Matchstick Men (2003) [Widescreen Edition] – DVD

February 15, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Crime, Directors: Ridley Scott, Drama, DVD, Nicolas Cage

**/**** Image B+ Sound B+ Extras B+
starring Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill
screenplay by Nicholas Griffin & Ted Griffin, based on the novel by Eric Garcia
directed by Ridley Scott

by Walter Chaw The defining Nicolas Cage performance is still the one he delivered in Vampire’s Kiss, an indescribably strange film that saw the actor affecting some sort of Algonquin accent and, in the picture’s most memorable scene, screaming at his therapist while wearing an ill-fitting set of plastic fangs. For Ridley Scott’s highly anticipated take on the dead-on-its-feet big con formula Matchstick Men (one last score for the grizzled shyster, a young apprentice who’s not what he seems, an unexpected and unwise late partner in crime, a big twist telegraphed from the first frame, and so on), Cage seems to have resurrected his perversely hammy turn in that underseen camp classic: screaming at another therapist (Bruce Altman, always good), donning another disguise with an astonishing number of distracting tics and affectations, and ultimately accepting his fate with a sort of fatigued, fatalistic resignation.

Spider-Man: The Animated Series (2003) – DVD

February 12, 2004Posted in2000s, Action, Animation, Authors: Walter Chaw, DVD, Spider-Man, Superhero, Television

Image A Sound A+ Extras A Cheese A
"Heroes and Villains," "Royal Scam," "Law of the Jungle," "Sword of Shikata," "Keeping Secrets," "Tight Squeeze," "Head Over Heals," "The Party," "Flash Memory," "Spider-Man Dis-Abled," "When Sparks Fly," "Mind Games: Part One," "Mind Games: Part Two"

by Walter Chaw Taking place right where the Sam Raimi feature film leaves off, with Peter Parker, Mary Jane, and Harry Osborn off to college (Peter perplexed, MJ clueless, Harry seething), MTV's "Spider-Man: The Animated Series" is a completely CGI creation that has a pretty tough time finding a pulse in among all the whiz-bang. In truth, it took me a long time to thaw to the look of the series, so much like a nifty video game that I caught my thumbs twitching in unconscious sympathy with the gyrations of the coloured .gifs. And even when it stopped actively bugging me, I never completely bought into the piece as any kind of drama–the suspension of disbelief impossible when thoughts of the size of the mainframe, the insane processor rates, and how neat a video game all this was going to make one day keep running through the brain like a stock ticker. Worse, even if the look of the thing were not super-distracting, the voice acting by lead Neil Patrick Harris is more smug than the intended wry, sounding an awful lot like not only Doogie Howser (natch), but also Screech from "Saved by the Bell". Popstress Lisa Loeb is pretty much non-descript as Mary Jane, her absence from all the collection's voluminous special features conspicuous but probably due either to her being busy with a cooking show on the Food Network with boyfriend Dweezil Zappa or not feeling very confident about the series.

Wonderland (2003) [Limited 2-Disc Edition] – DVD

February 9, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Canada, Crime, Documentary, Drama, DVD, Mystery, Thriller

WONDERLAND
*/**** Image A- Sound A Extras B
starring Val Kilmer, Lisa Kudrow, Kate Bosworth, Dylan McDermott
screenplay by James Cox & Captain Mauzner and Todd Samovitz & D. Loriston Scott
directed by James Cox

by Walter Chaw A collision of vérité with the sort of Requiem for a Dream grind-cut quick-edits that have produced some of the worst films of the last couple of years (case in point: Spun), Wonderland sets out to tell the true story of 1981's Wonderland Murders, which left four scumbags dead and porn king John Holmes–King Scumbag, as it were–implicated in the lead pipe nastiness. It's a regurgitation in so many ways of so many things: neo-Boogie Nights, neo-noir, neo-Val Kilmer's own strung-out performance in the superior The Salton Sea–and therein lies the problem, as Kilmer is altogether too likeable an anti-hero, typecast as the strung-out simpleton too good-looking to be at the bottom, too drunk on himself to be anywhere else. A section where the passage of time is represented by a montage of TV GUIDE listings provides the only spark in the midst of this spastic spectacle, demonstrating a knowledge of its cathode tube parentage as cannily as the use of Duran Duran's "Girls on Film" tune that defined the MTV-made hit, dancing on the edge of art and porn. It happens early, it raises hopes, and then Wonderland runs itself well past the point of caring.

