Family Archives - Page 4 of 19 - FILM FREAK CENTRAL

The Films of Hayao Miyazaki (1979-2001)|Spirited Away (2001) – Blu-ray + DVD

June 25, 2015****/****, 1970s, 1980s, 1990s, 2000s, 2015, Action, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, DVD, Family, Fantasy, Japan, Romance, Sci-Fi, War

Lupin III: The Castle of Cagliostro (Lupin the Third: The Castle of Cagliostro) (1979)
***/****
Buy DVD at Amazon.com|Buy Blu-ray at Amazon.com
Adapted from a Monkey Punch manga that was itself based on Maurice LeBlanc’s popular super-spy Lupin, Hayao Miyazaki’s first feature-length film The Castle of Cagliostro came about as an offshoot of his experiences producing television episodes of a popular Lupin series (1977-1981). As such, the animation and backgrounds are more simplistic, the story is more cartoonish (though the very basic Miyazaki hallmarks of a girl in transition, flight, and gadgetry are already in place) and one-dimensional, and the pace is more relentlessly breakneck than occasionally meditative. Beginning as a heist comedy and continuing as an impenetrable fortress/princess in a tower action adventure film, The Castle of Cagliostro is a light, irreverent slapstick exercise with a healthy share of nifty gadgets and derring-do. Missing is a sense of completion and the deeper examination of themes that one will come to associate with the director’s work, but The Castle of Cagliostro stands on its own merits; despite being shackled somewhat by the artistic and thematic requirements of an in-place franchise, the picture reveals the burgeoning promise of a filmmaker who would become the most important voice of the new anime medium. 100 minutes

Inside Out (2015)

June 18, 20152015, Animation, Authors: Walter Chaw, Comedy, Drama, Family, Pixar, Theatrical

**½/****
screenplay by Meg LeFauve & Josh Cooley and Pete Docter
directed by Pete Docter

by Walter Chaw Films are objects and their interpretations are subjective. I start this way because there’s a sequence in Pete Docter’s Inside Out that enters an area of, literally, abstract thought–and then later, its characters accidentally spill crates of “facts” and “opinions” and have trouble getting them sorted out again. (“It happens all the time,” they’re reassured.) Someone brilliant once said that the measure of a work is the extent to which it’s examined. Inside Out is destined to be examined a lot and, therefore, deserves a great deal of merit–but for as uncannily perceptive as it is at times, it’s just as often pernicious in its gender stereotyping and establishment of straw situations that betray its core honesty. I’m reminded of Docter’s similarly-flawed, similarly schizophrenic Up, whose prologue is easily among the cinema’s best silent melodramas while the rest of it is missed opportunity, curious under-reaching, and overly dependant on shtick. Docter’s cited Paper Moon as a seminal film in his development. Of his three movies thus far, only his first, Monsters, Inc., deserves mention in the same conversation from start to bittersweet finish.

Tomorrowland (2015)

May 20, 20152015, Action, Adventure, Authors: Walter Chaw, Disney, Family, Mystery, Sci-Fi, Theatrical

***/****
starring George Clooney, Hugh Laurie, Britt Robertson, Raffey Cassidy
screenplay by Damon Lindelof and Brad Bird
directed by Brad Bird

by Walter Chaw Brad Bird’s Tomorrowland is a mess and it knows it. It’s unruly, barely contained, just this side of completely falling apart. There are many and distracting continuity errors, and though it makes a joke of it, it’s clear immediately that the movie doesn’t know how to start, much less end. It has an engaging, irrepressible heroine it strands at the moment she should be doing something (“Am I supposed to be…doing something?” she actually asks), and it has a visit to a memorabilia/collectibles store run by unusual proprietors that is packed to the girders with Brad Bird ephemera of the Iron Giant and Incredibles variety. Tomorrowland has hanging about it, in other words, all the elements of disaster: winky meta references, lack of narrative cohesion, desperation-born mistakes, bad screenwriter/Nick-Riviera-bad script doctor Damon Lindelof as Bird’s co-author…and yet it’s good somehow. Credit Bird, who knows his way around spatial relationships, and credit a simple, plaintive idea that the world can be better if we believe that it can be better. If the sign of a great filmmaker is his ability to make a bad actor seem good, Bird is a frickin’ genius for making something Lindelof worked on not an utter catastrophe. It’s big and simple and corny in a Lone Ranger, Captain America, Silver Age Superman kind of way–the kind of big and simple and corny I can get behind.

