The Hills Have Eyes (1977) – DVD + Wrong Turn (2003) – DVD|Blu-ray Disc

October 29, 2009Posted in1970s, 2000s, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Canada, DVD, Germany, Horror, Thriller

THE HILLS HAVE EYES
***/****
DVD – Image A- Sound A- Extras C+
BD – Image B+ Sound A Extras C+
starring Susan Lanier, Robert Houston, Martin Speer, Dee Wallace-Stone
written and directed by Wes Craven

by Walter Chaw Released the same year as Star Wars, Wes Craven's The Hills Have Eyes boasts of its own Luke Skywalker in the character of a blue-eyed towhead named Bobby (Bobby Houston) who, at an unwelcome call to adventure, finds himself embarked against the forces of evil with a patchwork band of heroes out of their depth. Chewbacca subbed by a ridiculously Rin Tin Tin German Shepherd hermaphrodite (sometimes a girl, sometimes a boy, always a hero), The Hills Have Eyes is Craven's zero-budget follow-up to his astonishingly unpleasant (and influential) exploitation version of The Virgin Spring, The Last House on the Left. A rough, raw, often amateurish take on the Sawney Beane cannibal family legend, the piece derives its power from the canny paralleling of its antagonistic families and its use of archetype and mythology in the telling of what is essentially a caste horror picture.

Southland Tales (2007)

July 28, 2009Posted in2000s, Authors: Walter Chaw, Blu-ray Disc, Comedy, Drama, Esoterica, France, Germany, Mystery, Sci-Fi, Thriller

½*/**** Image A Sound A Extras C-
starring Dwayne Johnson, Seann William Scott, Sarah Michelle Gellar, Justin Timberlake
written and directed by Richard Kelly

by Walter Chaw Call it professional vanity, or just vanity vanity, but I like to be the iconoclast. I want to be the one who understands the movie nobody else seems to understand–the lone champion of Unleashed as a sharp critique of popular East/West relationships, for instance. There are times, I think, it's the only reason I go to films that are riding waves of negative buzz or frankly otherwise lacking much cause for confidence. Southland Tales, Richard Kelly's follow-up to his cult classic Donnie Darko, had the bad buzz (from a legendarily jeered screening at Cannes) but a great pedigree despite the extent to which Kelly had begun to cast Donnie Darko as a fortuitous accident through his DVD commentary for that film, his ill-wrought Director's Cut of the same, and his script for the excrescent Domino.

Valkyrie (2008) – DVD

July 27, 2009Posted in2000s, Authors: Walter Chaw, Drama, DVD, France, Germany, Italy, Japan, Spain, Thriller, Tom Cruise, UK, War

***/**** Image N/A Sound B Extras A
starring Tom Cruise, Kenneth Branagh, Bill Nighy, Terence Stamp
screenplay by Christopher McQuarrie & Nathan Alexander
directed by Bryan Singer

by Walter Chaw Tight as a drum, deadly serious, and a mild corrective to not the enduring misconception that there were no men of conscience in Hitler's Germany, but rather to sickly, condescending awards-season bullshit like Defiance, The Reader, and The Boy in the Striped Pyjamas, Bryan Singer's Valkyrie swoops down like its titular winged avatar to deliver the Holocaust melodrama to a minor kind of Valhalla. It's sober-minded and fact-based, with another handsome-destroying performance by Tom Cruise (though he only loses one eye here after losing both in Minority Report) that places him in uneasy orbit alongside Warren Beatty as another pretty boy aspiring for seriousness through mutilation of the self. It's a sober thriller, and because the outcome is never in doubt in a historically-based plot to assassinate Hitler, it lives and dies by its ability to sound smart and cast well.

