Circle of Iron (1978) – DVD

January 11, 2005Posted in1970s, Action, Adventure, Authors: Travis Mackenzie Hoover, Blue Underground, DVD, Fantasy, Martial Arts

The Silent Flute
**½/**** Image A- Sound A Extras A-
starring David Carradine, Anthony De Longis, Carl Maynard, Erica Creer
screenplay by Stirling Silliphant and Stanley Mann
directed by Richard Moore

by Travis Mackenzie Hoover You can't exactly call The Silent Flute a good movie. This "mystical" martial-arts extravaganza, an early pet project of Bruce Lee that he abandoned after becoming too famous to care, is pompous in its pretensions and shallow in its follow-through, which under normal circumstances would damn it to well-deserved ridicule. But there's something strangely poignant about its stumblebum view of Zen, filtered as it is through a bunch of well-meaning Hollywood westerners bending over backwards to honour something they don't understand. The sheer earnestness of the thing wins your begrudging respect–it's brave enough to be what it wants to be even if it doesn't really know what that is. Somewhere, Jack Smith is smiling.

The Forgotten (2004) – DVD

January 10, 2005Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Mystery, Sci-Fi, Thriller

**½/**** Image A Sound A Extras B-
starring Julianne Moore, Dominic West, Gary Sinise, Alfre Woodard
screenplay by Gerald DiPego
directed by Joseph Ruben

Forgottendvdcapby Walter Chaw SPOILER WARNING IN EFFECT. I couldn't really understand at the time why Dark City didn't arouse imaginations. I resented the following year's The Matrix for stealing some of Dark City's thunder; I blamed a lack of vision and a general disdain for genre. Now I wonder if it wasn't a matter of the film coming out a few years ahead of its time. Maybe it was just too light for the Age of Irony. Maybe it was too apocalyptic a vision for a people who had yet to experience an apocalypse in their own backyard. But there are certain prescient pictures that point north, films like The Truman Show that I underestimated like I thought everyone else underestimated Dark City, or films that remain underestimated, such as Strange Days and Twelve Monkeys, Terry Gilliam's most uncompromising film since Brazil. It's the duty of some movies to draw the outlines in chalk, set the groundwork, dig the foundation for the way that speculative fiction will seek to define this culture in the aftermath of an inflamed fault line even before the dime drops. Just before Y2K, we dug ourselves into cinematic bunkers in preparation for some kind of technological apocalypse. Who would have suspected that the shape of our crucible would be not faulty microchips and mainframes, but assault rifles, airplanes, leadership without vision, and children without protection from leadership without vision?

The Village (2004) [VISTA Series – Widescreen] – DVD

January 10, 2005Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Directors: M. Night Shyamalan, Drama, DVD, Mystery, Thriller

½*/**** Image A Sound A+ Extras B
starring Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, William Hurt
written and directed by M. Night Shyamalan

by Walter Chaw M. Night Shyamalan’s films have become life support systems for his twists–empty, ponderous, self-righteous shells of ideas carried by cadaverous actors speaking in contraction-less sentences and spectral tones. He seems with Signs and now The Village to be espousing some kind of insane puritanical religion–call it the Church of Shyamalan, where the real world is too loutish a place for his gallery of close-mouthed martyrs, who exist in specially-created Hitchcockian microverses as airless as they are unlikely. It’s not too much of a stretch to begin to view his mission as one where he challenges his East Indian self to make his increasingly self-aggrandizing cameos as difficult as possible. Philadelphia? No problem. Hooterville, PA–a little tougher. Turn of the century Amish-town? Byzantine, to say the least.