Cinderella (2015)

March 14, 20152015, Adventure, Authors: Walter Chaw, Disney, Drama, Family, Fantasy, Romance, Theatrical

**½/****
starring Cate Blanchett, Lily James, Richard Madden, Helena Bonham Carter
screenplay by Chris Weitz
directed by Kenneth Branagh

by Walter Chaw Notable in however these things are notable for not being an Ever After revisionist Cinderella but rather a fairly straightforward adaptation of the Disney animated version, Kenneth Branagh’s Cinderella would be interesting to look at next to Kenneth Branagh’s Mary Shelley’s Frankenstein, if only to see how Helena Bonham Carter morphs from immortal beloved to Fairy Godmother. (Answer? Awkwardly.) It’s not a bad conversation to have, actually, in a film that finds a great deal of depth in Cate Blanchett’s Barbara Stanwyck take on Lady Tremaine, the evil stepmother. In a nicely-played scene, she stops just short of confessing that the reason she resents Cinderella (Lily James) is because, for women, society abhors the aged and venerates the youthful. It’s not deep (and maybe it’s not meant to be), but it does add a little bitter undertaste to its “happily ever after.”

101 Dalmatians (1961) [Diamond Edition] – Blu-ray + DVD + Digital HD

February 17, 20151960s, 2015, Adventure, Animation, Authors: Bill Chambers, Blu-ray Disc, Disney, DVD, Family

101dal1

One Hundred and One Dalmatians
***½/**** Image B- Sound A- Extras A
story by Bill Peet, based on the book The Hundred and One Dalmatians by Dodie Smith
directed by Wolfgang Reitherman, Hamilton S. Luske, Clyde Geronimi

by Bill Chambers 1959’s Sleeping Beauty and 1961’s One Hundred and One Dalmatians (hereafter 101 Dalmatians) make for an illuminating double-bill; the latter could even be construed as a Godardian rejoinder to the former. An anti-auteur of these movies, Walt Disney determined their outcome by divesting resources from their development–including his own expertise–and pouring them into his personal Taj Mahal, Disneyland. This deprived the expensive Sleeping Beauty of the talent that may have been able to crack its deceptively simple fairytale formula and transcend the limitations of a graphical style inspired by medieval tapestries. When the film barely broke even, Disney decided his next animated feature would adapt a property with some grounding in contemporary prose and cost a lot less, leading to the shuttering of the ink-and-paint department and a vigorous embrace of Xerography, whereby the animators’ pencil drawings were photocopied directly onto acetate rather than delicately retraced and refined by hand.

The Boxtrolls (2014) – Blu-ray 3D + Blu-ray + DVD + Digital HD

February 2, 20152014, 2015, Adventure, Animation, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Comedy, DVD, Family, Fantasy

Boxtrolls2

***/**** Image B- Sound A Extras B+
screenplay by Irena Brignull, Adam Pava, based on the book Here Be Monsters by Alan Snow
directed by Graham Annable & Anthony Stacchi

by Walter Chaw Stop-motion animation studio Laika (Coraline, ParaNorman) continues its winning streak with the perverse, lovingly-detailed The Boxtrolls, which nails the company’s developing penchant for inserting a sting of relevance on the trailing end of assorted Nick Park-ian silliness. It’s basically the usual kid-flick moral of not judging lovable books by their horrible, green, warty covers, but there’s also a little bit about the danger of starting wars based on black pretense for unsavoury purposes. Likewise buried in the puns and gross-out gags are a class melodrama, a deep criticism of the ruling class, and a fairly disturbing aside about anti-intellectualism and the misuse of technology. It’s Schindler’s List in the sense that even that film was Spielberg’s own remake of E.T., substituting the industrious, wizened space goblin for Ben Kingsley; The Boxtrolls isn’t as effective a Holocaust/Łódź ghetto allegory as the hotel-clearing in Babe: Pig in the City, but no question the aim of its villains is ultimately genocide.