The Ruins (2008) – Blu-ray Disc

July 22, 2009Posted in2000s, Adventure, Australia, Authors: Walter Chaw, Blu-ray Disc, Germany, Horror, Mystery, Sci-Fi, Thriller

***/**** Image A Sound A+ Extras A
starring Jonathan Tucker, Jena Malone, Shawn Ashmore, Laura Ramsey
screenplay by Scott Smith, based on his novel
directed by Carter Smith

by Walter Chaw Based on a novel by the guy who wrote A Simple Plan and directed by first-timer Carter Smith, The Ruins was lost in the shuffle of a seeming barrage of beautiful-tourists-getting-slaughtered splatter flicks, which may prove to be one of the many genre legacies of the ugly-American, difference-abhorrent Bush Jr. administration. (Not to mention that the flick could easily be read as an eco-horror picture. Lots of legacies, that W., all of them fertile for the horror genre.) What distinguishes it from the Hostels and the Turistas' and Club Dreads is a seriousness in its execution and a feeling that there's nothing happening in the film that is a result of stupidity or even caprice–that the gauntlet our gorgeous heroes go through is only the best example of the futility of our evolution since The Blair Witch Project. It's a fable of that Sophoclean idea that knowledge brings no profit to the wise, and though it might be a reach, it feels in this time and place like a story about how knowing that we're going to get blown up by an angry young man over a large body of water doesn't do a thing to prevent it from occurring. It's a film that talks about hopelessness and, like in a powerful moment from Marcus Nispel's The Texas Chainsaw Massacre, the youth of its cast suddenly bespeaks of a squeezing-off of potential rather than just tits-and-ass exploitation. Closer to the point, the titillation you feel during the prologue of our cast bathing on a Mexican beach before embarking on their bloody, intimate deaths is brutally punished. The destruction of beauty in The Ruins (the title finally makes sense) becomes allegory for a collective fear of suffering: just as porn works on some level as a fantasy of "if she'll do that, she'll do me," The Ruins works on the level of, If it could happen to these kids, smart and beautiful, then it sure as shit is going to happen to me.

Air Force One (1997) + Gran Torino (2008) – Blu-ray Discs

July 16, 2009Posted in****/****, 1990s, 2000s, Action, Authors: Ian Pugh, Blu-ray Disc, Clint Eastwood, Drama, FFC Must-Own, Germany, Thriller

AIR FORCE ONE
**/**** Image B+ Sound A Commentary B-
starring Harrison Ford, Gary Oldman, Wendy Crewson, Paul Guilfoyle
screenplay by Andrew W. Marlowe
directed by Wolfgang Petersen

GRAN TORINO
****/**** Image A Sound A- Extras C+
starring Clint Eastwood, Christopher Carley, Bee Vang, Ahney Her
screenplay by Nick Schenk
directed by Clint Eastwood

Mustown

GRAN TORINO

by Ian Pugh In Wolfgang Petersen's Air Force One, a band of Soviet ex-soldiers (whose leader is played by Gary Oldman, in full Boris Badenov mode) hijacks the President's personal aircraft and in the process facilitates a double-dose of old-fashioned, flag-waving cinematic convention for the good old U.S. of A., just a few short years before 9/11 would fuck up that whole dynamic. The film is nothing more than a dying gasp of Cold War good-versus-evil nostalgia, complete with a no-nonsense Commander-in-Chief impossible to dislike or defy. Harrison Ford is cast as the beloved President/Vietnam vet/all-around ass-kicker, who establishes a stern anti-terrorism decree shortly before literally becoming the one to see his policies through. (He was easily American cinema's most ridiculous angelic-politician fantasy until Petersen outdid himself with Poseidon's New York mayor/firefighter/super-patriot.) Nothing really matters in this scenario, and nothing really has to matter: not the reasons for the hijacking (something to do with commie dictator Jürgen Prochnow and Kazakhstan–almost ten years before Borat established that country as the former Soviet territory no one in the West knows anything about), nor the White House staffers executed during the hijack. It's all pretext for Ford saving his family and the proverbial day.

