The Ox-Bow Incident (1943) – DVD

October 17, 2003Posted in****/****, 1940s, Authors: Bill Chambers, Drama, DVD, FFC Must-Own, Western

****/**** Image A Sound B+ Extras A-
starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan
screenplay by Lamar Trotti, based on the novel by Walter Van Tilburg Clark
directed by William A. Wellman

by Bill Chambers William A. Wellman's 1943 film The Ox-Bow Incident is so brave and piercing that you can overlook its gawky title. That star Henry Fonda had a knack for picking westerns goes without saying, but The Ox-Bow Incident has more gothic qualities than do most oaters made prior to the dawn of Europe staking its genre claim: it's the scene in cowboy flicks where a bunch of guys cheer on an unceremonious hanging expanded to feature-length. The movie has such definitive–and perhaps, given the climate, urgent–things to say about mob mentality, the sour side of fraternity, that the Navy-enlisted Fonda deferred his tour of duty in order to appear in it. What makes this doubly noble is that, despite his lead billing, he's really not The Ox-Bow Incident's leading man. With a cast of dozens granted comparable screen time, no one is.

House of 1000 Corpses (2003) + Waxwork/Waxwork II: Lost in Time [Double Feature] – DVD

October 16, 2003Posted in1980s, 2000s, Authors: Walter Chaw, Comedy, DVD, Fantasy, Horror, Sci-Fi, UK, West Germany, ZERO STARS

HOUSE OF 1000 CORPSES
**/**** Image A Sound A Extras A
starring Sid Haig, Bill Moseley, Sheri Moon, Karen Black
written and directed by Rob Zombie

WAXWORK (1988)
*/**** Image D Sound D
starring Zach Galligan, Deborah Foreman, Michelle Johnson, Dana Ashbrook
written and directed by Anthony Hickox

WAXWORK II: LOST IN TIME (1991)
ZERO STARS/**** Image C Sound C
starring Zach Galligan, Alexander Godunov, Monika Schnarre
written and directed by Anthony Hickox

by Walter Chaw Curiously, compulsively watchable in a grindhouse exploitation sort of way, neo-glam shock-rocker Rob Zombie follows in Twisted Sister Dee Snider’s capering footsteps with a derivative flick that mainly goes a long way towards demonstrating how hard it is to make a coherent movie. More Richard Donner’s The Goonies than Tobe Hooper’s The Texas Chain Saw Massacre, House of 1000 Corpses is a shoestring series of hyperactive camera movements and disjointed images culled from what seems too many films to count, from Bloodsucking Freaks to Near Dark to Maniac to The Serpent and the Rainbow to Halloween to Hellbound: Hellraiser 2 and so on, with no reason except to demonstrate how many horror movies Zombie has seen. The only thing missing from the picture–besides actual dread–is a helpful annotation so that youngsters intrigued can check out the real deal.

Star Trek V: The Final Frontier (1989) – DVD|[Special Collector’s Edition] DVD

October 14, 2003Posted in1980s, Action, Adventure, Authors: Bill Chambers, Authors: Vincent Suarez, DVD, Sci-Fi, Star Trek, Thriller

**½/****
1999 DVD – Image B Sound A-
SCE DVD – Image A Sound A Extras A
starring William Shatner, Leonard Nimoy, DeForest Kelly, James Doohan, Laurence Luckinbill
screenplay by David Loughery
directed by William Shatner

by Vincent Suarez On the heels of the wildly successful (and equally overrated) Star Trek IV: The Voyage Home, the Trek franchise seemed poised to become, of all things, a crossover phenomenon. That changed with the release of the financially disappointing and generally reviled (by critics and Trek fans alike) fifth installment, Star Trek V: The Final Frontier, which nearly killed the film series. Wisely, Paramount and producer Harve Bennett asked Nicholas Meyer, director of the magnificent Star Trek II: The Wrath of Khan, to helm Star Trek VI: The Undiscovered Country, putting the series back on warp drive.

