DIFF ’02: Bowling for Columbine (2002)

October 12, 2002Posted in2000s, Authors: Walter Chaw, Canada, DIFF/SDFF, Documentary, Film Festivals, Germany

***/****
directed by Michael Moore

by Walter Chaw The most successfully provocative film of the year, Michael Moore’s Bowling for Columbine nonetheless hurts itself with its questionable tactics and Moore’s inability to leave certain pulpits alone, but the documentarian succeeds in providing a canny, often brilliant, examination of the root causes of America’s amazing propensity for gun violence. The picture goes beyond a condemnation of “gun nuts”–and beginning as it does with an extended interview with James Nichols (the nutball brother of nutball Terry Nichols, who, along with Timothy McVeigh, was convicted of the Oklahoma City Murrah Building bombing), it’s not always certain that it will.

DIFF ’02: American Gun

October 11, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals
*½/****starring James Coburn, Virginia Madsen, Barbara Bain, Alexandra Holdenwritten and directed by Alan Jacobs by Walter Chaw "Dear Penny, I'm in Las Vegas tonight. It's hot, it's very very hot, but I'm close." So goes the tenor of James Coburn's narration in the mawkish, unfocused American Gun, an Alan Jacobs film that seeks to trace the history of a gun as a means to either indict the lack of regulation in gun sales, the way that Las Vegas is the city of sin, or the failure of almost all films to use flashbacks in different media separated by letters from…

DIFF ’02: White Oleander

October 11, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals

**/****
starring Alison Lohman, Robin Wright Penn, Michelle Pfeiffer, Renée Zellweger
screenplay by Mary Agnes Donoghue, based on the novel by Janet Fitch
directed by Peter Kosminsky

Whiteoleanderby Walter Chaw Anchored by an already-lauded (and justifiably so) performance from semi-newcomer Alison Lohman, veteran television director Peter Kosminsky's White Oleander manufactures a trio of unlikely neo-feminist empowerment workshops, loosely tying them together with an orphanage/prison trope and a ridiculous framing motif of sad dioramas in a row of suitcases. White oleander is a poisonous flower (we learn in one of many unforgivably scripted moments of wispy narration), and the film of that same name is a broad, melodramatic estrogen opera that's pretty toxic in its own right.

DIFF ’02: The Weight of Water

October 9, 2002Posted in2000s, Authors: Walter Chaw, Canada, Crime, DIFF/SDFF, Drama, Film Festivals, France, Mystery, Thriller
*½/****starring Catherine McCormack, Sarah Polley, Sean Penn, Josh Lucasscreenplay by Alice Arlen and Christopher Kyle, based on the novel by Anita Shrevedirected by Kathryn Bigelow by Walter Chaw Sort of a "Crucible" of period repression and sexual hysteria tied uncomfortably to Roman Polanski's Bitter Moon, Kathryn Bigelow's unreleased and maybe unreleasable The Weight of Water looks to parallel two distinct genres by mining the sexual tension in both. The problem with such a conceit is not its ambition--the picture's sort of admirable in a soggy, pretentious way--but rather the essential misunderstanding of the disparateness of the sources of that tension:…

DIFF ’02: Sweet Sixteen

October 7, 2002Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals, Germany, Spain, UK
***½/****starring Martin Compston, William Ruane, Annmarie Fulton, Michelle Abercrombyscreenplay by Paul Lavertydirected by Ken Loach by Walter Chaw Ken Loach returns to his blue-collar roots with the incendiary Sweet Sixteen, a fabulous evocation of place and the plight of the lower class in the mean streets of Glasgow. Supremely well-acted and marked by Loach's gift for an effortless transparency in setting and the performances he coaxes from inexperienced actors, the picture follows young Liam (Martin Compston) on the eve of his sixteenth birthday as he shuck-and-jives his way towards a better life for him and his soon-to-be-ex convict mother, Jean…

DIFF ’02: XX/XY

October 7, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Romance
**/****starring Mark Ruffalo, Kathleen Robertson, Maya Stange, Petra Wrightwritten and directed by Austin Chick by Walter Chaw The problem with Austin Chick's hyphenate debut XX/XY is that despite an intervening decade in the storyline, the characters enjoy no appreciable evolution. It's possible the film is meant to be about a trio of arrested, knee-jerk reactionaries; it's also possible the film is about how these people are really bad for each other. But the aggregate effect is that XX/XY is devoid of much real tension and actual character development. Sam (Maya Stange) and Thea (Kathleen Robertson) are roommates who meet Coles…

