TIFF ’12: Antiviral

Posted in2012, Authors: Bill Chambers, Canada, Film Festivals, France, Horror, Mystery, Satire, Sci-Fi, Thriller, TIFF

*½/****
written and directed by Brandon Cronenberg

by Bill Chambers Featuring more close-ups of needles piercing flesh than a booster-shot training video, Antiviral, the debut feature by Cronenberg offspring Brandon, takes place in a world evolutions ahead of TMZ, where fans pay to have themselves infected with viruses extracted from their celebrity crushes. (“Biological communion,” the film calls this process–a phrase that links father and son filmmakers as efficiently as a paternity test.) The slightly repulsive Caleb Landry Jones is Syd March, a rogue technician for The Lucas Clinic who breaks protocol by contaminating himself with the disease that is rapidly, unexpectedly killing superstar Hannah Geist (Sarah Gadon), making him a target of Hannah’s family–who figure he’ll be useful in their search for a cure–and fans, who want to watch him expire as a proxy for their beloved Hannah. Yes, it’s pretty silly.

Jaws (1975) – Blu-ray + DVD + Digital Copy

Posted in****/****, 1970s, 2012, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, FFC Must-Own, Horror, Spielberg

****/**** Image A Sound A- Extras A+
starring Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary
screenplay by Peter Benchley and Carl Gottlieb, based on the novel by Benchley
directed by Steven Spielberg

by Walter Chaw What’s not mentioned in very many conversations about Jaws is the pleasure it takes in work. That it’s one of the most influential films of all time–a picture commonly identified as the one responsible for the studio summer-blockbuster mentality–is a given by now. The miracle of it, though, is that it gets better every time you see it. I have the movie memorized at this point; I can recite it like a favourite song. I still jump when Ben Gardner appears in the hole in the hull of his boat, and I still laugh when Hooper helps himself to Brody’s uneaten dinner. More than a fright flick, Jaws is a beautifully rendered character piece, establishing Spielberg as–a little like Stephen King, oddly enough–a master of the easy moment. (They’re artists I’ve conflated in my head for their popularity with and influence on a generation of people my age.) It’s a little nasty, too, Jaws is, in throwaway moments like the one on the beach where, after a giant fin appears in the water, Spielberg cuts to a group of old men picking up their binoculars. They’re there to looky-loo; they’re expecting carnage. It’s not a Hitchcockian moment of audience critique (though it functions that way), but a brilliant character beat expressed with Spielberg’s savant-like visual genius. But above all, Jaws is about function and work–not unlike Star Wars, the final nail in the New American Cinema, will be two years later.

The Island of Dr. Moreau (1996) [Unrated Director’s Cut] – Blu-ray Disc

Posted in1990s, 2012, Adventure, Authors: Walter Chaw, Blu-ray Disc, Directors: John Frankenheimer, Horror, Satire, Sci-Fi, Thriller

Islandofdrmoreaucap1

**½/**** Image B Sound B+ Extras F
starring Marlon Brando, Val Kilmer, David Thewlis, Fairuza Balk
screenplay by Richard Stanley and Ron Hutchinson
directed by John Frankenheimer

by Walter Chaw This is a tough one. As an avowed if guarded fan of director John Frankenheimer, his involvement with The Island of Dr. Moreau is something like a gobsmacker. Sure, he’d ventured into genre before with the ridiculous Prophecy, while, arguably, his two best films–The Manchurian Candidate and Seconds, his masterpiece–are genre pieces, too. But I think at the time, bringing in Frankenheimer three days into a troubled shoot to replace that assclown Richard Stanley was more an act of expediency than of ingenuity. If New Line thought they were getting a closer, they were right; if they thought they were getting someone who could corral the downward-spiralling Val Kilmer, they were less right (“Will Rogers never met Val Kilmer,” Frankenheimer famously said). What they probably weren’t expecting was that Frankenheimer would turn in something that, though critically-savaged at the time, had some legs. No, The Island of Dr. Moreau isn’t a whole, falling apart as it does in the last half-hour or so, but it is the sort of movie that hints at larger issues and boasts enough indelible moments to deserve another look. Truth is, only movies this odd and discomfiting earn this amount of misdirected ire. It’s not to say there’s not a lot wrong with the film, but rather to suggest that the chief criticisms of it being strange and “a mess” aren’t among them.