Star Trek (2009)

May 8, 2009Posted in2000s, Action, Adventure, Authors: Walter Chaw, Germany, Sci-Fi, Star Trek, Theatrical

***½/****
starring John Cho, Ben Cross, Bruce Greenwood, Leonard Nimoy
screenplay by Roberto Orci & Alex Kurtzman
directed by J.J. Abrams

Startrekby Walter Chaw My long-held suspicion of J.J. Abrams as a no-trick pony has thawed completely now that after producing the exceptional Cloverfield, he has directed a reboot of Gene Roddenberry's beloved "Star Trek" that walks the fine line between absolute seriousness and absolute cheese and does so in about the exact same, smart, swashbuckling way as the '60s TV show, to which this movie serves not as a prequel, but as a delicious alternate possibility. Abrams's Star Trek is faithful to Roddenberry's vision in every way, including a restoration of the sexiness and spunk that's been largely lost to decades of syndication. It's easy to forget that the first interracial kiss on television belongs to the original series–not to mention all those ripped-shirt fights, tumbles with green girls, and "Bizarro-version" facial hair. The picture is faithful simultaneously to the spirit of this time, joining what looks to be a spate of films with apocalyptic visions of entire planets destroyed by unimaginable calamity. Spry and well-written, Star Trek plays up the idea of individual heroism for the collective good in high Trek fashion and, fascinatingly, works in the clay of deep-set parental issues to give its young characters the psychological framework for evolution in this new reality. If this James T. Kirk (Chris Pine) is more of a brawler and a rake than Shatner's rakish brawler, blame it on the premature loss of daddy; if this Spock (Zachary Quinto) has his humanity closer to the skin than the other Spock (Leonard Nimoy, who has a sizeable role), blame it on mommy (Winona Ryder). Yet for all its weighted subtext, it avoids the self-seriousness of Christopher Nolan's Batman films and Bryan Singer's Superman Returns, finding in its material the spirit of discovery and bonhomie that made the franchise in its heyday one of the most affecting bits of popular relational drama on television.

The Uninvited (2009) – Blu-ray Disc

April 27, 2009Posted in2000s, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, Canada, Drama, Germany, Horror, Mystery, Thriller

***½/**** Image C+ Sound B+ Extras C
starring Emily Browning, Elizabeth Banks, Arielle Kebbel, David Strathairn
screenplay by Craig Rosenberg and Doug Miro & Carlo Bernard, based on the motion picture Janghwa, Hongryeon written by Ji-woon Kim
directed by The Guard Brothers

by Ian Pugh The title The Uninvited doesn't refer to the diabolical nanny/usurper driving the plot or to the undead spirits that torture our heroine, but rather to the damning intrusiveness of memory: inadequate, incomplete, and weighting down its victims with the guilt of bad decisions and lives ill-spent. It begins with a dream, as unassuming teenager Anna (Emily Browning) expresses her concern that she can't remember the night her bedridden mother died in a freak explosion. "Maybe it's not such a bad thing to forget," a well-meaning psychologist tells her, and from this innocent bit of wisdom springs all the misery and death that follows. Not exactly a tale of two sisters, the picture demonstrates how the black holes of misanthropy and insanity come not from our harrowing experiences, but from the fact that we try so hard to bottle them up.

American Gangster (2007); I’m Not There (2007); No Country for Old Men (2007) + No Country for Old Men [’08 BD + 2-Disc Collector’s Edition] – Blu-ray Discs

April 15, 2009Posted in****/****, 2000s, Authors: Bill Chambers, Authors: Walter Chaw, Best Picture (Academy Awards), Biopic, Blu-ray Disc, Canada, Coen Brothers, Crime, Directors: Ridley Scott, Drama, DVD, Esoterica, FFC Must-Own, France, Gangster, Germany, Music, Theatrical, Thriller, UK

AMERICAN GANGSTER
***/****
starring Denzel Washington, Russell Crowe, Chiwetel Ejiofor, Cuba Gooding, Jr.
screenplay by Steven Zaillian
directed by Ridley Scott

I'M NOT THERE
***½/****
starring Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere
screenplay by Todd Haynes & Oren Moverman
directed by Todd Haynes

NO COUNTRY FOR OLD MEN
****/****
'08 BD – Image A+ Sound A+ Extras B-
CE – Image A+ Sound A+ Extras B+
starring Tommy Lee Jones, Javier Bardem, Josh Brolin, Kelly Macdonald
screenplay by Joel Coen & Ethan Coen, based on the novel by Cormac McCarthy
directed by Joel Coen & Ethan Coen

