The Glass House (2001) – DVD

January 3, 2002Posted in2000s, Authors: Bill Chambers, Crime, Drama, DVD, Mystery, Thriller

*/**** Image A Sound B+ Extras C
starring Leelee Sobieski, Stellan Skarsgård, Diane Lane, Bruce Dern
screenplay by Wesley Strick
directed by Daniel Sackheim

BUY @ AMAZON

by Bill Chambers In The Glass House, the picture-perfect legal guardians of an orphaned teenage girl and her little brother turn out to be Gomez and Morticia. (Actually, that's overstating their appeal.) The trouble with this set-up is that it has the pretense of a moral but revolves around a character in Leelee Sobieski's Ruby who hasn't done anything to place herself in her precarious situation except obey the law and her elders. By the time she gains agency and the film puts her in the driver's seat (quite literally, as it happens), The Glass House seems to be apologizing to young adults on screen and off for suggesting they're not always in control. It could be said to, like Home Alone or The Rugrats Movie, spread a false sense of security to its target demographic.

Bruiser (2001) – DVD

December 29, 2001Posted in2000s, Authors: Walter Chaw, Canada, Directors: George A. Romero, DVD, France, Horror, Mystery, Thriller

***/**** Image B- Sound B Extras B-
starring Jason Flemyng, Peter Stormare, Leslie Hope, Nina Garbiras
written and directed by George A. Romero

by Walter Chaw A comic-book morality play along the lines of his Creepshow, horror legend George A. Romero’s Bruiser is rife with ideas and the kind of broad audacity that foments disquiet in rough strokes and bleak epiphanies. While it doesn’t hold together and is too self-conscious by the end to be anything but a little tedious and a lot predictable, the film’s first hour is possessed. Furious and marked by a sense of impending doom, Bruiser begins as exciting and risky an angst-ridden passion play as nearly anything produced in a yuppie-unrest genre that includes dissident films like Wolf, Fight Club, and American Psycho. It opens as a series of castrations for our milquetoast hero, Henry (Jason Flemyng)–humiliated at work, cheated by his friend, cuckolded by his wife (Leslie Hope)–until one day he wakes to find himself the protagonist in a Kafka parable. His face wiped clean of his identity, Henry becomes an amalgam of Ellison’s and Wells’s invisible men: ignored by society and ironically destroyed by the power bestowed upon him by his own anonymity.

Rush Hour 2 (2002) [infinifilm] – DVD

November 19, 2001Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, DVD, Hong Kong, Jackie Chan, Martial Arts, Mystery, Thriller

**/**** Image A+ Sound A- Extras A-
starring Jackie Chan, Chris Tucker, John Lone, Zhang Ziyi
screenplay by Jeff Nathanson
directed by Brett Ratner

by Walter Chaw For as long as Jackie Chan has been the logical heir to Buster Keaton’s crown, it becomes apparent during the course of Brett Ratner’s Rush Hour 2 that he may also be the heir to Peter Sellers’s Inspector Clouseau/Pink Panther crown. Blithely mixing the broad racial humour with the broad slapstick theatrics that typify Sellers and Blake Edwards’s classic comedies of criminal bad taste, Rush Hour 2 even makes time for a couple of bombshell secret agents, a brief and largely inexplicable interlude involving breasts rendering a man amusingly mute, and a cheerfully inept sidekick who gets in the stray kick now and again. The tenor, then, is dedicatedly light, and the humour is predictably free of cleverness–mostly involving Asians eating dogs and killing chickens, and African-Americans preferring their chickens fried and their karaoke with a heaping helping of Jacko gesticulations. That Rush Hour 2 (and the Pink Panther saga, for that matter) is often so genial in its cheap humour and gratifying in its physical exertions speaks to an almost universal desire to see people get a pie in the face while inelegantly breaking societal taboos. Rush Hour 2 never once aspires to anything other than formula fluff and never once descends into the dangerous realm of superlative entertainment. It is the prototypical summer film: loud, cheap, exploitive, and forgotten almost as soon as it’s over.

