Bobby Jones: Stroke of Genius (2004)

April 29, 2004Posted in2000s, Authors: Walter Chaw, Biopic, Drama, Romance, Sports, Theatrical

*/****
starring James Caviezel, Claire Forlani, Jeremy Northam, Malcolm McDowell
screenplay by Rowdy Herrington and Bill Pryor
directed by Rowdy Herrington

Bobbyjonesby Walter Chaw Displaying a troubling affection for long-suffering historical figures planted in the middle of amped-up costume epics, James ("I prefer Jim") Caviezel follows up his dazed turn as a saviour with another dazed turn as a saviour: Bobby Jones, the last voice of virtue in professional sports, steadfastly refusing to take one filthy piece of silver and so betray his amateur (Latin root: love) status on the PGA tour. Scored by another tongue-bath of a score by James Horner (bring a squeegee and a change of clothes, you'll feel like you've taken a swim in a spittoon), Bobby Jones: Stroke of Genius is every bit as episodic, derivative, patronizing, and bloated as Horner's compositions–the man, by himself, defining a genre of picture perhaps fatally damaged by his very intrusion. (If there's any one indicator that the upcoming Troy is going to be awful, it's that Wolfgang Petersen (himself no great source for confidence) has elected to reunite with Perfect Storm collaborator Horner.) But there's so much more wrong with Bobby Jones: Stroke of Genius than just the music, the winking title, and the truism that for as boring as golf is to watch on television, it's that much more boring to watch in reverent celluloid slow motion–no, the picture is also fatally tagged by a terrible screenplay and terrible direction (that includes a half dozen ball's-eye view shots: not as interesting as you might misunderstand), as well as the dreadfully persistent belief that the measure of a man's life are the crescendos and valleys rather than the caesuras and grace notes.

Love Actually (2003) [Widescreen] – DVD

April 27, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Christmas, Comedy, Drama, DVD, France, Romance, UK, ZERO STARS

ZERO STARS/**** Image B+ Sound A- Extras A-
starring Alan Rickman, Bill Nighy, Colin Firth, Emma Thompson
written and directed by Richard Curtis

Loveactuallycap

by Walter Chaw I actively, aggressively dislike this film. Richard Curtis's Love Actually says something of its intentions in a subplot involving an aged rocker (Bill Nighy) who knows he's creating a reprehensible piece of garbage in an attempt to cash in on the gaffed demographic that champions boy bands as the pinnacle of the art. The picture is a sex comedy in the worst senses of the genre: It's puerile, misogynistic, and breathtakingly stupid, with a keen focus on pratfalls and serendipity–all the while hoping that you won't notice the inappropriateness of its plays for heart-warming uplift. Curtis, after scoring a couple of times in the genre as screenwriter with Notting Hill and The Tall Guy, chooses Love Actually as his directorial debut, and its hatefulness speaks to the source of the comprehensive misanthropy of Rowan Atkinson's Mr. Bean (Atkinson makes a cameo; Curtis is a writer for "Mr. Bean"). A shame that Curtis's hyphenate turn begins to betray the man as ugly and self-indulgent.

13 Going on 30 (2004)

April 23, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Romance, Theatrical, Time Travel

**/****
starring Jennifer Garner, Mark Ruffalo, Judy Greer, Christa B. Allen
screenplay by Cathy Yuspa & Josh Goldsmith and Niels Mueller
directed by Gary Winick

13goingon30by Walter Chaw Threatening at any moment to veer off the populist tracks and become something legendarily, unpleasantly subversive, the middling 13 Going on 30 is really little more than a collection of "I Love the '80s" vignettes presided over by Jennifer Garner's peculiar mien. It's also peculiar that the genre of body-swapping/quick-aging jibber-jabber is making a resurgence now a couple of decades after the last spate (18 Again, Vice Versa, Big), and peculiar again that with Mark Waters's Freaky Friday and Gary Winick's 13 Going on 30, the genre is being re-imagined through the prism of young women. (Perhaps not so strange when you consider that the key demographic slavered over by studio wonks has shifted from the pre-adolescent boys of the mid-'80s to post-Titanic pre-adolescent girls.) It's clear that this film is meant to satisfy some sort of wish-fulfillment fantasy for 13-year-old members of the babysitters' club, but with Eighties references that can only be amusing to people who've passed the third-decade mark, it manages mostly to be a wish-fulfillment fantasy for thirtysomething men who want emotionally immature, sexually malleable women who happen to resemble television starlets.

