick) is advised to look elsewhere.

The Producers (2005) [Widescreen] – DVD

May 29, 20062000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, DVD, Musical, Satire, ZERO STARS

ZERO STARS/**** Image A Sound A- Extras B
starring Nathan Lane, Matthew Broderick, Uma Thurman, Will Ferrell
screenplay by Mel Brooks & Thomas Meehan
directed by Susan Stroman

by Walter Chaw Max Bialystock (Nathan Lane) is responsible for exactly the kind of garbage that runs for years on the Great White Way, except that for the purposes of The Producers, his plays close in a couple of days, leaving Bialystock constantly on the verge of bankruptcy and at the mercy of a long, horny line of elderly widows and rich spinsters. I don't think old women in pillbox hats renting Nathan Lane by the hour for a few dry humps is particularly funny (or realistic)–but some people, especially those reared on vaudeville, think it's hysterical. When auditor Leo Bloom (Matthew Broderick) casually mentions that it might actually be more profitable to stage a very expensive flop, Max hatches a plan in which the two will mount the worst stage production in history, thus bilking their investors out of a coupla million. After finding the worst playwright (Will Ferrell), the worst director (Gary Beach), and the worst actress (Ulla (Uma Thurman)), they proceed to stage a musical that celebrates the Third Reich called "Springtime for Hitler". Lo and behold, it's taken as tongue-in-cheek and becomes the talk of the town. You'd call it "irony" except that this eventuality is not at all unexpected–and wasn't even when it happened the first time, in 1968.

High Anxiety (1977) – DVD

April 17, 20061970s, Authors: Bill Chambers, Comedy, DVD, Mystery, Satire, Thriller

**/**** Image B Sound B
starring Mel Brooks, Madeline Kahn, Cloris Leachman, Harvey Korman
screenplay by Mel Brooks, Ron Clark, Rudy DeLuca, Barry Levinson
directed by Mel Brooks

by Bill Chambers There are three clever sight gags in Mel Brooks's disingenuous love letter to Alfred Hitchcock High Anxiety, all of which poke fun at Hitchcock's invasive camera. As far as I can tell, the remaining laughs have no real precedent in the Master's work, while riffs on signature moments from Vertigo, Psycho, and The Birds elicit nary a titter. (It doesn't help that filmmakers straight-faced and tongue-in-cheek alike had plundered those pictures long before Brooks came along; the movie was destined to be impotent in a Brian DePalma world.) Choosing the misbegotten Spellbound, oddly, as its jumping-off point, High Anxiety stars Brooks as acrophobic Dr. Richard H. Thorndyke, the new Chief of Staff at "The Psycho-Neurotic Institute for the Very, Very Nervous." After stumbling upon some corrupt bookkeeping, Thorndyke is hustled off to a psychiatric convention by the scheming Nurse Diesel (Cloris Leachman, perhaps doing Rebecca's Mrs. Danvers) and her S&M-craving toady Dr. Charles Montague (Harvey Korman), where he meets the requisite blonde bombshell (Madeline Kahn) and becomes a murder suspect.

Thumbsucker (2005) + The Chumscrubber (2005) – DVDs

January 26, 20062000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Satire, Teen

THUMBSUCKER
**/**** DVD – Image A- Sound B+ Extras B
starring Lou Pucci, Tilda Swinton, Vincent D'Onofrio, Keanu Reeves
screenplay by Mike Mills, based on the novel by Walter Kirn
directed by Mike Mills

by Walter Chaw With the brief reprieve offered the Sundance imprint by Junebug now smelling a lot more like "fluke" than "trend," find Mike Mills's underwhelming Thumbsucker, another Sundance sensation so familiar in its affected suburban quirk that its peculiarities seem like formula and its attacks on middle-class perversity and malaise seem all too comfortable. There simply isn't much heart left in this pursuit, this punching of holes into the façade of planned communities and their plastic citizenry–this central conceit of broken people leaning on psychic crutches as the apocalypse of the day-to-day cascades in on them in blue, stylized waves.