Bored to Death: The Complete First Season (2010) – Blu-ray Disc

November 22, 2010Posted in2000s, 2010, Authors: Jefferson Robbins, Blu-ray Disc, Comedy, Crime, Drama, Mystery, Television, Thriller

Image B Sound B Extras C+
"Stockholm Syndrome," "The Alanon Case," "The Case of the Missing Screenplay," "The Case of the Stolen Skateboard," The Case of the Lonely White Dove," "The Case of the Beautiful Blackmailer," "The Case of the Stolen Sperm," "Take a Dive"

by Jefferson Robbins With its accomplished but psychologically malformed boy-men, the first season of novelist-screenwriter Jonathan Ames's "Bored To Death" feels like a Judd Apatow joint transplanted to Tom Wolfe's outer boroughs. Its characters all want to be Masters of their particular Universes, but they're either hamstrung by their own neuroses or carting them along like luggage in spite of success. We know we're watching an HBO comedy, though it's often hard to discern where the comedy is supposed to be located. In Woody Allen nebbishism? In misdirection and error? In slapstick? In satirizing the hip, self-satisfied artistes of millennial New York's most fashionable burg? Barring a few episodes that succeed on the other points, the latter feels most likely.

Red Riding (2009) [Special Edition] – Blu-ray Disc

November 15, 2010Posted in2000s, 2010, Authors: Bryant Frazer, Blu-ray Disc, Crime, Drama, Mystery, Thriller, UK

RED RIDING
**½/**** Image B+ Sound B Extras C

THE YEAR OF OUR LORD 1974
**½/****
starring Andrew Garfield, Sean Bean, Warren Clarke, Rebecca Hall
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Seventy-Four David Peace
directed by Julian Jarrold

THE YEAR OF OUR LORD 1980
***/****
starring Paddy Considine, Jim Carter, Warren Clarke, Sean Harris
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty David Peace
directed by James Marsh

THE YEAR OF OUR LORD 1983
**/****
starring Mark Addy, David Morrissey, Jim Carter, Warren Clarke
screenplay by Tony Grisoni, based on the novel Red Riding: Nineteen Eighty-Three David Peace
directed by Anand Tucker

by Bryant Frazer Red Riding, adapted by screenwriter Tony Grisoni into three movies from four novels by David Peace, is an awfully downbeat thing that's difficult to classify. It's not really a mystery, because the central crimes are barely the point (at least in the first two films), and the question isn't whodunit, but who among all those involved is not yet corrupt. It's not a police procedural, because the only effective police work we see is of the thuggish, back-room variety. In its specificity of time and place–nine years in Yorkshire, a county in northern England–it recalls James Ellroy's novels about Los Angeles cops in the 1940s and '50s. But Ellroy's stories were bracing because their point of view came from inside a department dominated by bigotry and machismo and tormented by its own failings. Each of the Red Riding stories comes at the situation mostly from an outsider's perspective, elevating a principled crusader to the high ground, then having the corrupt institution take potshots at him, decimating his footing.

The Prowler (1981) – Blu-ray Disc

November 11, 2010Posted in1980s, 2010, Authors: Jefferson Robbins, Blu-ray Disc, Blue Underground, Horror, Mystery, Thriller

**½/**** Image B Sound B- Extras C-
starring Farley Granger, Vicky Dawson, Christopher Goutman, Cindy Weintraub
screenplay by Glenn Leopold and Neal E. Barbera
directed by Joseph Zito

by Jefferson Robbins Was it that the flicks got less suspenseful, or that I got savvier? Joseph Zito's The Prowler boasts an intimidating slasher (although "stabber" or "puncturer" is more apt, since he tends to pitchfork and bayonet his victims to death), a complement of gore F/X from the estimable Tom Savini, a compelling backstory that touches on the legacy of war, and a Final Girl (Vicky Dawson) who's fleet, smart, next-door pretty, and resourceful. Its closest equivalent is probably Friday the 13th Part 2, released just six months prior, which likewise coped with horror passed down through the generations. What it lacks, though, is tension and surprise–at least in retrospect. There are no real shocks to be had, beyond the graphic nature of the killings and the choice to open a scare flick with stock '40s newsreel footage.