Young Adam (2003); Millennium Mambo (2001); Secret Things (2002)

April 23, 2004Posted in****/****, 2000s, Authors: Walter Chaw, Comedy, Crime, Drama, Esoterica, France, Romance, Taiwan, Theatrical, UK

YOUNG ADAM
**½/****
starring Ewan McGregor, Tilda Swinton, Peter Mullan, Emily Mortimer
screenplay by David Mackenzie, based on the novel by Alexander Trocchi
directed by David Mackenzie

Qian xi man po
****/****
starring Shu Qi, Jack Kao, Tuan Chun-hao, Chen Yi-Hsuan
screenplay by Chu T'ien-wen
directed by Hou Hsiao-hsien

Choses secrètes
***½/****
starring Coralie Revel, Sabrina Seyvecou, Roger Mirmont, Fabrice Deville
written and directed by Jean-Claude Brisseau

Youngadametcby Walter Chaw David Mackenzie's Young Adam opens with a shot from below of a duck paddling placidly along the surface of a lake that's replaced by a woman's corpse, then replaced by a filthy barge-worker and his mate fishing the cadaver out with a gaffing hook. Young Adam is a beautiful picture, really, its interiors sepia-tinged like a cameo photograph and its exteriors bleached and desperate, and as a film about surfaces, it marches to its own logic with the dyspeptic malaise, if not the consistent nihilistic poetry, of a Kiyoshi Kurosawa. Surfaces include skin, of course, and a scene where tattooed Les (Peter Mullan) washes his hired help Joe (Ewan McGregor) is as blandly erotic as a scene where Joe performs cunnilingus on Les's wife Ella (Tilda Swinton), an act that wins him the fried egg he was denied at breakfast. Consumption suggesting sustenance seeps into a scene where Joe covers his girlfriend, Cathie (Emily Mortimer), with custard, ketchup, and mustard before caning and raping her. Joe's furnace is unquenchable: as Biblical doppelganger, his carnal curiosity is constantly stoked by the invitation of moribund English housewives and widows–and his ire is only aroused when an appropriate mate choice threatens to free him from his fleshy fixations. Young Adam is about being trapped and listless, about the lost generation afflicted by a plague of ennui–paddling in a circle, floating between updrafts in the widening gyre.

The Punisher (2004)

April 20, 2004Posted in2000s, Action, Authors: Walter Chaw, Crime, Drama, Germany, Revenge, Romance, Superhero, Theatrical, Thriller

***/****
starring Tom Jane, John Travolta, Rebecca Romijn-Stamos, Laura Harring
screenplay by Michael France and Jonathan Hensleigh
directed by Jonathan Hensleigh

by Walter Chaw A barometer of our culture–an exploding western world balanced between listless fatalism on the one side and violent nihilism on the other (Elephant and Young Adam vs. Walking Tall, The Passion of the Christ, and Man on Fire)–at this exact moment in time, long-time blockbuster scribe Jonathan Hensleigh's hyphenate debut is his adaptation of Marvel Comics' vigilante title The Punisher. With the possible exception of Mel Gibson's ode to sadism, this is the year's most irredeemable picture thus far, but it's elevated by a bracing idea, an astonishingly courageous idea: that its hero and villain are equally reprehensible, and, by extension, that both of them do what they do because in their psychotic haze, the only thing they have to tie them to any kind of illusion of equilibrium is the dangerous idealization of their families. When a picture like this appears in the middle of a glut of vigilante flicks and in the middle of a society that may have been led into a predictably cruel and bloody war on the basis of a personal grudge, one forgiven by many for its specious association with a collective insult to our illusion of sanctuary, people should prick up their ears. While The Punisher may not be a particularly good film, it is a particularly important one.