Hell Up in Harlem (1973) [Soul Cinema] – DVD

February 7, 2004Posted in1970s, Action, Authors: Bill Chambers, Crime, Drama, DVD, Thriller

**½/**** Image A Sound B+ Commentary A+
starring Fred Williamson, Julius W. Harris, Gloria Hendry, Margaret Avery
written and directed by Larry Cohen

by Bill Chambers There have been wiser marketing decisions: MGM leaves Black Caesar out of their "Best of Soul Cinema" DVD set while including the film's sequel, Hell Up in Harlem. Having not yet managed to see Black Caesar for myself, I wondered if that's why Hell Up in Harlem left me as confused as I was entertained. But according to writer-director Larry Cohen in his DVD commentary, one of the finest I've ever listened to (and worth a purchase by itself), that ain't the half of it. In their infinite wisdom, AIP cashed in on a follow-up to Black Caesar so soon after its release that Cohen and star Fred Williamson–whose title character had perished at the end of the original, not that anyone seemed to care–had to shoot it in tandem with It's Alive! and That Man Bolt, respectively. Since those productions were situated on opposite coasts, Williamson couldn't film his lead role in Hell Up in Harlem until one or the other wrapped, resulting in a shake-and-bake screenplay whose main dramatic consideration was how to get away with an abundance of over-the-shoulder shots of the star. This is also why Williamson's character inexplicably decides to move to L.A., and why he boards a flight to Los Angeles at L.A.X. International.

Marci X (2003) [Widescreen] – DVD

February 6, 2004Posted in2000s, Comedy, DVD, Germany, Music

**½/**** Image B+ Sound A
starring Lisa Kudrow, Damon Wayans, Richard Benjamin, Christine Baranski
screenplay by Paul Rudnick
directed by Richard Benjamin

by Walter Chaw Long about the time Lisa Kudrow and her JAP posse wrap scarves around their heads in a hip-hop club and engage in a tribal dance they learned at The Seven Sisters, it becomes apparent that, while Richard Benjamin's Marci X is sort of terrible, it's also sort of brave. The places that it goes with its observations about race relationships in the United States are places that films rarely go on purpose anymore, and I admire the hell out of it for that. If most of the jokes fall flat while too much of the runtime is given over to musical numbers starring Lisa Kudrow that go nowhere, when the barbs hit their target, they do so with a kind of timeliness that defeats Paramount's decision to shelve the thing for a couple of years before dumping it in theatres last summer without much fanfare to a chorus of pre-written pans.

The Badge (2002) – DVD

February 5, 2004Posted in2000s, Authors: Walter Chaw, Crime, Drama, DVD, Mystery, Thriller

**/**** Image C+ Sound B+
starring Billy Bob Thornton, Patricia Arquette, William Devane, Tom Bower
written and directed by Robby Henson

by Walter Chaw Cornering the market on redneck hicks on the mend, Billy Bob Thornton stars in Robby Henson's direct-to-cable The Badge, a Louisiana cop erotica opera equal parts James Lee Burke and The Big Easy. Long on unmotivated slow-motion stretches and editing choices that are bizarre at best, the picture has ambition and atmosphere to burn but stumbles over its own pretension. A cop procedural, lovers-on-the-run intrigue, and ultra-liberal posturing share time in a lurid gumbo before a third-act reveal; the picture's rife with flashbacks and gravid pontificating that undermine the entire shooting match. Better than it should be for Thornton's remarkable ability to convey confusion and discomfort, The Badge is more an Issue movie than a whodunit–and like most movies erring on the liberal side, its strengths don't have a chance against the sloppiness of that bleeding heart on its sleeve.

Once Upon a Time in Mexico (2003) + Once Upon a Time in the Midlands (2002)|Once Upon a Time in Mexico – DVD

February 3, 2004Posted in2000s, Action, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Germany, Revenge, Romance, Theatrical, Thriller, UK

ONCE UPON A TIME IN MEXICO
*½/**** Image A Sound A- Extras A
starring Antonio Banderas, Salma Hayek, Johnny Depp, Rubén Blades
written and directed by Robert Rodriguez

ONCE UPON A TIME IN THE MIDLANDS
*/****
starring Robert Carlyle, Vanessa Feltz, Ricky Tomlinson, Kathy Burke
screenplay by Paul Fraser & Shane Meadows
directed by Shane Meadows