Jeepers Creepers (2001) [Special Edition] – DVD

November 17, 2001Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Horror, Mystery

**½/**** Image B- Sound A- Extras A-
starring Gina Philips, Justin Long, Jonathan Breck, Patricia Belcher
written and directed by Victor Salva

by Walter Chaw Set on the rural highways and dirt byways of Anywhere, America during a long, hot summer, Victor Salva’s Jeepers Creepers is a film of two distinct halves–the first astonishingly good, the second derivative–drawn together by a finale that is both fair and surprising. It could have been much better overall had it isolated its sympathetic heroes in the middle of a Texas Chain Saw Massacre nightmare, and indeed, the parts of it that work best are those that most recall Tobe Hooper’s rustic nightmare. (Particularly the suddenness of the initial attack and the subsequent discovery of the beast’s abattoir lair.) Once policemen and bumpkins are introduced in a series of repetitive “I don’t believe your story–hey, why did the lights go out” scenarios, however, Jeepers Creepers, while retaining Salva’s indisputably cinematic eye, becomes something a good deal more predictable and consequently safer. The creation of a comfort zone halfway through is a terrible shame, not because it’s horrible in and of itself, but because for almost an hour, Jeepers Creepers holds great promise.

Opera (1987) – DVD

October 31, 2001Posted in1980s, Authors: Walter Chaw, Crime, Directors: Dario Argento, DVD, Horror, Mystery, Thriller

***/**** Image A+ Sound A Extras A-
starring Cristina Marsillach, Ian Charleson, Urbano Barberini, Daria Nicolodi
screenplay by Dario Argento, Franco Ferreni
directed by Dario Argento

by Walter Chaw The best of Dario Argento’s films rework themes and images from Alfred Hitchcock with a level of flamboyance and twisted creativity that transform would-be genre knock-offs into something truly rare and valuable. Argento utilizes the constructions of Hitchcock as a framework for lurid, colour-drenched images and wickedly inventive death sequences that are among the most shocking and agonizing in the history of cinema. Often called “The Italian Hitchcock,” I find the term “The Italian De Palma” to be closer to the mark, for their obsessions, for their mastery of highly technical mimicries, and, extra-textually, for both auteurs’ decades-long slides into mere imitation and schlock. (Despite their similarities, Argento and De Palma to this day hate each other with a white-hot passion.)

K-Pax (2001)

October 26, 2001Posted in2000s, Authors: Walter Chaw, Drama, Mystery, Sci-Fi, Theatrical

K-PAX
*/****
starring Kevin Spacey, Jeff Bridges, Mary McCormack, Alfre Woodard
screenplay by Charles Leavitt, based on the novel by Gene Brewer
directed by Iain Softley

Kpaxby Walter Chaw Madman Prot (Kevin Spacey) has been incarcerated for months at various state-run mental institutions. Because psychotropic drugs do not affect Prot, he’s sent to Dr. Mark Powell (Jeff Bridges); presumably, Powell is the authority on madmen unaffected by psychotropic drugs. Prot, however, can also see ultra-violet light, map the orbits of undiscovered planets around undiscovered solar systems (begging a few questions), and talk to dogs by barking at them. Prot believes himself an alien from the distant planet K-Pax, and it’s up to Dr. Powell to uncover the trauma that has unhinged this man. Along the way, Prot’s unconventional (and wiseass) view of our foibles teaches us all a little about ourselves, leading to cuddly Patch Adams moments wherein this dangerous fruitbar repairs Dr. Powell’s crumbling familial relationships and reverses insanity by urging his fellow inmates to look for bluebirds and attempt to kill one another. K-Pax is derivative, populist, feel-good trash of the first order–it’s tailor-made for a populace gone daft from decades of insipid soup generally starring Robin Williams.