Americangangsterby Walter Chaw Consider the moment when an overly enthusiastic police search results in the demolition of a replica dresser commissioned by Harlem drug lord Frank Lucas (Denzel Washington) for the Carolina plantation he's bought to house his extended family. In one canny instant, there's the suggestion that nothing ever changes: the things we lose in time we will always lose. The image Ridley Scott provides for us as he moves the Lucas clan into their new digs is loaded and dangerous, with a group of African-Americans walking up the lush green lawn of an antebellum plantation–usurpers of a corrupt American Dream that, American Gangster posits, is still corrupt and in essentially the same way. True, there's a cartoon bogey in a New York cop (Josh Brolin) erected as the straw man for all of New York's Finest who's profiting off French Connection junk (gasp, he shoots a dog, and probably also smokes)–but the real villainy in the picture is the idea that the path to true status and achievement in the United States is on the backs of not just others, but entire groups of others.

Gomorrah (2008) + Slumdog Millionaire (2008)

February 20, 2009Posted in2000s, Authors: Walter Chaw, Best Picture (Academy Awards), Crime, Drama, Germany, Italy, Romance, Theatrical, Thriller, UK

Gomorra
***½/****
starring Salvatore Abruzzese, Simone Sacchettino, Salvatore Ruocco, Vincenzo Fabricino
screenplay by Maurizio Braucci & Ugo Chiti & Gianni Di Gregorio & Matteo Garrone & Massimo Gaudioso & Roberto Saviano, based on the book by Saviano
directed by Matteo Garrone

SLUMDOG MILLIONAIRE
*/****
starring Dev Patel, Freida Pinto, Madhur Mittal, Anil Kapoor
screenplay by Simon Beaufoy, based on the novel Q & A by Vikas Swarup
directed by Danny Boyle and Loveleen Tandan

by Walter Chaw Dropping us in the middle of Italian slum Scampia, itself smack dab in the middle of nothing, Matteo Garrone's Gomorrah (Gomorra) is the Hud of gangster flicks, all deglamourized, harsh, expressionist stripping-away of illusions and idealism to reveal the gasping, grasping emptiness underneath. Like Hud, the source of that idealism is years of cinema supporting a romanticized iconography: the American western in Martin Ritt's film, the collected works of Francis Coppola and Martin Scorsese in Garrone's peek inside the ways of this thing of ours. Unlike Hud, there's no intimation of a "happy" ending for the sociopaths of Gomorrah–no feeling that for whatever the cost to a normalized (idealized?) existence, the outcasts and opportunists living their lives in imitation of Tony Montana are doomed to their tough-guy surfaces and the anonymous deaths predicted for them during a brutal prologue. Non-narrative and populated by a non-professional cast of locals and unusual suspects, the picture, however steeped in naturalism, is finally a formalist piece about as free of structure as Sartre–and every bit as meticulous. This "No Exit" (and the French title of Sartre's play fascinatingly translates, when applied to a discussion of a film, as "In Camera") and its unlocked oubliette is Scampia: The players in organized crime are imprisoned there by choice, trapped by the validation they desire from one another.

The International (2009)

February 18, 2009Posted in2000s, Action, Authors: Walter Chaw, Crime, Drama, Espionage, France, Germany, Mystery, Theatrical, Thriller, UK

*/****
starring Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O’Byrne
screenplay by Eric Warren Singer
directed by Tom Tykwer