Disney’s A Christmas Carol (2009) [Blu-ray + DVD] + The Fourth Kind (2009)

November 9, 2010Posted in2000s, 2010, Animation, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Christmas, Directors: Robert Zemeckis, DVD, Family, Horror, Mystery, Sci-Fi, Theatrical, Thriller, UK, ZERO STARS

DISNEY'S A CHRISTMAS CAROL
**½/**** Image A- Sound A Extras B
screenplay by Robert Zemeckis, based on the novel by Charles Dickens
directed by Robert Zemeckis

THE FOURTH KIND
ZERO STARS/****
starring Milla Jovovich, Will Patton, Corey Johnson, Elias Koteas
written and directed by Olatunde Osunsanmi

by Ian Pugh If Robert Zemeckis hasn't quite left the Uncanny Valley behind, at the very least, the heart missing from his latest effort–what seems like the trillionth retelling of Charles Dickens's A Christmas Carol, and the billionth animated one–correlates directly to its absence of personality, rather than to an absence of humanity. A backhanded compliment, to be sure, but the character designs finally resemble something closer to artistic interpretation than to a failed attempt at replicating human beings exactly as they are, with Marley (Gary Oldman) and Scrooge (Jim Carrey), for example, rendered almost expressionistically to evoke rotten apples and hunched skeletons. From that standpoint, the actors' sudden bursts of acrobatic grace, no longer so incongruous, capture some of computer-animated cinema's wonder, the kind at which Zemeckis has grasped since The Polar Express–a true example of bringing the impossible to life. The only problem is that Zemeckis's own script isn't worth more than a shrug, and the film relies too much on its visuals to carry the extra weight.

The Player (1992) – Blu-ray Disc

November 8, 2010Posted in1990s, 2010, Authors: Alex Jackson, Authors: Bill Chambers, Blu-ray Disc, Comedy, Crime, Directors: Robert Altman, Drama, Mystery, Romance, Thriller

***/**** Image B+ Sound B+ Extras B
starring Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg
screenplay by Michael Tolkin, based on his novel
directed by Robert Altman

by Alex Jackson SPOILER WARNING IN EFFECT. In the opening scene of Robert Altman's The Player–an uninterrupted tracking shot lasting 7 minutes and 45 seconds–chief of studio security Walter Stuckel (Fred Ward) discusses long tracking shots with mailboy Jimmy (Paul Hewitt). Stuckel talks at length about Rope and Touch of Evil and says directors back then knew how to shoot a film. Jimmy mentions Bernardo Bertolucci's then-recent The Sheltering Sky and Julien Temple's Absolute Beginners as having terrific long shots, but Stuckel shrugs and mumbles that he hasn't seen them. It appears that Altman and screenwriter Michael Tolkin (adapting his novel of the same name) are illustrating a point about the insularity of the studio system and how the studios have no reference point outside their own past. Today, a complaint like that seems positively churlish. I honestly would not expect any of the newer executives to know or appreciate Rope or Touch of Evil, much less any current chiefs of security! In my view, anybody familiar with American cinema to that extent is already distinguished from your typical capitalist.

A Scanner Darkly (2006) – Blu-ray Disc

October 3, 2010Posted in****/****, 2000s, 2010, Animation, Authors: Walter Chaw, Blu-ray Disc, Crime, Directors: Richard Linklater, Drama, FFC Must-Own, Mystery, Sci-Fi, Thriller

****/**** Image A+ Sound A- Extras C
starring Keanu Reeves, Robert Downey Jr., Woody Harrelson, Winona Ryder
screenplay by Richard Linklater, based on the novel by Philip K. Dick
directed by Richard Linklater

