Mystery Archives - Page 14 of 28

The Bird with the Crystal Plumage (1970) [2-Disc Special Edition] – DVD|Blu-ray Disc

February 23, 20091970s, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Blue Underground, Directors: Dario Argento, DVD, Horror, Mystery

L’uccello dalle piume di cristallo
***½/****
DVD – Image A Sound A Extras B
BD – Image A Sound A Extras B
starring Tony Musante, Suzy Kendall, Eva Renzi, Enrico Maria Salerno
written and directed by Dario Argento

by Walter Chaw Dario Argento’s uncredited adaptation of Fredric Brown’s The Screaming Mimi (brought to the screen once before in 1958 by Gerd Oswald), The Bird with the Crystal Plumage marks the “Italian Hitchcock”‘s directorial debut as well as the moment at which the Italian giallo genre gained international currency. Though the genre’s invention (named after the yellow/giallo covers of Italian penny dreadfuls) is credited to compatriot Mario Bava (see, especially, his astonishing Blood and Black Lace), Argento’s scary polish and cunning for film language bridged the cultural, mainstream/arthouse gap with agility and audacity. He’s not just borrowing from Hitchcock, he’s filtering the Master’s work through his own sensibilities. Argento did for the slasher genre with his “supernatural” pictures like Suspiria and Inferno what Sergio Leone did for the Western, making them dirtier, sexier, rhythmic, and more acceptable to the literati; and he does here for the police procedural/neo-noir a similar kind of post-modern hipster reinvention. But it’s not merely an intellectual exercise (in fact, the obscurity of the clues (its title at once revealing the identity of the killer and referring obliquely to the red herring of The Maltese Falcon) makes deciphering the procedural improbable at best)–rather, it’s the visceral nature of the exercise that delights. It’s Argento’s revelry in one part in the unrelieved nihilism and delicious confusion that would characterize the best of the ’70s’ paranoia cinema–and in the other part, in the joy of great genre filmmaking.

Max Payne (2008) – DVD|Blu-ray Disc

February 19, 20092000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, DVD, Mystery, Thriller

**/****
DVD – Image N/A Sound B Extras C
BD – Image A Sound A+ Extras B-
starring Mark Wahlberg, Mila Kunis, Beau Bridges, Olga Kurylenko
screenplay by Beau Thorne
directed by John Moore

by Walter Chaw Valkyries: a staple of Norse mythology, right? Picking sides in fights, flying the fallen to Valhalla, and becoming winged waitstaff in that eternal beer hall in the sky. (Or fat women in Wagner.) First thing that comes to mind isn't a mind-blowing, Timothy Leary-esque freak out–unless you're John Moore's ridiculous Max Payne. That isn't the worst thing about Max Payne, but it's one of them. And while there's no crime in appropriating concepts you don't entirely understand, there probably should be. This is not a smart movie, and it doesn't know whether it should be a faithful adaptation of its videogame source material or a post-modern take on films noir, though it should be said that it looks beautiful anyway, a successful iteration of the Sin City aesthetic. The only thing really missing from its retinue of noir tropes is a stoic anti-hero at its centre; Max Payne badly miscalculates not in casting professional lump of meat Mark (Talks to Animals) Wahlberg, but in subsequently allowing him to attempt a fully fleshed-out performance when his usual monotone would've fit the pomo/homage portion of this film perfectly.

The International (2009)

February 18, 20092000s, Action, Authors: Walter Chaw, Crime, Drama, Espionage, France, Germany, Mystery, Theatrical, Thriller, UK