Internationalby Walter Chaw There’s a shootout at the Guggenheim in the late-middle of The International that is the only real clue director Tom Tykwer had anything to do with the film. The rest of it, despite its title reminding of that Christopher Walken SNL skit about velvet smoking jackets and attempted rape, is just more of the same musty prestige-y Topical Picture™ that usually stars people like Sean Penn or Kevin Costner instead of, as The International does, Clive Owen and Naomi Watts. Bland and blander, as it turns out. A rumpled Owen is Salinger, some kind of ill-defined crusader for justice with a badge from Interpol and a dark past from Syd Field, while Watts, as ADA Elly, who spends her first scene with a Boston/Newark accent and the rest with her standard-issue Yank. They’re tepid on the trail of a big giant bank that has a nefarious plan to control debt, which I confess is what I thought banks do. With the picture more interested in mashing its thumb against the “Relevant” button than in creating characters of interest, villains who frighten, and situations that involve, Tykwer, for his part, seems at a loss as to how to employ his agile camera and so trusts a premise that’s already feeling a little mothballed for the collapse and bailout of our banking system. It doesn’t matter that The International doesn’t know what to be from one minute to the next–what matters is that it’s an exact replica of The Interpreter in every way that counts and is, therefore, completely, immanently, blessedly forgettable.

The Mummy: Tomb of the Dragon Emperor (2008) [2-Disc Deluxe Edition]; Wanted (2008) [2-Disc Special Edition]; Mamma Mia! [2-Disc Special Edition] – DVDs

February 17, 2009Posted in2000s, Action, Adventure, Authors: Walter Chaw, Canada, China, Crime, DVD, Fantasy, Germany, Musical, Romance, Thriller, UK, War, ZERO STARS

THE MUMMY: TOMB OF THE DRAGON EMPEROR
ZERO STARS/**** Image A Sound A Extras D
starring Brendan Fraser, Jet Li, Maria Bello, Michelle Yeoh
screenplay by Alfred Gough & Miles Millar
directed by Rob Cohen

WANTED
*/**** Image A Sound A Extras D
starring James McAvoy, Morgan Freeman, Terence Stamp, Angelina Jolie
screenplay by Michael Brandt & Derek Haas and Chris Morgan, based on the comic books by Mark Millar and J.G. Jones
directed by Timur Bekmambetov

MAMMA MIA!
ZERO STARS Image B Sound A Extras C-
starring Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Stellan Skarsgård
screenplay by Catherine Johnson, based on the songs of ABBA
directed by Phyllida Lloyd

by Walter Chaw Fast becoming the post-Welles RKO without a commensurate Val Lewton to grease the transition from art to filthy lucre, today's Universal Pictures finds itself a long, long way from Psycho with a bumper crop of genuinely bad movies reverse-engineered from past box-office champions. Each of them–The Mummy: Tomb of the Dragon Emperor, Wanted, and Mamma Mia!–broke the golden 100-million dollar mark, since they were made with just the Benjamins in mind; sadly, only the criticism of flaccid attendance was likely to curb an endless march of identical pictures this year. For the simpleminded, the success of these films despite the near-universal condemnation of them by anyone with a working prefrontal lobe is proof positive that critics are out of touch with the common man. On the contrary, I'd offer that, asked whether he thought the atrocious The Mummy: Tomb of the Dragon Emperor (hereafter The Mummy 3) would be financially successful, the average critic would have said he'd be surprised if it didn't do a hundred-mil in its first three weeks of release. Out of touch is believing that something is good because it makes a lot of money.

Mirrors (2008) [Unrated] – DVD|Blu-ray Disc

February 16, 2009Posted in2000s, Authors: Bill Chambers, Authors: Ian Pugh, Blu-ray Disc, France, Germany, Horror, Mystery, Romania

ZERO STARS/****
DVD – Image N/A Sound A Extras D+
BD – Image A Sound A Extras C-
starring Kiefer Sutherland, Paula Patton, Cameron Boyce, Erica Gluck
screenplay by Alexandre Aja & Grégory Levasseur
directed by Alexandre Aja