Onceuponatimeby Walter Chaw Ferociously patriotic but lacking in the epic scope suggested by its obvious debt to Sergio Leone's late masterpieces, pastiche-meister Robert Rodriguez's Once Upon a Time in Mexico is a magnification of John Woo in a lot of the same ways that Woo was a magnification of Leone–a post-post modern exercise bound together with a compelling sense of style but an alarming dearth of even the basics of sense. At the same time, if Leone understood the raucous humanism at the heart of Kurosawa, and Woo the insolent demystification of genre archetype of Leone, Rodriguez seems mainly to have ported the puerile macho fantasy of Woo while glancing off the deeper well of questions of honour and the mysterious bond between killers of men. I'm beginning to think that Rodriguez is a cheap filmmaker, interested in the mechanics of a piece more than the motivations of them. He can shoot a mean picture, he just can't set it up, pay it off, or explain it–and in replicating the best shoot-outs of Woo and Leone, he demonstrates that he's no Woo and most definitely no Leone.

Overrated/Underrated: Thirteen (2003) + Intolerable Cruelty (2003) [Widescreen] – DVDs

February 2, 2004Posted in2000s, Authors: Bill Chambers, Coen Brothers, Comedy, Coming of Age, Crime, Drama, DVD, Romance, Teen

by Bill Chambers

OVERRATED
THIRTEEN
*½/**** Image B+, Sound A, Extras B-
starring Evan Rachel Wood, Holly Hunter, Nikki Reed, Jeremy Sisto
screenplay by Catherine Hardwicke & Nikki Reed
directed by Catherine Hardwicke

I wrote my first script at around the age that 16-year-old Nikki Reed was when she collaborated with her father's ex-girlfriend Catherine Hardwicke on the screenplay for Thirteen. In an attempt to shape a thesis about the almost-unwatchable film made from this memoir of Reed's pubescence, I browsed that script (something I haven't done in over a decade) looking for examples of didacticism; by page three, a character has died from smoking, with cigarettes themselves characterized outside passages of dialogue as "cancer sticks." This was of course written in tandem with my own misadventures in smoking, but do as I say, not as I do. (Call it Harmony Korine Syndrome.) Teenagers make exceptionally bad screenwriters because all teens are Catholic, in a sense–every rebellious action has an equal and opposite guilty reaction. Manifested in confessional writing, that hypocrisy can be deliriously egotistical.

Black Widow (1987) – DVD

February 2, 2004Posted in1980s, Authors: Travis Mackenzie Hoover, Crime, Drama, DVD, Thriller

**½/**** Image B+ Sound A
starring Debra Winger, Theresa Russell, Sami Frey, Dennis Hopper
screenplay by Ronald Bass
directed by Bob Rafelson

by Travis Mackenzie Hoover I suppose there are worse fates than to be made to watch Black Widow. Scripted by '80s stalwart Ronald Bass and directed by fallen '70s wunderkind Bob Rafelson, it's a coldly professional piece of work that combines some clear (if obvious) Hitchcockian doubling with the director's patented sterile master shots. But if much of the mechanics of the thing are put to good, ominous effect, that effect wears off quickly. It's not for lack of potential: pitting a well-put-together ice-queen killer against a falling-apart-at-the-seams female federal agent, its insistence on symmetry between the two solicits a conscious feminist analysis. Alas, the film is so wrapped up in defining itself as a good-time thriller that any subtextual frisson it might have had gets buried, resulting in a not-unpleasant experience that unfortunately doesn't stick.

Naked Killer (1992) – DVD

January 29, 2004Posted in1990s, Action, Authors: Walter Chaw, Crime, DVD, Hong Kong, Martial Arts, Romance, Thriller

*/**** Image B+ Sound B Extras C
starring Chingmy Yau, Simon Yam, Carrie Ng, Kelly Yiu
screenplay by Wong Jing
directed by Fok Yiu Leung

by Walter Chaw Ah, 1992. What a year for Wong Jing, as no fewer than seven of his excrescent scripts were produced and Hong Kong's answer to Jess Franco found himself behind the camera on a staggering eight more pictures. It just can't come as any surprise that there's something like creative fatigue evidenced in the man's career, and though he didn't direct Naked Killer (that dishonour fell to Fok Yiu Leung, a.k.a. Clarence Fok), the picture is only marginally better than such Wong-helmed garbage as City Hunter and Royal Tramp–mainly because it's not quite as cartoonish. A case has been made for this film being an obliterating feminist picture along the lines of I Spit on Your Grave or Mother's Day, and indeed, a tale of a band of lesbian seductress assassins who practice their deadly arts on a basement-full of rapists has the potential to say smart things about an important topic. But the execution is so unwatchable and coy that it's hard to embrace Naked Killer as either political or tellingly exploitative.