*/****
starring Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O’Byrne
screenplay by Eric Warren Singer
directed by Tom Tykwer

by Walter Chaw There’s a shootout at the Guggenheim in the late-middle of The International that is the only real clue director Tom Tykwer had anything to do with the film. The rest of it, despite its title reminding of that Christopher Walken SNL skit about velvet smoking jackets and attempted rape, is just more of the same musty prestige-y Topical Picture™ that usually stars people like Sean Penn or Kevin Costner instead of, as The International does, Clive Owen and Naomi Watts. Bland and blander, as it turns out. A rumpled Owen is Salinger, some kind of ill-defined crusader for justice with a badge from Interpol and a dark past from Syd Field, while Watts, as ADA Elly, who spends her first scene with a Boston/Newark accent and the rest with her standard-issue Yank. They’re tepid on the trail of a big giant bank that has a nefarious plan to control debt, which I confess is what I thought banks do. With the picture more interested in mashing its thumb against the “Relevant” button than in creating characters of interest, villains who frighten, and situations that involve, Tykwer, for his part, seems at a loss as to how to employ his agile camera and so trusts a premise that’s already feeling a little mothballed for the collapse and bailout of our banking system. It doesn’t matter that The International doesn’t know what to be from one minute to the next–what matters is that it’s an exact replica of The Interpreter in every way that counts and is, therefore, completely, immanently, blessedly forgettable.

Mirrors (2008) [Unrated] – DVD|Blu-ray Disc

February 16, 20092000s, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, France, Germany, Horror, Mystery, Romania

ZERO STARS/****
DVD – Image N/A Sound A Extras D+
BD – Image A Sound A Extras C-
starring Kiefer Sutherland, Paula Patton, Cameron Boyce, Erica Gluck
screenplay by Alexandre Aja & Grégory Levasseur
directed by Alexandre Aja

by Ian Pugh You have to hand it to Alexandre Aja: Although he applies his marginal talent to different ends from within his genre of choice, he remains fairly consistent in his psychotic bursts of rage and complete obliviousness to the same. Whether he's making awful, sadistic horror flicks that pretend to be about nothing (his anti-lesbian screed High Tension) or–somehow worse–awful, sadistic horror flicks that pretend to be about something (his remake of The Hills Have Eyes and now Mirrors), his targets are clear. In his eyes, women and rural folk are by turns cowardly, evil, and idiotic, deserving of nothing but a horrific death. How anyone could lump his brand of bloodthirsty hatred in with Tarantino or Argento–both real artists who have grappled with their own desires and talents in the context of fiction and reality–is, frankly, beyond me. Hell, even Eli Roth, for all his puerile masturbation and inexplicable worship of the nasty Cannibal Holocaust, has questioned his own methods on occasion. When Aja rips off Amy Smart's mandible just seconds after she steps into a bathtub in Mirrors, there's no thrill, no shock, no sense of accountability–only the niggling, terrifying conjecture that this man would go out and hurt someone given half the chance.

Sundance ’09: Moon

February 2, 2009****/****, 2000s, Authors: Alex Jackson, Drama, Film Festivals, Mystery, Sci-Fi, Sundance, UK

****/****starring Sam Rockwellscreenplay by Nathan Parkerdirected by Duncan Jones by Alex Jackson Lunar miner Sam Bell (Sam Rockwell) is nearing the end of a three-year contract with Lunar Industries when an accident lands him in his spaceship's sickbay. Upon regaining consciousness, he meets a facsimile of himself and begins to suspect that his employer and his robot companion Gerty (voiced by Kevin Spacey) have been keeping something from him. While Moon has some kind of basic dramatic conflict and is centred around an actual story instead of impressive visuals (though Sam Rockwell playing table tennis with himself is a hella…

Zodiac (2007) [2-Disc Director’s Cut] – Blu-ray Disc

January 26, 20092000s, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Directors: David Fincher, Drama, Mystery, Thriller