Mustownby Walter Chaw Our reality has almost outstripped Philip K. Dick's paranoid fantasies, and Richard Linklater's grim A Scanner Darkly is the slipperiest take yet on the war between perception vs. reality in a year that knows United 93. Keanu Reeves, so often woefully miscast, is wonderfully imagined here as a guy in a "scramble suit": his appearance constantly shifting in a kaleidoscope of mismatched parts–the uniform of future-narcs (seven years from now, announce the opening titles) sent undercover to ferret out the dopers and dealers of Substance D. It's a hallucinogen that eventually causes a rift in the individual consciousness (the left hemisphere atrophies and the right tries to compensate) and Reeves' Agent Fred is sent to find out where dealer Donna (Winona Ryder) is getting her shit. But the scramble suits seem mainly used to keep the vice squad's identities from one another instead of their quarry, meaning that Fred goes underground as himself, Robert Arctor, in full grunge, inhabiting his once-cozy suburban nook with tweaked conspiracy theorists Ernie (Woody Harrelson) and Barris (Robert Downey Jr.). Meaning, too, that Fred is asked to spy on Arctor, and that Barris, in a pair of hilarious scenes, informs on Arctor to Arctor. It's not the labyrinthine audacity of Dick's delusions that so enthrals, but rather the mendacity of them. What's complicated about A Scanner Darkly isn't the compression of identity or the various plots to which its characters imagine themselves hero and victim, but the idea that reality conforms itself to belief–that because life has stopped making sense to you, life has stopped making sense, period.

Let Me In (2010)

October 1, 2010Posted in2000s, 2010, Authors: Walter Chaw, Drama, Horror, Mystery, Theatrical, Thriller, UK, Vampire

**/****
starring Kodi Smit-McPhee, Chloë Grace Moretz, Richard Jenkins, Elias Koteas
screenplay by Matt Reeves, based on the novel Låt den rätte komma in by John Ajvide Lindqvist
directed by Matt Reeves

Letmeinby Walter Chaw SPOILER WARNING IN EFFECT. Matt Reeves’s redux of Swede Tomas Alfredson’s lovely, understated, doom-laden Let the Right One In finds magnification in the wrong places while betraying what seems to be its better nature in order to present something more “palatable” to a popular audience. Wrong to call it a “dumbing down”–better to say that elements left unspoken or at arm’s length in the original film are presented in Let Me In in as confrontational, uncontroversial a way as possible. More’s the pity, as the movie begins with Ronald Reagan quoting Alexis de Tocqueville in his “Evil Empire” speech (delivered to the National Association of Evangelicals on March 8, 1983) on a television in a snowed-in New Mexico E.R.: “Not until I went into the churches of America and heard her pulpits aflame with righteousness did I understand the greatness and the genius of America… America is good. And if America ever ceases to be good, America will cease to be great.” It’s a thread of Christian fervour that weaves through much of the first twenty minutes of the picture, through the introduction of our hero, Owen (a tremendous Kodi Smit-McPhee), suffering an extended Grace delivered by a faceless mother (Cara Buono) and, later, an admonition by an also-faceless father over the telephone that Owen’s mother is unbalanced and should stow her Christian shit a bit more tightly. The lack of the father as a physical presence in the film becomes a poignant elision in this respect: in a film about good and evil, the divorce between Father and Son, as it were, is a pithy one.

TIFF 2010: Wrap It Up

September 27, 2010Posted in2010, 2011, Action, Authors: Bill Chambers, Blog, Canada, Comedy, Crime, Documentary, Drama, Film Festivals, France, Horror, Music, Mystery, South Korea, Superhero, Thriller, TIFF, TIFF 10, Time Travel

by Bill Chambers

  • The films are fading fast in the rearview for me (no reflection on them, necessarily), but before they become too vestigial I want to at least highlight the rest of what I saw at this year’s TIFF, starting with a movie called White Irish Drinkers (*/****). How I wound up catching this flick is fairly embarrassing: the director is “John Gray,” which I misread in my bleary, end-of-festival state as “James Gray.” I was severely late for the flick, so I don’t want to pummel it (or even officially rate it), but keen auteurist that I am, I figured out my mistake pretty quickly: James Gray just wouldn’t have a naked girl (the maddeningly familiar Leslie Murphy) run around a cemetery with “free spirit” music cued up on the soundtrack–he’s not a de facto film student anymore. Though it turns out that John Gray has an extensive TV-movie resume, having done everything from The Marla Hanson Story to the remake of Brian’s Song, this feels very much the work of a novice, not a little for its pretensions to be the next Mean Streets. Because Stephen Lang salvaged Public Enemies virtually single-handedly, I was hopeful when he turned up here, but his character may be even more one-note than the one he played in Avatar. As his put-upon wife, Karen Allen has seemingly recovered from the stupefying euphoria of getting to resurrect her iconic Marion in Kingdom of the Crystal Skull. Strangely, I missed said goofy grin, yet she makes the most of a thankless role that indirectly references her previous brush with this genre, Philip Kaufman’s The Wanderers. The rest of the cast is made up of baby-faced thugs who have to be given black eyes at regular intervals in order to pass for tough. On a related note, I never could shake the feeling that this is exactly the sort of project Vinnie Chase would be hot for on “Entourage”.