Dexter: The Sixth Season (2011) – Blu-ray Disc

Posted in2011, 2012, Authors: Bill Chambers, Blu-ray Disc, Crime, Drama, Horror, Television, Thriller

Dexters6cap1

Image A Sound A+ Extras D+
“Those Kinds of Things,” “Once Upon a Time…,” “Smokey and the Bandit,” “A Horse of a Different Color,” “The Angel of Death,” “Just Let Go,” “Nebraska,” “Sin of Omission,” “Get Gellar,” “Ricochet Rabbit,” “Talk to the Hand,” “This Is the Way the World Ends”

by Bill Chambers LIGHT SPOILER WARNING IN EFFECT. My favourite episode of “The Incredible Hulk” is the two-hour premiere of the second season, “Married.” One of the unfortunately-few instalments written and directed by series creator Kenneth Johnson (a genuine pulp talent), it sees David Banner falling in love with the terminally-ill shrink (Mariette Hartley won an Emmy for the role) helping him contain the Hulk, a hypnotic process that involves David visualizing the Hulk trapped in a giant birdcage in the middle of a pristine desert–a tableau that clearly inspired the dream vistas at the outset of Tarsem’s The Cell. Kindred spirits, they eventually marry, but although unleashing the Hulk protects her from harm when external forces threaten her life, it can’t save her from the Grim Reaper. “Married” ends on an unusually hopeless note as a young boy who befriended the doctor informs David he’s going to devise a cure for her disease when he grows up and David more or less tells the boy he’s deluded. One of the most devastating pieces of genre television ever produced, it really could’ve been the series finale. Unfortunately, the show continued long enough to lapse into self-parody and longer still. Much like “Dexter”–though come to think of it, that happened about halfway through the pilot.

Priest (2011) [Unrated] – Blu-ray Disc

Priest (2011) [Unrated] – Blu-ray Disc

Posted in2011, 2012, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Fantasy, Horror, Sci-Fi, Thriller, Vampire

***/**** Image A Sound A Extras B
starring Paul Bettany, Karl Urban, Cam Gigandet, Christopher Plummer
screenplay by Cory Goodman, based on the graphic novel series by Min-Woo Hyung
directed by Scott Stewart

by Walter Chaw I’m completely unfamiliar with the Min-Woo Hyong graphic novels on which visual-effects guy Scott Stewart’s Priest is based, and the biggest surprise of the picture isn’t that the guy who did the abominable Legion managed to make something so watchable, but that Priest made me want to track down Hyong’s work. Before seeing this movie, I just sort of assumed that the comic was another weird west thing along the lines of Vertigo’s Preacher; after, I’m led to believe that it’s a canny little mélange of cyberpunk, weird west, and horror comics, with some solid Ghost in the Shell manga tossed into the mix. There’s not a minute of the film, mind, that’s without a clear antecedent–not one second that passes without a namecheck of not only stuff like Blade Runner (on the “Final Cut” of which Stewart served as an uncredited techie during his time at ILM) and, most obviously, Alien/Aliens, but also The Searchers as tortured, titular Priest (Paul Bettany) declares that if his vamp-abducted niece Lucy (Lily Collins) becomes infected, it would be his pleasure (?) to dispatch her.

The Rite (2011) – Blu-ray + DVD + Digital Copy

The Rite (2011) – Blu-ray + DVD + Digital Copy

Posted in2011, 2012, Authors: Walter Chaw, Blu-ray Disc, DVD, Horror, Hungary, Italy, Mystery, Thriller

**/**** Image A Sound A+ Extras D
starring Anthony Hopkins, Colin O’Donoghue, Alice Braga, Rutger Hauer
screenplay by Michael Petroni, suggested by the book by Matt Baglio
directed by Mikael Håfström

by Walter Chaw Though it’s not particularly surprising that The Rite isn’t scary or innovative, it is a bit of a surprise that The Rite doesn’t completely suck. It’s not good, but there’s some ambition in its tale of a tortured seminarian. Michael (Colin O’Donoghue) is dealing with his odd childhood at the knee of his dad, a widower and overzealous mortician (Rutger Hauer), as well as a crisis of faith handily addressed by the traumatic, traffic-related death of an innocent whom God, the picture suggests, throws in front of a truck to get Michael to reconsider leaving the priesthood. In the same stroke, God cripples Michael’s mentor, Father Matthew (Toby Jones), leading one to revisit Arthur C. Clarke’s “The Star” for a dose of non-Scriptural skepticism and rage if one were so inclined. No matter, as Michael, because of his lack of squeamishness, is packed off to the Vatican to attend a modern exorcism school. Which is also something of a surprise, I guess–that said exorcism school really exists and is alive and well, well into the 21st century. Although that surprise is ameliorated a little by the fact that Catholicism also still believes in a literal transubstantiation of the host. Small wonder that Catholicism is my favourite Christian sect.