***/**** Image A+ Sound A+ Extras A+
starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr., Anthony Edwards
screenplay by James Vanderbilt, based on the book by Robert Graysmith
directed by David Fincher

by Walter Chaw The best film of its kind since All the President’s Men, David Fincher’s Zodiac is another very fine telephone procedural drawn from another landmark bit of investigative journalism–though more fascinatingly, it’s another time capsule of a very specific era, flash-frozen and suspended in Fincher’s trademark amber. Still, by the very nature of its subject matter, Zodiac deals in millennial anxieties: the un-‘catchable’ foe; the unknowable cipher; the futility of the best efforts of good and smart men; and the disintegration of the nuclear family smashed to pudding in a diving bell collapsed under the pressure of the sinking outside. The film is as remarkable as it is because it’s about something as simple and enchanted as the human animal–not just bedraggled San Francisco detective Toschi (Mark Ruffalo), but also Zodiac’s two female victims and, in a strange echo, two almost-invisible wives: Toschi’s (June Raphael) and that of newspaper cartoonist Robert Graysmith (Jake Gyllenhaal). Easy to say that actresses Raphael and Chloë Sevigny are wasted by being given nary anything to work with outside a terrified moment and a single speech, respectively; better to say that they assume the only function they can in a picture revolving around male cooperation and survival in a world that has reduced itself to the barbarous niceties of macho religions and arcane rituals. No accident that the Zodiac Killer’s partiality to a medieval code is central to a key revelation.

Sundance ’09: The Killing Room

January 24, 20092000s, Authors: Alex Jackson, Film Festivals, Mystery, Sundance, Thriller

**/****starring Chloë Sevigny, Peter Stormare, Clea DuVall, Timothy Huttonscreenplay by Gus Krieger, Ann Peacockdirected by Jonathan Liebesman by Alex Jackson Jonathan Liebesman's The Killing Room would still have been pretty hokey five years ago, but in 2009, with the election and inauguration of Barack Obama, it's looking nothing short of obsolete. Genre filmmakers are going to have to face the fact that the Bush years are over. One of our new president's very first acts while in office was to shut down Guantanamo Bay; if torture porn wants to survive into the next decade, it's going to have to reinvent…

Dead & Buried (1981) [Limited Edition] – DVD|Blu-ray Disc + I Know What You Did Last Summer (1997) [Special Edition] – DVD|Blu-ray Disc

January 22, 20091980s, 1990s, Authors: Bill Chambers, Blu-ray Disc, Blue Underground, DVD, Horror, Mystery, Thriller

DEAD & BURIED
***/****
DVD – Image B- Sound C+ (Remixes)/B (Mono) Extras A
BD – Image B+ Sound B Extras A-
starring James Farentino, Melody Anderson, Jack Albertson, Lisa Blount
screenplay by Ronald Shusett and Dan O'Bannon
directed by Gary A. Sherman

I KNOW WHAT YOU DID LAST SUMMER
**/****
DVD|BD – Image A- Sound A Extras A-
starring Jennifer Love Hewitt, Sarah Michelle Gellar, Ryan Phillippe, Freddie Prinze, Jr.
screenplay by Kevin Williamson, based on the novel by Lois Duncan
directed by Jim Gillespie

by Bill Chambers SPOILER WARNING IN EFFECT. Gary A. Sherman's Dead & Buried and Jim Gillespie's I Know What You Did Last Summer, released theatrically fourteen years apart, together demonstrate that the more the horror genre stays the same, the more it changes. Each of these B-movies resorts to similar cheap tricks (first and foremost a coastal setting (the atmospheric equivalent of a non-perishable in horror)) and traffics in pessimism, yet one is genuinely hopeless and the other is trendily nihilistic–karo syrup as late-Nineties fashion accessory. A great gulf stands between the sensibilities of the two pictures that's unearthed by drawing other such subtle distinctions: one is cruel, the other callous; one is about death, the other about killing; one is sexy, the other exploitive; and so on and so forth. Virtually indescribable to modern audiences despite its familiar elements, Dead & Buried is a Darwinian fossil of the horror cinema, whose DNA has been perverted by the progressive commercialization of the culture and weakening of the intellectual position. Simplified: Current scare flicks still sometimes enjoy provocative subtext (like the recent Freddy Vs. Jason); more often, they die on the vine from WB-itis.