Dexter: The Fourth Season (2009) – Blu-ray Disc

August 24, 2010Posted in2000s, 2010, Authors: Bill Chambers, Blu-ray Disc, Crime, Drama, Mystery, Television, Thriller

Image A Sound A Extras D+
"Living the Dream," "Remains to be Seen," "Blinded by the Light," "Dex Takes a Holiday," "Dirty Harry," "If I Had a Hammer," "Slack Tide," "Road Kill," "Hungry Man," "Lost Boys," "Hello, Dexter Morgan," "The Getaway"

by Bill Chambers SPOILER WARNING IN EFFECT. Previously on "Dexter": Jimmy Smits set the Latin-American image back 100 years; Dexter married his stepsister* (*may have only happened offscreen); and the show ran out of flashbacks, forcing James Remar into the present-day narrative as the ghost of Hamlet's father. And now, the continuing misadventures of America's cuddliest serial killer.

Get Low (2010)

July 30, 2010Posted in2000s, 2010, Authors: Walter Chaw, Drama, Germany, Mystery, Poland, Theatrical

**/****
starring Robert Duvall, Bill Murray, Sissy Spacek, Lucas Black
screenplay by Chris Provenzano and C. Gaby Mitchell
directed by Aaron Schneider

Getlowby Walter Chaw Affable, warm, kinda boring, and decidedly minor, Aaron Schneider's Get Low doesn't really do anything wrong so much as it presents as an edgeless, inconsequential, protracted encounter with someone you feel you should be interested in but mostly want to politely usher out the door. It's a conversation killer: a movie about a performance, a particular kind of calling card bespeaking comfort with name actors who might be capable of delivering an awards-season prestige picture for a splinter company interested in a medium-return on a small investment. That's it. At the least, for what it's worth, Get Low operates with a great deal of compassion for its small-town denizens, resisting the easy shot at their provinciality in favour of something more along the lines of a Sling Blade. On that note, this South is neither as ugly nor as impoverished as Billy Bob's.

Insomnia (2002) – [Widescreen Edition] DVD + Blu-ray Disc

July 27, 2010Posted in2000s, 2010, Al Pacino, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Directors: Christopher Nolan, Drama, DVD, Mystery, Thriller

**/****
DVD – Image A Sound A Extras B
BD – Image A+ Sound A Extras B
starring Al Pacino, Robin Williams, Hilary Swank, Maura Tierney
screenplay by Hillary Seitz, based on the screenplay by Nikolaj Frobenius and Erik Skjoldbjærg
directed by Christopher Nolan

by Walter Chaw Director Christopher Nolan follows up his justifiably hailed indie masterpiece Memento with Insomnia, a mainstream Hollywood remake of Erik Skjoldbjærg's tremendous 1997 Norwegian film of the same name. Like the ill-fated American version of the French/Dutch Spoorloos (a.k.a. The Vanishing), what emerges from this studio remake is a frightened, sometimes patronizing, and ultimately ineffectual thriller that transforms all the controversy and introspection of the original into something rote and predictable. A close comparison between Skjoldbjærg and Nolan's visions for the material brings to light the defective machinery of big-budget motion pictures in Hollywood. The sad irony of such a discussion is that Nolan's Memento was so remarkable because it represented nearly everything that Insomnia is not.