DIFF ’01: Lantana

October 12, 2001Posted in2000s, Australia, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Germany, Mystery, Romance

***/****
starring Anthony LaPaglia, Geoffrey Rush, Barbara Hershey, Kerry Armstrong
screenplay by Andrew Bovell, based on his play
directed by Ray Lawrence

by Walter Chaw Leon Zat (Anthony LaPaglia) is a police officer suffering from low self-esteem and a dwindled passion in his marriage to Sonja (the incredible Kerry Armstrong). When we first meet Leon, in fact, we know him only as an adulterer, witness to the first of his two indiscretions with the newly-separated Jane (Rachael Blake). Suspecting that Leon may be straying, Sonja visits a therapist, Valerie (Barbara Hershey), confiding that, "It isn't that he's slept with another woman, it's that he's lied to me about it that's the betrayal." Lantana is obsessed with repression, of how one small secret kept for too long mutates and festers into insurmountable guilt and fear. Leon feels guilty about his adultery and is fearful of being discovered; later, Leon feels guilty for having been discovered, and is fearful that his wife no longer loves him. Sonja similarly worries that she doesn't love him anymore.

Citizen Kane (1941) – DVD

October 10, 2001Posted in****/****, 1940s, Authors: Walter Chaw, Drama, DVD, FFC Must-Own, Mystery

****/**** Image A+ Sound A+ Extras A+
starring Orson Welles, Joseph Cotten, Dorothy Comingore, Ray Collins
screenplay by Herman J. Mankiewicz Orson Welles
directed by Orson Welles

by Walter Chaw There are two shots of Rosebud in Citizen Kane, the first as it’s covered by a blanket of forgetful snow outside the boarding-house of Kane’s mother, the second as it’s being consumed by flames in the basement of Kane’s Florida estate. Ice and fire. Citizen Kane is a film about contrast and duality, and it expresses this through nearly every facet of the production. Kane has two friends, two wives, makes two trips to his palatial estate, and visits Susan Alexander twice. He is torn in half by his duelling personas: public magnate and private misanthrope–both sides coming together when he writes an excoriating review of his own wife’s debut opera performance just prior to firing his best friend Jedediah (Joseph Cotten) from the newspaper they founded together.

13 Ghosts (1960) – DVD

September 15, 2001Posted in1960s, Authors: Walter Chaw, DVD, Horror, Mystery

*½/**** Image A Sound C Extras C
starring Charles Herbert, Jo Morrow, Martin Milner, Rosemary De Camp
screenplay by Robb White
directed by William Castle

by Walter Chaw 13 Ghosts, showman director William Castle’s gimmicky follow-up to his most infamous film The Tingler, is slow-paced hokum that gives lie to the belief that the horror movies of yesteryear are very much better than those of today. Between awful acting, a terrible screenplay by celebrated kiddie author and long-time Castle collaborator Robb White, and direction from Castle that alternates between plodding and ridiculous, 13 Ghosts is a good deal of fun in spite of itself. It is a prime candidate for a “Mystery Science Theater” treatment and best enjoyed with the quick-witted or the inebriated.

Memento (2001) – DVD

August 28, 2001Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Directors: Christopher Nolan, DVD, Esoterica, Mystery, Thriller

***/**** Image A Sound A Extras B-
starring Guy Pearce, Carrie-Anne Moss, Joe Pantoliano
screenplay by Christopher Nolan, based on the short story by Jonathan Nolan
directed by Christopher Nolan

by Travis Mackenzie Hoover Initially, I thought I had died and gone to indie hell: the first forty minutes of the highly-touted Memento lulled me into a false sense of security about the nature of its hero's problem; there was the familiar revenge plot (he must avenge his wife's death!), and the predictably unpredictable barrier to his goal (he has no short-term memory!), both of which led me to conclude that this was going to be one more shallow off-Hollywood neo-noir with a superficial twist. As the film soldiered on, I was rolling my eyes at the hero's frantic need to re-assert his maleness. Wounded as he was by the loss of his largely decorative wife and destabilized by his confusing affliction, it seemed as though his ability to walk tall as a man was what was at stake. This led me to assume that the remainder of the film would wallow in the tragic poignancy of a once-proud man robbed of the things that made him a credit to the patriarchy, and not only was this ideologically suspect, it was boring as hell. As the blandly-photographed images washed over me, I prepared myself to endure the repetition of this masculine panic until the lights came up.