Abraham Lincoln: Vampire Hunter (2012)

Posted in2012, Action, Authors: Walter Chaw, Fantasy, Horror, Russia, Superhero, Vampire, ZERO STARS

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ZERO STARS/****
starring Benjamin Walker, Dominic Cooper, Anthony Mackie, Mary Elizabeth Winstead
screenplay by Seth Grahame-Smith and Simon Kinberg, based on the novel by Seth Grahame-Smith
directed Timur Bekmambetov

by Walter Chaw That idiot Timur Bekmambetov continues his reign of terror with Abraham Lincoln: Vampire Hunter, an adaptation of a Seth Grahame-Smith novel co-written by Grahame-Smith himself that tries to walk the Pride and Prejudice and Zombies line between reverence and camp but only manages to be ugly and stupid. Abe’s (Benjamin Walker) superpower is honesty, natch–and a silver-coated axe. One night, as a child, after witnessing a vampire kill his mother but somehow not turn her into a vampire (vampires don’t fear the sunlight in this one, either, or at least fear it only as much as Edgar Winter does), Abe embarks on a vengeance-crusade aided by vampire hunter-trainer Henry (Dominic Cooper). Henry has a secret! It doesn’t matter. Nothing matters. Abraham Lincoln: Vampire Hunter inspires a sense of absolute despair and hopelessness in the viewer, as it’s not just bad, it’s misguided in every way a film can be misguided, from conception to execution. There’s a horse-stampede fight, a burning bridge and a train, grotesque misuse of slow-motion and CGI, and nary a naked Angelina Jolie anywhere to leaven the stew. I want to muster up some outrage at the portrayal of Confederate soldiers as bloodsucking legions of the damned, but that actually strikes me as the least offensive of the film’s myriad offenses.

True Blood: The Complete Fourth Season (2011) – Blu-ray/DVD/Digital Copy

Posted in2011, 2012, Authors: Bill Chambers, Blu-ray Disc, DVD, Horror, Romance, Satire, Television, Vampire, Werewolf

Image A- Sound A Extras B
“She’s Not There,” “You Smell Like Dinner,” “If You Love Me, Why Am I Dyin’?,” “I’m Alive and on Fire,” “Me & the Devil,” “I Wish I Was the Moon,” “Cold Grey Light of Dawn,” “Spellbound,” “Let’s Get Out of Here,” “Burning Down the House,” “Soul of Fire,” “And When I Die”

by Bill Chambers SPOILER WARNING IN EFFECT. To recap: “True Blood”‘s third season ended with Vampire Bill (Stephen Moyer) and his queen (Evan Rachel Wood) revealing a heretofore-unseen ability to defy gravity as they prepared to duel to the death; Hoyt (Jim Parrack) and Jessica (the staggeringly beautiful Deborah Ann Woll) receiving a creepy housewarming present (unseen by them) in the form of a moldy doll; Tara (Rutina Wesley) departing Bon Temps for anywhere less likely to be a hub of supernatural activity; and a newly liberated Sookie (Anna Paquin) disinviting Bill and Eric (Alexander Skarsgård) from her home before vanishing in a ball of light with her literal fairy godmother.

Prometheus (2012)

Posted in2012, Action, Adventure, Authors: Walter Chaw, Directors: Ridley Scott, Horror, Mystery, Sci-Fi, UK