Into the Woods (2014)

December 24, 20142014, Authors: Walter Chaw, Comedy, Disney, Family, Fantasy, Musical, Theatrical, ZERO STARS

ZERO STARS/****
starring Meryl Streep, Emily Blunt, James Corden, Johnny Depp
screenplay by James Lapine, based on the musical by Stephen Sondheim and James Lapine
directed by Rob Marshall

by Walter Chaw Into the Woods looks exactly like what a legendary Sondheim production would look like were it adapted by that idiot who made Memoirs of a Geisha into a Vegas drag space-opera dragged through a scrim of horrific Occidental Orientalism. (Well, at least to the extent that Memoirs wasn’t that already.) It’s gaudy in every pejorative connotation of the word, packed to the rafters with distracting, stupid, show-offy clutter of the sort that people accumulate when they fear they don’t have substance without it. I rather liked Marshall’s adaptation of Chicago, strangely enough, which speaks more to the un-fuck-up-ability of Kander, Ebb, and Fosse than it does to any latent modesty in director Marshall. Call it beginner’s luck, perhaps, of the kind that has long since dissolved. Marshall has already exceeded all expectations for bloated suck by somehow making the Pirates of the Caribbean franchise more difficult to endure than it had been by the third film. I’d challenge that you could swap Into the Woods out for a print of The Imaginarium of Dr. Parnassus and no one would even frickin’ notice. It’s this year’s Les Misérables.

Maleficent (2014) – Blu-ray + DVD + Digital HD

November 2, 20142014, Action, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Blu-ray Disc, Disney, DVD, Family, Fantasy, Romance

Maleficent1

***/**** Image A- Sound A Extras C+
starring Angelina Jolie, Sharlto Copley, Elle Fanning, Sam Riley
screenplay by Linda Woolverton
directed by Robert Stromberg

by Walter Chaw A gyno-centric reimagining of Disney’s own Sleeping Beauty, visual-effects guy Robert Stromberg’s directorial debut Maleficent (from a script by never-good Disney house-overwriter Linda Woolverton) takes all the ingredients for a horrible disaster and somehow wrestles a fitfully fascinating film from them. It hates men, that much is certain. Paints them as alternately servile and monstrous. Good men follow orders and are easily intimidated; bad men are sexually dangerous and violent. Good men know their place, led about on a tether and bullied into situations by women in groups or singly; and the rest, well…sufficed to say that Sharlto Copley, the most Ellis-from-Die-Hard human, is cast as chief BigBad, the good king Stefan. The film even goes so far as to suggest that romantic, heterosexual love is a sham, a dangerous one at that–something it tries to soften with a couple of doe-eyed exchanges during the epilogue, though I’m not buying it. In fact, had Maleficent truly committed to its themes of feminine empowerment and rage, had it linked them together hand-in-hand without entire agonizing stretches of Disney-fication, it could have entered into the same conversation as Tarantino’s Kill Bills. Here’s another film with a kick-ass female protagonist who finds strength in motherhood. Alas, for as often as it’s great, it’s limited by what its masters will allow.

The Lego Movie (2014) – Blu-ray + DVD + Digital HD

June 19, 20142014, Action, Adventure, Animation, Authors: Bill Chambers, Blu-ray Disc, DVD, Family

click any image to enlarge

**½/**** Image A+ Sound A+ Extras C+
screenplay by Phil Lord & Christopher Miller
directed by Phil Lord & Christopher Miller

by Bill Chambers SPOILER WARNING IN EFFECT. Emmet is the platonic Everyman who becomes embroiled in adventure and intrigue after stumbling on a fabled MacGuffin called the Piece of Resistance. It's Hitchcock with a dash of Star Wars or The Matrix, or maybe vice-versa, as Emmet is designated "the Special" (a.k.a., the Chosen One), the saviour who will lead a band of rebel misfits to victory against the nefarious Lord Business. Oh, and Emmet's a little Lego dude with the voice of Chris Pratt. His predicament takes him on a globe-trotting journey through Legoland (not the theme park but a realm where Lego characters bloom to life à la Toy Story), not quite north by northwest but with a pit stop in the Wild West, where he picks up a wizardly black mentor named Vitruvius (Morgan Freeman–one wants to type "natch"). Lacking obvious talent and vision, Emmet is doubted and doubts himself but eventually rallies the troops and, when Lord Business finally unleashes his liquid freeze-ray known as the Kragle, voluntarily sacrifices himself for the greater good. It helps that he's desperate to impress the sultry, resourceful Wyldstyle (Elizabeth Banks), who considers Emmet hopelessly uncool–especially compared to her boyfriend, Batman (Will Arnett).