Salt (2010)

July 22, 2010Posted in2000s, 2010, Action, Authors: Ian Pugh, Mystery, Theatrical, Thriller

**/****
starring Angelina Jolie, Liev Schreiber, Chiwetel Ejiofor, Daniel Olbrychski
screenplay by Kurt Wimmer
directed by Phillip Noyce

Saltby Ian Pugh SPOILER WARNING IN EFFECT. The question that drives the marketing campaign for Phillip Noyce’s Salt–namely, “Who is Salt?”–is ultimately the very least of the picture’s mysteries, so there’s no point in trying to keep a lid on it. Evelyn Salt (Angelina Jolie) is an assassin born and bred in the former Soviet Union, planted in the CIA as a sleeper agent until she’s activated and sent to kill the current President of Russia. Nothing too earth-shattering, right? That juicy tidbit pales in comparison to the movie’s other poorly-kept secret: Salt is, figuratively and more or less literally, the misbegotten offspring of From Russia With Love. Her father, as seen in flashback, bears a strong resemblance to Robert Shaw’s Red Grant; her boss (Daniel Olbrychski) carries a knife concealed in the sole of his shoe; and, get this, ex-Soviet radicals hoping to instigate a war with the West are masterminding the whole plot! Patched together from vintage materials, the entire movie is an attempt to merge the popular fears of the 20th century with the hyperactive action-flick sensibilities of the 21st. Caught in an uncomfortable wedge between Bourne and Bond, Salt ends up as a slightly-higher-octane version of Knight and Day. An awful lot of stuff appears to be happening in the film, what with Salt repeatedly, breathlessly chased through various metropolitan areas by her CIA cronies Peabody (Chiwetel Ejiofor) and Winter (Liev Schreiber)…but good luck trying to care.

The Manchurian Candidate (1962) [Special Edition] + Deathdream (1972) – DVDs + Uncle Sam (1997) – DVD|Blu-ray Disc

July 7, 2010Posted in****/****, 1960s, 1970s, 1990s, 2010, Authors: Bill Chambers, Blu-ray Disc, Blue Underground, Canada, Comedy, Directors: John Frankenheimer, Drama, DVD, Espionage, FFC Must-Own, Horror, Mystery, Romance, Satire, Sci-Fi, Thriller, UK, Zombie

THE MANCHURIAN CANDIDATE
****/**** Image A+ Sound A Extras B+
starring Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury
screenplay by George Axelrod, based on the novel by Richard Condon
directed by John Frankenheimer

Dead of Night
***½/**** Image A- Sound B Extras A-
starring John Marley, Lynn Carlin, Richard Backus, Henderson Forsythe
screenplay by Alan Ormsby
directed by Bob Clark

UNCLE SAM
**½/****
DVD – Image B+ Sound B Extras A-
BD – Image B Sound A Extras A-
starring Isaac Hayes, Bo Hopkins, Timothy Bottoms, Robert Forster
screenplay by Larry Cohen
directed by William Lustig

Mustown

THE MANCHURIAN CANDIDATE

by Bill Chambers SPOILER WARNING IN EFFECT. As the zeitgeist is one of those things we tend to discuss in the past tense, you have to wonder whether it's a vacuum or a barometer. In other words, the point at which culturemongers finally lunge at a craze is usually once it's begun shrieking its death rattle, and yet a post-mortem of said craze invariably divulges a complex tapestry of art and politics, the ascription of happenstance to which seems preposterous. Our own Walter Chaw brilliantly observes in recent omnibus reviews pairing Love Me If You Dare with Valentin and Dodgeball with Napoleon Dynamite that leitmotifs are emerging at the box office free of predetermination, and I myself got a faint chill when I became cognizant of having consecutively watched the upcoming DVDs of John Frankenheimer's 1962 The Manchurian Candidate, Bob Clark's 1972 Dead of Night (a.k.a. Deathdream), and William Lustig's 1997 Uncle Sam. The Manchurian Candidate is getting reissued because MGM wants to piggyback the P&A for this summer's star-studded remake, Dead of Night because it's a perennial cult fave, and Uncle Sam because Lustig owns the company; three separate objectives, then, for putting out three different pictures all concerning shell-shocked war veterans bringing the violence home with them. Considering the length of time it must have taken to prepare these beautifully mastered, supplement-rich discs, that they coincide with not only each other but also the cooling of patriotic fervour (coupled with the spontaneous theatrical release of Michael Moore's anti-Dubya Fahrenheit 9/11) is like getting the rare privilege to see the forest for the trees.

