The Lord of the Rings: The Fellowship of the Ring (2001)

December 6, 2001Posted in2000s, Action, Adventure, Authors: Walter Chaw, Fantasy, Theatrical

***½/****
starring Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin
screenplay by Fran Walsh & Philippa Boyens & Peter Jackson, based on the novel The Fellowship of the Ring by J.R.R. Tolkien
directed by Peter Jackson

Fellowshipoftheringby Walter Chaw At the heart of Peter Jackson’s brilliant The Lord of the Rings: The Fellowship of the Ring–the first of three cinematic adaptations of Tolkien’s beloved fantasy, shot simultaneously for release in consecutive years–is a favourable melancholy, a despair born of two things: the crucial feeling of desperation that infests a small band of heroes striving against an invincible evil; and the knowledge that this film will soon end, its sequel twelve months away. Jackson has translated nearly every element of Tolkien’s universe, from a vast, sprawling history implied in the language and the actions of its multi-specied characters, to a completely immersive fantasy realm with nary a seam to spoil the illusion, to a quest that’s worthy of epic attention. He’s captured the sadness and moral weight of Tolkien with the kind of deep reality that seems effortless but is born of a meticulous preparation and all-consuming vision. It takes a certain skill to make things look good; it takes genius to keep the pretty pictures from overwhelming the narrative of what is, in this case, a universally familiar story. Ridley Scott never quite got the hang of it.

Wishmaster 3: Beyond the Gates of Hell (2001) – DVD

November 18, 2001Posted in2000s, Authors: Walter Chaw, Canada, DVD, Fantasy, Horror, Thriller

½*/**** Image A- Sound B- Extras A-
starring Jason Connery, A.J. Cook, Tobias Mehler, John Novak
screenplay by Alex Wright
directed by Chris Angel

by Walter Chaw The most interesting thing about the train wreck Wishmaster 3: Beyond the Gates of Hell is that it’s actually bookended by two car wrecks. The first is a dream our heroine Diana (A. J. Cook) has of her parents being killed in a collision for which she feels responsible; the second involves the Archangel Michael (Tobias Mehler, who also plays Diana’s boyfriend, Greg–don’t ask), for some reason incapable of freeing his ethereal self from a shoulder restraint without the intervention of the redemption-seeking Diana. Knowing that Wishmaster is a series of films dealing with an evil wish-granting Djinn, I had hope from the first accident that Wishmaster 3 would be an updating of W.W. Jacobs’s marvellous short story “The Monkey’s Paw”, with poor, bereaved Diana foolhardily resurrecting her deceased parents. By the time the second (literally) rolled around, I had hope only that the extreme suckitude of the film didn’t somehow damage my DVD player. Wishmaster 3 is simply abominable–a horror film free of fear and the two things that made the series worthwhile in the first place: genre writer Peter Atkins, absent since the first instalment, and Andrew Divoff as the titular bogey.

Harry Potter and the Sorcerer’s Stone (2001)

November 16, 2001Posted in2000s, Adventure, Authors: Walter Chaw, Family, Fantasy, Theatrical, UK

Harry Potter and the Philosopher’s Stone
**/****
starring Daniel Radcliffe, Rupert Grint, Emma Watson, John Cleese
screenplay by Steven Kloves, based on the novel by J.K. Rowling
directed by Chris Columbus

Harrypottersorcererby Walter Chaw There is such a dedicated lack of controversy and tension in Harry Potter and the Sorcerer’s Stone that all of its benefit as a children’s fiction is lost to the machinery of Hollywood spectacle. Gone is the dread uncertainty, the persecution of a child because of parents or class, and any true appreciation of consequences in the various action scenarios that lockstep unfold to the strict dictates of the plot; it’s Willy Wonka and the Chocolate Factory without the candy. At a bloated 152 minutes, the film depends to a peculiar degree on our familiarity with J.K. Rowling’s outrageously popular series of books: it does little to establish the characters and has such a feeling of clockwork inevitability that it’s shocking when the finale comes and goes with almost nothing resembling purpose, much less resolution. Though it’s arguably faithful to the major movements of the book (thus satisfying a large population of its tyke fans until they begin to develop discretion), Harry Potter and the Sorcerer’s Stone suffers from what I like to call the “Wizard of Oz” malady: no brain, no heart, no courage.