Party of Five: The Complete First Season (1994-1995) – DVD

January 7, 2005Posted in1990s, Authors: Travis Mackenzie Hoover, Drama, DVD, Family, Television

Image B- Sound B+ Extras C+
"Pilot," "Homework," "Good Sports," "Worth Waiting For," "All's Fair," "Fathers and Sons," "Much Ado," "Kiss Me Kate," "Something Out of Nothing," "Thanksgiving," "Private Lives," "Grownups," "Not Fade Away," "It's Not Easy Being Green," "Aftershocks," "In Loco Parentis," "Who Cares?," "Brother's Keeper," "The Trouble with Charlie," "All-Nighters," "The Ides of March"

by Travis Mackenzie Hoover It's strange that the term "afterschool special" has hung on as a pejorative long after the death of the form it officially describes. But in a sense, it never really did leave us: hanging over much dramatic television is the spectre of issues raised but never dealt with, pain stated but never felt, emotions described without being expressed. There's a little Afterschool spirit in most hour-longs, hovering as they do over the abyss of controversy into which artistic personnel love to gaze and which the front office lives to deny. Still, the mid-'90s drama "Party of Five" is an especially bizarre example of this sort of bet-hedging and trading off, taking as it does hugely traumatic events and making them seem as threatening and life-changing as a trip to Disneyland. It's a spectacular display of cake-having and cake-eating-too that defines the Afterschool mentality, ensuring that it will raise issues without dealing with them honestly.

Judgment at Nuremberg (1961) [Special Edition] – DVD

January 6, 2005Posted in1960s, Authors: Walter Chaw, Drama, DVD, War

***/**** Image A Sound A Extras B
starring Spencer Tracy, Burt Lancaster, Richard Widmark, Marlene Dietrich
screenplay by Abby Mann
directed by Stanley Kramer

by Walter Chaw By the end of the Fifties, the toll of about two decades of mainstream entertainment steadfast in its studied inoffensiveness catalyzed a movement in film and televison ("The Twilight Zone", one of the most politically-charged TV series in history, launched in 1959) that, fuelled by the twin prods of the death of Louis B. Mayer (the last of the studio moguls) and the discovery of Ed Gein's naughtiness in his wood shed (both in 1957), began to redefine what it meant to be "real." (One freed the artists, the other seemed to inspire them.) The new turks of the New Hollywood were Steve McQueen and Paul Newman, a real jerk and a screen jerk, respectively–self-serving, self-satisfied Old Glory jackanapes-next-door who embodied the theory of the antihero. And they put it in context of the blue-eyed, milk-fed, horse-kicked average Joe, the guy you wanted to be or wanted to bed, not just because they were dead sexy, but also because they were the future. You cast your lot in the Sixties with the rebels and didn't do a lot of apologizing for it.

Smithereens (1982) + The Ranch (2004) [Unrated and Uncut] – DVDs

January 4, 2005Posted in1980s, 2000s, Authors: Travis Mackenzie Hoover, Blue Underground, Canada, Comedy, Drama, DVD, Music, Television

SMITHEREENS
***/**** Image A Sound A Extras A-
starring Susan Berman, Brad Rinn, Richard Hell
screenplay by Ron Nyswaner
directed by Susan Seidelman

THE RANCH
**/**** Image A- Sound B
starring Jennifer Aspen, Giacomo Baessato, Jessica Collins, Samantha Ferris
screenplay by Lisa Melamed
directed by Susan Seidelman

by Travis Mackenzie Hoover I’m not quite sure what there is to gain from a juxtaposition of director Susan Seidelman’s first and most recent efforts. For one thing, the conditions under which the low-budget, self-willed Smithereens was made would hardly resemble those of the Showtime-commissioned The Ranch. For another, the two pictures exist on totally different aesthetic grounds: Smithereens was part of the nascent New York independent film scene that would later give us Jim Jarmusch and Spike Lee, whereas The Ranch exists in the semi-artistic environment cable television tends to foster. Mostly, the comparison is just a sad example of promise unfulfilled–a comment, perhaps, on the fate that awaits hot filmmakers once they cease to whip the turnstiles into a blur.