Shutter Island (2010) – Blu-ray Disc

June 1, 2010Posted in2000s, 2010, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Directors: Martin Scorsese, Drama, Mystery, Thriller

**/**** Image A Sound B Extras B-
starring Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Max Von Sydow
screenplay by Laeta Kalogridis, based on the novel by Dennis Lehane
directed by Martin Scorsese

by Walter Chaw The first thirty minutes of Martin Scorsese’s Shutter Island left me breathless with delight. The rack-focus through mess-hall implements; swaying along a ceiling as we peer beyond the door to the head, where our hero, U.S. Marshal Teddy Daniels (Leonardo DiCaprio), is losing his lunch; the way a ferry blows through a fog bank like Travis Bickle’s cab through the steam escaping a New York sewer cap. When it snows, it snows up like in the dream sequences from Bringing Out the Dead (there’s even a moment when the smoke from Teddy’s cigarette retreats into the butt)–and when a shadowy figure named Laeddis (Elias Koteas) finally materializes in the midst of Teddy’s fugue, he bears a striking resemblance to Travis Bickle. (It’s not until later that we understand the full extent of this self-reference.) Shutter Island is among the director’s handsomest films, and moments of it suggest there’s a masterpiece here–as a WWII Holocaust drama, or a ghost story, or a period Red Menace piece, or a 1960s Manchurian Candidate manqué, or a 1940s Freud clinic, or a G-Man noir, or a straight procedural, or a modernist existential piece–if he wants it. But it’s less than the sum of its tantalizing parts, providing instead a hackneyed climax that proves just another votive lit in Dennis Lehane’s church of dead children.

The House of the Devil (2009) – Blu-ray Disc

May 18, 2010Posted in2000s, 2010, Authors: Walter Chaw, Blu-ray Disc, Horror, Mystery

***½/**** Image B Sound B Extras B
starring Jocelin Donahue, Tom Noonan, Mary Woronov, Dee Wallace
written and directed by Ti West

by Walter Chaw Her hair's a little longer, but she's a dead ringer for Karen Allen from Starman (with a touch of Brooke Adams from Invasion of the Body Snatchers thrown in), this girl dancing to The Fixx's classic "One Thing Leads to Another," Walkman clapped to her ears, in a creepy house in the middle of nowhere. Samantha (Jocelin Donahue, a real find) is there because she answered one of those tear-away babysitting ads posted outside her dorm, and who cares if it's not really a kid the guy, Mr. Ulman (Tom Noonan), wants her to look after but instead a demented old mother-in-law socked away in the attic*–he's giving her four hundred bucks so he and his wife (Mary Woronov) can enjoy the lunar eclipse. I know what you're thinking, but Ti West's gorgeous ode to '80s exploitation shockers comes off as more than mere pomo exercise or homage; The House of the Devil is a lovingly crafted little gem that owes as much to Roman Polanski's paranoia trilogy and Bob Clark's Black Christmas. (Come to think of it, Donahue also bears a resemblance to Margot Kidder around the time of the latter and DePalma's Sisters.) Smarter than hell about its sources, it employs all of them to a full seventy minutes of unbearable tension capped by twenty minutes of payoff. It's the same ratio of foreplay-to-climax as Rosemary's Baby, and lo, The House of the Devil would play wonderfully on a double-bill with the same.

