The Rules of Attraction (2002)

October 11, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Esoterica, Germany, Romance, Theatrical

***½/****
starring James Van Der Beek, Shannyn Sossamon, Ian Somerhalder, Jessica Biel
screenplay by Roger Avary, based on the novel by Bret Easton Ellis
directed by Roger Avary

Rulesofattractionby Walter Chaw Roger Avary’s The Rules of Attraction jitters and grooves like a thing possessed. It’s a post-modern Less Than Zero based on a below-average book by nihilism wunderkind Bret Easton Ellis transformed by a pair of exceptional performances and the insouciant style of Avary (more, Avary’s one-time partner-in-crime Quentin Tarantino) into a portrait of college life feral and uncomfortable. It handles time and traditional narrative structures with an expert insolence and earns points besides for making a cunning pop cultural reference to Sheriff Buford Pusser and Walking Tall. It’s too smart to outsmart itself, then, juggling its in-references with a kind of casual offhandedness that allows the proscenium to be occupied by a surprisingly piquant trio of character sketches.

Life or Something Like It (2002) – DVD

October 7, 2002Posted inAuthors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

*½/**** Image C+ Sound B+ Commentary B-
starring Angelina Jolie, Edward Burns, Tony Shalhoub, Christian Kane
screenplay by John Scott Shepherd and Dana Stevens
directed by Stephen Herek

by Walter Chaw A little like Forces of Nature in its dreamy, forced artificiality, Life or Something Like It washes out as an unwise amalgam of Broadcast News and Vibes. A love story without warmth starring Angelina Jolie as an ice princess and Ed Burns as his ol' smugly insufferable self, the film is a laborious trudge through faux-mysticism, heatless romance, and shallow philosophy–100 minutes of "carpe diem" that, because they're missing grace and life, lack resonance and purpose as well. Preternaturally sunny and too gutless to honour its stupid premise, Life or Something Like It inspires only one disquieting existential thought and that is the realization that whatever that self-aggrandizing idiot Burns made on this film is no doubt going to fund another one of his indies somewhere down the road.

DIFF ’02: XX/XY

October 7, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Romance
**/****starring Mark Ruffalo, Kathleen Robertson, Maya Stange, Petra Wrightwritten and directed by Austin Chick by Walter Chaw The problem with Austin Chick's hyphenate debut XX/XY is that despite an intervening decade in the storyline, the characters enjoy no appreciable evolution. It's possible the film is meant to be about a trio of arrested, knee-jerk reactionaries; it's also possible the film is about how these people are really bad for each other. But the aggregate effect is that XX/XY is devoid of much real tension and actual character development. Sam (Maya Stange) and Thea (Kathleen Robertson) are roommates who meet Coles…

The Château (2002)

September 20, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical

**/****
starring Paul Rudd, Romany Malco, Didier Flamand, Sylvie Testud
written and directed by Jesse Peretz

by Walter Chaw A comedy of manners and the almighty malapropism, Jesse Peretz’s grainy DV picture The Château could almost be a dogme95 flick. The picture relies on acres of improvisation and that slapdash feeling of the seat-of-the-pants production hanging from a Jonathan Edwards-ian string over the abyss of self-indulgence and clattering dreariness–and succeeds, when it succeeds, based entirely on the timing and brilliance of its cast and the extent to which we remain disarmed by the incongruity of the setting with the subject. When that feeling of surprise and delight fades (and it fades midway), The Château‘s rough edges begin to show.

Mostly Martha (2002)

September 20, 2002Posted in2000s, Austria, Authors: Walter Chaw, Comedy, Drama, Germany, Italy, Romance, Switzerland, Theatrical

Bella Martha
**½/****
starring Martina Gedeck, Maxime Foerste, Sergio Castellitto, August Zirner
written and directed by Sandra Nettelbeck

by Walter Chaw A Bavarian Big Night, Sandra Nettelbeck’s Mostly Martha joins a romantic-comedy premise with a lost-child scenario, setting it all to a leisurely pace and framing it with an eye for the handsome. Its sightlines as crisp and clean as the dishes chef Martha creates in her immaculate kitchen, the picture is as relaxed a viewing experience as any this year–a dish without many exotic ingredients (like a good Salmon dish, the film tells us), but just enough substance to forgive the froth.