Dawson’s Creek: The Series Finale (2003) – DVD

October 12, 2003Posted in2000s, Authors: Bill Chambers, Coming of Age, Drama, DVD, Teen, Television

**½/**** Image B+ Sound B+ Extras A-
starring James Van Der Beek, Katie Holmes, Michelle Williams, Joshua Jackson
screenplay by Kevin Williamson & Maggie Friedman
directed by James Whitmore, Jr. ("All Good Things…") and Greg Prange ("…Must Come to an End")

by Bill Chambers SPOILER WARNING IN EFFECT. When it first aired, I was fuming. But I've not only come to terms with the series finale of "Dawson's Creek", I've grown to appreciate it, too. What I realized on a second viewing (not as superfluous as you might think: the DVD that facilitated a reassessment restores 20 minutes of footage cut from the broadcast version) was that my own tenuous identification with the main character, a movie lover and amateur filmmaker prone to befriending unattainable hotties, was getting in the way of appreciating a perfectly laudable reversal of expectations. There's no sense beating around the bush: Joey (Katie Holmes) picked suave Pacey (Joshua Jackson). The first "Dawson's Creek" scripted by series creator Kevin Williamson since the second season's "…That Is the Question" (in tandem with which he announced he was stepping down as the show's Professor Marvel), the two-part capper–aired as a movie-of-the-week–leaves Dawson (James Van Der Beek) without a fallback girl, as Joey romantically rejects Dawson on the heels of the passing of her alternate: single-mother Jen (Michelle Williams), who dies from a rare heart condition.

Sunday Bloody Sunday (1971) – DVD

October 9, 2003Posted in1970s, Authors: Travis Mackenzie Hoover, Drama, DVD, UK

**½/**** Image B Sound B+
starring Peter Finch, Glenda Jackson, Murray Hedd, Peggy Ashcroft
screenplay by Penelope Gilliatt
directed by John Schlesinger

by Travis Mackenzie Hoover "Are you bourgeois?" asks a child in Sunday Bloody Sunday, hoping to catch an adult in an awkward moment, and the question is crucial to your enjoyment of the film. If you are well-off enough to have good taste and fine things, and are somewhat guilty about the freedom and power that entails, then it will seem a sober and mature work about life and love in the post-hippie '70s. If, on the other hand, you are just scraping by and worrying about where your next meal is coming from, the film will seem a self-piteous soap opera in love with the idea of defeat. There's no denying the skill and professionalism at work here–it's what mid-period Woody Allen wishes it were, but it never quite licks the question of what to do with bourgie liberal guilt, and thus waffles towards an underwhelming conclusion.

Legally Blonde 2: Red, White & Blonde (2003) [Special Edition] – DVD

October 7, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, DVD

*½/**** Image B Sound A- Extras A-
starring Reese Witherspoon, Sally Field, Bob Newhart, Luke Wilson
screenplay by Kate Kondell
directed by Charles Herman-Wurmfeld

by Walter Chaw Recognizing that there's nothing more patriotic than rampant materialism, cultural ignorance, fast fashion, a steadfast lack of imagination, and disturbing dog-love, Charles Herman-Wurmfeld's Legally Blonde 2: Red, White & Blonde is essentially a blow-by-blow remake of its predecessor with a different setting and more Chihuahua. It tackles animal rights and congressional corruption with the same seriousness as Versace vs. Gucci, hoping against hope that Reese Witherspoon's considerable charm will smooth over the clumsy grafts and inevitable tissue rejection of a film with speaking roles for Jennifer Coolidge, Bob Newhart, and Sally Field. Harvard Law is replaced by the Beltway Boys, factoids about perms are replaced by factoids about facials, and all of it boils down to the importance of sorority sisters–particularly ironic in a picture so horrified by the evils of intractable nepotism amongst insular societies.

Holes (2003) [Widescreen] – DVD

September 30, 2003Posted in2000s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Disney, Drama, DVD, Family, Mystery

**/**** Image A Sound A Extras B-
starring Sigourney Weaver, Jon Voight, Patricia Arquette, Shia LaBeouf
screenplay by Louis Sachar, based on his novel
directed by Andrew Davis

by Walter Chaw A certain level of grotesquerie in a children's entertainment is essential, but at some point grotesquerie just becomes grotesque. Holes, adapted by Louis Sachar from his award-winning children's novel, is a cheerless little melodrama, dusty and marooned in the middle of nowhere with what is essentially a pint-sized version of the time-tripping buffoonery of The Hours. Its tale of destiny and stroking the sins of the fathers rattles along its rails like a rusted-out mine cart, going to where it's going with a lot of noise and broken-down drama but without anything like surprise.