Maleficent (2014)

May 29, 20142014, Action, Adventure, Authors: Walter Chaw, Disney, Family, Fantasy, Revenge, Romance, Theatrical

***/****
starring Angelina Jolie, Sharlto Copley, Elle Fanning, Sam Riley
screenplay by Linda Woolverton
directed by Robert Stromberg

Ernest & Celestine (2012) + Jodorowsky’s Dune (2014)

April 10, 20142012, 2014, Adventure, Animation, Authors: Walter Chaw, Belgium, Comedy, Crime, Documentary, Drama, Family, France, Luxembourg, Theatrical

Ernest et Célestine
**½/****
screenplay by Daniel Pennac, based on books by Gabrielle Vincent
directed by Stéphane Aubier, Vincent Patar, Benjamin Renner

JODOROWSKY’S DUNE
**½/****
directed by Frank Pavich

by Walter Chaw Broad, earnest, unassuming animation from France, Ernest & Celestine is the tale of a little girl mouse, Celestine (voice of Pauline Brunner), and gruff bear Ernest (Lambert Wilson), who overcome their cultural prejudices to become fast friends. Celestine is outcast because she’d like to be an artist instead of a dentist; Ernest is outcast because he’s a busker struggling to eke out a subsistence living. Over a series of misadventures, the two end up doing the Badlands in Ernest’s ramshackle hideaway, awaiting their fate and trying to enjoy their borrowed time. It’s all leading to a grim ending, but it’s not that kind of movie.

The Wind Rises (2013) + Frozen (2013)

February 25, 2014****/****, 2013, 2014, Adventure, Animation, Authors: Walter Chaw, Biopic, Comedy, Disney, Drama, Family, Japan, Musical, Romance, War

THE WIND RISES
****/****
written and directed by Hayao Miyazaki

FROZEN
**½/****
screenplay by Jennifer Lee, inspired by Hans Christian Andersen's "The Snow Queen"
directed by Chris Buck and Jennifer Lee

Editor's Note: This review pertains to the original Japanese-language version of The Wind Rises.

by Walter Chaw Hayao Miyazaki's alleged swan song The Wind Rises is mature, romantic, grand storytelling that just happens to be something like a romanticized biography of Jiro Horikoshi, the aeronautical engineer behind the design of the Mitsubishi A5M, which led, ultimately, to the Zero. Indeed, for a Western audience, watching Jiro's dreams of squadrons of Zeros buzzing over fields of green is chilling, and advance critics seemed unable to distinguish the Japanese war machine from the film's focus on a life lived in pursuit of dreams. In truth, separating these two aspects of the picture–the proximate and the historical–is self-defeating. (Dismissing the movie out of hand is equally blinkered.) One without the other, The Wind Rises loses anything like substance, resonance, importance. It would fall on the one side into gauzy bullshit, on the other into Triumph of the Will. As is, it's something more akin to Studio Ghibli's own Grave of the Fireflies in its humanizing of a man whose dreams were corrupted into something terrible. Einstein would be one of the West's potential Horikoshi corollaries–and if Miyazaki had done Albert's biography, I'd expect to see mushroom clouds illustrating his fantasies of relativity. For Horikoshi, Miyazaki provides upheavals and disasters as highlight to each of his life events: He first meets his wife in a train crash; in a lilting epilogue, when Jiro bids farewell to his dead wife, Miyazaki offers fields of devastation and a village in flames. Throughout, Miyazaki presents earthquakes, rainstorms, sudden bursts of wind as reminders of…what? The inevitability of change? The portents of war? The cycles of life and death? All of that; but what compels is the idea of helplessness in the face of larger forces–that although we chase our dreams, we're never really in control of our destinies.

The Jungle Book (1967) [Diamond Edition] – Blu-ray + DVD + Digital Copy

February 23, 20141960s, 2014, Animation, Authors: Bill Chambers, Blu-ray Disc, Comedy, Coming of Age, Disney, DVD, Family, Musical

***/**** Image C+ Sound A- Extras A
story by Larry Clemmons, Ralph Wright, Ken Anderson, Vance Gerry, inspired by the Rudyard Kipling “Mowgli” stories
directed by Wolfgang Reitherman

by Bill Chambers SPOILER WARNING IN EFFECT. The Jungle Book receives only two passing mentions in Neal Gabler’s mammoth biography of Walt Disney, even though it has the distinction of being the last animated film Disney lived to produce and ended his career in a commercial triumph to bookend the early success of Snow White and the Seven Dwarfs. Gabler’s brevity on the subject suggests that The Jungle Book was of little consequence to Disney, but there are clues to the contrary between the lines, such as when Gabler writes tantalizingly about Walt’s opinion that early drafts of the script were too “sober.” Indeed, he was personally invested in the project to the point of choosing it over his relationship with long-time story man Bill Peet, who’d brought Rudyard Kipling’s Mowgli stories to Disney’s attention in the first place. Peet’s adaptation was, as Walt saw it, beset by its fidelity to Kipling, and he solidified his vision for lighter-hearted fare by hiring radio icon Phil Harris, whose husky, hearty voice would become synonymous with Disney animation in those posthumous years. The energy and levity Harris brought to the minor character of Baloo the Bear led to a reconceiving of the narrative so that it pivoted, in Gabler’s words, on the Falstaff/Prince Hal dynamic between Baloo and child hero Mowgli.