Open Range (2003) + Northfork (2003)|Open Range – DVD

January 29, 2004Posted in2000s, Action, Authors: Walter Chaw, Drama, DVD, Esoterica, Romance, Theatrical, Western

OPEN RANGE
**½/**** Image A Sound A+ Extras A-
starring Robert Duvall, Kevin Costner, Annette Bening, Michael Gambon
screenplay by Craig Storper, based on the novel The Open Range Men by Lauran Paine
directed by Kevin Costner

NORTHFORK
**½/****
starring James Woods, Nick Nolte, Claire Forlani, Duel Farnes
screenplay by Mark Polish & Michael Polish
directed by Michael Polish

Openrangeby Walter Chaw A little like Neil Diamond, Kevin Costner is an anachronism whose earnestness has landed him in Squaresville when the tragedy is that with a little tweaking in perspective, his peculiar brand of old-school earnestness might have his contemporaries looking upon him with more admiration than mirth. Costner is also the great American Gary Cooper hero archetype: tall, good-looking, dim-witted, and dull as dishwater–working almost exclusively in the realm of the sort of guileless red-blooded manifest determinism that loves mom, apple pie, horses, dogs, and guns. And why not? Costner has never stricken me, at least with his own projects, as the slightest bit condescending, his gift the reality or illusion that America's favourite simpleton is learning things at the same pace as his screenplays. His films, from Waterworld to Dances with Wolves to The Postman, are lovable for their complete lack of irony and self-reflection.

Star Trek VI: The Undiscovered Country (1991) [Special Collector’s Edition] – DVD

January 27, 2004Posted in1980s, Action, Adventure, Authors: Bill Chambers, DVD, Mystery, Sci-Fi, Star Trek, Thriller

**/**** Image B+ Sound A Extras A
starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan
screenplay by Nicholas Meyer & Denny Martin Flinn
directed by Nicholas Meyer

Trekvicapby Bill Chambers On the eve of a Klingon truce with the Federation, Spock (Leonard Nimoy), to Kirk's (William Shatner) dismay, has come out in support of said peace treaty, whose prevention would directly result in the extinction of the Klingon race. ("Let them die," Kirk, still mourning the loss of his son to the power-mad Klingons of Star Trek III: The Search for Spock, barks at his Vulcan cohort.) Recruited to host an ice-breaking pre-conference dinner for Chancellor Gorkon (David Warner) and his Klingon crew aboard Enterprise-B, Kirk proves a shabby host, loading up on Romulan ale (illegal, don'tcha know) in some attempt to conceal, excuse, or liberate his prejudice. Later that evening, as Gorkon's vessel Kronos One is fired on by photon torpedoes sourced back to the Enterprise, two figures cloaked in Federation gear assassinate the chancellor; evil General Chang (Christopher Plummer, tarted up to resemble Fu Manchu*) wastes no time in pinning the coup on Kirk and Bones (DeForest Kelley), who are promptly exiled to the gulag of icy Rura Penthe.

Le Divorce (2003) – DVD

January 25, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Romance

The Divorce
*/**** Image A- Sound B+
starring Kate Hudson, Naomi Watts, Leslie Caron, Stockard Channing
screenplay by Ruth Prawer Jhabvala & James Ivory, based on the novel by Diane Johnson
directed by James Ivory

by Travis Mackenzie Hoover Rejoice, America: now there's a movie that hates the French just as much as you do. Operating under the code name Le Divorce, it has infiltrated the ranks of the smelly Frogs, scrutinized their every failing and foible, and exposed them for the no-goodniks that recent events have proven them to be. Were the film only so good at keeping its own house in order; despite its ostentatious accusations of Gallic obtuseness, it fails to notice its own American brand of bourgeois superiority, which treats the continent and its culture as items to be collected when they're not being sold to the highest bidder. There's a lesson to be learned here, especially in these postwar times, about the nature of a certain country and its arrogance.