*/****
starring Noomi Rapace, Michael Fassbender, Guy Pearce, Charlize Theron
screenplay by Jon Spaihts and Damon Lindelof
directed by Ridley Scott

by Walter Chaw It’s time, probably long past time, to admit that Ridley Scott is nothing more or less than Tim Burton: a visual stylist at the mercy of others to offer his hatful of pretty pictures something like depth. If either one of them ever made a great film (and I’d argue that both have), thank the accident of the right source material and/or editor, not these directors, whose allegiance is to their own visual auteurism rather than any desire for a unified product. For Scott, the conversation essentially begins and ends for me with Alien, Blade Runner, and Black Hawk Down (for most, it’s just the first two, with a political nod to Thelma & Louise)–genre films, all, and each about the complications of mendacity given over to lush, stylish excess: the gothic, biomechanical haunted house of Alien‘s Nostromo mining vehicle and its hapless band of blue-collar meatbags; the meticulously detailed Angelino diaspora of Blade Runner and its Raymond Chandler refugee; and Mark Bowden’s Mogadishu, transformed in Black Hawk Down into a post-apocalyptic hellscape. Again, there’s that utility. Without it, Scott’s films are impenetrable monuments to style, as smooth and affectless as a perfume advertisement–and the more you watch them, the less memorable that style becomes.

Killer Nun (1979) – Blu-ray Disc

Posted in1970s, 2012, Authors: Bryant Frazer, Blu-ray Disc, Blue Underground, Horror, Italy

Killernuncap

Suor Omicidi
**/**** Image B Sound B- Extras C+
starring Anita Ekberg, Joe Dallesandro, Lou Castel, Alida Valli
screenplay by Giulio Berruti and Alberto Tarallo, from an idea by Enzo Gallo
directed by Giulio Berruti

by Bryant Frazer It sounds like a grand old time, all right. First, there’s that title. Killer Nun. Adjective noun, conveying irony and promising subversion. Then there’s the cast. How can you not want to see Anita Ekberg star with Joe Dallesandro in a killer-nun movie? And the premise (dope-addled sister at a convent hospital starts abusing patients) does not disappoint–imagine a season of “Nurse Jackie” under showrunners Dario Argento and Abel Ferrara. Yet somehow, director Giulio Berruti blows it: A derivative slasher pic and an only mildly lascivious sex film, Killer Nun is the sort of sleepy-eyed misfire that could give nunsploitation a bad name.

The Woman in Black (2012) + The Innkeepers (2011)|The Innkeepers – Blu-ray Disc

Posted in2011, 2012, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, Horror, Sweden, Theatrical, Thriller, UK

THE WOMAN IN BLACK
*/****
starring Daniel Radcliffe, Ciarán Hinds, Janet McTeer, Liz White
screenplay by Jane Goldman
directed by James Watkins

THE INNKEEPERS
***½/**** | Image A- Sound A Extras B
starring Sara Paxton, Pat Healy, Kelly McGillis, George Riddle
written and directed by Ti West

by Walter Chaw A beautifully outfitted, brilliantly designed Victorian jack-in-the-box, James Watkins’s The Woman in Black will likely be remembered, if it’s remembered at all, as Daniel Radcliffe’s Harry Potter commencement (given that no one saw December Boys). Alas, it squanders a pretty nice, ‘Tim Burton Sleepy Hollow‘ set-up in bumfuck England for a solid hour of crap jumping out of shadows. Popping up from behind bushes is startling, but it isn’t art (it’s not even clever), and at the end of the day, it’s only really entertaining if you or your date is a sixteen-year-old girl. Carrying the Hammer imprint and boasting production design so good that long stretches of the film are devoted to looking at it, the piece only ever honours its legacy and appearance with the brutality with which it handles its dead children and a delirious dinner scene in which a grief-besotted lady (Janet McTeer) treats her little dogs like babies and carves something on her dinner table whilst possessed of a hilarious fit. The rest of it is garbage.

The Cabin in the Woods (2012) + Lockout (2012)

Posted in2012, Action, Authors: Walter Chaw, Horror, Sci-Fi, Theatrical

THE CABIN IN THE WOODS
*/****
starring Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz
screenplay by Joss Whedon & Drew Goddard
directed by Drew Goddard

LOCKOUT
**/****
starring Guy Pearce, Maggie Grace, Vincent Regan, Peter Stormare
screenplay by Stephen Saint Leger, James Mather & Luc Besson
directed by Saint & Mather