by Ian Pugh You have to hand it to Alexandre Aja: Although he applies his marginal talent to different ends from within his genre of choice, he remains fairly consistent in his psychotic bursts of rage and complete obliviousness to the same. Whether he's making awful, sadistic horror flicks that pretend to be about nothing (his anti-lesbian screed High Tension) or–somehow worse–awful, sadistic horror flicks that pretend to be about something (his remake of The Hills Have Eyes and now Mirrors), his targets are clear. In his eyes, women and rural folk are by turns cowardly, evil, and idiotic, deserving of nothing but a horrific death. How anyone could lump his brand of bloodthirsty hatred in with Tarantino or Argento–both real artists who have grappled with their own desires and talents in the context of fiction and reality–is, frankly, beyond me. Hell, even Eli Roth, for all his puerile masturbation and inexplicable worship of the nasty Cannibal Holocaust, has questioned his own methods on occasion. When Aja rips off Amy Smart's mandible just seconds after she steps into a bathtub in Mirrors, there's no thrill, no shock, no sense of accountability–only the niggling, terrifying conjecture that this man would go out and hurt someone given half the chance.

Sundance ’09: The Anarchist’s Wife

January 27, 2009Posted in2000s, Authors: Alex Jackson, Drama, Film Festivals, France, Germany, Spain, Sundance, War
**/****starring María Valverde, Juan Diego Botto, Nina Hoss, Ivana Baqueroscreenplay by Marie Noëlledirected by Marie Noëlle & Peter Sehr by Alex Jackson Affirmation, if nothing else, that Paul Verhoeven's Blackbook has become the dominant model for World War II pictures, Marie Noëlle and Peter Sehr's Verhoeven-esque The Anarchist's Wife alienated me early on by folding in stock footage to depict both the Spanish Civil War and the Second World War. On some level, I suspect this is a cheapoid strategy enabling the filmmakers to reserve more of their budget for costumes and sets. Whatever its intention, it dehumanizes the characters,…

Madagascar: Escape 2 Africa (2008) + Role Models (2008)

November 7, 2008Posted in2000s, Adventure, Animation, Authors: Walter Chaw, Comedy, Family, Germany, Theatrical

MADAGASCAR: ESCAPE 2 AFRICA
½*/****
screenplay by Etan Cohen and Eric Darnell & Tom McGrath
directed by Eric Darnell & Tom McGrath

ROLE MODELS
***/****
starring Seann William Scott, Paul Rudd, Christopher Mintz-Plasse, Elizabeth Banks
screenplay by Paul Rudd & David Wain & Ken Marino
directed by David Wain

by Walter Chaw Rote and routine, Eric Darnell and Tom McGrath's follow-up to their popular Madagascar takes the usual sequel route towards magnification with the obnoxious Madagascar: Escape 2 Africa (henceforth Madagascar 2). At the heart of it is a weird, feral mix of Lord of the Flies and Swiss Family Robinson as a group of New Yorkers gets lost on safari–commentary, if you want to formulate one, on the incursion of Americans into the rest of the world. It's not a bad thing to try to impose on this film in this historic election year, particularly since you're not likely to be distracted by very much else in the picture. It's even interesting to wonder how it is that lion Alex, voiced by Jewish Ben Stiller, could have been sired by daddy Zuba (Bernie Mac) and a nameless mom (Sherri Shepherd)–shades of Simba (Matthew Broderick) somehow springing from the loins of Mufasa (James Earl Jones). What's most potentially interesting about the piece, however, is the interspecies miscegenation (is it "bestiality" if they're both animals? Sort of like is it still necrophilia if it's Keanu Reeves and Charlize Theron?) suggested between giraffe Melman and hippo Gloria (voiced by isn't-he-Jewish David Schwimmer and black Jada Pinkett Smith, respectively), eventually equated ironically with the union of a penguin and a bobble-head hula doll.

Stuck (2008) – Blu-ray Disc

October 26, 2008Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Canada, Crime, Drama, Germany, Horror, Thriller, UK