Cobb (1994) – DVD

September 28, 2003Posted in1990s, Authors: Walter Chaw, Biopic, Drama, DVD, Sports

***½/**** Image A Sound B+ Extras B
starring Tommy Lee Jones, Robert Wuhl, Lolita Davidovich
written and directed by Ron Shelton

by Walter Chaw Completely uncompromising in a way that films, especially sports films, just aren’t, Ron Shelton’s Cobb is one of the most effective hagiographies in film history not for the way that it elevates its subject to sainthood, but for the way that it allows its subject to be one of history’s most notorious, relentless miscreants. A malcontent in every measurable way, Ty Cobb–habitual spousal abuser, virulent racist, sadist (Cobb sent twelve men to the hospital one season), alcoholic, braggart, trigger-happy pistol-brandisher, alleged murderer, and so on–also happens to be the best baseball player in the history of the game. (In a modern era where Barry Bonds is making a claim for the best the game’s produced while also being, hands down, its biggest jerk and public-relations nightmare, Cobb’s transgressions put all of Bonds’s childishness in perspective.) Accordingly, the picture is a beautifully lensed nightmare, Fear and Loathing in Las Vegas shot as a road-trip horror film instead of an acid-enhanced carnival ride, where the villain is the devil in Cobb’s back pocket.

Daisy Miller (1974) – DVD

September 28, 2003Posted in1970s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Romance

***/**** Image B+ Sound A- Extras B+
starring Cybill Shepherd, Barry Brown, Mildred Natwick, Eileen Brennan
screenplay by Frederic Raphael, based on the novella by Henry James
directed by Peter Bogdanovich

by Travis Mackenzie Hoover Daisy Miller is that rare literary adaptation that improves when considered next to its source. Not content to deliver the consumption porn that would later define Merchant-Ivory and their fellow travellers, director Peter Bogdanovich instead serves up a bittersweet evocation of an oblivious life lost and an all-too-conscious one wasted in check, employing the tools of cinema–not just art direction–to make his aesthetic/emotional case. Here, one feels the pressures of late-19th century mores as they close in on the title character and the civilized restraint that keeps its protagonist from acting on impulse; the costumes and furnishings, though lavish enough, are not the main event. And while the self-contained nature of the piece (endemic to the Henry James source) keeps the film from touching greatness, it's still very sensitive work in a genre that is normally beneath contempt.

Ghoulies (1985)/Ghoulies II (1988) [Double Feature] + Troll (1988)/Troll 2 (1990) [Double Feature] – DVDs

September 25, 2003Posted in1980s, Authors: Travis Mackenzie Hoover, Comedy, DVD, Esoterica, Fantasy, Horror, Italy, ZERO STARS

GHOULIES
*/**** Image B Sound A-
starring Peter Liapis, Lisa Pelikan, Michael Des Barres, Jack Nance
screenplay by Luca Bercovici and Jefery Levy
directed by Luca Bercovici

GHOULIES II
*½/**** Image B Sound B+
starring Damon Martin, Royal Dano, Phil Fondacaro, J. Downing
screenplay by Charlie Dolan and Dennis Paoli
directed by Albert Band

TROLL
**/**** Image B+ Sound B+
starring Noah Hathaway, Michael Moriarty, Shelley Hack, Jenny Beck
screenplay by Albert Band
directed by John Buechler

TROLL 2
ZERO STARS/**** Image B+ Sound C
starring Michael Stephenson, Connie McFarland, George Hardy, Margo Prey
written and directed by Drago Lloyd

by Travis Mackenzie Hoover What's the only thing worse than a DVD of a bad '80s monster movie? A DVD with two of them. That's the conclusion I've reached after subjecting myself to some warmed-over chillers recently unleashed on disc–detritus from or inspired by the defunct B-mill Empire Pictures that only Forrest J. Ackerman could love. I'd like to say that they're enjoyably tacky nostalgia items for those old enough to barely remember them, but the truth is that they skimp on the crass goods that make a good bad movie: attempting to find a broader audience through a PG-13 rating, they lack the sex and violence that a true exploitation film would deliver, and the films are so cheap that the remaining attraction of monster effects are by necessity curtailed. What's left are scripts and direction at best enervating and at worst maddening.