Lost: The Complete Fourth Season (2008) – Blu-ray Disc

May 17, 2010Posted in2000s, 2010, Adventure, Authors: Walter Chaw, Blu-ray Disc, Drama, Fantasy, Mystery, Sci-Fi, Television, Thriller

Image A- Sound A+ Extras B
"The Beginning of the End," "Confirmed Dead," "The Economist," "Eggtown," "The Constant," "The Other Woman," "Ji Yeon," "Meet Kevin Johnson," "The Shape of Things to Come," "Something Nice Back Home," "Cabin Fever," "There's No Place Like Home: Part 1," "There's No Place Like Home: Part 2"

by Walter Chaw Four years into its run, "Lost" appears to have hit something of a stride–at least it does until it falls completely off the rails, maybe for good. Blame the most recent Writer's Strike, which happened in the middle of this truncated season, or better yet, blame the fact that the series can't seem to leave well enough alone. It has a chance to be transcendent, see, and resigns itself to being ordinary. The best episode of the run so far happens early in the season with episode 4.5, "The Constant." A clear homage to Kurt Vonnegut's Slaughterhouse-Five, it replaces Billy Pilgrim with our Desmond (Henry Ian Cusick), who becomes "unstuck" in time and struggles during the course of things to find a "constant" with which to anchor his consciousness in one fixed timeline. Ingeniously executed and manufacturing the first real suspense "Lost" has managed since possibly the first episode of the first season (or since the first hatch was opened), "The Constant" suggests that there are separate Oceanic Flight 815s, that reality is slippery, and that there might be a struggle somewhere, between some things, for control over a dominant reality. "The Constant" marks the moment I became a "Lost" fan. And then, in the very next episode, "The Other Woman," everything goes to shit: "Lost" scrambles to demystify all these philosophies in favour of a vast conspiracy masterminded by an evil billionaire who, apparently, has filled a fake plane with exhumed corpses and planted it in the ocean so as to prevent his daughter Penelope–named for Odysseus's wife, right?–from reuniting with a boy of whom he doesn't approve. The problem is mainly that after three-and-a-half years of this garbage, anything the creators could come up with in terms of an Answer would not be equal to the investment the show's loyal viewers have already made in it.

Edge of Darkness (2010) + When in Rome (2010)|Edge of Darkness – Blu-ray Disc

May 9, 2010Posted in2000s, 2010, Action, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Comedy, Crime, Drama, Mystery, Romance, Theatrical, Thriller, UK

EDGE OF DARKNESS
***½/**** Image B+ Sound B+ Extras C+
starring Mel Gibson, Ray Winstone, Danny Huston, Bojana Novakovic
screenplay by William Monahan and Andrew Bovell, based on the television series by Troy Kennedy Martin
directed by Martin Campbell

WHEN IN ROME
*/****
starring Kristen Bell, Josh Duhamel, Will Arnett, Anjelica Huston
screenplay by David Diamond & David Weissman
directed by Mark Steven Johnson

by Ian Pugh Allegedly a radical departure from the BBC miniseries upon which it's based, Martin Campbell's Edge of Darkness works because there's nothing typical about it. Boston PD detective Tom Craven (Mel Gibson) naturally blames himself when his daughter Emma (Bojana Novakovic) is gunned down by a masked man with a shotgun, but his private inquiry into the matter reveals that Emma herself was the more likely target: it had something to do with her job at a nuclear R&D lab run by sadistic creepshow Jack Bennett (an almost-ridiculously slimy Danny Huston). The trick to Tom's subsequent trip down the rabbit hole is that he never stops blaming himself, even once his quest is validated by the trail of bodies left by both him and the mysterious conspirators pulling the strings. This is Gibson's first starring role in eight years following a lengthy trek through Crazytown, and he might be the only actor who could have pulled it off so flawlessly–simply because there's always been something slightly terrified about his specific brand of martyrdom, something that points to it all being painfully unnecessary.

The Losers (2010) + The Back-up Plan (2010)

April 22, 2010Posted in2000s, 2010, Action, Adventure, Authors: Ian Pugh, Comedy, Crime, Drama, France, Mystery, Romance, Theatrical, Thriller

THE LOSERS
*½/****
starring Jeffrey Dean Morgan, Zoë Saldana, Chris Evans, Jason Patric
screenplay by Peter Berg and James Vanderbilt, based on the comic book series by Andy Diggle and Jock
directed by Sylvain White