***/**** Image B Sound A Extras B-
starring Mena Suvari, Stephen Rea, Russell Hornsby, Rukiya Bernard
screenplay by John Strysik
directed by Stuart Gordon

by Walter Chaw Stuart Gordon, the man who gave us the Lovecraftian splatter film, has, lately, gone in for non-supernatural frights: first with the snake-infested well of man's self-interest in the irresistibly pulpy King of the Ants; then with his superb Mamet adaptation Edmund; and now with his inspired-by-a-true-story drive-in high-concept flick Stuck. The transition from Lovecraft's Cthulhu Mythos to the mendacity of mere humanity is less a leap in that Gordon to me has always been best when dealing with how the mundane is often just the thin candy shell over the boiling mess of our fetid Id–whether that Id manifests as the cellar of elder gods or, just as unspeakable, the lizard brain for which Lovecraft's bogeys are the metaphor, anyway. Stuck takes as its inspiration the story of 25-year-old nurse's aid Chante Mallard, who, one night flying high on alcohol and X, embedded one Gregory Biggs in her windshield and left him to die there over the course of two days. Gordon's film wonders what would've happened should Biggs have survived and, over the course of those same two days, gathered enough wits and strength to exact some measure of justice on his torturer. A delicious conceit, free of irony and post-modern self-awareness, it's funny without being snarky about it, delighting in the solipsistic desire of his Mallard, nursing home aide Brandi (Mena Suvari, dirtying up better here than in Spun), to not jeopardize a pending job promotion by reporting that guy stuck in her windshield. The guy, Tom (Stephen Rea), has fallen on hard times himself; if anything, Stuck is a diary of the modern malady of what happens when people can't make a living doing honest work and so find themselves stripped of dignity (sometimes literally) and exiled from civilization.

Constantine (2005) – Blu-ray Disc

October 13, 2008Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Drama, Fantasy, Germany, Horror, Mystery

*/**** Image A+ Sound A+ Extras B
starring Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton
screenplay by Kevin Brodbin and Frank Cappello, based on the DC comic
directed by Francis Lawrence

by Walter Chaw The problem with casting Keanu Reeves in the role of DC Comics anti-hero John Constantine, a chain-smoking, blue-collar bloke who happens to have a foot in a supernatural parallel world occupied by angels and demons, is that because of the actor's ethereal–some would say "stoned"–demeanour, he never for a moment convinces that his is the sympathetic point of view. Imagine Robert Redford as Snake Plisskin, or Pierce Brosnan playing Ash in the Evil Dead films: Constantine, if they were insisting on an American actor, should have been Denis Leary. By inserting Reeves as your avatar, suddenly the whole shooting match is about CGI effects and impossible things doing impossible things (witness the last two Matrix films). But even without Reeves as the central distraction, Constantine avoids much of what made the "Hellblazer" mythology so compelling (that Lucifer is beautiful, that Constantine is genuinely an asshole instead of a lovable loser), with its worst crime coming in making the film something of an anti-smoking tract. Displaying the Surgeon General's warning centre stage in one fiery moment and having the hero quit in the movie's worst, most toadying, most cowardly joke, Constantine amounts to a straw man.

Blindness (2008) + Eagle Eye (2008)

October 1, 2008Posted in2000s, Authors: Walter Chaw, Brazil, Canada, Drama, Germany, Japan, Mystery, Sci-Fi, Spielberg, Theatrical, Thriller

BLINDNESS
*/****
starring Julianne Moore, Mark Ruffalo, Alice Braga, Gael García Bernal
screenplay by Don McKellar, based on the novel by José Saramago
directed by Fernando Meirelles

EAGLE EYE
½*/****
starring Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Billy Bob Thornton
screenplay by John Glenn & Travis Adam Wright and Hillary Seitz and Dan McDermott
directed by D.J. Caruso

by Walter Chaw Brazilian wunderkind Fernando Meirelles has the one-trick pony and he's beaten its corpse for all the slickefied, electrified, vaguely exploitive prestige pieces he's made his calling card since City of God exploded into the loving arms of the arthouse. His latest, Blindness, feels like just another stroll down the same moralizing path as the residents of some generic city go blind, with only the bleary, red-rimmed eyes of Julianne Moore left as the moral barometer and literal/spiritual guide. And like his stable of reliable steeds, Blindness reveals itself at the end as having nothing much to say beyond the Lord of the Flies truism that men left to their own devices are no better than animals. Moore's an unnamed dingbat housewife fond of drinking a little too much wine and tittering around the limited orbit of her optometrist husband (Mark Ruffalo). When The Doctor (none of the characters have names, because the movie is profound) encounters a Patient (Yusuke Iseya) who has gone spontaneously blind, it's not long before the typical end-of-times plague starts the high-concept hullabaloo in earnest. Soon, The Doctor and The Wife find themselves in the Spooky Deserted Hospital that The City uses as The Quarantine Ward, though more literary-minded viewers will choose to refer to it as The Microcosm.