Skeletons in the Closet (2001) – DVD

August 25, 2001Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**/**** Image A Sound B Extras B
starring Treat Williams, Linda Hamilton, Jonathan Jackson, Gordon Clapp
screenplay by Donna Powers & Wayne Powers
directed by Wayne Powers

by Walter Chaw An example of the sort of generational paranoia film that cropped up following the flower-power strangeness of the late-Sixties, Skeletons in the Closet is a definite product of the post-Columbine cinematic zeitgeist: it all but demands a re-examination of our relationships with our disenfranchised youth. In a very real way, it plays as an interesting companion piece to McGehee and Siegel’s arthouse thriller The Deep End. Both are interested in how single parents deal with criminal delinquency (real or imagined) in their confused children, and both are showcases for actors who are either relatively unknown (Tilda Swinton in The Deep End), or sadly marginalized (Treat Williams).

The Deep End (2001)

August 21, 2001Posted in2000s, Authors: Walter Chaw, Crime, Drama, Mystery, Romance, Theatrical, Thriller

**/****
starring Tilda Swinton, Goran Visnjic, Jonathan Tucker, Peter Donat
screenplay by Scott McGehee & David Siegel, based on the short story “The Blank Wall” by Elisabeth Sanxay Holding
directed by McGehee & Siegel

by Walter Chaw There is a moment at the very beginning of Scott McGehee and David Siegel’s The Deep End wherein our maternal heroine Margaret Hall (Tilda Swinton) fills in a crossword puzzle line with “glacier.” It is an early clue to Margaret’s glacial temperament, the cool blue colour suffusions that dominate the film’s lighting schemes, and, unfortunately, the feeling of icy detachment one experiences during the course of the film. The Deep End is neither a noir nor a Hitchcockian thriller, but rather a somewhat conventional, vaguely derivative Mildred Pierce-ian estrogen melodrama that plays a lot like a Lifetime bodice-ripper written by David Mamet. It is essentially a lifeless version of Blood Simple, complete with misunderstandings, extortion, and a hide-the-corpse intrigue inspired by the urge to protect a loved one. Not to say The Deep End is a bad film, exactly, rather it’s a forgettable one that is remarkable only for its almost complete lack of distinction.

Apocalypse Now Redux (1979/2001)

August 16, 2001Posted in****/****, 1970s, 2000s, Authors: Walter Chaw, Directors: Francis Ford Coppola, Drama, Mystery, Palme d'Or Winner, Theatrical, War

Apocalypse Now
****/****
starring Marlon Brando, Robert Duvall, Martin Sheen, Frederic Forrest
screenplay by John Milius and Francis Coppola, narration by Michael Herr
directed by Francis Coppola

by Walter Chaw Taking his cue from Orson Welles’s aborted screen translation of Joseph Conrad’s Heart of Darkness, Francis Ford Coppola’s Apocalypse Now sought to transplant Marlow’s journey down the Congo in pursuit of mad ivory trader Kurtz to Vietnam during the war. America’s involvement in Southeast Asia is, of course, a good fit with what Conrad calls “one of the dark places of the world,” and Apocalypse Now, easily one of the most literary big-budget blockbusters of the modern era, is utterly faithful to the intellectual and visceral impact of Conrad’s vision. Apocalypse Now is so overheated and pretentious, in fact, that the best way to explain its thematic core might be through an examination of the ways it uses three T.S. Eliot poems (The Wasteland, The Love Song of J. Alfred Prufrock, The Hollow Men) and nods obliquely towards a fourth (The Dry Salvages, which refers to the animalism of rivers as the “brown god”).