The Simple Life (2003) (Complete Season One) – DVD

January 25, 2004Posted in2000s, Authors: Walter Chaw, Comedy, Documentary, DVD, Television

Image A Sound A Extras C

by Walter Chaw As sociology goes, "The Simple Life" is not without cleverness. I'm not referring to the predictable meltdown of sticking Nicole Richie and Paris Hilton in the middle of the Ozarks, but rather the way in which our own prejudices about the extremes of class are manipulated with calculated cruelty. Every episode is preceded by the kind of narration that opens "The Dukes of Hazzard"–the show hates Nicole and Paris on the one hand because they represent absolutely every single evil quality that humans are capable of, and it hates the fine people of Altus, AR on the other hand because they're "simple." It's not a true test as reality shows go: after all, there are no stakes for the retarded heiresses asked to spend five weeks living the titular life who don't treat the stunt as an opportunity to improve themselves but as one to mess around at the expense of people for whom there is something at stake–like livelihood. The series would be a lot better if Nicole and Paris were threatened with being cut off from their inheritances should they act like crass, directionless, shiftless morons.

Eastern Condors (1987) – DVD

January 22, 2004Posted in1980s, Action, Adventure, Authors: Travis Mackenzie Hoover, DVD, Hong Kong, Martial Arts, War

Dung fong tuk ying
*½/**** Image B+ Sound B+ (DD)/A- (DTS)
starring Sammo Hung, Yuen Woo Ping, Mina Joyce Godenzi, Yuen Wah
screenplay by Barry Wong
directed by Sammo Hung

by Travis Mackenzie Hoover "It's The Dirty Dozen meets Rambo meets Apocalypse Now!" screams the back cover of the Sammo Hung vehicle Eastern Condors, and that's true–the film caters to all of your war/Vietnam film needs, managing to be completely parasitic of the abovementioned pictures while throwing in scenes from The Deer Hunter at no extra charge. Unfortunately, Eastern Condors doesn't also manage to be as good as any of its sources. An incongruous pairing of heavy combat violence and chirpy innocent characters, it's completely divided against itself: the wafer-thin plot renders the often impressive action scenes null while the scale of these set-pieces wipes the piddling stick-figure characters straight off the screen. And though the resulting tinny irritant is too penny-ante to be painful, the film's petty annoyances far outweigh its limited and meagre virtues.

Beyond Re-Animator (2003) – DVD

January 22, 2004Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Horror, Sci-Fi, Spain

*/**** Image B Sound B Extras B
starring Jeffrey Combs, Jason Barry, Elsa Pataky, Enrique Arce
screenplay by Jose Manuel Gomez
directed by Brian Yuzna

by Walter Chaw Dr. Herbert West (Jeffrey Combs) apparently exists now in an alternate comic book universe where, as the hero, he can have innumerable concurrent adventures that disregard developments in other instalments in the series. Interred in a maximum security dungeon in the H.P. Lovecraft multiverse (a multiverse still dabbled in recently by Re-Animator director Stuart Gordon and his underestimated Dagon), West has jettisoned schlub assistant Dan for schlub prison doctor Howard (Jason Barry) while doomed love interest duties are assumed by the comely Elsa Pataky as a spunky investigative reporter. During imprisonment, West continues his experiments in re-animating the dead, expanding his research to encompass the idea that the soul has weight (making this an unlikely companion piece to Alejandro González Iñárritu’s 21 Grams) and can be captured and replaced–echoes, of course, of “Dr. Frankenstein”‘s experiments at humanizing Bub in Day of the Dead.

Runaway Jury (2003) [Widescreen] – DVD

January 22, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Thriller

**½/**** Image B+ Sound B+ Extras A-
starring John Cusack, Gene Hackman, Dustin Hoffman, Rachel Weisz
screenplay by Brian Koppelman & David Levien and Rick Cleveland and Matthew Chapman, based on the novel by John Grisham
directed by Gary Fleder

by Walter Chaw Marked by strong performances, a liberal bias, and a few thriller conventions that work, Gary Fleder's slickefied Grisham flick Runaway Jury is slickefied Grisham flick all the same, and its cast is so huge as to threaten at every moment to be ponderous. Still, the good outweighs the bad, if only just–the picture finding a way to forget, in forgivable ways, dozens of admittedly inconsequential characters while delivering on the juicy promise of a showdown between its titans: Gene Hackman and Dustin Hoffman. (In a courthouse outhouse, no less.) At bottom and at the least, it's a lefty screed–this one against gun manufacturers–that isn't witheringly embarrassing (thinking of such miscalculated stroke jobs as The Contender, John Q, and The Life of David Gale)–and as an Austrian bodybuilder finds himself the governor of La La Land on no other merit than that he married royalty and was cunning enough to make a fortune from playing hunks of metal and pre-Christian barbarians, a left-leaning movie not similarly dimwitted and exasperating is cause for minor celebration.