Desk Set (1957) [Studio Classics] – DVD

April 16, 2004Posted in1950s, Authors: Bill Chambers, Comedy, DVD, Romance

**½/**** Image A- Sound B- Extras C+
starring Spencer Tracy, Katharine Hepburn, Gig Young, Joan Blondell
screenplay by Phoebe and Henry Ephron, based on the play by William Marchant
directed by Walter Lang

by Bill Chambers One of the more effectively simple credits sequences opens Desk Set, with a telegraph situated on a Mondrian-inspired backdrop spitting out the names of cast and crew. This, it turns out, is the movie reduced to symbols. Modernities clash as Spencer Tracy's ironically oafish efficiency expert is deposited in the environment of Katharine Hepburn, who thinks and dresses geometrically but brings a splash of colour to the room. They're hip and as hip as each other, even if she's a Luddite and he pimps a supercomputer for IBM, because career comes first for both. Counterbalancing a general mistrust of the electronics revolution (and the typical politically-incorrect trappings of Fifties cinema), the movie embraces a progressive quality in its power-couple leads, who still seem remarkably contemporary because neither assumed aggressively gender-specific roles–they always played equals of different temperaments.

Connie and Carla (2004) + Japanese Story (2003)

April 15, 2004Posted in2000s, Australia, Authors: Walter Chaw, Comedy, Crime, Drama, Music, Romance, Theatrical

CONNIE AND CARLA
*½/****
starring Nia Vardalos, Toni Collette, David Duchovny, Stephen Spinella
screenplay by Nia Vardalos
directed by Michael Lembeck

JAPANESE STORY
*/****
starring Toni Collette, Gotaro Tsunashima, Matthew Dyktynski, Lynette Curran
screenplay by Alison Tilson
directed by Sue Brooks

Conniejapaneseby Walter Chaw SPOILER WARNING IN EFFECT. Pity Toni Collette, her inability to land a lead role that might catapult her into the limelight bespeaking of either a general dearth of quality lead actress roles or an inability to choose her "breakthrough" projects carefully. The highlight of a lot of good movies (The Sixth Sense, Clockwatchers, About a Boy) and bad ones (Muriel's Wedding, Hotel Splendide), too, her latest chance to evolve beyond accomplished second fiddle has elicited a glorified supporting role in Nia Vardalos's latest bit of unwatchable crowd-pleasing garbage (Connie and Carla) and the ingenue part in an embarrassing bit of housewife Orientalism erotica that transplants the Yellow Peril of the American 1950s to a modern-day Outback setting (Japanese Story).

A Room with a View (1985) [Two-Disc Special Edition] – DVD

April 6, 2004Posted in1980s, Authors: Travis Mackenzie Hoover, Drama, DVD, Romance, UK

***/**** Image A- Sound A- Extras B-
starring Maggie Smith, Denholm Elliot, Helena Bonham-Carter, Simon Callow
screenplay by Ruth Prawer Jhabvala, based on the novel by E.M. Forster
directed by James Ivory

Roomwithaviewcapby Travis Mackenzie Hoover Somebody says to one of the more priggish characters in E.M. Forster's A Room with a View, "You were all right as long as you kept to things, but when it came to people…" It's a line that doubly applies to James Ivory's 1985 film version, which indeed has more to say about the things surrounding its characters than it does the characters themselves. Great care has been taken to tastefully capture the physical details of Italy and England circa 1908, and great care has been taken to provide the actors with the fashions to match. But when the lights come up, we don't really have a strong impression of the characters, who simply populate the period tableaux like mannequins.

My Fair Lady (1964) [Two-Disc Special Edition] – DVD

April 5, 2004Posted in1960s, Authors: Travis Mackenzie Hoover, Best Picture (Academy Awards), Drama, DVD, Family, Musical, Romance

**/**** Image A Sound A+ Extras B
starring Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White
screenplay by Alan Jay Lerner
directed by George Cukor

by Travis Mackenzie Hoover It has always astonished me how high cultural artifacts can be transformed into doltish Broadway musicals–how Cervantes could suffer the bastardization of "Man of La Mancha", how T.S. Eliot could inspire "Cats", or how Shakespeare could invite a cross-pollination with "juvenile delinquency" to become a deadly flower called West Side Story. It's a mystery best left to specialists, I guess, hence I can only look with amazement on Lerner and Loewe's My Fair Lady, which bears the distinction of sucking every ounce of irony out of George Bernard Shaw's "Pygmalion" to accommodate fabric and masonry in its place. I suppose that George Cukor's film version is some kind of achievement taken on its own terms, but the problem is, those terms are piddling: the issues of class and gender that were contemporary to Shaw are downplayed so relentlessly that what remains is nothing more than a funny story with occasional songs–which, sadly, is exactly what a musical audience is looking for.