First Daughter (2004) – DVD

December 30, 2004Posted in2000s, Authors: Bill Chambers, Authors: Walter Chaw, Comedy, Drama, DVD, Romance

**/**** Image A Sound A Extras C
starring Katie Holmes, Marc Blucas, Amerie, Michael Keaton
screenplay by Jessica Bendinger and Kate Kondell
directed by Forest Whitaker

by Walter Chaw Forest Whitaker's First Daughter is so much better than the other two films this year dealing with the distaff fruit of the loins of the most powerful man in the free world (i.e., David Mamet's Spartan and Andy Cadiff's Chasing Liberty) that it's easy to make the mistake that the film is worth much of a damn. The sad fact of it is, there's nothing much at the centre of this babysitter's-club artifact. Saving it from the dustbin of total inconsequence, if only just, is its essential sense of decency and, of course, star Katie Holmes. She's not so much gifted, I think, as genuine-seeming–despite one's better judgment, you find yourself wishing her well. Holmes is able to batter defenses; the stratosphere isn't for her, but Anne Baxter had a pretty nice career, all things considered.

Species III (2004) [Unrated Edition] + Resident Evil: Apocalypse (2004) [Special Edition] – DVDs

December 27, 2004Posted in2000s, Action, Authors: Walter Chaw, Canada, DVD, France, Germany, Horror, Japan, Sci-Fi, Thriller, UK, Zombie

SPECIES III
*/**** Image B Sound B Extras C
starring Robin Dunne, Robert Knepper, Amelia Cooke, J.P. Pitoc
screenplay by Ben Ripley
directed by Brad Turner

RESIDENT EVIL: APOCALYPSE
½*/**** Image A Sound A Extras B
starring Milla Jovovich, Sienna Guillory, Oded Fehr, Thomas Kretschmann
screenplay by Paul W.S. Anderson
directed by Alexander Witt

by Walter Chaw There used to be only two avenues for women in the modern, post-Black Christmas horror genre: they could be the bimbo at the end of the machete, or the virgin wielding one at the end of the movie. After rape/revenge stuff like I Spit on Your Grave and Ms. 45 (and, ultimately, Aliens), though, it became possible for women to be men from the first frame of their ordeals instead of incurring steady masculinization throughout the course of some torturous, highly structured pursuit. What made Roger Donaldson's Species (1995) so interesting is that it transformed the woman's biological urge into the sui generis of the premise: The bad guy in Species was a bad girl named Sil, and Sil wanted to mate really bad (and really badly). But just like her brothers in slasherdom (Jason Vorhees, Michael Myers, Freddy Krueger), that will-to-fuck is largely unrealized–enough so that most academic reads of this horror subgenre involve the acting out of priapic males unable to reach climax through a variety of phallic substitutes. This is acknowledged in The Texas Chainsaw Massacre 2 as Leatherface's titular dick runs out of gas between a girl's legs–and the would-be victim knowing the score strokes it anyway, soothing his bruised male ego.

The Office Special (2003) – DVD

December 23, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Drama, DVD, Pseudo-Documentary, Television, UK

Image A- Sound A Extras B+

by Travis Mackenzie Hoover I suppose the hot streak had to end sometime: "The Office" was so meticulously detailed, so vividly characterized, and so totally uncompromising in making you feel the agony of workaday life, that it can perhaps be forgiven for wanting to give back to the characters it had so spectacularly abused and humiliated. Thus we have "The Office Special", which is smart enough to know that the ride on the gravy train is over but can't bear to leave our heroes in limbo and thus forces a closure that violates everything the series stood for. It's still "The Office" and it's still worth watching, but its movement towards climactic release is incongruous after the two years of droning sameness that went on–hilariously–with no end in sight.