Revolver (2005) – DVD|Blu-ray Disc

January 6, 20092000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Drama, DVD, France, Mystery, Thriller, UK

*/****
DVD – Image A Sound A Extras C-
BD – Image A Sound A Extras C-
starring Jason Statham, Ray Liotta, Vincent Pastore, Andre Benjamin
written and directed by Guy Ritchie

by Walter Chaw Give Guy Ritchie a little credit for being ambitious and take a little away from him for being so relentlessly pussy-whipped that Revolver, his return to the neo-Mod gangster genre that made his name, is one part rumination on the mystical mumbo-jumbo of his then-wife's Kabbalah, one part exploration of the self-actualized ego, and every part pretentious, pseudo-intellectual garbage. It's so fascinated with itself that the yak-track on the film's DVD and Blu-ray releases finds Ritchie periodically consulting his assistant as an augur of whether or not Ritchie has gotten too complicated for the audience of nitwits not put off enough by the movie to avoid watching it again with the commentary activated. He believes he's created something of such vast, far-reaching, ungraspable, existential implication that this cheap, showy action pic is the ne plus ultra of modern experience, with Ritchie our schlock Zoroaster, guiding us through avatar Jake Green (Jason Statham) as he emerges from years of solitary confinement, during which he learned the parameters of the perfect con by intercepting the chess moves of the two prisoners on either side of him. Jake has claustrophobia, something Ritchie helpfully offers is a "metaphorical fear," by which I think he means that it's a metaphor for all fear; his clumsiness with the articulation of this single concept illustrates how it is that the rest of it is such a godawful mess. Consider Revolver's interesting only to the extent that Ritchie's self-absorption is ironic when applied to a picture about the internal struggle between Freud's personality strata–never mind that Jake's Super-Ego is André Benjamin and his Id appears to be motherfucking Big Pussy. Jesus, this is a stupid movie.

Timecrimes (2008) + Wendy and Lucy (2008)

December 12, 20082000s, Authors: Walter Chaw, Drama, Mystery, Sci-Fi, Spain, Theatrical, Thriller

Los Cronocrímenes
**/****
starring Karra Elejalde, Candela Fernández, Bárbara Goenaga, Nacho Vigalondo
written and directed by Nacho Vigalondo

WENDY AND LUCY
**/****
starring Michelle Williams, Wally Dalton, Will Patton, Larry Fessenden
screenplay by Jonathan Raymond & Kelly Reichardt
directed by Kelly Reichardt

by Walter Chaw Timecrimes (Los Cronocrímenes), Nacho Vigalondo's zero-budget exercise in kitchen-sink quantum metaphysics, doesn't fuck itself with an unearned sense of smug self-satisfaction like Shane Carruth's Primer, but it does prove to be more tantalizing than satisfying. All garnish, no calories; take time travel and turn it into a series of unfortunate events that, although it plays with matter/anti-matter lore, doesn't go much farther in developing either its philosophy or its narrative. The result isn't pomo expressionism, but rather this taste of something, these suggestions of something other, that don't amount to a hill of beans once the whole thing morphs into a breakneck thriller. It makes some sense, then, that the hero of the piece is a non-descript schlub of a man, soft, no shoulders, falling over the edge into middle-age–enough so that when he spies a naked woman in the hills behind his house through his binoculars, of course he doesn't look away (who would, right?), and of course he doesn't tell his wife.

Psycho (1960) [Special Edition – Universal Legacy Series] – DVD

December 1, 2008****/****, 1960s, Authors: Walter Chaw, Directors: Alfred Hitchcock, FFC Must-Own, Horror, Mystery, Thriller

****/**** Image A Sound B Extras A
starring Janet Leigh, Anthony Perkins, John Gavin, Vera Miles
screenplay by Joseph Stefano, based on the book by Robert Bloch
directed by Alfred Hitchcock