DIFF ’02: Interview with the Assassin

October 7, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Pseudo-Documentary
***/****starring Raymond J. Barry, Dylan Haggerty, Jimmy Burke, Renee Faiawritten and directed by Neil Burger by Walter Chaw One of the truest children of The Blair Witch Project, Neil Burger's Interview with the Assassin is a mockumentary shot on digital video that mixes an urban myth and our current fascination (and ease) with digital imaging technologies. Voyeurism is touched upon, as are its attached issues of privacy and the loss thereof in our information dystopia; that the picture manages to juggle its points of view while remaining faithful to its one-camera pony is testament to the cleverness of Burger's debut…

DIFF ’02: Morvern Callar

October 7, 2002Posted in****/****, 2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Esoterica, Film Festivals, UK
****/****starring Samantha Morton, Kathleen McDermott, Raife Patrick Burchell, Dan Cadanscreenplay by Liana Dognini, Lynne Ramsay, based on the novel by Alan Warnerdirected by Lynne Ramsay by Walter Chaw Scottish director Lynne Ramsay's remarkable follow-up to her remarkable debut Ratcatcher, Morvern Callar edges into the ground ploughed by Claire Denis, fashioning a blend of the feminine travelogue of Chocolat (the 1988 version), the haunted monumentalism of Beau Travail, and the carnal suffering of Trouble Every Day, all merged by Alwin Küchler's brilliantly malleable cinematography. Anchoring Morvern Callar is a breathtaking and courageous performance from Samantha Morton (who, in addition to never…

DIFF ’02: Bloody Sunday

October 6, 2002Posted in****/****, 2000s, Authors: Walter Chaw, DIFF/SDFF, Drama, Film Festivals, Ireland, UK, War
****/****starring James Nesbitt, Tim Pigott-Smith, Nicholas Farrell, Gerard McSorleyscreenplay by Paul Greengrass, based on the novel Eyewitness Bloody Sunday by Don Mullandirected by Paul Greengrass by Walter Chaw With a fade-out/fade-in editing style that pulses like quickening breath, Paul Greengrass's harrowing, documentary-style recreation of the January 1972 Derry Massacre--immortalized in U2's song ("Sunday, Bloody Sunday") and about 30 years ("centuries" seems more appropriate) of violence between Irish separatists and the British army--is thick with an oppressive sense of inevitability. As Greengrass moves between the British troops readying for war and well-meaning Irish activist Ivan Cooper (James Nesbitt) stumping for a…

DIFF ’02: Roger Dodger

October 6, 2002Posted in2000s, Authors: Walter Chaw, Comedy, Coming of Age, DIFF/SDFF, Drama, Film Festivals, Germany
***½/****starring Campbell Scott, Jesse Eisenberg, Isabella Rossellini, Elizabeth Berkleywritten and directed by Dylan Kidd by Walter Chaw Roger (Campbell Scott) is a fast-talking lothario with the usual laundry list of the insecurities, sexual or otherwise, that plague the modern man. But this far meaner and smarter version of The Tao of Steve--and what slight praise that is--takes a turn to the intriguing when Roger's 16-year-old nephew Nick (Jesse Eisenberg) appears for a few lessons on the art of pitching woo. In three brilliantly-scripted and wondrously paced sequences, Kidd points his Casanova Virgil and virginal Dante into the concentric circles of…

DIFF ’02: 7 Days in September

October 6, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Documentary, Film Festivals
***½/****directed by Steve Rosenbaum by Walter Chaw An often-harrowing collection of amateur video taken on the days in the immediate aftermath of the terrorist attacks of September 11, 2001, 7 Days in September accomplishes what so many retrospectives since that day have failed at in its evocation of the immediacy of atrocity and outrage, fear and fury of a day that is already fading into the repository of memory and irony. Footage, seldom-seen in a dangerously squeamish United States, of a person jumping from a building shares time with the immediate reactions of people hiding from the smoke and debris.…