The Counterfeiters (2007) – Blu-ray Disc

September 5, 2008Posted in2000s, Authors: Bryant Frazer, Blu-ray Disc, Drama, Germany, Thriller

Die Fälscher
***/**** Image A Sound A- Extras B
starring Karl Markovics, August Diehl, Devid Striesow, Dolores Chaplin
 screenplay by Stefan Ruzowitzky, based on the book by Adolf Burger
directed by Stefan Ruzowitzky

by Bryant Frazer This year's winner of the Best Foreign Language Film Oscar, The Counterfeiters (Die Fälscher) is defined in equal terms by what it is and what it isn't. It is a Holocaust survivor's yarn told with a certain playfulness and no lack of moral consideration, but it is not really a concentration-camp movie; mostly, it feels like a prison caper yarn that happens to take place in Sachsenhausen. The film's weight comes from the things we know about but cannot see within the frame: those haunting images of emaciated Jews, the walking-dead stares of the prisoners consigned to the gas chambers and crematoria, the tragedy of systematic genocide.

TIFF ’08: Lorna’s Silence

September 3, 2008Posted in2000s, Authors: Bill Chambers, Belgium, Directors: Jean-Pierre and Luc Dardenne, Drama, Film Festivals, France, Germany, Italy, TIFF
Le silence de Lorna***½/****starring Arta Dobroshi, Jérémie Renier, Fabrizio Rongione, Alban Ukajwritten and directed by Jean-Pierre Dardenne & Luc Dardenne by Bill Chambers That figures: I'm finally ready to get on board the Dardenne Brothers bandwagon and everyone's bailing. What I like--maybe love--about their latest, Lorna's Silence (Le Silence de Lorna), is that it zigs when you expect it to zag, which may peg me as superficial (some reviews of the film have admonished it for having a plot) but which nevertheless strikes me as a refreshing change of pace from the neorealist wallowing of their earlier work. (To my…

Death Race (2008)

August 21, 2008Posted in2000s, Action, Authors: Walter Chaw, Germany, Sci-Fi, Theatrical, Thriller, UK

*/****
starring Jason Statham, Tyrese Gibson, Ian McShane, Joan Allen
written and directed by Paul W.S. Anderson

Deathraceby Walter Chaw Paul W.S. Anderson makes one kind of movie: the kind with lots of explosions and girls and loud music and hyperkinetic editing. The shitty kind. Whether or not these pictures work has nothing to do with the head. Death Race, a "remake" of Roger Corman's Death Race 2000, is a middling Anderson joint: it's not so bad that you want to put a cigarette out on your eye, but it's also not so bad that it's good–though it is almost so bad that it's great. Jason Statham is Frankenstein, a guy framed for the murder of his wife who happens to be a former racecar driver–a past that, in the near future, is a premium in the privatized penal system. After being laid off from his blue-collar job in an entirely superfluous prologue that only really establishes the picture as one made in the second W. administration, Frank gets "recruited" to drive in the titular pay-per-view reality program involving hardened criminals participating in televised bloodsport. His arch-rival in the Big House is Machine Gun Joe (marble-mouthed Tyrese), his pit chief is gravel-voiced Coach (Ian McShane), and his zombie-voiced co-pilot is hot-looking Latin mannequin Case (Natalie Martinez). If you're surprised to see McShane in a piece of shit like this (sadly, McShane seems to only be in pieces of shit post-"Deadwood"), you should get a load of Joan Allen as evil bitch warden Hennessey, a creature one part genre prison bull, one part television executive. If she's also a lawyer and a film critic, start looking around for four horsemen.