28 Days Later (2002) [Widescreen Special Edition] – DVD

September 24, 2003Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Drama, DVD, Horror, Sci-Fi, Thriller, UK, Zombie

28 Days Later…
**½/**** Image B Sound A- Extras A
starring Cillian Murphy, Naomie Harris, Brendan Gleeson, Christopher Eccleston
screenplay by Alex Garland
directed by Danny Boyle

by Travis Mackenzie Hoover 28 Days Later… is a film that shoots for resonance but is too shortsighted to hit the target. Its tale of an England beset by rage-crazed zombies is clearly a metaphor for something–but what? Timing rules out certain international disasters (9/11 happened as the film was shooting), and a certain opacity of intent clouds the entire film, making you reach out for something that you're never sure is really there. There are compensatory pleasures (a general creepiness, one smashing performance), but the film lacks something beyond its grasp, leaving you with an adequate, reasonably entertaining picture, and nothing more.

Enigma (2001) [Special Edition] – DVD

September 23, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Espionage, Germany, Mystery, Netherlands, Romance, Thriller, UK, War

**½/**** Image A- Sound A- Extras A-
starring Dougray Scott, Kate Winslet, Jeremy Northam, Saffron Burrows
screenplay by Tom Stoppard, based on the novel by Robert Harris
directed by Michael Apted

by Walter Chaw The easy thing to say is that the Mick Jagger-produced Enigma is enigmatic–it's more difficult to pinpoint the exact reasons why. Stars Dougray Scott, Kate Winslet, and Jeremy Northam are fine, Tom Stoppard's screenplay would on the surface surely seem fine, and Michael Apted's polished, if unremarkable, direction is the very definition of just fine. So the onus must fall on the material adapted, Robert Harris's follow-up to his much-lauded Fatherland, which promised a Ken Follett romantic espionage page-burner while delivering a staid and occasionally incomprehensible period bodice-ripper crushed under the dual gorgons of the sophomore jinx and the Tom Clancy "guess I'm not very good at dialogue" bogey. Enigma's problems begin and end with its inability to overcome the essential faults of its inherited plot, its most interesting aspect–WWII cryptologists at London's Bletchley Park–subsumed by a run-of-the-mill mystery and a never-in-doubt love story. It appears the curse of many historical fictions that attempt to familiarize the "long ago" with a "universal" romantic story arc dooms Enigma's period and historical detail to function as mere decorative flourish.

Stevie (2003) – DVD

September 22, 2003Posted in****/****, 2000s, Authors: Bill Chambers, Authors: Walter Chaw, Documentary, DVD, FFC Must-Own

****/**** Image A Sound A- Extras A
directed by Steve James

Mustownby Walter Chaw Eleven years after mentoring little Stevie in an Advocate Big Brother program in rural Illinois, documentary filmmaker Steve James restores ties to find that Stevie is a troubled man, emotionally crippled and awaiting trial for molesting his eight-year-old cousin. In science, the Heisenberg Principle postulates that the essential nature of an object changes when that object is observed; its application to documentary filmmaking is obvious. The question, then, becomes whether the documentarian should give himself a part in the film or remain outside of it, the alleged unobserved observer that in several critical contexts (Lacanian, Heisenbergian) loses its meaning, anyway. Integrity in the observation of documentary subjects is a delicate thing to navigate, and Stevie chooses early and often to be more about the Steve behind the camera than the Stevie before it. Stevie fascinates because it's a little like Montaigne's essays–a process of self-discovery that manages to indict our broken health care system and our "selfish cell" society in one fell swoop.