DIFF ’02: Mile High: A Tale of Two Stadiums

October 6, 2002Posted in2000s, Authors: Walter Chaw, DIFF/SDFF, Documentary, Film Festivals, Sports
**½/****directed by Samuel A. Safarian, Dirk Olson by Walter Chaw One of my earliest memories is watching Haven Moses catch a touchdown pass from Craig Morton in the 1977 AFC Championship games against the hated Oakland Raiders; since that time, I've only missed a total of three Broncos games (preseason included). If there was ever a viewer to which a documentary was tailor-made, then, it is Dick Olson's Denver Center Media-produced Mile High: A Tale of Two Stadiums, a soft-sell documentary commissioned to ease the transition to a new football stadium in the Mile High City, my hometown. Comprising over…

DIFF ’02: Home Room

October 6, 2002Posted in2000s, Authors: Walter Chaw, Crime, DIFF/SDFF, Drama, Film Festivals, Teen
*/****starring Busy Philipps, Erika Christensen, Victor Garber, Raphael Sbargewritten and directed by Paul F. Ryan by Walter Chaw A standard good girl-meets-bad girl formula wrapped around a gloss on high-school shooting (our own perverse millennial take on the fin-de-siècle phenomenon), Home Room presents its vision of post-traumatic stress disorder with such hamhandedness that it threatens to spawn the same in the viewer. Essentially an Afterschool Special complete with pre-packaged messages about the evil of cigarettes, the secret pain of goth chicks, the importance of not taking the Lord's name in vain, and the crass stupidity of well-meaning cops and school administrators,…

DIFF ’02: The Fabulous Stain (Introduction)

October 5, 2002Posted in2000s, Authors: Walter Chaw, Blog, DIFF/SDFF, Film Festivals

Difftitle2002bby Walter Chaw The silver anniversary of the Denver International Film Festival (hereafter DIFF) came to town with rumours run-rampant and grand, but the reality is a mixture of raised eyebrows, surprise announcements, and last-minute acts of God. Hoping for more innovative programming in its key slots, I was disappointed to learn that White Oleander, the star-studded adaptation of Janet Fitch's "Oprah Book Club" selection, would occupy the opening-night stage with a gala presentation at the lovely Temple Buell Theater in the Performing Arts Complex. Premiering just a few hours before its regular theatrical run begins on October 11th, the film is a mainstream Oscar-grab vying amongst the glut of mainstream pictures for the increasingly devalued top honours during the fall and holiday "awards season" and, for my sensibilities, a poor choice to headline the 25th anniversary of the fest. Last year's darkly-hued Lantana was a far more daring and appropriate pick to commence festivities. A rule of thumb has been ignored: bigger is not always better–in fact, in the case of modern film, it's almost never better.

Brotherhood of the Wolf (2001) [Widescreen] + [3-Disc Collector’s Edition] – DVDs

October 1, 2002Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, DIFF/SDFF, DVD, Film Festivals, France, Horror, Mystery

Le Pacte des loups
***½/****
WIDESCREEN DVD – Image A Sound A+ Extras B
3-DISC COLLECTOR’S EDITION DVD – Image B Sound A+ Extras A+
starring Samuel Le Bihan, Mark Dacascos, Emilie Dequenne, Vincent Cassel
screenplay by Christophe Gans, Stephane Cabel
directed by Christophe Gans

by Walter Chaw A beautiful girl adrift in a vast natural expanse is set upon by an unseen menace and slammed against a solid object before being dragged away to her bloodily-masticated doom. Enter a famed naturalist (Samuel Le Bihan), considered the expert in the breed of beast that might be responsible for the heinous deed; his investigations mostly reveal that the culprit is larger than your average monster. Alas, no one in the isolated and picturesque community believes him, consoling themselves in an amateur hunt that bags a load of smaller members of the creature’s species. When the killing continues, the famed naturalist, his highly-trained sidekick (martial artist Mark Dacascos, here reunited with his Crying Freeman director), and a meek member of the ruling class along for the adventure, lay down a series of traps, gather hunting implements, and, after some derring-do, overcome their foe, incurring tremendous losses in the process.