Vampire Hunter D: Bloodlust (2001)

November 9, 2001Posted in2000s, Action, Animation, Authors: Walter Chaw, Fantasy, Hong Kong, Horror, Japan, Sci-Fi, Theatrical, Vampire

***½/****
screenplay by Yoshiaki Kawajiri, based on the novel by Hideyuki Kikuchi
directed by Yoshiaki Kawajiri

Vampirehunterdbloodlustby Walter Chaw Yoshiaki Kawajiri’s name is probably not as familiar to anime’s United States fanbase as Hayao Miyazaki, Katsuhiro Ôtomo, Mamoru Oshii, Isao Takahata, or Shinichirô Watanabe, but amid those in the “know,” his Ninja Scroll is among the best pure action/fantasy films of the last fifty years in any medium. Tightly plotted and drawn in a style that crosses Bernie Wrightson with Kelley Jones’s work in Neal Gaiman’s Sandman comic series, Ninja Scroll is one of few eloquent stand-alone justifications for Japanese animation as a movement of true cinematic value and lasting merit. Perhaps accounting for his relatively anonymous standing, Kawajiri’s other films veer wildly from the sloppily drawn though viscerally intriguing Wicked City to the frankly awful Demon City Shinjuku. With Vampire Hunter D: Bloodlust, Kawajiri’s first film since Ninja Scroll six years back, the director takes on Hideyuki Kikuchi’s popular manga D–yousatsukou (the sequel to Kyuuketsuki Hantaa ‘D’, made into 1985’s Vampire Hunter D by Toyoo Ashida), and produces something that falls in quality somewhere between the dizzying heights of Ninja Scroll and the occasionally weak Wicked City, while borrowing images and elements from both.

The Hobbit (1978) + The Return of the King (1980) – DVDs

October 29, 2001Posted in1970s, 1980s, Action, Adventure, Animation, Authors: Walter Chaw, DVD, Fantasy, Musical, Television

THE HOBBIT
**/**** Image B- Sound C
screenplay by Romeo Muller,
based on the novel by J.R.R. Tolkien
directed by Jules Bass & Arthur Rankin Jr.

THE RETURN OF THE KING
**½/**** Image B- Sound C
screenplay by Romeo Muller,
based on the novel by J.R.R. Tolkien
directed by Jules Bass & Arthur Rankin Jr.

by Walter Chaw There are a couple of ways to tackle screen adaptations of J.R.R. Tolkien’s Lord of the Rings trilogy and its prequel, The Hobbit. One is to do as Ralph Bakshi did with his 1978 animation The Lord of the Rings and present a sexualized and disturbing vision of Middle Earth; the other is to make a film for children that omits the more troubling elements of Tolkien (the racism, homoeroticism, religiosity), as with Jules Bass and Arthur Rankin Jr.’s two feature-length television specials: The Hobbit (1978) and The Return of the King (1979).

Dr. Seuss’ How the Grinch Stole Christmas (2000) [Collector’s Edition (Widescreen) + DVD Interactive Playset] – DVDs

October 21, 2001Posted in2000s, Authors: Bill Chambers, Christmas, Comedy, DVD, Family, Fantasy

*/**** Image A Sound A Extras B- Playset A-
starring Jim Carrey, Jeffrey Tambor, Christine Baranski, Molly Shannon
screenplay by Jeffrey Price & Peter S. Seaman, based on the book by Dr. Seuss
directed by Ron Howard

by Bill Chambers Dr. Seuss’ How The Grinch Stole Christmas? More like Dr. Strangelove’s. The Ron Howard film version of the children’s perennial has horror-movie limbs that spring up independently of Seussian intent, the most extended of them going by the name of Jim Carrey, who wants to be the only Grinch remembered and marks his territory with piss and vinegar. Then there are the subversive asides, reckless stabs at hipping up a classic story that hadn’t fallen out of fashion in the first place. So miscast as a director, Howard is guilty of trying too hard; so well-cast in the lead role, Carrey is also guilty of trying too hard–or maybe not hard enough. Improvising ten topical jokes to every five that succeed while smothered by a fuzzy-wuzzy bodysuit, Carrey suggests a green Robin Williams in maximum sellout mode.