Sleeping Beauty (1959) [Special Edition – 2-Disc Set] – DVD

September 18, 2003Posted in1950s, Adventure, Animation, Authors: Bill Chambers, Disney, DVD, Family, Fantasy, Musical, Romance

***½/**** Image A Sound A Extras A+
story adaptation Erdman Penner, from the Charles Perrault version
directing animators Milt Kahl, Frank Thomas, Marc Davis, Ollie Johnston, John Lounsbery; supervising director Clyde Geronimi; sequence directors Eric Larson, Wolfgang Reitherman, Les Clark

by Bill Chambers

"Heralded by audiences and critics alike, Sleeping Beauty was the final fairy tale to be produced by Walt Disney himself. Now fully restored with revolutionary digital technology, its dazzling colors, rich backgrounds, and Academy Award-nominated orchestrations shine brighter than ever. When an enchanted kingdom and the most fair princess in the land falls prey to the ultimate mistress of evil, the fate of the empire rests in the hands of three small fairies and a courageous prince's magic kiss. Their quest is fraught with peril as the spirited group must battle the evil witch and a fire breathing dragon if they are to set the Beauty free. From spectacular action to the breathtaking pageantry of the princess and her kingdom, Sleeping Beauty has something to charm every member of your family." — Sleeping Beauty DVD liner summary

SleepingbeautycapThe second animated feature shot in CinemaScope after Disney's own Lady and the Tramp, Sleeping Beauty looks on the widescreen frame as a vast frame for the spread of darkness. This is Snow White and the Seven Dwarfs with twenty years' worth of successes and failures factored in, Disney's most fatalistic vision and one of their most gratifying when all's said and done. The picture is so doomy that its happy ending feels more coma-dream than fairy-tale resolution, something like the conclusion to Taxi Driver; in its world of medieval tapestries come to life, joy looks out of place. Joy, in fact, becomes nothing less than a magnet for evil, with villain Maleficent dooming Princess Aurora on the festive occasion of her birth to an untimely grave (by a poisonous prick from a spinning wheel on her sixteenth birthday–a menstrual nightmare from which the animators do not flinch) and later stumbling upon the secreted-away Aurora by scouting the kingdom for excess merriment.

Cleopatra (1963) [Five Star Collection]; Lawrence of Arabia (1962) [Exclusive Limited Edition|Superbit]; The Mummy (1999) [Ultimate Edition] – DVDs

September 17, 2003Posted in****/****, 1960s, 1990s, Action, Adventure, Authors: Bill Chambers, Best Picture (Academy Awards), Drama, DVD, FFC Must-Own, Romance, UK

CLEOPATRA
**/**** Image A Sound A Extras A+
starring Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown
screenplay by Joseph L. Mankiewicz, Ranald MacDougall and Sidney Buchman
directed by Joseph L. Mankiewicz

MustownLAWRENCE OF ARABIA
****/****
ELE DVD – Image A Sound A Extras B
Superbit DVD – Image A Sound A
starring Peter O'Toole, Alec Guinness, Anthony Quinn, Omar Sharif
screenplay by Robert Bolt and Michael Wilson
directed by David Lean

THE MUMMY
**/**** Image A Sound A (DD)/A+ (DTS) Extras A-
starring Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo
screenplay by Stephen Sommers
directed by Stephen Sommers

by Bill Chambers Cleopatra, meet T.E. Lawrence. Now allow me to introduce the two of you to…Rick O'Connell?

Dreamcatcher (2003) [Widescreen Edition] – DVD

September 16, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Drama, DVD, Horror, Sci-Fi, Stephen King, Thriller

*/**** Image A- Sound A Extras B-
starring Morgan Freeman, Thomas Jane, Jason Lee, Damian Lewis
screenplay by William Goldman and Lawrence Kasdan, based on the novel by Stephen King
directed by Lawrence Kasdan

by Walter Chaw As stupid as stupid can be, Lawrence Kasdan’s splashy comeback on the backs of two writers who haven’t really been any good for about 40 years between them (Stephen King and William Goldman) is riddled with knee-slapping plot inconsistencies and the sort of dunderheaded conveniences that reek equally of desperation and a lack of respect for the audience. Based on the first King novel written after the author was smeared across a Maine highway by a man who would later kill himself in a trailer, the book is a fine short story trapped in the body of a 600-page book. Hopelessly protracted, after the first 200 pages, the novel becomes a pathetic exercise in chronic self-reference: the malady of a successful author who’s begun to lose the line between reality and his cult of personality. King has become a writer interested in writing love letters to his fanbase and smug gruel for everyone else.