The Princess Diaries 2: Royal Engagement (2004) [Widescreen] – DVD

December 21, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Comedy, Disney, DVD, Family, Romance

*/**** Image B+ Sound B+ Extras C-
starring Anne Hathaway, Heather Matarazzo, John Rhys-Davies, Julie Andrews
screenplay by Shonda Rhimes
directed by Garry Marshall

by Travis Mackenzie Hoover I had rather hoped that my previous DVD tussle with Garry Marshall, on the subject of his The Princess Diaries, would be my last. But here it is five months later, and I'm stuck with the unenviable task of a) watching and b) working up the enthusiasm to write about The Princess Diaries 2: Royal Engagement, which is, if anything, worse than the not-so-original original. Again we have a hypocritical be-yourself message for people whose self is largely determined by what they see on the Disney channel, a horrible white-on-tan colour scheme, graceless design, and shallow characterizations–in other words, everything that made the first film such a chore to sit through. But where The Princess Diaries felt complete in its cornball wish-fulfillment, The Princess Diaries 2 is clearly an afterthought made to wring more cash out of impressionable tweens. You and I are smarter than that; one of us should flee in terror.

Open Water (2004) [Widescreen] – DVD

December 20, 2004Posted in2000s, Adventure, Authors: Bill Chambers, Authors: Walter Chaw, Drama, DVD, Horror, Thriller

**/**** Image A- Sound A- Extras B
starring Blanchard Ryan, Daniel Travis, Saul Stein, Estelle Lau
written and directed by Chris Kentis

Openwaterdvdcapby Walter Chaw The idea is that we've grown arrogant in our luxury, that we're a generation fattened on cell phones, the Internet, and the double-edged sword of 24-hour convenience. 1999's
has become sort of a favoured whipping boy of this spoiled culture (nothing breeds contempt like success), but what's missing in the backlash is the idea that the picture, besides being a seminal indie cross-marketing exercise, predicted the new wave of aggressively nihilistic horror films in our post-millennial/post-9/11 canvas. More literally, The Blair Witch Project dealt with our status off the proverbial reservation, counting the layers of technology with which we insulate ourselves from the capricious vagaries of reality and nature like rings on a felled tree. "There are more things in Heaven and Earth, Horatio, than are dreamt of in your science," indeed–things like witches.

Grande école (2004) – DVD

December 16, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Drama, DVD, France, Romance

**/**** Image B+ Sound B Extras A-
starring Gregori Baquet, Jocelyn Quivrin, Arthur Jugnot, Alice Taglioni
screenplay by Robert Salis, based on the play "Editions Actes Sud Papiers" by Jean-Marie Besset
directed by Robert Salis

by Travis Mackenzie Hoover It's often interesting to watch people try to justify their actions–especially when they themselves know that what they're doing is wrong. Such is the case with Robert Salis's Grande école, a film that shortchanges class in its attempts to address sexual identity. Its saga of an upper-middle-class snob and his love for, among others, an Arab labourer, wants desperately to do the right thing as far as social levelling is concerned, but it's too impressed with its own benevolence to really serve much purpose. The main event is always its hero's conflicts, in particular his desire to remove the shackles of his upbringing–his illicit love is more a prod to his essential goodness than it is a genuine challenge to privilege. But if Grande école fails as a critique, it succeeds as a weird conflicted thing making excuses for itself.

Ginger Snaps Back: The Beginning (2004) – DVD

December 14, 2004Posted in2000s, Authors: Walter Chaw, Canada, Drama, DVD, Horror, Werewolf

**/**** Image A Sound A Extras B
starring Katharine Isabelle, Emily Perkins, JR Bourne, Tom McCamus
screenplay by Christina Ray and Stephen Massicotte
directed by Grant Harvey

by Walter Chaw Ravenous but not funny, the clumsily-titled Ginger Snaps Back: The Beginning takes the venerable Canadian she-wolf franchise and, in Canuck fashion, de-sexualizes it by suggesting that the appearance of two relatively nubile lasses at an isolated fort populated entirely by men rouses no passions beyond a metaphorical anxiety of invasion from without. The females in horror films tend to be the consumptive dank underground–in slashers specifically, they're the avatar for teen-boy fantasies of revenge. But in Ginger Snaps Back, they're neither avatar nor holy object, really, just catalysts for the interpersonal dramas of male settlers. The implications are many, most strident among them the unavoidable one that in Canadian cinema, sex is either perfunctory, ugly, forced, or involves a dead person. We've come a long way from the budding sexuality of the first Ginger Snaps film–all the way to an almost complete evasion of both the Orientalism in a medium-hot near-tryst wet dream with a Native American warrior and subsumed homosexual buddy lust. This despite the menstrual implications so cannily established by the franchise.