Final Fantasy: The Spirits Within (2001) [Special Edition] – DVD

October 12, 2001Posted in2000s, Action, Adventure, Animation, Fantasy, Japan, Romance, Sci-Fi

***/**** Image A+ Sound A Extras B
starring the voices of Alec Baldwin, Steve Buscemi, Peri Gilpin, Ming-Na
screenplay by Al Reinert and Hironobu Sakaguchi and Jeff Vintar
directed by Hironobu Sakaguchi

by Walter Chaw So the dialogue’s not so bad (having seen Pearl Harbor), the story’s not so obscure (having seen Akira), and the voice acting’s pretty decent (having listened to Claire Danes do San in Princess Mononoke). It almost goes without saying that the film is hands-down the best ever based on a videogame, and that Squaresoft’s 3-D captured animation is breathtaking and exciting, not just for the fact of itself but for what it portends of big-budget Stateside anime. What Final Fantasy: The Spirits Within reminded me of the most is Katsuhiro Ôtomo’s seminal 1988 anime Akira, and the revolution Akira heralded for the popularity and scope of the anime genre in Japan.*

The Mists of Avalon (2001) – DVD

October 10, 2001Posted in2000s, Authors: Walter Chaw, Czech Republic, Drama, DVD, Fantasy, Germany, Television

**/**** Image A Sound B-
starring Anjelica Huston, Julianna Margulies, Joan Allen, Samantha Mathis
teleplay by Gavin Scott, based on the novel by Marion Zimmer Bradley
directed by Uli Edel

by Walter Chaw A lavish television adaptation of Marion Zimmer Bradley’s minor feminist classic, The Mists of Avalon is three hours of ripping bodices, slashing swords, ludicrous, DeMille-tinged fertility rites, and snarling, imperious heroines. It is a retelling of the Arthur myth through the eyes of Morgan le Fey (recast as “Morgaine” and played by the terrifying Julianna Margulies), diminishing Merlin’s (Michael Byrne) role to that of doddering secondary foil and Arthur’s (Edward Atterton) to a brooding cuckold cipher.

The Mummy Returns (2001) [Collector’s Edition (Widescreen)] – DVD

September 20, 2001Posted in2000s, Action, Adventure, Authors: Bill Chambers, DVD, Fantasy, Thriller

*/**** Image A Sound A+ Extras B-
starring Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo
written and directed by Stephen Sommers

by Bill Chambers The Mummy Returns reminds me of a little film called The Mummy. Actually, it made me think of Trail of the Pink Panther, which was assembled from outtakes of other Inspector Clouseau movies due to star Peter Sellers expiring before, it would seem, his contract did. The Mummy Returns is all but a patchwork quilt made up of, if not leftover scenes, then scrap ideas. In The Mummy, a looming face of swirling sand pursued our hero; in The Mummy Returns, it materializes from a waterfall. The kind of production for which the writing credit should probably read “cocktail napkin by,” The Mummy Returns fails to distinguish itself from the undistinguished original. Why are they both superhits?

Akira (1988) – DVD (THX)

July 24, 2001Posted in1980s, Action, Animation, Authors: Walter Chaw, Drama, DVD, Fantasy, Japan, Sci-Fi, Thriller

***/**** Image B+ Sound B (English)/A (Japanese)
screenplay by Katsuhiro Otomo & Izo Hashimoto
directed by Katsuhiro Otomo

by Walter Chaw What begins as a miracle of cinema ends as an obscure endurance test, but the visual landmarks that you pass along this strange animated journey’s way make the trip one of value. Akira is two hours and five minutes of philosophical soup, a surrealistic melding of Blade Runner, X-Men, Firestarter, and Frank Miller’s “Sin City” mixed with the melancholic sensibilities of the only culture that has experienced the Atomic bomb, with a healthy sampling of really fast motorcycles tossed in for visceral crunch.

Monkeybone (2001) [Special Edition] – DVD

July 11, 2001Posted in2000s, Animation, Authors: Walter Chaw, Comedy, DVD, Esoterica, Fantasy