The Experiment (2001) – DVD

September 6, 2003Posted in2000s, Authors: Walter Chaw, Drama, DVD, Germany, Thriller

Das Experiment
**/**** Image B+ Sound B+
starring Moritz Bleibtreu, Christian Berkel, Oliver Stokowski, Wotan Wilke
screenplay by Don Bohlinger, Christoph Darnstädt, Mario Giordano, based on the novel by Black Box by Giordano
directed by Oliver Hirschbiegel

by Walter Chaw Midnight Express with pretensions, Oliver Hirschbiegel's The Experiment is based loosely on Zimbardo, Haney, Banks, and Jaffe's "Stanford Prison Experiment," conducted in 1971 to test the reactions of twenty-four ordinary college students–some cast as prison guards, others incarcerated in a mock prison–paid fifteen dollars a day for their participation in the study. Having to end the experiment after only six days because of pathological prisoner reactions and sadistic guard reactions, the "Stanford Prison Experiment" remains one of the more ethically shaky mindfucks in Stanford's proud tradition of such things (my favourite of them being the one where experimenters tested men's "performance anxiety" while urinating in public restrooms)–a topic dramatic enough to merit a cinematic treatment, without question, but a treatment served poorly by the formula embellishments favoured by The Experiment.

Burnt Offerings (1976) – DVD

September 3, 2003Posted in1970s, Authors: Walter Chaw, DVD, Horror, Italy, Mystery, Thriller

**/**** Image C+ Sound D+ Extras C
starring Karen Black, Oliver Reed, Burgess Meredith, Eileen Heckart
screenplay by William F. Nolan and Dan Curtis, based on the novel by Robert Marasco
directed by Dan Curtis

by Walter Chaw Plodding, ugly, moribund, Burnt Offerings is bolstered by a few great campy turns from a game cast that includes Oliver Reed, Karen Black, and Bette Davis in a performance that runs counter to the self-loathing roles of her Baby Jane/Sweet Charlotte days. Finding its way to the DVD format just a couple of weeks before another haunted house flick (Cold Creek Manor) debuts on the big screen, veteran television director Dan Curtis's horror quickie is one of those comfortable relics that doesn't scare so much as mildly chill, offering countless opportunities to shout at the screen without any sort of discernible payoff–until the end, that is, but even that shocker of a conclusion has been telegraphed since at least the midway point of the first act, muffling its surprise.

Confidence (2003) – DVD

September 1, 2003Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Crime, DVD, Thriller

***½/**** Image A Sound A Extras A
starring Edward Burns, Rachel Weisz, Andy Garcia, Dustin Hoffman
screenplay by Doug Jung
directed by James Foley

by Walter Chaw The urban surfaces of Americana are lent the sheen of Edward Hopper's neon isolationism by cinematographer Juan Ruiz Anchía in the appropriately named Confidence, which finds director James Foley back on noir ground, where his footing is firmest. It's the same effect generated by Foley/Anchía's Glengarry Glen Ross, here in Confidence used to mellifluous affect rather than staccato at the service of a caper flick if not the equal to Jules Dassin's seminal contributions to the genre, at least several times better than the slickified nonsense (The Score, the Ocean's Eleven remake) and sinkholes of talky illogic (Heist) of recent fare. A successful heist film as rare as a film that uses Edward Burns correctly in a sentence, Confidence is proof positive–if proof were needed–that James Foley, when he's at the top of his game, is at the top of the game.

The Ωmega Man (1971) – DVD

September 1, 2003Posted in1970s, Authors: Walter Chaw, DVD, Horror, Sci-Fi

The Omega Man
*/**** Image A- Sound B Extras D
starring Charlton Heston, Anthony Zerbe, Rosalind Cash
screenplay by John William Corrington and Joyce H. Corrington, based on the novel I Am Legend by Richard Matheson
directed by Boris Sagal

by Walter Chaw Its dialogue and score at constant war with the tickle of poignancy threatening to justify The Ωmega Man‘s cult status, Boris Sagal’s at times astonishingly awful adaptation of Richard Matheson’s classic short novel I Am Legend is some kind of weird hippie elegy spiced with a few disturbing religious images and a lot of casual racism. The idea that Matheson’s vampires are now black-hooded (monastic and judicial) albino mutants living in an abandoned civic building, representative of not a new order but the oppressive old, is too clearly a lament for the doom of the flower-power generation. Frankly, the image of broken-down hippies trying to plant seeds in blasted earth in the middle of Easy Rider said it all with more elegance and brevity.