by Walter Chaw SPOILER WARNING IN EFFECT. I’d wager there aren’t any films that have been more analyzed than Alfred Hitchcock’s Psycho, the expanse of scholarship spent on it a curious echo of its own curious psychobabble anti-climax. Find studies of this film as the wellspring for everything from feminist film theory to measured leaps into psychoanalytic theory, from technical dissertations to Citizen Kane-style forays into authorship pitting the contributions of Hitch against those of graphic designer Saul Bass. I’ve read pieces on composer Bernard Herrmann’s unparalleled work in the picture; on the artwork used in the Bates Motel; on the ways that Hitch’s own queasy obsessions–themselves on the verge of explosion with his collaborations with poor Tippi Hedren–bled into the production. I’ve read about how the film was shot with Hitch’s television crew on a minimal budget and about the controversy surrounding, of all things, the depiction of a toilet for the first time since the pre-Code silent era in the United States. I even recall writing something about how this film, along with the other miraculous releases of 1960 (Peeping Tom, Eyes Without a Face, Breathless, The Thousand Eyes of Dr. Mabuse, Rocco and His Brothers, Shoot the Piano Player, The Stranglers of Bombay, and Nabuo Nakagawa’s miraculous Jigoku), announced that cinema after this very particular point would never be the same. I’ve heard Janet Leigh’s oft-repeated tale of how the flesh-coloured pasties on her breasts peeled away as they tried to get that shot of her hanging over the tub and how, damnit, she wasn’t going to move even if it meant the crew in the rafters getting a good look at those world-class goodies. I know my favourite quote regarding the Sixties in film belongs to Ethan Mordden’s indispensable Medium Cool, comparing the previous decade to the new day dawning like so: “Surrender to the Wild Ones yields a dissolution of society. Surrender to Mrs. Bates turns you psycho.” I’ve heard the apocryphal tales, the legends; I’ve listened to Truffaut interview Hitch about the shoot. Hell, I’ve taught the picture a few times in my own limited way to classrooms still surprised to learn there are more things left to discover in Psycho.

The Stendhal Syndrome (1996) [2-Disc Special Edition] – DVD|Blu-ray Disc

November 24, 20081990s, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Blue Underground, Directors: Dario Argento, DVD, Horror, Italy, Mystery, Thriller

La sindrome di Stendhal
**½/****
DVD – Image B Sound C+ Extras B
BD – Image B+ Sound B+ Extras B
starring Asia Argento, Thomas Kretschmann, Marco Leonardi
written and directed by Dario Argento

by Walter Chaw It's hard for me to reconcile the Dario Argento of the Seventies through to 1982's Tenebre with the Dario Argento ever after (at least until what I've heard is a remarkable comeback, the upcoming completion of his Three Mothers trilogy). The inventor almost by himself of two distinct genres of film in Italy (and just the concept of the arthouse slasher in the world), a co-writer of Sergio Leone's Once Upon a Time in the West, and a revolutionizer of horror-movie music became this guy who stopped aping Hitchcock and started aping…Jeunet? Himself? Even with Max Von Sydow in the fold (Non ho sonno), the pictures post-Tenebre are cheap auto-knockoffs devoid of innovation and lacking the amazingly imaginative gore that marked Argento's early gialli, the archetypal resonance of his supernaturals, or the transcendent, sometimes sublime lawlessness of his hybrids (like Suspiria, for instance, still a towering achievement). They're almost to a one these gaudy, derivative, exhausted pieces of shit.

Fox Horror Classics, Vol. 2 – DVD

October 17, 20081930s, 1940s, Adventure, Authors: Alex Jackson, Drama, DVD, Fantasy, Horror, Mystery, Romance, Sci-Fi, Thriller

CHANDU THE MAGICIAN (1932)
***½/**** Image B- Sound C Extras A-
starring Edmund Lowe, Bela Lugosi, Irene Ware, Henry B. Walthall
directed by Marcel Varnel and William Cameron Menzies

DRAGONWYCK (1946)
**/**** Image A Sound A Extras B+
starring Gene Tierney, Walter Huston, Vincent Price, Glenn Langan
screenplay by Joseph L. Mankiewicz, based on the novel by Anya Seton
directed by Joseph L. Mankiewicz