Monsters University (2013) [Collector’s Edition] – Blu-ray + DVD + Digital Copy

November 12, 20132013, Adventure, Animation, Authors: Bill Chambers, Blu-ray Disc, Comedy, DVD, Family, Pixar

Mu2

**/**** Image A+ Sound A+ Extras A
screenplay by Daniel Gerson & Robert L. Baird, Dan Scanlon
directed by Dan Scanlon

by Bill Chambers On a school trip to Monsters, Incorporated, young cyclops Mike Wazowski, the kind of pipsqueak who gets saddled with the teacher when his classmates choose partners, sneaks onto the scaring platform and follows an octopus-like creature through one of the closet-door terminals. Rather than reprimand him, the monster tells Mike he might have what it takes to become a scarer and gives him his cap, Mean Joe Green-style. That hat bears the logo of the Scarer’s alma mater, Monsters University (better than Fear Tech!); an undergrad is born.

TIFF ’13: The Strange Little Cat

September 14, 2013****/****, 2013, Authors: Angelo Muredda, Esoterica, Family, Film Festivals, Germany, TIFF

Das merkwürdige Kätzchen
****/****
directed by Ramon Zürcher

by Angelo Muredda In his essay on the origins of the uncanny, Freud looks into German etymology to find that heimlich is one of those words that means a given thing as well as its opposite–that which is, on the one hand, familiar, and also that which is kept out of sight. The unheimlich, or uncanny, is by that token always latent within the ordinary–it’s the thing that should have stayed hidden away but has instead come to light. People in Ramon Zürcher’s marvellous debut are always calling the familiar things around them uncanny, and no wonder, given the alien eye with which Zürcher observes them. Set in a bustling Berlin apartment that houses a reserved matriarch, her visiting twentysomething children, her adolescent daughter, her ailing mother, and a pair of pets (including the ever-roving orange tabby that supplies the title), The Strange Little Cat has the ingredients of a multi-generational melodrama about a family coming together and splitting apart in an uneasily-shared space–an August: Osage County for the arthouse set. But Zürcher happily forgoes such narrative dead ends in pursuit of something more playful and unsettled, working with the weird formal properties of the objects that fill this domestic space, from a child’s misspelled grocery list to a glass bottle that spins around a bowl in the sink as if propelled by its own volition.

Percy Jackson: Sea of Monsters (2013)

August 6, 20132013, Adventure, Authors: Walter Chaw, Family, Fantasy, Theatrical, ZERO STARS

ZERO STARS/****
starring Logan Lerman, Brandon T. Jackson, Alexandra Daddario, Jake Abel
screenplay by Marc Guggenheim, based on the novel by Rick Riordan
directed by Thor Freudenthal

by Walter Chaw Say this about Thor Freudenthal and Marc
Guggenheim’s Percy Jackson: Sea of Monsters (hereafter PJ2): you’re more than justified in questioning its existence, but at the
end of the day it’s impossible to make something this bad by accident. No, it
takes genuine inspiration to be this tone deaf, to create something that requires intimate knowledge of the source novel or the first film
in this benighted franchise yet will instantly piss off the teenies who love the
Rick Riordan books and the far fewer souls who liked that first
movie. For me, because I love my 9-year-old daughter with all my heart, I
endured PJ2 and only thought about walking out a half-dozen times
before resigning myself to the murky 3-D and even murkier execution. Yes, it’s awful,
that much is to be expected, but that it’s significantly worse than a
movie that was already terrible by nearly every objective standard is really some
kind of accomplishment. At the end of the day, when a 9-year-old articulates
that what’s wrong with the film is that they took out all the relationship
stuff, cherry-picked crap from other novels to contrive a half-assed
cliffhanger for a sequel that will likely never happen, and basically fumbled the promise of the title, well…at least PJ2 can claim the
distinction of awakening the critical facility in a child who, before this, thought every movie was pretty good.