The Four Feathers (2002)

September 20, 2002Posted in2000s, Adventure, Authors: Walter Chaw, Drama, Romance, Theatrical, UK, War

*½/****
starring Heath Ledger, Wes Bentley, Kate Hudson, Djimon Hounsou
screenplay by Michael Schiffer and Hossein Amini, based on the novel by A.E.W. Mason
directed by Shekhar Kapur

Fourfeathers2002by Walter Chaw An old-fashioned epic of the type only Bombay attempts anymore, The Four Feathers (directed by a Bollywood ex-pat, natch: Shekhar Kapur)–the fifth film version of A.E.W. Mason’s turn-of-the-century, Count of Monte Cristo-flavoured tale of valour, redemption, and derring-do–is indicated by a feather-lightness at its heart that undermines the sweeping, operatic pretensions of the piece. The picture just doesn’t possess the kind of gravity that would hold together its broad strokes and gaping panoramas; all that remains is youngsters playing at dress-up, Kate Hudson cycling through both of her expressions, and one war set-piece that is very simply breathtaking while succumbing to nearly every “arrogant officer folds, religious soldier freaks, valiant soldier tragically wounded” cliché in the travel-worn war-movie book.

Kissing Jessica Stein (2002) – DVD

September 19, 2002Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

**½/**** Image A- Sound A- Extras B+
starring Jennifer Westfeldt, Heather Juergensen, Tovah Feldshuh, Esther Wurmfeld
screenplay by Jennifer Westfeldt & Heather Juergensen
directed by Charles Herman-Wurmfeld

by Walter Chaw New Yorker Jessica Stein, referred to at one point in Kissing Jessica Stein as the Jewish Sandra Dee, is looking for love in the brack of the late-twentysomething dating pool. This means that we’ll get a dating montage during which we sample the poor object choices available to the intrepid, sensitive, modern urban woman about town. A devout reader of Rilke (pegging her as both dreamy and pretentious, which also describes the film at hand), Jessica perks up when she hears a favourite passage quoted in a singles ad–only slightly tortured by the fact that the ad has been placed by another woman, Helen (Heather Juergensen). Helen runs a small art gallery, Jessica is an artist; Helen knows Rilke, Jennifer knows Rilke; and though Jennifer is almost pathologically incapable of falling headlong into lesbian sexuality, through the tender, Color Purple ministrations of Helen, she does come around in time.

TIFF ’02: Dolls

September 14, 2002Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Japan, Romance, TIFF
***/****starring Miho Kanno, Hidetoshi Nishijima, Tatsuya Mihashi, Chieko Matsubarawritten and directed by Takeshi Kitano by Bill Chambers The Yakuza doesn't rear its head until well into Dolls, a gripping, fractured ensemble piece written and directed by that down-and-dirty poet of Japanese cinema, Takeshi Kitano. I must confess to feeling ill-equipped to discuss the mechanics of the film--it's storytelling that gives you the impression of being steeped in oral tradition, and all I can say is that Dolls is accessible to monkey-brained North American viewers like myself all the same. Beginning with an elaborate puppet show shot with verve and affection,…

TIFF ’02: Assassination Tango

September 13, 2002Posted in2000s, Argentina, Authors: Bill Chambers, Crime, Drama, Film Festivals, Romance, Thriller, TIFF
**½/****starring Robert Duvall, Rubén Blades, Frank Gio, Katherine Micheaux Millerwritten and directed by Robert Duvall by Bill Chambers As dawdling and peculiar as Robert Duvall's previous directorial outing, The Apostle, Assassination Tango has many checks in its 'pro' column, not the least of which a lead performance from writer-director Duvall that finds common ground between his character's two modes: volatile sociopath and lovestruck romantic. Duvall plays John J., a ponytailed hitman sent to Buenos Aires on a high-stakes job for his potential to camouflage with the locals. Once settled in, he discovers he can't carry out his execution for another…

TIFF ’02: Punch-Drunk Love

September 13, 2002Posted in2000s, Authors: Bill Chambers, Comedy, Directors: Paul Thomas Anderson, Drama, Esoterica, Film Festivals, Romance, TIFF
***½/****starring Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzmánwritten and directed by Paul Thomas Anderson by Bill Chambers Punch-Drunk Love or, Un Redemption de Adam Sandler. Paul Thomas Anderson's latest film finds him at both his most experimental (dig those Scopitone interludes) and least windy--the tip-off is a running time of well under two hours. But first: Adam Sandler. When you hear Oscar buzz around a popular comedian, it generally means they've repressed everything that made them popular. (Jim Carrey in The Majestic, for example: Carrey may do a mean James Stewart impersonation, but he's no Jimmy himself.) Sandler…