The Beverly Hillbillies (1993) – DVD

December 13, 2004Posted in1990s, Authors: Travis Mackenzie Hoover, Comedy, DVD, Family

*/**** Image B+ Sound B-
starring Diedrich Bader, Dabney Coleman, Erika Eleniak, Cloris Leachman
screenplay by Lawrence Konner & Mark Rosenthal and Jim Fisher & Jim Staahl
directed by Penelope Spheeris

by Travis Mackenzie Hoover I could tell you plenty of things about The Beverly Hillbillies. That it's based on the beloved Buddy Ebsen sitcom (a fact which pretty much thins the ranks of those who will tolerate it), for instance. That it features Jim Varney in Ebsen's place as Jebediah Clampett, a farmer who heads out to California with his family in tow after striking the mother lode of oil. That once the Clampetts arrive in the land of "swimming pools [and] movie stars," the mission is to a) find a fiancée for widowed Jeb, and b) domesticate the tomboyish Ellie May (Erika Eleniak). Or that these bits of information are used by a couple of schemers (Rob Schneider and Lea Thompson) to bilk the Clampetts–including Jeb's strapping son Jethro (Diedrich Bader, looking appropriately dim)–out of their newly-acquired millions. But ultimately, the only piece of information you require is that The Beverly Hillbillies is about as funny as a mugging, or an armed robbery, or "The Family Circus"–everything else is irrelevant.

The Marx Brothers: Silver Screen Collection – DVD

December 13, 2004Posted in****/****, 1920s, 1930s, Authors: Walter Chaw, Comedy, DVD, Musical

THE COCOANUTS (1929)
**½/**** Image C- Sound C-
with Oscar Shaw and Mary Eaton
screenplay by Morrie Riskind, based on the play by George S. Kaufman
directed by Robert Florey and Joseph Santley

ANIMAL CRACKERS (1930)
***/**** Image C Sound C
with Lillian Roth and Margaret Dumont
screenplay by Morrie Ryskind
directed by Victor Heerman

MONKEY BUSINESS (1931)
***½/**** Image B+ Sound C+
with Rockliffe Fellowes and Harry Woods
screenplay by S.J. Perelman and Will B. Johnstone
directed by Norman McLeod

HORSE FEATHERS (1932)
****/**** Image C+ Sound B
with Thelma Todd and David Landau
screenplay by Bert Kalmar and Harry Ruby and S.J. Perelman and Will B. Johnstone
directed by Norman McLeod

DUCK SOUP (1933)
****/**** Image B+ Sound B
with Margaret Dumont and Raquel Torres
screenplay by Bert Kalmar and Harry Ruby and Arthur Sheekman and Nat Perrin
directed by Leo McCarey

by Walter Chaw Popular wisdom holds that the Marx Brothers were best at Paramount, before the public disapproval of their satirical masterpiece Duck Soup sent them fleeing with proverbial tails between their legs to MGM and an ignoble end in a series of progressively worse, studio-sterilized soft-shoe routines. But the truth is that the Marxes didn’t hit their stride until at least their third picture for Paramount, Monkey Business: the first couple of flicks (The Cocoanuts and Animal Crackers) are laden by the team’s dependence on played-out stage productions and the “oh my god” quality of the early talkie, in which actors played to microphones hidden in flower pots, extras stared straight at the camera, and the florid gestures of the theatre were adhered to with pathological devotion.