Hot Docs ’13: The Manor

April 26, 20132013, Authors: Angelo Muredda, Documentary, Family, Film Festivals, Hot Docs

**½/****
directed by Shawney Cohen

by Angelo Muredda "I call myself a filmmaker," Shawney Cohen muses off the top of his debut feature The Manor, "but I've actually been a strip-club manager for longer." Family inheritances have long proven fertile ground for emerging documentarians, like Sarah Polley with Stories We Tell just last year. Still, Cohen has a distinctive enough angle here, given the unusual visual dynamics of his family (dad's overweight, mom has an eating disorder) and its business, the titular Guelph club that Cohen's father has been running for over 30 years.

Peter Pan (1953) [Diamond Edition] – Blu-ray + DVD + Digital Copy

February 4, 20131950s, 2013, Adventure, Animation, Authors: Bill Chambers, Blu-ray Disc, Disney, DVD, Family, Fantasy, Revenge

**/**** Image
B+ Sound
A Extras
B+
directed
by Hamilton Luske, Clyde Geronomi, Wilfred Jackson

click any image to enlarge

by
Bill Chambers Since the 1950s, mainstream audiences have
grown up
knowing Walt Disney’s Peter Pan as the definitive
adaptation of J.M.
Barrie’s play and its subsequent novelization (Peter and Wendy),
and
that’s a mixed blessing. For every thing the Disney does well, like the
swashbuckling, it does
something
horribly wrong, like compounding Barrie’s 19^th-century
notions with
retrograde
values all the movie’s own. For instance, the English Barrie may have
regarded
Native Americans as exotic creatures by locating them in Never Land, but
it’s
Disney who immortalized them in literal red skin, then gave them a song
celebrating
their mono-syllabic cretinism:

Frankenweenie (2012) – Blu-ray 3D + Blu-ray + DVD + Digital Copy

January 20, 20132012, 2013, Animation, Authors: Bill Chambers, Comedy, Directors: Tim Burton, Disney, Family, Horror

**/**** Image A+ Sound A Extras C+
screenplay by John August, based on a screenplay by Lenny Ripps
directed by Tim Burton

click any image to enlarge

by Bill Chambers SPOILER WARNING IN EFFECT. Back in the early-Eighties, Tim Burton was part of the conveyor belt at the Walt Disney Company, cranking out artwork for films like The Fox and the Hound and The Black Cauldron. But drawing cuddly animals proved as bad a fit for Burton as it did for R. Crumb, and the studio eventually allowed him to separate from the pack, giving him a chance to hone his voice that was kind of unprecedented. Under the Disney umbrella, Burton produced two black-and-white shorts: the animated Vincent, a sweet and Seussian ode to his idol, Vincent Price (who narrated); and the live-action Frankenweenie, about a boy who uses mad science to bring his departed canine back to life. The latter scandalized Disney (too “scary,” plus dead dogs and black-and-white have got to be roughly equivalent anathema to kiddie fare), and plans were shelved to attach the film to prints of Pinocchio in 1984. Three decades later, Disney confidently bankrolled a feature-length remake of Frankenweenie, stop-motion animated this time but still in black-and-white, and still with an undead dog at the crux of the narrative. What changed in the interim?

Peanuts: Deluxe Holiday Collection [Ultimate Collector’s Edition] – Blu-ray Disc

November 21, 20121960s, 1970s, 1980s, Animation, Authors: Jefferson Robbins, Blu-ray Disc, Christmas, Family, Television

"A Charlie Brown Christmas" (1965) Image A Sound B+ Extras C

"It's Christmastime Again, Charlie Brown" (1992)

"It's The Great Pumpkin, Charlie Brown" (1966) Image A Sound A Extras C

"It's Magic, Charlie Brown" (1981)

"A Charlie Brown Thanksgiving" (1973) Image A Sound B Extras C

"The Mayflower Voyagers" (1988)

by Jefferson Robbins I defy you to ingest the first minute of "A Charlie Brown Christmas" (***½/****) and not yearn for the idealized childhood nobody ever had. It's not merely nostalgic, it's made of nostalgia. Traversing the quiet streets of your tiny snow-painted town, cracking the whip on a frozen pond, singing a Christmas carol that seems to have lived in your heart long before it was ever written–it's enough to turn a guy Republican. Then, the poison pill, in the very first line of dialogue: "I think there must be something wrong with me, Linus."