The Prince & Me (2004)

April 2, 2004Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Romance, Theatrical

**/****
starring Julia Stiles, Luke Mably, Ben Miller, James Fox
screenplay by Jack Amiel & Michael Begler and Katherine Fugate
directed by Martha Coolidge

by Walter Chaw Surprisingly good not the same thing as genuinely good, Martha Coolidge's The Prince & Me returns the director to her Valley Girl formula of cross-cultural teen romantic hurlyburly with a few nice moments and the pleasing aura of a light fantasy, but the film finds itself weighed down at the end by the requirements of its exhausted genre. Moreover, The Prince & Me fails the courage test, needing desperately to have ended about ten minutes before it actually does, and though not a moment of it demands (nor could a moment of it bear) to be assessed through the prism of realism, the gadget of its finale is less "fairytale" than insipid. One cliffhanger is more than enough in most fables, so when The Prince & Me decides to follow twist fast with preordained turn, it exposes its structure as far too flimsy to support the burden of those contortions.

Jersey Girl (2004)

March 26, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Drama, Romance, Theatrical, Will Smith

*½/****
starring Ben Affleck, Liv Tyler, George Carlin, Raquel Castro
written and directed by Kevin Smith

by Walter Chaw Self-satisfied and self-congratulatory, Kevin Smith’s films generally give off the feeling of a by-invitation-only party attended by Smith, Matt Damon, Jason Lee, Ben Affleck when he’s not gambling, and Jason Mewes when he’s not in prison or missing. Apparently a smart guy, the moments in his films that suggest evidence of that brightness are overwhelmed by repetitive profanities, puerile devices (i.e. Dogma‘s shit monster), cameos by his cool friends, and old jokes retold in coarse fashion. He’s the love child of David Mamet and a thirteen-year-old virgin at the mercy of pals handsomer and more popular than he, always trying to impress with his blue toughness without the maturity to understand that what made him cool way back when with Clerks wasn’t his scatological horniness, but his intelligence and flashes of observational sophistication.

The Heart of Me (2003) – DVD

March 23, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Drama, DVD, Germany, Romance, UK

**½/**** Image B+ Sound B+ Extras C+
starring Helena Bonham Carter, Olivia Williams, Paul Bettany, Eleanor Bron
screenplay by Lucinda Coxon, based on the novel The Echoing Grove by Rosamond Lehmann
directed by Thaddeus O’Sullivan

by Travis Mackenzie Hoover There’s nothing especially wrong with The Heart of Me, a professional, handsomely mounted, beautifully shot film featuring good performances from an attractive cast and a script that can at least be described as well-written. Unfortunately, that same screenplay doesn’t go far enough in pondering the ramifications of its narrative events: people fall in and out of love arbitrarily, make decisions because the plot requires it, and do horrible things just to get a rise out of the audience. There’s no real artistic purpose beyond the sound and fury of the story–it’s more designed and photographed than written and directed, with no real thematic exploration going on behind the devastatingly gorgeous goings-on. Thus The Heart of Me is craftsman-like enough to keep you watching, but it leaves you with nothing beyond a bunch of people being melodramatic while surrounded by sumptuous décor.

Wuthering Heights (2003) – DVD

March 22, 2004Posted in2000s, Authors: Walter Chaw, Drama, DVD, Musical, Romance, Teen, Television, ZERO STARS

ZERO STARS/**** Image C Sound C
starring Erika Christensen, Mike Vogel, Katherine Heigl, Johnny Whitworth
screenplay by Max Enscoe & Annie De Young, based ever-so-loosely on the book by Emile Brontë
directed by Suri B. Krishnamma

by Walter Chaw Consider this time-capsule exchange from the horrifically-misguided mess Suri Krishnamma has made of Wuthering Heights and shudder:

"I swear to God if you ever leave me I'll kill you."

"Then I'd have to come back and kill you so we could be together."

"If you kill me then I'd haunt you. Forever."

"You promise?"

How about I just kill myself while you two sort it out?

