Resurface: FFC Interviews Scott McGehee & David Siegel
June 22, 2003|Aspen's NXT lounge and nightclub has, off its main floor, a series of smaller rooms and bars decorated in various shades of dirty opulence. Serving as the base of operations for the 12th Aspen Shortsfest, there I met dark complected Scott McGehee and silver-haired David Siegel–co-hyphenates behind icy technical pictures Suture and The Deep End–in a 20' x 30', glass-walled room sporting three over-stuffed love seats and little padded ottomans with Corinthian flares that I'm sure have a name and work well as a tape-recorder stand. After a brief, bonding conversation about the sorry state of modern film criticism (fed by the sorry state of modern major-daily entertainment editors) and the lack of a critical tradition in the United States in comparison to Europe, we moved on to Suture.
Film Freak Central does the Sixth Aurora Asian Film Festival
June 11, 2003|by Walter Chaw There’s a genuine sense of community engendered by the Aurora Asian Film Festival, down on East Colfax where a great deal has been done to make an old community feel intimate and inviting. Old-growth trees dot the sidewalks and nice cobbled walks bisect the intersections. A lot of construction along Colfax reminds that this area may boom if we ever get Democratic leadership back in office, and a lot of uniformed police officers remind that until we do, economic revitalization is sort of holding its breath down here. On the last night of the festival, I moderated a Q&A with director Gil Portes after an exceedingly well-received screening of his tedious film Small Voices; just before that, my wife and I had dinner at my favourite diner (Pete’s Kitchen) and then dessert at a little Mexican bar across the way that not only had no waitresses who spoke English, but also no menus (and Greystoke: The Legend of Tarzan, Lord of the Apes playing in Spanish on a beat-up television (it’s better that way)). Nothing like a little cultural displacement to get the juices flowing.
Film Freak Central Does Film Forward
May 13th, 2003|An interesting move from an interesting company, Madstone Theaters is releasing six undistributed films, each for a one-week alternating run called "Film Forward". The first thought that comes to mind is that undistributed films are most likely that way for a reason. There's an old Tinsel Town axiom that applies to most of the stuff that winds up shelved for a lengthy period of time (View from the Top, A Man Apart, The Weight of Water): studios often don't know when something's good, but they almost always know when something's bad. The idea of "Film Forward" should be appealing, at least intellectually, for the movie-savvy audience that Madstone is trying to cultivate; the question with currency is, as it always is, whether self-confessed movie snobs will put their money where their mouths are.
The Ampersand Man: FFC Interviews Nick Broomfield
by Travis Mackenzie Hoover Say what you will about Nick Broomfield: that he's shallow, that he's an ambulance-chaser, that he is, as one reviewer put it, "the unobservant voyeur." But whatever else they are, his films are compulsive viewing. His modus operandi–collecting a group of arresting individuals surrounding other, more central and elusive (or dead) ones–sucks the viewer into their vortex as testimonial after testimonial reveals both the film's subject and, as Broomfield would put it, the "soul" of the interviewer. The tapestry he weaves out of these apparently disparate interviewees is often overwhelming, even when you're not sure about the director's motives, and it keeps you watching to the final frames.
Hot Docs ’03: The Last Round
Hot Docs ’03: Driving Me Crazy (1988)
Hot Docs ’03: Baader-Meinhof: In Love with Terror
Hot Docs ’03: Hush!
Hot Docs ’03: The Day I Will Never Forget
Hot Docs ’03: Rockets Redglare!
Hot Docs ’03: And Along Came a Spider
Hot Docs ’03: Stupidity
Hot Docs ’03: Kim’s Story (1997)
Hot Docs ’03: How High is the Mountain + How Deep is the Ocean
HOW HIGH IS THE MOUNTAIN
***/****
directed by Shiang-Chu Tang
HOW DEEP IS THE OCEAN
***½/****
directed by Shiang-Chu Tang
by Travis Mackenzie Hoover These are two tangentially related films by the Taiwanese director Shiang-Chu Tang, and they're like nothing else in the Hot Docs festival. They're neither as overly schematic as so many socially-minded documentaries nor overly aestheticized like the school of Errol Morris. In fact, those poles don't really apply to these films, which record social processes through the examples of individuals and which have a formal beauty to them that is totally non-coercive. Watching them, you don't feel forced into taking a stance–you are provided with the stuff of peoples' lives to draw your own conclusions as to how they ended up the way they did.