Cabin Fever (2003) – DVD

January 16, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, DVD, Horror

***/**** Image A Sound A Extras B+
starring Rider Strong, Jordan Ladd, James DeBello, Cerina Vincent
screenplay by Eli Roth and Randy Pearlstein
directed by Eli Roth

by Walter Chaw Agreeably jejune in a way just north of ADHD obnoxious, Eli Roth’s shoestring splatter flick Cabin Fever is joyously prurient and disgusting in a way that recalls the early days of Sam Raimi and Peter Jackson. While not as witty as you might expect from the comparison (its humour born of the school of “trying too hard,” particularly an awkward bit at the end of the picture about the uses of a hillbilly shopkeeper’s rifle), Cabin Fever appears to be some sort of jambalaya about menstrual fear–dashes of Clive Barker’s “How Spoilers Bleed” and Stephen King’s “The Raft” mixed in with more direct references to classic splatter flicks (Night of the Living Dead, John Carpenter’s The Thing, The Texas Chain Saw Massacre, and so on–complete with David Hess’s deeply disturbing banjo score from Last House on the Left)–all wrapped up in what Joe Bob Briggs would dub the very model of the “Spam-in-a-cabin” diversion. It’s not all that scary, in other words, its outcome too inevitable to provide much in the way of tension with its built-in tension relievers–a slapstick stoner cop and a feral kid–the worst miscalculations in pacing and structure. When it works, though, it works with an invigorating ardour and intelligence that does justice to the idea that the horror genre, as an indicator species in cinema’s ecosystem, provides the keenest insight into our collective contemporary paranoia.

Swimming Pool (2003) – DVD

January 15, 2004Posted in2000s, Authors: Bill Chambers, Authors: Travis Mackenzie Hoover, Crime, Drama, DVD, France, Mystery, Thriller, UK

**/**** Image B- Sound A- Extras B-
starring Charlotte Rampling, Ludivine Sagnier, Charles Dance, Marc Fayolle
screenplay by François Ozon and Emmanuele Bernheim
directed by François Ozon

by Travis Mackenzie Hoover On evidence of the four films of his released theatrically in North America, François Ozon has two modes: a hyper-real pastiche on someone else's work ( Water Drops on Burning Rocks, 8 Women) and a more conventionally realistic gloss on his own material (Under the Sand and now Swimming Pool). I must say that I prefer the former to the latter, as there's nothing particularly radical about the director's own ideas (which often veer off into cliché) and his style, unlike in his crazy adaptations, reads nothing into the material that might redeem it from its own limitations. Swimming Pool is a classic example of this, with a listless look barely propping up a standard-issue script fit for those who fancy themselves culturally aware but were born yesterday as far as the art of the cinema is concerned.

The Wind and the Lion (1975) – DVD

January 14, 2004Posted in1970s, Action, Adventure, Authors: Walter Chaw, Drama, DVD

***/**** Image A Sound A Extras A
starring Sean Connery, Candice Bergen, Brian Keith, John Huston
written and directed by John Milius

by Walter Chaw Based extremely loosely on an actual event, John Milius’s The Wind and the Lion is better examined as a treatise, and an informed one, on America’s continuing role as an Imperialist force bullying esteem under the title of World’s Policeman. A moral right to use force to enforce ideology–a manifest belief, in fact, that the United States is an outlaw, frontier nation existing under the thinnest shine of civilization (“Bring it on” our current alpha male cowboy growls, embroiled in what he once referred to as a “crusade” in a modern Middle East)–is offered a mirror in the film first by Brian Keith’s exceptional Theodore Roosevelt, then by rakish Berber the Raisuli (Sean Connery), at war with his own Moroccan government in showdowns recalling Lawrence of Arabia tumbled with The Wild Bunch. The marriage of epic romance and the epic romanticization of brutality is, after all, the main ingredient of Milius’s work as screenwriter (Apocalypse Now, contributions to Dirty Harry and its immediate sequel, Magnum Force) and director (the underestimated Red Dawn), as well as the stuff with which the west, at least in the history books, was won.