Psst!: FFC Interviews Christian Frei

September 29, 2002Posted in2000s, Authors: Walter Chaw, Documentary, Film Festivals, Interviews, Switzerland

CfreiinterviewtitleSeptember 30, 2002|While flipping through a magazine on a flight to Chicago in April 1997, Swiss director Christian Frei became acquainted with the work of photojournalist James Nachtwey, one of the most decorated artists in his field and the subject of Frei's remarkable documentary War Photographer, which debuts this week in Denver at the Argus Human Rights Festival. A fascinating, almost Lacanian separation of observer and observed indicates the piece, a film shot with a specially designed camera-mounted camera that provides an intimate point of view of the photographer at work. I had the pleasure of speaking with Mr. Frei this morning on the telephone to Switzerland as the director, fresh from a trip to Kabul researching his newest project, The Giant Buddhas, spends the next week and a half in his homeland.

Last Action Hero: FFC Interviews Steven Silver

September 28, 2002Posted in2000s, Authors: Walter Chaw, Film Festivals, Interviews

SsilverinterviewtitleSeptember 29, 2002|At once a startling exposé on the horror of Rwanda's 1994 genocide and a stirring portrait of heroism, Steven Silver's fantastic documentary The Last Just Man is a balanced, provocative film that demonstrates a steady hand at the rudder and an educator's philosophy at the helm. It is wrenching and difficult to consider one's own life from the same perspective once watched–thus it fulfills the noblest aspirations of the medium: to move, to inspire, to edify, all so professionally composed that it manages to disguise its mechanism. Finding the right balance between history and irony, outrage and careful consideration, is a devilishly tricky thing, and Mr. Silver carries it off with a surplus of apparent ease. I was honoured to chat with Mr. Silver on the telephone from Toronto this morning preparatory to the Colorado debut of The Last Just Man at the Argus Human Rights Festival.

In Conversation with Arthur Dong

September 26, 2002Posted in2000s, Authors: Walter Chaw, Documentary, Film Festivals, Interviews

AdonginterviewtitleSeptember 27, 2002|The latest by a veteran and much-lauded documentary filmmaker based in the Los Angeles area, Arthur Dong's Family Fundamentals examines the toll that hatred and intolerance have taken on either side of the ideological divide separating fundamentally Christian families from their homosexual children. Following three families, Dong's picture is notable for its remarkable restraint–its amazing lack of stridency in the face of as insidious–and puzzling–a form of fanaticism as any in our cultural dystopia. Such objectivity graces all of Mr. Dong's late production–works such as the (twice-honoured at Sundance) documentary Licensed to Kill (in which murderers of gay men are interviewed in prison) and Outrage 69, which details, in part, the Stonewall riots of that incendiary summer of '69. I talked to Mr. Dong, a Chinese-American and an openly gay man raised in the Chinatown section of San Francisco, about getting started in film and growing up Chinese in the United States.

TIFF ’02: The Sweatbox

September 15, 2002Posted in2000s, Authors: Bill Chambers, Disney, Documentary, Film Festivals, TIFF, UK
**/****directed by John-Paul Davidson & Trudie Styler by Bill Chambers The makers of The Sweatbox--Trudie Styler (Mrs. Sting) and documentarian John-Paul Davidson--were granted unprecedented access behind the Iron Curtain of Walt Disney during the production of The Emperor's New Groove because Styler's husband was the studio's pop-star composer du jour. The results may embarrass Disney by catching them free of spin a time or two, but the movie doesn't seem to want to demythologize the Mouse House as a matter of course. (When it was over, audience members at my press screening could be heard to ask if the film…

TIFF ’02: Dolls

September 14, 2002Posted in2000s, Authors: Bill Chambers, Drama, Film Festivals, Japan, Romance, TIFF
***/****starring Miho Kanno, Hidetoshi Nishijima, Tatsuya Mihashi, Chieko Matsubarawritten and directed by Takeshi Kitano by Bill Chambers The Yakuza doesn't rear its head until well into Dolls, a gripping, fractured ensemble piece written and directed by that down-and-dirty poet of Japanese cinema, Takeshi Kitano. I must confess to feeling ill-equipped to discuss the mechanics of the film--it's storytelling that gives you the impression of being steeped in oral tradition, and all I can say is that Dolls is accessible to monkey-brained North American viewers like myself all the same. Beginning with an elaborate puppet show shot with verve and affection,…