I Confess (1953) – DVD

December 12, 2004Posted in****/****, 1950s, Authors: Walter Chaw, Canada, Crime, Directors: Alfred Hitchcock, Drama, DVD, Thriller

****/**** Image B Sound B Extras B
starring Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne
screenplay by George Tabori and William Archibald
directed by Alfred Hitchcock

by Walter Chaw Just the visual beauty of Alfred Hitchcock's I Confess speaks volumes for its inclusion on the short list of the master's masterpieces. This is one of the most astonishing-looking films in all of black-and-white cinematography, its palette of greys a veritable vice press on the already-quailing Montgomery Clift. A late, breathtaking montage wherein Clift, walking the streets of Quebec (filmed on location by the great Robert Burks), crosses a silhouette of a statue of Christ on His last walk to Calvary defines by itself character and theme: Hitchcock's wrong-man obsession clarified as Catholic guilt transference. The power of Hitchcock's best films is a potent mixture of audacious cinematic genius and the suspicion that original sin makes mistaken identity merely the intrusion of cosmic judgment. (It's inevitable and you must have done something at some point to deserve it, besides.) There's something greater at work in Hitchcock's films, the presence of the director asserting itself always–and a connection is struck in I Confess between that directorial control and a sort of implacable karmic omnipresence. For Hitch, filmmaking is Old Testament stuff, and I Confess is a little of that old-time religion.

Sleepover (2004) [Special Edition] – DVD

December 1, 2004Posted in2000s, Authors: Walter Chaw, Comedy, DVD, Family, Romance

*/**** Image A Sound A Extras C-
starring Alexa Vega, Mika Boorem, Jane Lynch, Sara Paxton
screenplay by Elisa Bell
directed by Joe Nussbaum

Sleepoverdvdcapby Walter Chaw Okay, I admit it: I'm fascinated by Joe Nussbaum's squirmy, sleazy Sleepover, a comedy for kids so queasy in its conception and execution that I'm reasonably certain it qualifies as child abuse in most states. It's not as bad as the Olsen Twins' New York Minute, mainly because it isn't disgustingly racist in addition to disturbingly paedophilic–but I have a sneaking suspicion that Sleepover engages in with some measure of cunning what New York Minute engages in recklessly. It's thus better than the evil 13 Going on 30 as well, though not nearly as good as the only so-so Mean Girls, marking it as one of those pieces of swill whose chief claim to glory is that it's subversive for adult audiences. Tragically, Sleepover is pitched at 'tweens, and the only adults likely to see it are either parents stupid enough to rent it to watch with their children or critics stupid enough to review it themselves in lieu of running Kevin Thomas's predictably lonesome positive review off the wire.

National Lampoon’s Christmas Vacation 2: Cousin Eddie’s Island Adventure (2003); National Lampoon’s Holiday Reunion (2003); Dorm Daze (2004) – DVDs

November 29, 2004Posted in2000s, Authors: Travis Mackenzie Hoover, Canada, Comedy, Crime, DVD, Mystery, Romance, Television

Christmas Vacation 2: Cousin Eddie's Island Adventure
½*/****
 Image B Sound B Extras F
starring Randy Quaid, Miriam Flynn, Dana Barron, Jake Thomas
screenplay by Matty Simmons
directed by Nick Marick

Thanksgiving Family Reunion
ZERO STARS/**** Image B+ Sound B
starring Bryan Cranston, Judge Reinhold, Hallie Todd, Penelope Ann Miller
screenplay by Marc Warren & Dennis Rinsler
directed by Neal Isreal