Good Bye Lenin! (2003)

March 19, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, Germany, Romance, Theatrical

Good bye, Lenin!
***½/****
starring Daniel Brühl, Kathrin Sass, Chulpan Khamatova, Maria Simon
screenplay by Bernd Lichtenberg and Wolfgang Becker
directed by Wolfgang Becker

Goodbyeleninby Travis Mackenzie Hoover Good bye, Lenin! is that rarest of beasts, a popular film that's actually about something. Detailing a former East German's mixed emotions at the demise of communism, it's precise in its modelling of a historical turning point without either trivializing or preaching. One doesn't have to pick out the plums of insight from a thin pudding of plot: The elements of analysis and narrative fuse so seamlessly that they carry you along, making a happy medium that is supremely satisfying. One wishes that Hollywood could turn out a film such as this, which, for all its movie-movie gusto, deals with complex issues real people have to deal with, making its huge success back home a heartening sign in this age of Amélie and cultural amnesia.

Eternal Sunshine of the Spotless Mind (2004)

March 19, 2004Posted in****/****, 2000s, Authors: Walter Chaw, Charlie Kaufman, Drama, Esoterica, Romance, Sci-Fi, Theatrical

****/****
starring Jim Carrey, Kate Winslet, Elijah Wood, Kirsten Dunst
screenplay by Charlie Kaufman
directed by Michel Gondry

Eternalsunshinereduxby Walter Chaw Manny Farber wrote this about Orson Welles over fifty years ago: “Welles bequeathed to Hollywood, which had grown fat and famous on hurtling action films, a movie (Citizen Kane) that broke up into a succession of fragments, each one popping with aggressive technique and loud, biased slanting of the materials of real life.” During that same period, Farber referred to Preston Sturges as a filmmaker working eternally within “the presence of Dada and surrealism”–and it’s taken over fifty years, it seems, for the United States to produce what is at its essence the product of a marriage between Welles’s self-conscious audacity and Sturges’s common touch: Charlie Kaufman–more specifically, the Charlie Kaufman Screenplay.

The Pink Panther Film Collection [6-Disc DVD Collector’s Set – Special Edition] – DVD

March 16, 2004Posted in1960s, 1970s, 1980s, Authors: Bill Chambers, Comedy, Crime, DVD, Mystery, Romance, UK

THE PINK PANTHER (1964)
*½/**** Image A+ Sound B+ Extras B
starring David Niven, Peter Sellers, Robert Wagner, Capucine
screenplay by Maurice Richlin and Blake Edwards
directed by Blake Edwards

A SHOT IN THE DARK (1964)
***/**** Image B+ Sound B+
starring Peter Sellers, Elke Sommer, George Sanders, Herbert Lom
screenplay by William Peter Blatty and Blake Edwards, based on the play by Harry Kurnitz
directed by Blake Edwards

THE PINK PANTHER STRIKES AGAIN (1976)
***½/**** Image A- Sound A-
starring Peter Sellers, Herbert Lom, Lesley-Anne Down, Burt Kwouk
screenplay by Frank Waldman, Blake Edwards
directed by Blake Edwards

REVENGE OF THE PINK PANTHER (1978)
*½/**** Image A Sound A-
starring Peter Sellers, Herbert Lom, Burt Kwouk, Dyan Cannon
screenplay by Ron Clark, Frank Waldman, Blake Edwards
directed by Blake Edwards

TRAIL OF THE PINK PANTHER (1982)
*/**** Image A Sound A-
starring Peter Sellers, David Niven, Herbert Lom, Joanna Lumley
screenplay by Frank Waldman, Tom Waldman, Blake Edwards, Geoffrey Edwards
directed by Blake Edwards

by Bill Chambers If you've never seen the one that started it all, then it will probably surprise you to learn that The Pink Panther is all but a pre-emptive strike against a possible franchise–practically the only thing about it that became canonical and conventional was the animated title sequence. (This upheld tradition of a cartoon beneath the opening credits formalized a cottage industry for James Bond distributor United Artists.) Series lynchpin Inspector Clouseau (Peter Sellers) isn't even the central figure; that would be Sir Charles Litton (David Niven), a playboy plotting to steal the coveted Pink Panther diamond by ingratiating himself with its owner, Dala (Once Upon a Time in the West's Claudia Cardinale), a pampered princess decompressing at a ski chalet in Cortina.