by Walter Chaw SPOILER WARNING IN EFFECT. Drew Goddard’s (and Joss Whedon’s, you won’t be able to forget) unfortunate giant middle finger The Cabin in the Woods takes a shit-eating high-concept only to do nothing interesting with it for about 80 of its 100 minutes. Because the high concept is the crux of the film and the elbow of the argument, as they say, stop right here if you want to stay a spoiler virgin. For me, I went in not knowing anything about the movie–didn’t even see the trailer–on the back of assurances from many respected friends and colleagues that this was, in fact, a must-see for the genre fan. What I should have asked was, “What genre?” The Cabin in the Woods is Scream for what Joe Bob Briggs used to call “Spam in a cabin” flicks, in which a group of nubile youngsters piles into an unreliable junker to spend a fateful weekend in some backwoods hick oasis where they’re picked off, one by one, by some combination of demons and Ted Nugent. The difference being that Scream was cold, nihilistic, scary as hell, and a lovely example of the thing it was simultaneously deconstructing. The reason The Cabin in the Woods is neither revolutionary nor “ground-breaking” is that everything it does has already been done, repeatedly and better, and that rather than serving as a sterling example of that which it is trying to pinion (thus establishing its credibility as satire, see?), it’s really just another instalment in the live-action Scooby-Doo franchise.

Tucker & Dale Vs. Evil (2011) – Blu-ray Disc

Posted in2011, 2012, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Canada, Comedy, Horror

Tucker and Dale Vs Evil
*½/**** Image A- Sound A Extras C-
starring Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss
screenplay by Eli Craig & Morgan Jurgenson
directed by Eli Craig

by Walter Chaw Essentially the dimwit punchline to Eli Roth’s Cabin Fever (“My niggas!”) extended to feature-length, hyphenate Eli Craig’s debut is a polite send-up of kids-in-the-woods/Spam-in-a-cabin flicks that posits our titular rednecks as misunderstood sons of the earth while their yuppie “victims,” overfed on a steady diet of too many horror flicks, are the real maniacs. It raises the interesting question of where Craig’s allegiance truly lies, honestly, were one to dig into the premise, though the fact of it is that Tucker and Dale Vs Evil (hereafter Tucker and Dale)–no matter its whiplash homages to The Evil Dead, its re-enactment in part of the rape scene from Re-Animator, its obvious affection for The Texas Chain Saw Massacre–is a one-trick pony that runs out of steam about fifteen minutes in. Its earnestness allows it to play like other low-budget yuk-yuk slasher flicks like Severance and The Cottage: well-intended genre mash-notes that never entirely rise above slightly-informed spoof (in mild contrast to the uninformed-spoof Scary Movie franchise). But for the gore (and even with it, as the gore here is more cartoonish than gruesome), Tucker and Dale could be an SNL skit, interminable and bland.

Conquest (1983); Contraband (1980); Zombie (1979) – DVDs + Zombie (1979) [2-Disc Ultimate Edition] – Blu-ray Disc

Posted in1970s, 1980s, 2012, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Blue Underground, Crime, Drama, Fantasy, Horror, Italy, Mexico, Morocco, Spain, Zombie

CONQUEST
½*/**** Image D+ Sound C
starring Fabio Testi, Marcel Bozzuffi, Ivana Monti, Guido Alberti
screenplay by Ettore Sanzo and Gianni de Chiara
directed by Lucio Fulci

Luca il contrabbandiere
**/**** Image B Sound B
starring Fabio Testi, Marcel Bozzuffi, Ivana Monti, Guido Alberti
screenplay by Ettore Sanzo and Gianni de Chiara
directed by Lucio Fulci

by Walter Chaw There’s something decidedly uncinematic about the films of Lucio Fulci (excepting Don’t Torture a Duckling and Four of the Apocalypse, which actually sort of rock). If not for his fascination with gore effects and his propensity for casting irritating children in irritating children parts, it’d be hard to find anything to separate his work from the grindhouse ghetto of, say, Jess Franco. As it is, the stilted claims at auteurism (he’s known as the master of eye violence, mainly for a few juicy bits from The Beyond and Zombie) do more, perhaps, to relegate his work to a sort of camp gulag: the Siberia of legitimate cinema, where adolescent tools congregate for midnight showings armed with irony and a crippling baggage of disdain and contempt. I liked “Mystery Science Theater 3000” and believed that I liked it because I was sophisticated; in time, you realize that you like it because you’re an officious prick who sort of gets off on mocking movies. I think a lot of people would argue that this is the role of the film critic, but I’d offer that a critic–a good one–loves film so much that he or she is offended when a movie is terrible. There’s no real joy in defiling altars, particularly when they’re your own.