Second Skin (2000) – DVD

August 13, 2001Posted in2000s, Authors: Bill Chambers, Canada, DVD, Mystery, South Africa, Thriller, UK

**½/**** Image B+ Sound C
starring Natasha Henstridge, Angus MacFadyen, Liam Waite, Peter Fonda
screenplay by John Lau
directed by Darrell James Roodt

by Bill Chambers Second Skin is centred in and around a used bookshop where owner Sam Kane (Angus MacFadyen) cares more about indulging in the dog-eared pulp than making a living. Crystal (Natasha Henstridge) wanders in looking for a job, though, and while Sam doesn’t get enough customers to warrant an employee, he could use a tall blonde woman in his life, and tentatively hires her. Satisfied, she walks backwards out the door, bidding adieu, and is thwacked by a car in a hit-and-run. When Crystal comes to, in a hospital bed, she’s amnesiac. In what must be a rare act of altruism for him, Sam volunteers to assist Crystal in a rummage for her forgotten past.

The Others (2001)

August 12, 2001Posted in2000s, Authors: Walter Chaw, France, Horror, Italy, Mystery, Spain, Theatrical, Thriller

***½/****
starring Nicole Kidman, Elaine Cassidy, Christopher Eccleston, Fionnula Flanagan
written and directed by Alejandro Amenábar

by Walter Chaw The Others is an intricate character drama that takes turns shifting its suspicions on any number of scenarios and suspects. It subtly considers each of its small troupe of players as alternately worthy of mistrust, and its fantastic cast is more than equal to director Alejandro Amenábar’s quiet attributions of innocence and diabolical attributions of wickedness. Throughout, Amenábar maintains the unnerving possibility that, despite the spectre of a hoax or a plot ever-looming in the sometimes-inexplicable actions of one or more of its characters, something paranormal might, in fact, be at work.

The Wicker Man (1973) [Limited Edition] – DVD

August 7, 2001Posted in1970s, Authors: Walter Chaw, DVD, Horror, Mystery, UK

Anthony Shaffer’s The Wicker Man
***½/**** Image B+ (Theatrical)/C (Extended) Sound C Extras A
starring Edward Woodward, Christopher Lee, Diane Cilento, Britt Ekland
screenplay by Anthony Shaffer
directed by Robin Hardy

by Walter Chaw Early in The Wicker Man, poor Sergeant Howie of the West Highland Police shows the picture of a missing lass to a gaggle of locals on remote Summerisle Island. As he turns away, having received no information of value, the camera crops his head off. Later, during a pagan May Day festival, Sergeant Howie nearly gets his head cut off again, this time by six swords forming an interlaced sun symbol. The loss of the head represents castration (Sergeant Howie is shown to be impotent from the start), one of literally dozens of symbols both overt and subtle employed in this unique and brilliant genre film.

The Caveman’s Valentine (2001) [Widescreen] – DVD

July 25, 2001Posted in2000s, Authors: Walter Chaw, Canada, Crime, Drama, DVD, Music, Mystery, Superhero, Thriller

***½/**** Image A+ Sound A+ Extras B-
starring Samuel L. Jackson, Ann Magnuson, Aunjanue Ellis, Tamara Tunie
screenplay by George Dawes Green, based on his novel
directed by Kasi Lemmons

by Walter Chaw A strange mixture of Shine, Basquiat, Angel Heart, and Grant Morrison & Dave McKean’s graphic novel Arkham Asylum, The Caveman’s Valentine is a feverish tale of a homeless madman-cum-detective who, on the morning of February 14th, discovers a “valentine” just outside his New York cave: one of Ella Fitzgerald’s strange fruit, stuck in the crotch of a tree–a young male model murdered and frozen to a branch. Believing at first that his imagined nemesis Stuyvesant, who shoots evil rays into his mind from atop the Chrysler Building, is responsible for the murder, Romulus (Samuel L. Jackson) is put on the trail of an avant-garde photographer in the Mapplethorpe mold, David Leppenraub (Colm Feore). His minor sleuthing interrupted by the occasional delusional fit and bouts with an ecstasy of creation (Romulus was a brilliant Julliard-trained pianist prior to his psychosis), Romulus uncovers clues and harasses suspects on his way to convincing his police-woman daughter (Aunjanue Ellis) that even though he’s a nut, that doesn’t mean he can’t solve a high-profile society murder.