Love, Sex and Eating the Bones (2004)

March 5, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Comedy, Romance, Theatrical

Eating the Bones
***/****
starring Hill Harper, Marlyne Afflack, Mark Taylor, Kai Soremekun
written and directed by Sudz Sutherland

by Travis Mackenzie Hoover Rightly or wrongly, the romantic comedy is usually viewed as a low-priority genre and handed out to style-free directors settling for second best. On the surface, Love, Sex and Eating the Bones would appear to be one of these films, beset as it is by an obsequious realist aesthetic that stays out of the way of the narrative. But writer-director Sudz Sutherland instils it with something that most rom-coms don’t normally have: speed. Instead of lingering ponderously over the content of the screenplay, he states his points, lets them speak for themselves, and moves on. This makes Love, Sex and Eating the Bones a brisk, energizing experience–no masterpiece, perhaps, but easily the most fleet-footed Canadian film to emerge in a long time.

Fresh Horses (1988) – DVD

March 5, 2004Posted in1980s, Authors: Bill Chambers, Drama, DVD, Romance, Teen

*½/**** Image D+ Sound B-
starring Molly Ringwald, Andrew McCarthy, Patti D'Arbanville, Ben Stiller
screenplay by Larry Ketron
directed by David Anspaugh

by Bill Chambers As Tipton, best friend of Matt (Andrew McCarthy), Ben Stiller whispers in Andrew McCarthy's ear, "Look, when the horse underneath us drops, we take a fresh one." Yes, and the wet duck flies at midnight. Fresh Horses is all too effortlessly characterized as Pretty in Pink by way of Cormac McCarthy, or a Walker Evans BOP spread. Hot off of Hoosiers, director David Anspaugh seems to be aiming for something even folksier and more naturalistic this time around, but his three leads–McCarthy, Stiller, and Molly Ringwald–are the least likely actors he could've cast. The effect is a movie from Mars.

Lilies of the Field (1963) + For Love of Ivy (1968) – DVDs

March 4, 2004Posted in1960s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Romance

LILIES OF THE FIELD
*½/**** Image A- Sound A-
starring Sidney Poitier, Lilia Skala, Stanley Adams
screenplay by James Poe, based on the novel by William E. Barrett
directed by Ralph Nelson

FOR LOVE OF IVY
*/**** Image A Sound A
starring Sidney Poitier, Abbey Lincoln, Beau Bridges, Nan Martin
screenplay by Robert Alan Aurthur, based on a story by Sidney Poitier
directed by Daniel Mann

by Travis Mackenzie Hoover Two steps forward, one step back. It's hard to know how to read the career of Sidney Poitier, who was America's premier black actor during the '60s and is often held up as a standard bearer for those trying to break through Hollywood's white ceiling. Is he a figure of uncommon dignity in an industry that trafficked in insulting stereotypes, or is he the "nice" black man-made palatable to a white audience eager to flatter itself for its liberalism? The answer is a complex one, requiring an examination of his films–two of which have recently been reissued on DVD. Both Lilies of the Field and For Love of Ivy are tedious, uncontroversial filmmaking, but they afford an interesting glimpse into the compromised mind of liberal Hollywood when faced with the task of "integrating" its product.

Under the Tuscan Sun (2003) [Widescreen] + Death in Venice (1971) – DVDs

March 2, 2004Posted in1970s, 2000s, Authors: Bill Chambers, Comedy, Drama, DVD, Esoterica, France, Italy, Romance

UNDER THE TUSCAN SUN
*/**** Image A Sound A Extras C+
starring Diane Lane, Sandra Oh, Lindsay Duncan, Raoul Bova
screenplay by Audrey Wells, based on the book by Frances Mayes
directed by Audrey Wells

DEATH IN VENICE
**/**** Image A Sound B Extras D+
starring Dirk Bogarde, Mark Burns, Björn Andrésen, Silvana Mangano
screenplay by Luchino Visconti, Nicola Badalucco, based on the novel by Thomas Mann
directed by Luchino Visconti

by Bill Chambers Can't afford that trip to Italy? Consider the next best thing: a jaunt to your local video store, where you can pick up the diametrically opposed but concurrently-released travelogues Under the Tuscan Sun and Death in Venice. I confess I'm only covering them together because it struck me as funny to do so–it's doubtful there's a lot of overlap between the pictures' fanbases, though I'd sooner recommend Under the Tuscan Sun to a Death in Venice admirer than vice-versa: in my experience, devotees of so-called "chick flicks" are notoriously unadventurous moviegoers, while it should go without saying that anyone high on Death in Venice lives by the benefit of the doubt. Both vastly overrated by their supporters, they at least beat watching somebody's vacation slides.