DORM DAZE
*/**** Image A- Sound A- Extras C
starring Tatyana Ali, Botti Bliss, James DeBello, Marieh Delfino
screenplay by Patrick Casey, Worm Miller
directed by David Hillenbrand and Scott Hillenbrand

by Travis Mackenzie Hoover Did anybody ever actually read NATIONAL LAMPOON? That question occurred to me while contemplating the idea of reviewing three recent, awful exploitations of the magazine's name, and I came to the conclusion that I've never met anybody who in fact had. Maybe I was slightly too young to know the rag's heyday, for all I remember were the movies stamped with their logo–and it's largely through the popularity of Animal House and the Vacation series that most of the non-snarky population felt their influence. Whatever its content as a publication, it sold tickets for a good stretch–but decades have passed and the Lampoon brand has lost its currency, meaning it's been largely reduced to whoring itself out to low-grade imitations of past successes. Thus we have the ignominy of National Lampoon's Christmas Vacation 2 (relegated to television), Holiday Reunion (cable), and Dorm Daze (more or less straight-to-video), all of which cost money better spent on special editions of National Lampoon's glory-days titles.

Dawson’s Creek: The Complete Fourth Season (2000-2001) – DVD

November 29, 2004Posted in2000s, Authors: Bill Chambers, Coming of Age, Drama, DVD, Teen, Television

Image B- Sound B+ Extras B-
"Coming Home," "Failing Down," "Two Gentlemen of Capeside," "Future Tense," "A Family Way," "Great Xpectations," "You Had Me at Goodbye," "The Unusual Suspects," "Kiss Kiss Bang Bang," "Self Reliance," "The Tao of Dawson," "The Te of Pacey," "Hopeless," "A Winter's Tale," "Four Stories," "Mind Games," "Admissions," "Eastern Standard Time," "Late," "Promicide," "Separation Anxiety," "The Graduate," "Coda"

by Bill Chambers SPOILER WARNING IN EFFECT. "Dawson's Creek" recuperated from the departure of Kevin Williamson in time to mastermind the series' shrewdest tangent yet, that which brought Joey (Katie Holmes) and Pacey (Joshua Jackson) together as boyfriend/girlfriend. Stoking the fourth and smoothest season of the show, the growing pains of that initially illicit union are deftly drawn within the parameters of entertainment for–I shan't kid myself–the young and the docile. Indeed, year four of "Dawson's Creek" is arguably the first (and, unfortunately, indisputably the last) in which all of the protagonists are recognizably human at regular intervals–even the series floaters are not their customarily boorish selves, with the exception of a snobby yacht club proprietor (Carolyn Hennesy) whom the creators just as admirably demonstrate no urge to redeem. (Of course, they can't resist a few geek-revenge moments at her expense.) Most of the season's missteps are, tellingly, not only a by-product of striking out into fairly virgin territory (literally, in some cases), but also harbingers as ominous as black cats and broken mirrors of "Dawson's Creek"'s downward spiral once the action moved from fictional Capeside to refinished sets posing as Boston.

Eloise at Christmastime (2003) – DVD

November 26, 2004Posted in2000s, Adventure, Authors: Travis Mackenzie Hoover, Christmas, Comedy, Disney, Drama, DVD, Family, Television, UK

***/**** Image B Sound B+ Extras B+
starring Julie Andrews, Sofia Vassilieva, Kenneth Welsh, Debra Monk
screenplay by Elizabeth Chandler, based on the book written by Kay Thompson & illustrated by Hilary Knight
directed by Kevin Lima

by Travis Mackenzie Hoover Last year around this time, I was expressing my surprise (and perhaps embarrassment) at having actually enjoyed Disney's first Eloise TV movie, Eloise at the Plaza. For once, the Mouse House had perpetrated something that was cleverly conceived, skilfully shot, and lacking in the mushy sentiment that oozes out of many a Disney enterprise. But the jaded cynic in me was wary of the sequel, Eloise at Christmastime, which, if only to salvage my integrity, I hoped would be a cheap quickie riding on the success of the original. No such luck: Eloise at Christmastime is every bit the effervescent piece of fluff that its predecessor is. Once again director Kevin Lima has sized up the limitations of the material and obscured them with a fleet-footed visual wit, creating one of the few Christmas specials you can watch without wincing.