DR. RENAULT’S SECRET (1942)
*/**** Image A Sound A- Extras B
starring J. Carrol Naish, John Shepperd, Lynne Roberts, George Zucco
story by William Bruckner and Robert F. Metzler
directed by Harry Lachman

by Alex Jackson SPOILER WARNING IN EFFECT. I confess to feeling a little insecure while reading the entry for Chandu the Magician in Leonard Maltin’s Movie & Video Guide, wherein the learned film historian derides Chandu as “disappointing” and “not as good as most serials in this genre, and even sillier.” The suggestion is that he’s wholly sympathetic to the material and was actually hoping to see a good movie before being “disappointed.” Mr. Maltin may very well be in a better position than me to determine the relative merits of Chandu the Magician. Speaking as a layman, I found it to be sublime pulp fiction. Prototypical of George Lucas’s Indiana Jones and Star Wars franchises, the film is remarkably shameless in its goofiness, never veering into self-deprecation or camp. It’s one of those rare pop entertainments that genuinely make you feel like a kid again.

Constantine (2005) – Blu-ray Disc

October 13, 20082000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, Fantasy, Germany, Horror, Mystery

*/**** Image A+ Sound A+ Extras B
starring Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton
screenplay by Kevin Brodbin and Frank Cappello, based on the DC comic
directed by Francis Lawrence

by Walter Chaw The problem with casting Keanu Reeves in the role of DC Comics anti-hero John Constantine, a chain-smoking, blue-collar bloke who happens to have a foot in a supernatural parallel world occupied by angels and demons, is that because of the actor's ethereal–some would say "stoned"–demeanour, he never for a moment convinces that his is the sympathetic point of view. Imagine Robert Redford as Snake Plisskin, or Pierce Brosnan playing Ash in the Evil Dead films: Constantine, if they were insisting on an American actor, should have been Denis Leary. By inserting Reeves as your avatar, suddenly the whole shooting match is about CGI effects and impossible things doing impossible things (witness the last two Matrix films). But even without Reeves as the central distraction, Constantine avoids much of what made the "Hellblazer" mythology so compelling (that Lucifer is beautiful, that Constantine is genuinely an asshole instead of a lovable loser), with its worst crime coming in making the film something of an anti-smoking tract. Displaying the Surgeon General's warning centre stage in one fiery moment and having the hero quit in the movie's worst, most toadying, most cowardly joke, Constantine amounts to a straw man.

The Sixth Sense (1999) [VISTA Series] – DVD|Blu-ray Disc

October 2, 20081990s, Authors: Bill Chambers, Blu-ray Disc, Directors: M. Night Shyamalan, Drama, DVD, Mystery, Thriller

***½/****
DVD – Image A Sound A Extras A-
BD – Image A Sound A Extras A-
starring Bruce Willis, Toni Collette, Olivia Williams, Haley Joel Osment
written and directed by M. Night Shyamalan

by Bill Chambers There's a feeling of déjà vu at moviehouses this summer: in two different films, a particularly troubled character senses danger of the paranormal kind as the room plummets to freezing temperatures. The difference is that when it happens to Lili Taylor's Nell in The Haunting, it's schadenfreude. The hero of The Sixth Sense, a young boy named Cole, is a more sympathetic creation in a far less shrill enterprise, and we wish nothing more than for the ghosts that haunt him to take a hike.

Blindness (2008) + Eagle Eye (2008)

October 1, 20082000s, Authors: Walter Chaw, Brazil, Canada, Drama, Germany, Japan, Mystery, Sci-Fi, Spielberg, Theatrical, Thriller

BLINDNESS
*/****
starring Julianne Moore, Mark Ruffalo, Alice Braga, Gael García Bernal
screenplay by Don McKellar, based on the novel by José Saramago
directed by Fernando Meirelles