*/**** Image B- Sound B Extras B
starring Brendan Fraser, Bridget Fonda, Chris Kattan, Giancarlo Esposito
screenplay by Sam Hamm
directed by Henry Selick

by Walter Chaw At long last someone decided to crossbreed Cool World, Beetlejuice, and All of Me. Stu Miley (Brendan Fraser) is a cartoonist in the John Kricfalusi tradition on the cusp of semi-stardom, with his own animated half-hour series impending on Comedy Central. His creation, the titular “Monkeybone” (voiced by John Turturro), is a dangerously sexualized simian that, we learn, is born from the shame of a pre-adolescent’s erection and a disturbed man’s sublimated aggression. Seminal, indeed. Plunged into a coma, Stu is dropped into a Freudian stew of elaborate set-design and partially-successful live-action integration called Downtown, helpless as Monkeybone takes over his flesh body, bangs his angelic gal Julie (Bridget Fonda), and parlays Stu’s modest cartoon into a marketing monolith bent on pushing nightmare-inducing toys (ushering Monkeybone into the poorly-attended “Club Halloween III“). Making matters somehow more unbearable, in Downtown Stephen King is literally a character, Giancarlo Esposito is a satyr, and–as box-office watchers of her last ten films will attest–Whoopi Goldberg is Death.

Lara Croft: Tomb Raider (2001)

June 15, 2001Posted in2000s, Action, Adventure, Authors: Walter Chaw, Fantasy, Germany, Japan, Theatrical, Thriller, UK

*½/****
starring Angelina Jolie, Daniel Craig, Leslie Phillips, Mark Collie
screenplay by Simon West and Patrick Massett & John Zinman
directed by Simon West

by Walter Chaw To say that Lara Croft: Tomb Raider is completely incomprehensible is not entirely accurate, for the basic plot appears to be pretty straightforward. The British Lara Croft (played by the American Angelina Jolie) is a sort of jet-setting archaeologist in the Indiana Jones mold who is extremely well outfitted by a gadget man in the James Bond mold, and who boasts of a loyal, shotgun-packing butler in the Batman mold. Her task is to discover two pieces of a triangular artifact before the Illuminati do on the day that a rare syzygy coincides with a solar eclipse, allowing the triangle-bearer to control time.

The Kid (2000)

July 7, 2000Posted in2000s, Authors: Bill Chambers, Comedy, Disney, Family, Fantasy, Theatrical

Disney's The Kid
**/****
starring Bruce Willis, Spencer Breslin, Emily Mortimer, Lily Tomlin
screenplay by Audrey Wells
directed by Jon Turteltaub

by Bill Chambers Hurling overwrought insults at just about everyone he meets, Russell Duritz (a dour Bruce Willis) is an image consultant with G-rated impatience for the world at large. Enter Russell, age eight (Spencer Breslin, only slightly less annoying than I had braced for)–Duritz's chubby younger self has somehow materialized to teach him a few Valuable Life Lessons. The trouble with a hyped-to-the-gills high-concept movie is, of course, that by the time we're lining up to see it, we've digested and come to terms with the central conceit–the fantasy premise is why we're there. Thus, the wait for a protagonist to accept what we already have can be excruciating, as it is here. The rest of Disney's The Kid's (so you don't mistake it for Chaplin's, I guess) concerns the two Russells trying to determine the cosmic moral behind their unlikely meeting, with both of them equally appalled by how the other lives his life. (This being Disney, the film only agrees with the younger, workaholic one.)

Sleepy Hollow (1999) – DVD

May 22, 2000Posted in1990s, Authors: Bill Chambers, Directors: Tim Burton, DVD, Fantasy, Germany, Horror, Mystery

**/**** Image A+ Sound A Extras C+
starring Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon
screenplay by Andrew Kevin Walker
directed by Tim Burton

by Bill Chambers Googly eyes that spring forth from a ghoulish figure. A burning windmill. Ghostly choir music. Jeffrey Jones. Sleepy Hollow is Tim Burton's Greatest Hits. The trouble with most compilation albums is that they're superficial, a bunch of songs connected by one flimsy context: retrospection. If this latest gloomfest from Burton doesn't make you yearn for the days when you were witnessing his directorial flourishes for the first time, we saw different films. The storytelling is as shallow as the setting is hollow.

Star Wars: Episode I – The Phantom Menace (1999)

May 18, 1999Posted in1990s, Action, Adventure, Authors: Bill Chambers, Fantasy, Sci-Fi, Star Wars, Theatrical

This one's pretty rough, folks; mea culpa. Reprinted for posterity and completism, since Walter reviewed the other two. Some minor edits made for clarity.-BC

**/****
starring Liam Neeson, Ewan McGregor, Natalie Potrtman, Jake Lloyd
written and directed by George Lucas

by Bill Chambers Forgoing my typical formula in an effort to write something that stands out from the pack. I can't promise not to spoil anything, but I will do my best to avoid giving too much away.