Strip Nude for Your Killer (1975) – DVD|Blu-ray Disc

Posted in1970s, 2012, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Blue Underground, Horror, Italy, Mystery, Thriller

Nude per l’assassino
***/****
DVD – Image A Sound C+ Extras C-
BD – Image C+ Sound B Extras C
starring Edwige Fenech, Nino Castlenuovo, Femi Benussi, Solvi Stubing
screenplay by Massimo Felisatti
directed by Andrea Bianchi

by Walter Chaw It’s easy to tag the prurient appeal of Andrea Bianchi’s Strip Nude for your Killer (if I’d discovered this film in my early teens, I never would’ve left the house), but without a lot of effort, its usefulness as a tool for dissecting its audience of voyeurs becomes clear as well. Indeed, it’s possible to see the picture as a hybrid of Michael Powell’s Peeping Tom (in the equation of scopophilia with rape and murder) and Michelangelo Antonioni’s Blow-Up (in its protagonist’s profession (fashion photographer), its boundaries-testing raciness, and a central mystery that hinges on a photograph), with every scene of obvious leering exploitation balanced by a long look in a mirror, a humiliating photo shoot (something we see in both Peeping Tom and Blow-Up) reflected upside-down in a metal surface, and what seems like knowing interpositions of an idea of retributive guilt at the film’s bloodiest moments. Before every giallo set-piece murder, in fact, Bianchi inserts a flash of the woman killed during a pre-credit sequence back-alley abortion. It might not be simple morality, but it does speak to a variety of morality: a championing of demi-innocents undertaken by a heavy-breathing avatar in a motorcycle helmet and leather. Could there be a whiff of the pro-woman picture in the unlikeliest of places?

Night Train Murders (1975) – Blu-ray Disc

Posted in1970s, 2012, Authors: Bryant Frazer, Blu-ray Disc, Blue Underground, Horror, Italy, Revenge

Nighttrainmurderscap

L’ultimo treno della notte
*½/**** Image B+ Sound B+ Extras C+
starring Flavio Bucci, Macha Méril, Gianfranco De Grassi, Enrico Maria Salerno
screenplay by Renato Izzo, Ettore Sanzò and Aldo Lado
directed by Aldo Lado

by Bryant Frazer It’s feeding time for the monsters again in director Aldo Lado’s 1974 quasi-giallo1 Night Train Murders, which sees the young and lovely Margaret and Lisa (Irene Miracle and Laura D’Angelo, respectively, making their film debuts) cross paths with violent criminals while travelling overnight by rail from Germany through Austria to Italy. The stage is set as Pacino-esque stickup man Blackie and his harmonica-blowing sidekick Curly (Flavio Bucci and Gianfranco De Grassi) mug an alcoholic sidewalk Santa Claus in Munich’s Marienplatz. Menace! With that kind of element loose in the cities, why would two girls choose to ride some skeevy midnight train into Italy instead of opting for a sensible air flight? From one mother to another, via telephone: “Planes are never on time these days.”

Final Destination 5 (2011) – Blu-ray + DVD + Ultraviolet Digital Copy

Posted in2011, Action, Authors: Angelo Muredda, Authors: Bill Chambers, Blu-ray Disc, Canada, DVD, Horror, Thriller

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**/**** Image A- Sound A Extras C-
starring Nicholas D’Agosto, Emma Bell, Miles Fisher, David Koechner
screenplay by Eric Heisserer
directed by Steven Quale

by Angelo Muredda “Five! Five different systems had to fail for this to happen.” So shouts a slumming Courtney B. Vance as a suspicious cop on the scene of only the second or third most elaborate death in the cynically titled Final Destination 5. Who can blame him? Five, after all, is an improbably large number. Here we are, though–as many entries into a series that’s sure to rival even Final Fantasy‘s swollen ranks once the last lighter fluid-doused fan blade hits the last neck.

Kuroneko (1968) [The Criterion Collection] – Blu-ray Disc

Posted in1960s, 2011, Authors: Walter Chaw, Blu-ray Disc, Drama, Horror, Japan, The Criterion Collection