Valentine (2001) – DVD

July 22, 2001Posted in2000s, Authors: Bill Chambers, Canada, DVD, Horror, Mystery, Thriller

**/**** Image A Sound B Extras C+
starring David Boreanaz, Denise Richards, Marley Shelton, Katherine Heigl
screenplay by Donna Powers & Wayne Powers and Gretchen J. Berg & Aaron Harberts, based on the novel by Tom Savage
directed by Jamie Blanks

by Bill Chambers There was a time in my life, not necessarily a proud one, when I based my video-rental selections on whether the box pictured some configuration of pointy knife, mask, and bug-eyed victim. Call it my 'boo' period; without it, I may never have seen Prom Night, and therefore not understood just how banal Valentine, its unofficial remake, really is. Prom Night is brain food by comparison, and it stars Leslie Nielsen! Still, I'd sooner watch Valentine again before much of today's quickie horror, if only to re-experience Denise Richards's eyebrow-raising performance. She suggests here an understudy for the understudy–the custodian who's been around long enough to pick up the lines but not necessarily the context in which they belong. In the words of Radiohead, she's like a detuned radio, but she's easily the most compelling thing in the film.

The Gift (2000) – DVD

July 19, 2001Posted in2000s, Authors: Bill Chambers, Crime, Directors: Sam Raimi, Drama, DVD, Horror, Mystery, Thriller

***/**** Image A Sound A Extras C
starring Cate Blanchett, Giovanni Ribisi, Keanu Reeves, Katie Holmes
screenplay by Billy Bob Thornton & Tom Epperson
directed by Sam Raimi

by Bill Chambers The Golden Razzies are the worst: Earlier this year, they (dis)honoured Keanu Reeves for one of the only decent performances he’s ever given, in Sam Raimi’s The Gift. With his horrendous turns in The Replacements and The Watcher also up for grabs, I can only say that these anti-Oscars would be more clever and thought-provoking if they quit aiming their guns at sitting hams (witness George C. Scott’s Raspberry for his outstanding work in The Exorcist III); they long ago became the spoof-awards equivalent of a male comedian cracking wise about his mother-in-law. But then, The Gift hasn’t garnered much respect at all, except from those who watched for the specific purpose of glimpsing “Dawson’s Creek”‘s Katie Holmes in the buff. She plays a society slut in this southern gothic, which failed to exceed genre expectations during its curiously staggered theatrical release last winter. Yet there are times when a film should be lauded for fulfilling a set of obligations, and this is one of them.

Manhunter (1986) – DVD (THX)

June 26, 2001Posted in1980s, Authors: Walter Chaw, Crime, Directors: Michael Mann, DVD, Mystery, Thriller

***½/**** Image A Sound A Extras B
starring William L. Petersen, Kim Greist, Joan Allen, Brian Cox
screenplay by Michael Mann, based on the Thomas Harris novel Red Dragon
directed by Michael Mann

by Walter Chaw Director Michael Mann’s third film is the remarkable Manhunter, the second cinematic adaptation of a Thomas Harris novel (the first being 1977’s John Frankenheimer-helmed Black Sunday) and the first to feature Harris’s dark serial killer antihero, Hannibal Lecter (spelled “Lecktor” in Manhunter). It is visually lush and possessed of the attention to craft and detail that has become a hallmark of Mann’s work; to say that it’s superior in nearly every way to the much-lauded and wildly popular The Silence of the Lambs would be something of an understatement.