TIFF ’02: The Good Thief

September 6, 2002Posted in2000s, Action, Authors: Bill Chambers, Canada, Crime, Drama, Film Festivals, France, Ireland, Romance, Thriller, TIFF, UK
***/****starring Nick Nolte, Tcheky Karyo, Said Taghmaoui, Nutsa Kukhianidzewritten and directed by Neil Jordan by Bill Chambers A loose remake of Jean-Pierre Melville's Bob le Flambeur (director Neil Jordan seems to have cast Tcheky Karyo for the way "Bob le flambeur" rolls off his tongue), The Good Thief is a minor-ish work from Jordan that benefits mightily, as most movies would, from Chris Menges's cinematography. Nolte inherits Roger Duchesne's role as Bob Montagne, an expert gambler and larcenist who in this film is hooked on heroin out of what appears to be sheer boredom. (A hilarious scene finds him stumbling…

The Cat’s Meow (2002) – DVD

September 4, 2002Posted in2000s, Authors: Walter Chaw, Drama, DVD, Romance

**/**** Image A Sound A- Extras B+
starring Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes
screenplay by Steven Peros, based on his play
directed by Peter Bogdanovich

by Walter Chaw The Cat’s Meow is an impossibly distant snapshot of The Roaring Twenties and the mysterious death of movie mogul Thomas Ince, possibly the victim of sinister shenanigans aboard William Randolph Hearst’s yacht “Oneida” in November of 1924. Orson Welles groupie/scholar Peter Bogdanovich took a long time to do it, but he’s finally provided his own broadside at publishing giant William Randolph Hearst by restoring a subplot naturally elided from Citizen Kane.

TIFF ’02 Raising Victor Vargas

September 1, 2002Posted in2000s, Authors: Bill Chambers, Coming of Age, Drama, Film Festivals, France, Romance, Teen, TIFF
***½/****starring Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzmanwritten and directed by Peter Sollett by Bill Chambers The remarkable Raising Victor Vargas (formerly Long Way Home) stars soon-to-be somebody Victor Rasuk as the titular Victor, a 17-year-old raising the ire of his strict abuela (Altagracia Guzman) during the long, hot New York summer by virtue of having outgrown her idle threats. As the film opens, Victor asks out the beautiful Judy (Judy Marte) at a public pool in a pre-emptive bid to salvage his reputation for getting it on with a neighbourhood lass nicknamed "Fat Donna." When Judy shoots him…

TIFF ’02: 8 Femmes

August 31, 2002Posted in2000s, Authors: Bill Chambers, Comedy, Crime, Esoterica, Film Festivals, France, Italy, Musical, Romance, TIFF
8 Women***/****starring Danielle Darrieux, Catherine Deneuve, Isabelle Huppert, Emmanuelle Béartscreenplay by François Ozon, Marina de Van, based on the play by Robert Thomasdirected by François Ozon by Bill Chambers Almost every French actress I can rhyme off without help from the audience is in the cast of François Ozon's 8 Femmes, a delightfully odd murder mystery with song-and-dance interludes. (Imagine if John Waters had directed Clue.) The film takes place during Christmastime in 1950s France at a country manor where various women have gathered to celebrate the holidays with Marcel, the only significant man in any of their lives. But…

TIFF ’02: L’Idole

August 30, 2002Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, France, Germany, Japan, Romance, TIFF
The Idol**½/****starring Leelee Sobieski, James Hong, Jean-Paul Roussillon, Jalil Lespertscreenplay by Gérard Brach, Samantha Lang, based on the novel À l'heure dite by Michelle Tourneurdirected by Samantha Lang by Bill Chambers I'm largely indifferent to L' Idole, a Gallic production directed by an Australian and co-starring two Americans of different ethnicities who admirably perform their parts in French. Leelee Sobieski's task is made more difficult by the role's requirement of her to deliver foreign-language dialogue in a tertiary accent, as the native New Yorker plays an Australian touring France with a theatre company. (I'm not enough of a linguist to…

Near Dark (1987) – DVD (THX)

August 26, 2002Posted in****/****, 1980s, Action, Authors: Walter Chaw, Crime, Drama, DVD, FFC Must-Own, Horror, Romance, Thriller, Vampire

****/**** Image A+ Sound A Extras A-
starring Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton
screenplay by Kathryn Bigelow and Eric Red
directed by Kathryn Bigelow

Mustownby Walter Chaw There is an element of the delirious in Kathryn Bigelow’s superb, genre-bending nomadic vampire fable Near Dark–an element of the hopelessly erotic, the melancholic, the breathless. Like the best vampire myths, it recognizes that the root of the monster lies in sexual consumption and addiction, in the interplay between nostalgia for the freedom of youth and the pricklier remembrance of the confused fever dreams of adolescence. (Hence the recurrence in modern myth of a Methuselah beast trapped in the soft body of a child.)