EAGLE EYE
½*/****
starring Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Billy Bob Thornton
screenplay by John Glenn & Travis Adam Wright and Hillary Seitz and Dan McDermott
directed by D.J. Caruso

by Walter Chaw Brazilian wunderkind Fernando Meirelles has the one-trick pony and he's beaten its corpse for all the slickefied, electrified, vaguely exploitive prestige pieces he's made his calling card since City of God exploded into the loving arms of the arthouse. His latest, Blindness, feels like just another stroll down the same moralizing path as the residents of some generic city go blind, with only the bleary, red-rimmed eyes of Julianne Moore left as the moral barometer and literal/spiritual guide. And like his stable of reliable steeds, Blindness reveals itself at the end as having nothing much to say beyond the Lord of the Flies truism that men left to their own devices are no better than animals. Moore's an unnamed dingbat housewife fond of drinking a little too much wine and tittering around the limited orbit of her optometrist husband (Mark Ruffalo). When The Doctor (none of the characters have names, because the movie is profound) encounters a Patient (Yusuke Iseya) who has gone spontaneously blind, it's not long before the typical end-of-times plague starts the high-concept hullabaloo in earnest. Soon, The Doctor and The Wife find themselves in the Spooky Deserted Hospital that The City uses as The Quarantine Ward, though more literary-minded viewers will choose to refer to it as The Microcosm.

Daniel (1983) + One Missed Call (2008) – DVDs|One Missed Call (2008) – Blu-ray Disc

September 17, 20081980s, 2000s, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Directors: Sidney Lumet, Drama, DVD, Horror, Mystery, UK

DANIEL
**½/**** Image A Sound B
starring Timothy Hutton, Mandy Patinkin, Lindsay Crouse, Edward Asner
screenplay by E. L. Doctorow, based on his novel The Book of Daniel
directed by Sidney Lumet

ONE MISSED CALL
½*/****
DVD – Image B Sound B
BD – Image A- Sound A
starring Shannyn Sossamon, Edward Burns, Ana Claudia Talancón, Ray Wise
screenplay by Andrew Klavan
directed by Eric Vallette

by Ian Pugh There's a great story just screaming to be told in Sidney Lumet's Daniel: In reworking the legacy of Julius and Ethel Rosenberg from the perspective of their fictionalized son, it's poised to deliver a fascinating tale about the tragic, perhaps inevitable consequences that starry-eyed idealism can have on the family dynamic for generations to come. This strange collision of Winter Kills, The Godfather Part II, and Citizen Kane finds sensitive intellectual Daniel Isaacson (Timothy Hutton) deeply opposed to pasting his parents' name on a foundation for "radical studies" in service to the anti-war movement circa 1967, which puts him at odds with his revolution-obsessed sister (Amanda Plummer). Soon, however, Susan attempts suicide, forcing Daniel to hunt down the facts and search his memories for the truth about his parents Paul (a manic Mandy Patinkin) and Rochelle (Lindsay Crouse), who were accused of selling–or conspiring to sell–A-bomb secrets to the Soviets and executed at the height of the Red Scare. Were they really that deeply involved in a conspiracy, or were they just patsies?

The Fall Guy: The Complete First Season (1981-1982) + CHiPs: The Complete First Season (1977-1978) – DVDs

September 17, 20081970s, 1980s, Action, Adventure, Authors: Ian Pugh, Crime, Drama, DVD, Mystery, Television

THE FALL GUY: THE COMPLETE FIRST SEASON
Image B Sound B- Extras C-
“The Fall Guy Pilot,” “The Meek Shall Inherit Rhonda,” “The Rich Get Richer,” “That’s Right, We’re Bad,” “Colt’s Angels,” “The Human Torch,” “The Japanese Connection,” “No Way Out,” “License to Kill (Part 1),” “License to Kill (Part 2),” “Goin’ For It!,” “The Adventures of Ozzie and Harold,” “Soldiers of Misfortune,” “Ready, Aim… Die!,” “Ladies on the Ropes,” “The Snow Job,” “Guess Who’s Coming to Town,” “Child’s Play,” “Charlie,” “Three for the Road,” “The Silent Partner,” “Scavenger Hunt”