***½/**** Image A Sound B Extras B
starring Kichiemon Nakamura, Nobuko Otowa, Kiwako Taichi, Kei Sato
written and directed by Kaneto Shindo

by Walter Chaw A band of ronin alights on a clearing before a modest, thatched-roof hut and, like the dead before Odysseus’s offerings of a trough of blood, drinks deep from the stream running through it. They wipe their mouths. They are underfed. They enter the residence to find Yone (Nobuko Otowa) and Shige (Kiwaki Taichi) sharing a frugal repast the starving ronin wordlessly take from them and wolf down. We learn later that the entire Japanese feudal world is at war: “It’s a samurai’s world now… We eat our fill and take whatever we desire”–and so this band of rough men gang-rape, murder, and immolate the mother and her daughter-in-law before pressing on into the woods. The image of smoke billowing out of this little lodge is, for all the haunted moments to come, the one that lingers from Kaneto Shindo’s odd, savage Kuroneko. Yone and Shige emerge from the fire newly pasty-white and as formalized as Noh performers, making the intercession of a black cat*, in a scene borrowed directly by Tim Burton for Catwoman’s resurrection in Batman Returns (still Burton’s nakedest lunch), that much more glaring in its contrast.

Fright Night (2011) – Blu-ray + DVD

Posted in****/****, 2011, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, DVD, Horror, Vampire

****/**** Image B- Sound A+ Extras C-
starring Anton Yelchin, Colin Farrell, Imogen Poots, David Tennant
screenplay by Marti Noxon, based on the screenplay by Tom Holland
directed by Craig Gillespie

by Walter Chaw After 28 Weeks Later, I wondered when Imogen Poots would become a star. It only took four years. As Amy in Craig Gillespie’s really frickin’ great Fright Night, she’s sexy without being vacuous and tough without being masculinized–her general kick-assness undoubtedly owing in part to screenwriter Marti Noxon, “Buffy the Vampire Slayer”‘s showrunner from Season Six to completion. I’m spending time talking about Amy because she’s a wonderful character who manages to complete an arc or two in a mere supporting role. Consider a moment in which she mentions her boyfriend’s skin clearing up that locates her completely, and believably, in the film’s high-school environment–that’s a lot of expositional impact in a little package. A remake of Tom Holland’s cult classic that was itself one of my VHS favourites (worn to breaking during my formative decade with the movies), Fright Night is delightful because it’s absolutely certain of what it is and what it isn’t, delivers everything it promises it will (in spades), and genuinely has fun with the 3-D innovation that’s the bane of most other movies lately. Smart as hell and unapologetic about it, it presents character beats that matter and sports a performance from Colin Farrell as evil vampire-next-door Jerry that should, no shit, earn him Academy Award consideration. Between him and the chimp from Rise of the Planet of the Apes, it’d be a tough call.

Deep Red (1975) + Inferno (1980) – Blu-ray Discs

Deep Red (1975) + Inferno (1980) – Blu-ray Discs

Posted in****/****, 1970s, 1980s, 2011, Authors: Walter Chaw, Blu-ray Disc, Blue Underground, Directors: Dario Argento, FFC Must-Own, Horror, Italy, Mystery, Thriller

Profondo rosso
****/**** Image A Sound A Extras C
starring David Hemmings, Daria Nicolodi, Gabriele Lavia, Clara Calamai
screenplay by Dario Argento and Bernardino Zapponi
directed by Dario Argento

INFERNO
***/**** Image A- Sound B Extras D
starring Eleonora Giorgi, Gabriele Lavia, Veronica Lazar, Leopoldo Mastelloni
written and directed by Dario Argento

by Walter Chaw Deep Red is a transitional film from the middle of Dario Argento’s most creative period, one that sees the Italian Hitchcock (better: the Italian De Palma) building surreal temples on Hitchcock’s meticulous foundations before abandoning them–disastrously and without explanation–following the release of 1982’s Tenebrae. With little scholarship on Argento that’s current and/or comprehensive, and with the director himself seldom asked about his steep decline, what’s left is this notion that Argento wanted to escape the Hitchcock-derivative label (only to return to it after the spark had fled or, more likely, proved illusory all along), or that he wanted a psychic divorce from De Palma, whose career Argento’s paralleled for a while in theme and execution. Whatever happened eventually, Argento in 1975 seemed to be casting about for a new direction. He’d just completed his “animal” trilogy of gialli (The Bird with the Crystal Plumage, The Cat O’ Nine Tails, Four Flies on Grey Velvet) and nursed a belief that the genre had, if not run its course entirely, at least run its course for him. He dabbled in a failed period piece (Five Days in Milan), the function of which appears to be to demonstrate that Argento is no Sergio Leone (though to be fair, almost no one is Sergio Leone), and he contributed to a portmanteau for Italian television–a format to which he’d one day return with buddy George Romero and Two Evil Eyes.