Serving Sara (2002)

August 23, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Germany, Romance, Theatrical, ZERO STARS

ZERO STARS/****
starring Matthew Perry, Elizabeth Hurley, Vincent Pastore, Bruce Campbell
screenplay by Jay Scherick & David Ronn
directed by Reginald Hudlin

Servingsaraby Walter Chaw Reginald Hudlin’s Serving Sara is a miserable, listless, pathetic excuse for a movie. It’s already dreadful by the time Matthew Perry finds himself shoulder-deep in a bull’s rectum, after which it defies a few natural laws by somehow getting worse. There are no laughs to be found in the whole of this lugubrious shipwreck–even the sight of Perry getting the tar beaten out of him by a pair of Italian caricatures is a sour, joyless affair. Seeing as being physically humiliated is Perry’s sole silver-screen reason for being (see also: The Whole Nine Yards), that his getting kicked and punched is not ever at all amusing says a great deal about the relentless excrescence of this exercise. I would add that at least it’s better than the amazingly awful Perry vehicle Almost Heroes, except that it’s not.

Strictly Sinatra (2001) [Widescreen] – DVD

August 22, 2002Posted in2000s, Authors: Walter Chaw, Drama, DVD, Romance, UK

Cocozza’s Way
**½/**** Image A Sound A-
starring Ian Hart, Kelly Macdonald, Brian Cox, Alun Armstrong
written and directed by Peter Capaldi

by Walter Chaw A smalltime flick in which a smalltime crooner accidentally becomes a smalltime hood, hyphenate Peter Capaldi’s sophomore feature Strictly Sinatra (a.k.a. Cocozza’s Way) is an enjoyable crime romance about a longtime loser with a bottom-shelf whiskey voice who falls for cigarette-girl Irene (Kelly Macdonald). A rendering of “In the Ghetto” leads to a bought drink to a favour paid to crime boss Chisolm (Brian Cox), followed fast by the slow sneaking realization that our little Toni Cocozza (Ian Hart) has been drawn into a spider’s den of organized crime.

Wild in the Country (1961) + The Razor’s Edge (1984) – DVDs

August 18, 2002Posted in1960s, 1980s, Authors: Bill Chambers, Drama, DVD, Romance, UK, War

WILD IN THE COUNTRY
***/**** Image A- Sound B+
starring Elvis Presley, Hope Lange, Tuesday Weld, Millie Perkins
screenplay by Clifford Odets, based on the novel by J.R. Salamanca
directed by Philip Dunne

THE RAZOR’S EDGE
***/**** Image B- Sound B-
starring Bill Murray, Theresa Russell, Catherine Hicks, Denholm Elliot
screenplay by John Byrum & Bill Murray, based on the novel by W. Somerset Maugham
directed by John Byrum

by Bill Chambers It occurs to me that many of the most ungainly movies about love–and in the end, most movies are (about love, that is)–have gotten it right for their very awkwardness as cinematic constructs. This week, in the August funk that used to correspond with the encroaching schoolyear but is now some vague collegiate-nostalgia trip, I shook the salt of Wild in the Country, The Razor’s Edge, Pretty in Pink, and Some Kind of Wonderful (the latter two to be covered in a separate piece) on my reopened wounds and came away impressed not by the art of these films, but by their emotional complexity. What you see in all four of these pictures that you perhaps don’t often enough is that money tends to govern attraction.

Possession (2002)

August 15, 2002Posted in2000s, Authors: Walter Chaw, Drama, Mystery, Romance, Theatrical

*/****
starring Gwyneth Paltrow, Aaron Eckhart, Jeremy Northam, Jennifer Ehle
screenplay by David Henry Hwang and Laura Jones and Neil LaBute, based on the novel by A.S. Byatt
directed by Neil LaBute

by Walter Chaw There’s the seed of an interesting idea in Neil LaBute’s Possession–something traceable to A.S. Byatt’s melodramatic novel of the same name: the film’s one clumsily extended trope that it is about keepsakes and the desire for memento mori and memento amor as it manifests amongst intellectuals. That this seed never germinates, limping along before being crushed beyond recognition by an unforgivable grave-robbing sequence is due to LaBute’s icy disconnection (badly misplaced here) and the horrific realization that Possession is two stultifying formulas vying for screentime.