CHiPs: THE COMPLETE FIRST SEASON
Image C Sound B Extras D
“Pilot,” “Undertow,” “Dog Gone,” “Moving Violation,” “Career Day,” “Baby Food,” “Taking Its Toll,” “Green Thumb Burglar,” “Hustle,” “Highway Robbery,” “Name Your Price,” “Aweigh We Go,” “One Two Many,” “Rustling,” “Surf’s Up,” “Vintage ’54,” “Hitch-Hiking Hitch,” “Cry Wolf,” “Crash Diet,” “Rainy Day,” “Crack-Up,” “Flashback!”

by Ian Pugh In giving a modern-day look-see to a television series that stars a late-’70s/early-’80s icon as a Hollywood stuntman who improbably moonlights as a charming, violent bounty hunter, it seems only natural to start the discussion by lobbing a few Death Proof jokes in its general direction. Take the time to really sit down and watch “The Fall Guy”, however, and you’ll find that the complete honesty of its quest to grab the viewer’s attention just melts away your desire to be snarky. Lee Majors is the show’s anchor as Colton Seavers, the eponymous stuntman who spends his free time on assignment for a bail bondsman (Jo Ann Pflug) searching for folks who’ve skipped town before their court date, bringing his overeducated cousin (Douglas Barr, dead weight) and a stuntwoman-in-training (Heather Thomas, attractive dead weight) along for the ride. Although that premise gets bogged down in guns, fistfights, and doing crazy shit with whatever vehicles are available, Majors’s earnest performance offers a sense of levity to the proceedings, particularly once the character finally overcomes the traits ascribed to him by “The Fall Guy”‘s whiny country+western theme song, which complains about the stuntman’s inability to hold onto fame, money, or women. Indeed, as the series progresses, it becomes more interested in presenting Seavers as a conceptual mirror for the man who plays him, making Colt more of an aggressive ladies’ man (Majors was, after all, married to the era’s goddess-avatar of teenage onanism) and perhaps even turning his tides of bad luck into a tidy metaphor for Majors’s unsuccessful foray into features on the heels of “The Six Million Dollar Man”.

Untraceable (2008) – Blu-ray Disc

July 30, 20082000s, Authors: Bryant Frazer, Blu-ray Disc, Crime, Mystery, Thriller

*/**** Image A Sound A- Extras B
starring Diane Lane, Billy Burke, Colin Hanks, Joseph Cross
screenplay by Robert Fyvolent & Mark R. Brinker and Allison Burnett
directed by Gregory Hoblit

by Bryant Frazer Diane Lane is one of the few actresses in Hollywood who, in her 40s, manages to stay bankable while looking and acting her age. That she's beautiful doesn't hurt, but she brings a dignity and knowingness to a role that can pull the whole enterprise up a notch. So it's a little depressing to see Lane wasting her time legitimizing hackwork like Untraceable, directed with stone competence and not much else by Gregory Hoblit. The problem here isn't so much Hoblit's workmanlike style (after all, he directed Anthony Hopkins in a highly entertaining performance in last year's Fracture) as it is his apparent failure to question the cloddish sermonizing of a script that wallows in clichés lifted from The Silence of the Lambs, Se7en, and the Saw movies without seeming to realize the ridiculous hypocrisy in which it engages.

Vantage Point (2008) – Blu-ray Disc

July 23, 20082000s, Action, Authors: Bryant Frazer, Blu-ray Disc, Crime, Mystery, Thriller

*/**** Image A Sound A Extras C+
starring Dennis Quaid, Matthew Fox, Forest Whitaker, William Hurt
screenplay by Barry L. Levy
directed by Pete Travis

by Bryant Frazer If Vantage Point is an experiment, it can be pretty much considered a failure. The unconventional strategy here is to construct a narrative feature by taking multiple passes at the same 20 minutes or so in a very bad day for Secret Service agent Thomas Barnes (Dennis Quaid). Barnes took a bullet for the President of the United States a year ago and has been scheduled to return to duty by working the security detail for the PotUS's speech at an anti-terrorist summit in Salamanca, Spain. And before he can speak, President Ashton (William Hurt) is nailed by an assassin's bullet–or is he?