THE BACK-UP PLAN
½*/****
starring Jennifer Lopez, Alex O’Loughlin, Eric Christian Olsen, Linda Lavin
screenplay by Kate Angelo
directed by Alan Poul

by Ian Pugh We’ve got a long summer ahead of us, full of remakes and spoofs straight out of the ’80s, and The Losers celebrates its imminent arrival by taking a dump on the action flicks of the era. Blinkered hostility is as much a mood-killer as uncritical nostalgia, and The Losers never misses an opportunity to remind you that its characters have one-note personalities defined by terse nicknames. The film begins, as it must, in the Bolivian jungle, where the titular team of U.S. soldiers (led by Jeffrey Dean Morgan) is forced to go underground after an errant missile–intended for them–kills twenty-five Bolivian children they’d just saved from an evil drug lord. At first glance, that opening raid points to a toned-down Predator reference, but it’s really just a paint-by-numbers scenario meant to demonstrate how pretty much everything from that decade is stilted, corny, and hopelessly dated. So it goes for the rest of the film–how else to explain a brief chase sequence set to “Don’t Stop Believin'”? It’s not merely junk; it’s self-conscious, wilfully misinterpretive junk.

Minority Report (2002) – Blu-ray Disc

April 19, 2010Posted in2000s, 2010, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Crime, Mystery, Sci-Fi, Spielberg, Thriller, Tom Cruise

**/**** Image A+ Sound A+ Extras B+
starring Tom Cruise, Colin Farrell, Samantha Morton, Max Von Sydow
screenplay by Scott Frank and Jon Cohen, based on the short story by Philip K. Dick
directed by Steven Spielberg

by Walter Chaw SPOILER WARNING IN EFFECT. Despite a remarkable first hour, Steven Spielberg's Minority Report washes out as an overlong retread of tired thriller/mystery elements capped by the director's trademark propensity for moralizing epilogues. It suffers from mainstream cinema's squeamishness in regards to true ambiguity of character and character motivation, and for all its claims to a faithful reproduction of Philip K. Dick's dark dystopian future, the picture is ultimately about Spielberg's itch for restoration of order rather than Dick's entropic dissolution of it. Distracting and unforgivable plot holes yaw beneath the narrative, making it clear that Minority Report is just another failed attempt by Spielberg to tell an adult tale. Here is an attractively packaged summer bonbon with an essentially hollow, nutritionally empty centre.

Night Moves (1975) – DVD

April 14, 2010Posted in****/****, 1970s, Authors: Walter Chaw, Crime, DVD, Mystery, Thriller

****/**** Image B Sound B Extras D
starring Gene Hackman, Jennifer Warren, Edward Binns, Susan Clark
screenplay by Alan Sharp
directed by Arthur Penn

Nightmovescapby Walter Chaw On the strength of his scripts for The Hired Hand, Ulzana’s Raid, and Night Moves, Scottish novelist Alan Sharp seems well at home with the better-known, more highly-regarded writers and directors of the New American Cinema. Sharp’s screenplays are marked by a narrative complexity and situations gravid with implication and doom.1 Take the moment in the Arthur Penn-helmed Night Moves where broken-down P.I. Harry Moseby (Gene Hackman, reuniting with Penn for the first time since Bonnie and Clyde), after discovering a body in a sunken wreck off the coast of Florida, watches as his two sleazeball hosts (John Crawford and Jennifer Warren)–who’ve previously exchanged an odd nod and a knowing glance in which something is silently decided about how to handle this new, inquisitive element dropped in their midst–break into a broken tango to a tune on the radio. Harry salutes them in a way that suggests he understands what the hell is going on and shuffles off to bed. It’s one of the most harrowing moments in a harrowing decade of film, and nothing much happens in it except for the look Hackman gives as a damned soul caught on the horns of an unknowable mystery. The seduction scene that immediately ensues reminds in cadence and pace of the dream sequence from Hackman’s earlier The Conversation: “Where were you when Kennedy died?” “Which Kennedy?” “I dunno, any Kennedy.” Hackman is anchored to this period because he so ably portrays the everyman who desires enlightenment against the pervasive belief that there’s no longer hope for anything like enlightenment in this post-Vietnam/post-Watergate dystopia–that the solution to everything that’s wrong in this world is, “Forget it, Jake. It’s Chinatown.” The slow, looping circles the boat “Point of View” describes at the end of the picture constitute perhaps the most trenchant metaphor for all of the New American Cinema.